"Un Grec, Doi Greci, Trei Greci… Brăila"
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Dionysiac and Pyrrhic Roots and Survivals in the Zeybek Dance, Music, Costume and Rituals of Aegean Turkey
GEPHYRA 14, 2017, 213-239 Dionysiac and Pyrrhic Roots and Survivals in the Zeybek Dance, Music, Costume and Rituals of Aegean Turkey Recep MERİÇ In Memory of my Teacher in Epigraphy and the History of Asia Minor Reinhold Merkelbach Zeybek is a particular name in Aegean Turkey for both a type of dance music and a group of com- panions performing it wearing a particular decorative costume and with a typical headdress (Fig. 1). The term Zeybek also designates a man who is brave, a tough and courageous man. Zeybeks are gen- erally considered to be irregular military gangs or bands with a hierarchic order. A Zeybek band has a leader called efe; the inexperienced young men were called kızans. The term efe is presumably the survivor of the Greek word ephebos. Usually Zeybek is preceded by a word which points to a special type of this dance or the place, where it is performed, e.g. Aydın Zeybeği, Abdal Zeybeği. Both the appellation and the dance itself are also known in Greece, where they were called Zeibekiko and Abdaliko. They were brought to Athens after 1922 by Anatolian Greek refugees1. Below I would like to explain and attempt to show, whether the Zeybek dances in the Aegean provinces of western Turkey have any possible links with Dionysiac and Pyrrhic dances, which were very popular in ancient Anatolia2. Social status and origin of Zeybek Recently E. Uyanık3 and A. Özçelik defined Zeybeks in a quite appropriate way: “The banditry activ- ities of Zeybeks did not have any certain political aim, any systematic ideology or any organized re- ligious sect beliefs. -
Mad Radio 106,2
#WhoWeAre To become the largest Music Media and Services organization in the countries we operate, providing services and products which cover all communication & media platforms, satisfying directly and efficiently both our client’s and our audience’s needs, maintaining at the same time our brand's creative and subversive character. #MISSION #STRUCTURE NEW MEDIA TV EVENTS RADIO WEB INTERNATIONAL & SERVICES MAD 106,2 Mad TV www.mad.gr DIGITAL VIDEO MUSIC MadRADIO Mad TV CYPRUS GREECE MARKETING AWARDS Mad HITS/ CONTENT Mad TV MADWALK 104FM SOCIAL MEDIA OTE Conn-x SERVICES ALBANIA Mad GREEKζ/ MAD MUSIC ANTENNA EUROSONG NOVA @NOVA SATELLITE MAD PRODUCTION NORTH STAGE Dpt FESTIVAL YouTube #TV #MAD TV GREECE • Hit the airwaves on June 6th, 1996 • One of the most popular music brands in Greece*(Focus & Hellaspress) • Mad TV has the biggest digital database of music content in Greece: –More than 20.000 video clips –250.000 songs –More than 1.300 hours of concerts and music documentaries –Music content database with tens of thousands music news, biographical information –and photographic material of artists, wallpapers, ring tones etc. • Mad TV has deployed one of the most advanced technical infrastructures and specialized IT/Technical/ Production teams in Greece. • Mad TV Greece is available on free digital terrestrial, cable, IPTV, satellite and YouTube all over Greece. #PROGRAM • 24/7 youth program • 50% International + 50% Greek Music • All of the latest releases from a wide range of music genres • 30 different shows/ week (21 hours of live -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Dead Heroes and Living Saints: Orthodoxy
Dead Heroes and Living Saints: Orthodoxy, Nationalism, and Militarism in Contemporary Russia and Cyprus By Victoria Fomina Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisors: Professor Vlad Naumescu Professor Dorit Geva CEU eTD Collection Budapest, Hungary 2019 Budapest, Hungary Statement I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and / or published by any other person, except where appropriate acknowledgement is made in the form of bibliographical reference. Victoria Fomina Budapest, August 16, 2019 CEU eTD Collection i Abstract This dissertation explores commemorative practices in contemporary Russia and Cyprus focusing on the role heroic and martyrical images play in the recent surge of nationalist movements in Orthodox countries. It follows two cases of collective mobilization around martyr figures – the cult of the Russian soldier Evgenii Rodionov beheaded in Chechen captivity in 1996, and two Greek Cypriot protesters, Anastasios Isaak and Solomos Solomou, killed as a result of clashes between Greek and Turkish Cypriot protesters during a 1996 anti- occupation rally. Two decades after the tragic incidents, memorial events organized for Rodionov and Isaak and Solomou continue to attract thousands of people and only seem to grow in scale, turning their cults into a platform for the production and dissemination of competing visions of morality and social order. This dissertation shows how martyr figures are mobilized in Russia and Cyprus to articulate a conservative moral project built around nationalism, militarized patriotism, and Orthodox spirituality. -
TOMASZ FRASZCZYK Greeklish – on the Influence of New
TOMASZ FRASZCZYK Greeklish – on the Influence of New Communication Technologies and New Media on the Development of Contemporary Greek KEY WORDS Greeklish, Greece, language, writing, media ABSTRACT The growing importance of English in the Western cultural circle is also an issue in the countries of the Mediterranean Sea. Research in the region shows that with the increasing popularity of electronic communication, especially with the use of SMS, the development of new media and the market offensive of social media like Facebook and Twitter, Greek is influenced not only by English, but also by Latinization, a process which has been termed Greeklish. The article presents a short history of Greek, as an introduction to its current development in the context of Greeklish. Its characteristics and origins in Greek writing are illustrated with the most representative examples from press, television and internet sites, along with typologies. The research outcome of documenting different aspects of using Greeklish have been discussed, as well as the most important issues in discussions taking place in Greece on possible consequences of this phenomenon on the development of Greek. The growing importance of English in countries of the Western culture is a phenomenon, which has also influenced the region of the Mediterranean Sea, among it Greece and Cyprus. The Anglicisation of the Greek language, but also of Polish, takes place by including English words in common, everyday use (e.g. weekend, lunch), structural borrowings1 or giving proper names in English (e.g. “Sea Towers” in Gdynia or “Wiśniowy Business Park” in Warsaw), and is only a certain element of the transformation process of contemporary Greek. -
New York City
Greased Networks, Inc. www.mpGreek.com / www.mpGreek.gr New York City -- Tuesday, June 21st , 2005 mpGreek and SonyBMG sign deal to offer Greek music downloads NEW YORK, June 21st, 2005 / / mpGreek®, the global leader in Greek digital music services, today announced that it has signed a deal with SonyBMG Greece to sell SonyBMG’s digital downloads in Greece. mpGreek is the first Greek digital music service to sign with a multinational Record Label. Under this new agreement, a selection of SonyBMG repertoire will be included in mpGreek’s ‘a la carte’ digital download service. All SonyBMG repertoire will be served centrally by mpGreek directly to its users and will be protected with digital rights management software and will allow mpGreek users to burn a limited number of CD copies and export tracks to portable devices. The music of Anna Vissi, Antonis Remos, Kaiti Garbi, Mario Frangoulis, Helena Paparizou, Eleni Tsaliopoulou, Manolis Lidakis, Natassa Theodoridou and many more will now become available for the first time for digital downloads in Greece. Alexis Kombogiannis, Managing Director and Co-Founder of mpGreek said: “SonyBMG is the first of the major labels to partner with mpGreek and we’re proud to offer legal, competitively priced downloads to mpGreek customers. The addition of the SonyBMG catalogue to the 25,000 tracks we already have available is great news for Greek music fans who value quality music and quality recordings.” Mr. Dimitris Yarmenitis, Managing Director, SonyBMG Greece commented: “SonyBMG Greece always tries to find new and exciting ways in order to make the music of its artists available to consumers. -
Evdokia's Zeibekiko
European Scientific Journal December 2017 edition Vol.13, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 The Bouzouki’s Signifiers and Significance Through the Zeibekiko Dance Song: "Evdokia’s Zeibekiko" Evangelos Saragatsis Musician, Secondary Education Teacher, Holder Of Postgraduate Diploma Ifigeneia Vamvakidou Professor at the University of Western Macedonia, Greece Doi: 10.19044/esj.2017.v13n35p125 URL:http://dx.doi.org/10.19044/esj.2017.v13n35p125 Abstract The objective of this study is to identify the signifiers and significance of the Zeibekiko dance, and those of the bouzouki itself, to a further extent, as they emerge through research conducted in the relevant literature, and which is anchored to those signifiers, as they are highlighted through their presence in material that is obtained from movies. The semiotic analysis of the film “Evdokia”, by A. Damianos (1971), is the research method that is followed. In this context, the main focus is placed on the episode/scene, where Evdokia’s Zeibekiko is displayed on stage. This ‘polytropic’ (polymodal) material that consists of listening to, viewing, playing music, and dancing encompasses a large variety of musicological and gender signifiers that refer to the specific era. The model followed is that of Greimas (1996), as it was used by Lagopoulos & Boklund-Lagopoulou (2016), and Christodoulou (2012), in order to point out those characteristic features that are expressed by the bouzouki, as a musical instrument, through a representative sample of the zeibekiko dance, as it is illustrated in the homonymous film. The analysis of images, as well as of the language message, lead to the emergence of codes, such as the one referring to the gender, and also the symbolic, value, and social codes, and it is found that all these codes agree with the introductory literature research conducted on the zeibekiko dance and the bouzouki. -
(Inclusive of This Abstract) and Can Be Used As a Template
Bulletin of Micro and Nanoelectrotechnologies January 2019, vol. IX, no. 1 - 2 A publication of the National Institute for Research and Development in Electrical Engineering ICPE-CA Bucharest (INCDIE ICPE-CA) Editorial Board Scientific Staff Alexandru Aldea - National Institute of Material Physics, Bucharest, Romania Robert Allen, University of Southampton, UK Leonardo G. Andrade e Silva - Institute for Nuclear Energy Research, Av. Prof. Lineu Prestes, São Paulo, Brazil Ioan Ardelean - Academy Romanian Institute of Biology, Bucharest, Romania Marius Bâzu – National Institute for R&D in Microtechnologies Bucharest, Romania Constantin Brezeanu - Faculty of Electronic, University Politehnica of Bucharest, Romania Maria Cazacu – “Petru Poni” Institute of Macromolecular Chemistry of Romanian Academy, Iasi, Romania Mircea Chipară - The University of Texas Pan American, Physics and Geology Department, USA Sorin Coţofană - The Deft University, The Netherlands Olgun Güven - Hacettepe University, Department of Chemistry, Polymer Chemistry Division, Ankara, Turkey Elena Hamciuc – “Petru Poni” Institute of Macromolecular Chemistry of Romanian Academy, Iasi, Romania Wilhelm Kappel - INCDIE ICPE-CA, Bucharest, Romania Yoshihito Osada - Hokkaido University, Riken Advanced Science Institute, Japan Mircea Rădulescu – Technical University of Cluj-Napoca, Romania Yoshiro Tajitsu - Kansai University, Japan Cristian Teodorescu – National Institute of Material Physics, Bucharest, Romania Elena Trif – Institute of Biochemistry of Romanian Academy, -
Dear Friends, Please Find Herebelow Latest Eugreeka Newsletter for Your
Dear Friends, Please find herebelow latest euGreeka newsletter for your information. Best Regards, Patty Apostolopoulou On behalf of the Hellenic Engineers Society of Great Britain Hello there. Newly announced events in this week’s euGreeka newsletter with all things Greek include a concert in London with Antonis Remos, an hommage to rebetiko inspired by the legacy of Roza Eskenazi, the official opening of the tenth season of the Hellenic Nights parties and an evening with the genius that is Demis Hassabis. EVENTS Antonis Remos live in London Sunday, 2 November 2014 | Featured Events, Music - Dance Antonis Remos comes to London on Sunday, 2 November 2014. He will appear at The Forum, Kentish Town, 9 - 17 Highgate RD, NW5 1JY Presented by Prive Productions. Find tickets here. More details... Vassilis Karras live in London Saturday, 25 October 2014 | Featured Events, Music - Dance The one and only Vassilis Karras is finally coming to London. Get ready to welcome him on Saturday the 25th October. The venue will be the 5-star Park Plaza Westminster Bridge Hotel. (200 Westminster Bridge Road, SE1 7UT) For reservations call 07724863576. Presented by... Yorgos Lanthimos: Kinetta Sunday, 21 September 2014; 5:30-8:00pm | Featured Events, Theatre - Film Acclaimed Greek director Yorgos Lanthimos of Dogtooth 2009 and Alps 2011, will present his rarely screened first film Kinetta 2005. Kinetta, a Greek desolate resort town, inhabited during the off-season by migrant workers. Lanthimos studies the cryptic activities of an... Nana Mouskouri: “Happy Birthday Tour” Thursday, 25 & Monday, 29 & Tuesday, 30 September 2014 | Featured Events, Music - Dance, Out of London Thursday 25th September – London Royal Albert Hall Monday 29th September – Glasgow Royal Concert Hall Tuesday 30th September – Manchester Bridgewater Hall Nana Mouskouri will return to the Royal Albert Hall as part of her extended Happy Birthday Tour, celebrating.. -
Kiosk Wars/CD Review
December 1, 2010 Hi John- Here are the CD reviews for the Januaary 2011 issue. I'll be by your office later today to give you the CD covers for scanning. Sending file as back up. Talk soon, Perri Kiosk Wars: The Big Guns Battle for Minimarket Shelf Space Perri Pagonis [email protected] The music industry has gone through such dramatic changes in the past twenty years, that it’s hard to keep track of what’s happening with the record companies at any given moment. Vinyl records, although widely accepted by audiophiles as the most satisfying way to hear recorded music, is for collectors and DJs only. CDs are still the storage medium being most widely manufactured and distributed, however, they are becoming more technologically passé on a daily basis. Downloading digital music off of the Internet in MP3 and other forms is the current youth rage, but kids seem to download scads of stuff on a whim, often times an artist’s entire oeuvre in one fell swoop, and then forget to listen to it. The MySpace phenomenon on the web has made any band’s music, I mean any band’s music, from Micronesian punk rock goofball stuff to selected arias from monumental Italian opera stars, available to download into your computer’s hard disk in seconds. As the age of global stadium stars has dwindled down to a mere handful of selected acts: Rolling Stones, Madonna, U2, AC/DC, Metallica etc, so too has the Greek music scene splintered into a few revered giants and hordes of mewling newbies. -
Hacrerroptzrutn Lrlen St Brighton by This Date
?{ I I , Social lQeport Tavern Night at Ellinis Tavern was a great success, those of whom attended had a wonderful night The evening finished in thewee hours of the morning. Anotherfunction has been requested atthe same tavern, in a couple of months time by all those who 0 ss abnded. Qreek €ommunity $rand eentenary $all 0n Saturday 23rd August, 1997 atthe Palladirim Ballroom of the Crown Entertainment Complex, the Queensbridge St, Melbourne. 7.00pm starL Sticfly NEWSLETTER Black Tie. of the CASTELLORIZIAN As fte Castellorizian Associaton has only been ASSOCIATION allocated 6 tables of 1 0 persons we have been OF VICTORIA requested payrnent in full by the 28th July. Please fonruard your cheques on to: Dianne Spartels 34 Cole HacreRRoPtzrutn lrlen St Brighton by this date. Those who have booked tables to collectpaymentin full for each table of (10) at POSTAL ADDRESS: $1 00perhead (ph. 95968610-0414 596861). P,O. BOX I ]2, SOUTH MELBOURNE, S2Os EDITED BY: Sts. Qonstantine cfr. Helen Day MICHAEL SPARTELS remarkable attendadce was ach ieved at our rece nt THE BOARD OF DIRECTORS StConstantinb and Helen's Daycelebration held on 25fi May 1997. EXECUTIVE COMMITTEE: P resident: Mlchoel Sportels The day commenced wittr a church service at St Vice P reddenf.' Anno Adgemis Constantne and Helen Church (Sth Yana). Many of Secrctory: Sondro Vorvodic our members atended the ch urch service togetherwith freosurer: Jock Miriklis two of our lovely young members Joanna and Maree Asslsfon I Sec rcta ry/ Socl ol Sec ,e.to ry Adgemis who were dressed in traditionalcostumes. Dlonne Sportels Fafier Dimifidelivered an inspired speech on BOARD MEMBERS: Castellorizians in ge neral an d con gratulated Jack Betty Adgemls, - John A, Adgemts Bisas upon his seleclion as Castellorizian of the Year Jlm Verginis - Chrls Colmer 1997. -
(Greek) 'Woman': Some Current Predicates
View metadata, citation and similar papers at core.ac.uk brought to you by CORE The category (Greek) ‘woman’: Some current predicates Marianthi Makri-Tsilipakou Aristotle University of Thessaloniki [email protected] Abstract Σhis study applies the concept of Membership Categorization Device (MCD), as proposed by Sacks (1992), to the study of authentic data culled from a variety of contexts. It looks for category-bound activities and other related predicates, such as rights, entitlements, obligations, knowledge, attributes and competencies that the (female) incumbents invoke themselves or are imputed to them by other members. The aim is to, hopefully, offer a view on the current categorization of (Greek) femininity, and detect any changes that might have occurred in actual interaction, against the purportedly prevailing gender norms. Keywords: MCDs, category-boundedness, accountability, gender, politics, relationships, care-taking 1. Membership categorization In his lectures, Harvey Sacks (1992a, 1992b) attempted to capture common sense, or culture, as displayed in the methodic use of categories to describe kinds of persons, some of which can be used and heard as “going together”. In the classic example “The baby cried. The mommy picked it up” (Sacks 1992a: 236), we get to hear that the mommy who picks up the baby is the mommy of the baby (although there is no genitive such as its mummy picked it up or variants thereof). And we also get to hear that the picking up has resulted from the baby‟s crying. In other words, we get to see the two categories, „baby‟ and „mommy‟, interactionally linked as members of family, which is a collection of categories or a device.