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Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro Moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25
vol.9 Pleyel-Museum Ingrid Marsoner, Klavier www.pleyel.at Matthias Rácz, Fagott Pleyel Camerata pro Musica Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25 Johann Ladislaus Dussek (1760–1812) Klavierkonzert, F-Dur, op. 17, 1792 4 Allegro vivace – Kadenz: Pavel Singer 10:03 5 Larghetto più tosto Adagio 4:55 6 Rondo 3:47 Geburtshaus – Birthplace Ignaz Joseph Pleyel (1757–1831) Ignaz Joseph Pleyel Symphonie à grand orchestre, G-Dur, Ben 156, 1804 Museum Ersteinspielung in originaler Fassung 7 Allegro vivace assai 9:12 8 Adagio 7:01 9 Menuetto. Trio 3:00 10 Rondo. Allegro 6:23 gesamt 60:32 NEUJAHRSKONZERT der Internationalen Ignaz Joseph Pleyel Gesellschaft (IPG) am 7. 1. 2012 Matthias Rácz, Fagott (1-3), Ingrid Marsoner, Klavier (4-6) Camerata pro Musica, Dirigat: Paul Weigold www.pleyel.at 3 HIeg nwasc ea mJaons eopf hsm Palll estyaetul r(e Rwuithp pa edrimstihnuatli v1e7 h5e7a d–, aPn airraissc ib18le3 t1e) mper and dark, fiercely intelligent eyes EIr gwnaar zn iJchot sseephhr gProlße, yhealt t(e Reiunpenp eerhsetrh kalel in17e5n 7K –op fP, daürnisn e1 8H3a1u) t, schwarze intelligente durchdringende that lit up whenever he talked about his teacher Joseph Haydn or his admirer Wolfgang Amadé Mozart. The Augen, die funkelten wenn er von seinem Lehrer Joseph Haydn oder von seinem Schätzer Wolfgang Amadé Allgemeine musikalische Zeitung described him as a man of bold yet elegant character, whose education far Mozart sprach. Die Allgemeine musikalische Zeitung bezeichnete ihn als wackeren, angenehmen, und nicht exceeded the boundaries of his metier. -
Program Notes Hosted by the Score Board 7:00
DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum. -
Orch Directory
y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms. -
Ludwig Van Beethoven: Triumph Over a Life of Tragedy
Ludwig van Beethoven: Triumph Over a Life of Tragedy Madeline Brashaw Senior Division Historical Paper Paper Length: 2,448 words “It seemed unthinkable for me to leave the world forever before I had produced all that I felt Heiligenstadt Testament called upon to produce,” Ludwig van Beethoven wrote in shortly before he passed away. Ludwig van Beethoven practiced music his entire life. He told people that he did not know what he would do without music. Beethoven was brought up during the Classical Period which was defined and determined by its clear characteristics such as its emphasis on beauty, elegance, and balance, and by the variety and contrast within the musical pieces. It is said that his music altered the course of musical history and that it modified the Classical Period (Classical Music). Sadly, Beethoven’s career came to a halt when he began to lose his hearing, and it became nearly impossible for him to compose and conduct his works. The tragic loss of Beethoven’s hearing led to his triumph in changing musical history. Beethoven was brought into this world in December of 1770. As a child, Ludwig van Beethoven often had a sad life. He had no friends and had nobody to care for him. The one thing that he did have, and he used almost every day, was his music. Beethoven’s main instruments were the piano and the violin. As a child, he even composed his own music at times. His father, Johann van Beethoven, was young Beethoven’s first music teacher. As a child, his father harshly pushed him in his musical studies. -
9003643992122.Pdf
1 Britain's Glory Joseph Haydn (1732–1809) Original Canzonettas 6 Original Canzonettas (1794) Hob XXVIa: 25-30 Poems/Gedichte: Anne Hunter 1 The Mermaid’s Song in C major / C-Dur 3:47 2 Recollection in F major / F-Dur 6:20 3 A Pastoral Song in A major / A-Dur 3:44 4 Despair in E major / E-Dur 5:51 5 Pleasing Pain in G major / G-Dur 2:38 6 Fidelity in F minor / f-Moll 3:59 6 Original Canzonettas (1795) Hob XXVIa: 31-36 7 Sailor’s Song (Anne Hunter) in A major / A-Dur 2:40 8 The Wanderer (Anne Hunter) in G minor / g-Moll 4:41 9 Sympathy (after/nach Metastasio) in E major / E-Dur 3:31 bl She never Told Her Love (William Shakespeare) in A-fl at major / As-Dur 3:31 bm Piercing Eyes (anonymous/anonym) in G major / G-Dur 2:09 bn Content / Transport of Pleasure (anonymous/anonym) in A-fl at major / As-Dur 2:46 Lieder Hob XXVIa: 41, 42, 46 bo The Spirit’s Song (Anne Hunter) in F minor / f-Moll 6:22 bp O Tuneful Voice (Anne Hunter) in E-fl at major / Es-Dur 5:17 bq Antwort auf die Frage eines Mädchens (anonymous/anonym) in G major / G-Dur 4:02 Cornelia Horak soprano / Sopran Richard Fuller fortepiano / Hammerklavier 2 Joseph Haydns englische Kanzonetten Das Kunstlied, wie es bis heute als musikalische Gattung im Repertoire wesentlich seltener. Es ist sowohl musikalisch gültig ist und von Komponisten in aller Welt gepflogen als auch textlich interessant, sich mit einigen der selbst wird, entwickelte sich aus den verschiedensten Formen nach den intensiven Recherchen der letzten 200 Jahre nur des Volkslieds, der Arie und des Kirchenlieds etwa ab ungefähr mit etwa 70 zu beziffernden bekannten originalen der Mitte des 18. -
The Power of Live Performance
THE POWER OF LIVE PERFORMANCE Music director Daniel Meyer tells us why 2011-2012 might be the best season yet for the Asheville Symphony. PAGE 16 Asheville Bravo Concerts opens its 80th season with a performance by the National Acrobats of China, one of four distinct and dynamic performances. PAGE 22 Kristen Hedberg, Asheville Lyric Opera’s new Associate Artistic Director, shares a behind the scenes peek at Madama Butterfly. PAGE 3 PLUS: The Altamont Theatre page 19 Robb Helmkamp, contemporary furniture maker page 21 Chall Gray and Sandee Shaffer Johnson, Steven Samuels owner of the Bizarre Bazaar page 23 at the Magnetic Patti Best, landscape artist page 23 Heritage Weekend Field. PAGE 17 at the Folk Art Center page 24 Blake Sneed of Bogart’s page 37 13th Season Diana Wortham Theatre ashevillelyric.org Box Office: 828-257-4530 PG. 20 A September 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 15, No. 1 PRINTS COLOR RAPID RIVER ARTS performance INTERVIEW WITH INTERVIEWED BY DENNIS RAY Kristen Hedberg uccini’s Madama Butterfly returns to Asheville, this time featuring Jennifer Davison, international soprano, in the title role. Jon Truitt, acclaimed director of last season’s The Magic PFlute, returns to direct this beautiful new production. This Italian opera is set in Nagasaki, Japan at the turn of the last century. The story centers on a young geisha whose life is changed forever by an American naval officer, exploring the sacrifices she makes Kristen Hedberg, Associate Artistic Director, for true love and the cruelty of the world Asheville Lyric Opera. around her. -
MEC FM Dial: 99,3Mhz Cidade: Rio De Janeiro UF: RJ Data Hora Nome Da Música Nome Do Intérprete Nome Do Compositor Gravadora Vivo Mec
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A CNPJ:09.168.704/0001-42 Nome Fantasia: MEC FM Dial: 99,3Mhz Cidade: Rio de Janeiro UF: RJ Data Hora Nome da música Nome do intérprete Nome do compositor Gravadora Vivo Mec. ENSEMBLE HELIOS 18 DUSSEK(Franz Xaver)(1731- 01/04/2021 02:00:35 SINFONIA MI BEMOL MAIOR. DIREÇÃO MUSICAL: MARIE-LOUISE X 1799)(República Checa) OSCHATZ. VIOLINO: ISAAC STERN (1797 - 1828) 01/04/2021 02:26:22 FANTASIA EM DÓ MAIOR, D 934 - "EU O SAÚDO!" X PIANO: DANIEL BAREMBÓIM SCHUBERT (Franz) REGENTE: THOMAS FEY SALIERI (Antonio) (1750-1825) 01/04/2021 02:52:34 LES DANAIDES - Suíte de ballet X ORQUESTRA MOZART DE MANNHEIM (Itália) TROMPETE: LUCIENNE RENAUDIN VARY ROSSINI (Gioacchino) (1792-1868) 01/04/2021 03:16:15 La Danza (das Soirées Musicales) ORQUESTRA NACIONAL DE LILLE X (Itália) REGENTE: ROBERTO RIZZI BRIGNOLI (1841 - 1904) ORQUESTRA FILARMÔNICA DE BERLIM 01/04/2021 03:19:56 DUAS DANÇAS ESLAVAS DVORÁK (Antonín)(1841 - X REGENTE: DANIEL BARENBOIM 1904)(República Checa) SCHERZO NÚMERO 3, EM DÓ SUSTENIDO MENOR, CHOPIN (FREDERICK) 01/04/2021 03:29:33 PIANO: NELSON FREIRE X OPUS 39 (1810-1849) FANTASIA SOBRE TEMA DA ÓPERA "UMA VIDA PARA (1837 - 1910) 01/04/2021 03:37:08 PIANO: ALEXANDER PALEY X O TZAR", DE GLINKA BALAKIREV (Mily Alexeyevich) ORQUESTRA FILARMÔNICA DE BERLIM (1839 - 1881) 01/04/2021 03:51:20 MARCHA FESTIVA DA ÓPERA `MLADA` X REGÊNCIA: CLÁUDIO ABBADO MUSSORGSKY (Modeste) "A HISTÓRIA DO SOLDADO" - QUATRO MOVIMENTOS STRAVINSKY (Igor) 01/04/2021 03:56:57 PIANO: CHRISTOPHER -
Robert Hart Baker – Biography
Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Contents: Biography Mailing Address: Program Biography 1000 South Denver Avenue Reviews and Testimonials Suite 2104 Tulsa, OK 74119 Repertoire Sample Programs Website: Curriculum Vitae http://www.pricerubin.com Reference Letters YouTube Video Links Complete artist information including video, audio and interviews are available at www.pricerubin.com Robert Hart Baker – Biography Robert Hart Baker has been the conductor of the St. Louis Philharmonic since 1982. He has served as principal guest conductor with the Asheville Lyric Opera Company since 2004. He is Music Director Laureate of the Harrisburg Choral Society & Orchestra and the York Symphony Orchestra & Chorus in Pennsylvania, and is conductor laureate of the Asheville Symphony Orchestra. His broad repertory of classical symphonic, opera, choral and ballet scores are complemented by his skills as a Pops conductor, and he has received critical praise on the podium here and abroad in all genres. His work the York Symphony Association has earned two awards from the League of American Orchestras (Student Song Contest in 2003 and Saturday Morning Symphony in 2005). His DVD of the St. Louis Philharmonic Holiday Spectacular won the national Telly Award in 2004 for best classical local cable TV production. In December 2007, his holiday video with the Kirkwood Children's Chorale was in the finals of NBC's nationally-televised competition Clash Of The Choirs. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8485/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] PERFORMING CLASSICAL-PERIOD MUSIC ON THE MODERN PIANO Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts (DMA) Petros Moschos ýý*** City University Music Department June 2006 Contents Acknowledgements ................................................................................. iii Abstract ................................................................................................ iv List figures -
Choral Society, and Ballet BRAVO • HART Diana Wortham Theatre NC
Diana Wortham Theatre’s 2009/10 Mainstage Music Series opens with fiddler and singer Justin David on September 11. PAGE 5 The Asheville Ballet’s 47th season will include cool jazz, modern, and classical ballet performances. PAGE 12 The Asheville Lyric Opera will present Mozart’s “Le Nozze di Figaro” as part of it’s 2009/10 season. PAGE 7 Asheville’s Lyric Opera, Choral Society, and Ballet BRAVO • HART BusIness ProFIles Diana Wortham Theatre NC Stage Company presents blue Goldsmiths . PAGE 11 NC Stage Company a season full of comedies, including Scott Treadway East Side Optical . PAGE 32 Terpsicorps Theatre of Dance and Charlie Flynn-McIver in Greg Vineyard . PAGE 38 WCU’s Galaxy of Stars “True West.” PAGE 33 RAPID RIVER ARTS & CULTURE MAGAZINE financial wellness forum Find Financial Solutions for Free Follow Your Financial Wellness Forum provides the public with ideas Money Mission Statement and solutions on how to better manage their personal finances and improve their economic future. – CREATE THE FINANCIAL FUTURE YOU LONG FOR Your Questions Answered Every Thursday eeta Wolfsohn, BY BYRON BELZAK CMSW, of Thursday, August 6 and Thurs., September 3, from 6 to 7 p.m. Asheville, North statement? Example one: “I Thursday, August 20, from 6 to 7 p.m. Carolina, founder will just say, No, to those Wills, Trusts, Powers of Attorney, of the financial R who want me to spend Create a Money and Eldercare Legal Issues social work discipline and money on them that I can’t Mission Statement Part One of the Forum’s ‘Planning the Center for Financial -
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist. -
12:00:00A 00:00 Lunes, 5 De Marzo De 2018 12A NO
*Programación sujeta a cambios sin previo aviso* LUNES 05 DE MARZO 2018 12:00:00a 00:00 lunes, 5 de marzo de 2018 12A NO - Nocturno 12:00:00a 09:20 6 piezas p/laúd (ver cred.) Joanambrosio Dalza Jakob Lindberg-laúd bajo en re 12:09:20a 33:00:00 *Sinfonía Española p/violín y orq. en mi men. Edouard Lalo (1823-1892) Charles Dutoit Sinfónica de Montreal Joshua Bell-violín 12:42:20a 13:27 Obertura festiva Pall Isolfsson (1893-1974) Petri Sakari Sinfónica Islandesa 12:55:47a 00:50 Identificación estación 01:00:00a 00:00 lunes, 5 de marzo de 2018 1AM NO - Nocturno 01:00:00a 04:53 Tarantelas nos.1-6 (Madrid, 1787) Anónimo Gregorio Paniagua Atrium Musicae de Madrid 01:04:53a 26:23:00 Sonata p/piano no.2 op.50 "Heroica" Edward Macdowell (1861-1908) Noël Lee-piano 01:31:16a 23:45 Serenata para tenor, corno y cuerd. op.31 Benjamin Britten (1913-1976) Simon Streatfield De Cámara de Manitoba Benjamin Butterfield-tenor 01:55:01a 00:50 Identificación estación 02:00:00a 00:00 lunes, 5 de marzo de 2018 2AM NO - Nocturno 02:00:00a 08:52 Danzas del tratado "Danserye" (1551) Tielman Susato (1510-1570) René Clemencic Clemencic Consort 02:08:52a 29:14:00 Sinfonía # 1 1943 Karl-Birger Blomdahl (1916-1968) Leif Segerstam Sinfónica de la radio sueca 02:38:06a 15:54 Sonata I, p/piano Enrique Santos (1930-) Eva María Zuk-piano 02:54:00a 00:50 Identificación estación 03:00:00a 00:00 lunes, 5 de marzo de 2018 3AM NO - Nocturno 03:00:00a 12:44 Concerto grosso op.3 no.4 George Frideric Händel (1685-1759) Michi Gaigg L'Arpa Festante 03:12:44a 27:28:00 Quinteto en do men.