Archives Concerts.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Archives Concerts.Pdf ~ ~ ~ ~ ARCHIVES DES CONCERTS BARBER DANS LE MONDE DEPUIS 2009 ~ ~ ~ ~ © Association Capricorn, 2009-2014 Décembre 2013 20 La Jolla, All Hallows Catholic Church ..... [infos] Barber : Hermit Songs Œuvres de Hahn, Hildegard, Kuspa Katina Mitchell, soprano Peter Walsh, piano 15 Munich, Prinzregententheater ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Liadov, Rossini, Dvořák Münchner Symphoniker, Jonathan Stockhammer 15 Vaudreuil-Dorion, Aréna ..... [infos] Barber : Agnus Dei Œuvres de Redner, Lully, Saint-Saëns, Holmès, Anderson Chœur Classique Vaudreuil-Soulanges, Jean-Pascal Hamelin 14 Moret-sur-Long, Eglise Notre-Dame-de-la-Nativité..... [infos] Barber : Reincarnations Œuvres de Brahms, Britten Ensemble vocal La Gioia, Laure-Marie Meyer 13 Lyon, Conservatoire national supérieur de musique et de danse ..... [infos] Barber : Mutations from Bach Œuvres de Copland, Cage, Glass, Nyman, Bernstein, Dahl Ensemble de cuivres, David Guerrier 13 Parme, Auditorium Niccolò Paganini ..... [infos] Barber : Concerto pour violon, Adagio pour cordes Brahms : Sérénade pour orchestre n°2 Mihaela Costa, violon Filarmonica Arturo Toscanini, Gaetano D'Espinosa 12 Paris, Fondation Singer-Polignac ..... [infos] Barber : Agnus Dei Œuvres de Stravinski, Ligeti, Messiaen, Poulenc, Britten, Schoenberg, Florentz, Kodaly Les Cris de Paris, Geoffroy Jourdain 11 Bruxelles, Grande Salle du Conservatoire royal ..... [infos] Barber : Capricorn Concerto Œuvres de Gorecki, Vasks, Rota Orchestre de chambre du Conservatoire royal de Bruxelles, Bernard Delire 11 Saint-Pétersbourg, Philharmonie ..... [infos] Barber : Concerto pour violon Œuvres de Gershwin, Chaplin, Elfman, Williams Igor Uryasch, violon Orchestre symphonique de Saint-Pétersbourg, Maxim Alexeev 10 Neuilly-sur-Seine, Théâtre des Sablons ..... [infos] 11 Gagny, Théâtre ..... [infos] 12 Vincennes, Auditorium ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Britten Orchestre de chambre Nouvelle Europe, Nicolas Krauze 9 Melbourne, University/Melba Hall ..... [infos] Barber : Knoxville Summer of 1915 Œuvres de Strauss, Eisler, Brediceanu, Enesco, Jora, Alessandrescu Alexandra Ioan, soprano University of Melbourne Orchestra, Fabian Russell 8 Enschede, Jacobuskerk ..... [infos] Barber : Adagio pour cordes Œuvres de Fauré, Mozart, Rutter, Haendel, Bach, Schubert, Adam Orchestra Twente Medium, Monique Kokkeler 7 Berne, Menuhin Forum ..... [infos] 8 Aarau, Auenhalle ..... [infos] 13 Lucerne, Aula Musegg ..... [infos] Barber : Adagio pour cordes Œuvres de Caplet, Cano, Weinberg, Fauré, Saint-Saëns Ensemble Tacchi Alti 5,6 Paris, Fondation Mona-Bismarck..... [infos] 7 Rennes, Institut Franco-Américain ..... [infos] Barber : Mélodies passagères Œuvres de Bernstein, Copland, Beach, Carter, Crawford Seeger, Crumb Jennifer Lindshield, soprano SooJin Anjou, piano 7 Cardiff, Landaff Cathedral ..... [infos] Barber : Adagio pour cordes Œuvres de Vaughan-Williams, Adams, Pärt, Elgar The Welsh Sinfonia, Mark Eager 6 Chamalières, Eglise ..... [infos] Barber : Adagio pour cordes Œuvres de Koussevitzky, Beethoven Orchestre d'Auvergne, Roberto Forés Veses 6 Leawood, United Methodist Church ..... [infos] Barber : Hermit Songs Œuvres de Scarlatti, Frescobaldi, Scarlatti, Bellini, Poulenc, Richard Strauss Jessica Crowder, soprano Lee D. Thompson, piano 5 Ithaca, College/Ford Hall ..... [infos] Barber : Commando March Œuvres de Holst, Copland, Husa, Persichetti, LoPresti, Mackey Ithaca College Concert Band, Mark Fonder 4 Ithaca, College/Hockett Family Recital Hall ..... [infos] Barber : Sonate pour piano Œuvres de Corigliano, Perle, Rorem Nathan Hess, piano 3 Limoges, Opéra-Théâtre ..... [infos] Barber : Summer Music Œuvres de Bernstein, Coleman, Fine, Schifrin Imani Winds 3 Saint-Junien, Centre culturel La Mégisserie ..... [infos] Barber : Symphonie n°1 Œuvres de Stravinski, Dvořák Orchestre de Limoges et du Limousin, Robert Tuohy 2 Milwaukee, Wisconsin Conservatory of Music ..... [infos] 3 Milwaukee, Wisconsin Lutheran College ..... [infos] Barber : Dover Beach Œuvres de Schubert, Schoenberg, Rorem Kelly Margraf, baryton Frankly Music Ensemble 1 Oberentfelden, Katholische Kirche ..... [infos] Barber : Adagio pour cordes Œuvres de Caplet, Cano, Weinberg, Fauré, Saint-Saëns Ensemble Tacchi Alti 1 Cleveland, Severance Hall ..... [infos] Barber : Essay for Orchestra n°2 Œuvres de Schumann, Copland Cleveland Orchestra, Marin Alsop Novembre 30 Limoges, Opéra-Théâtre ..... [infos] Barber : Symphonie n°1 Œuvres de Stravinsky, Dvořák Orchestre Symphonique régional de Limoges et du Limousin, Robert Tuohy 29,30 Cleveland, Severance Hall ..... [infos] Barber : Essay for Orchestra n°2 Œuvres de Schumann, Copland Cleveland Orchestra, Marin Alsop 29 Hambourg, Laeiszhalle ..... [infos] Barber : Adagio pour cordes Œuvres de Bernstein, Gershwin, Strayhorn, Davis, Brubeck, Gurvitch Berlin Camerata, Leon Gurvitch 24 Rome, Cappella Paolina ..... [infos] Barber : Souvenirs Œuvres de Grieg, Debussy Duo Keira 24 Dortmund, Konzerthaus ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Dvořák Arcos Orchestra, John-Edward Kelly 23 Amsterdam, Concertgebouw ..... [infos] Barber : Adagio pour cordes Œuvres de Hindemith, Bruckner Ensemble Resonanz, Tabea Zimmermann 21 Oslo, Konserthuset ..... [infos] Barber : Ouverture "The School for Scandal" Œuvres d'Elgar, Britten, Gershwin Orchestre philharmonique d'Oslo, Joshua Weilerstein 20,21 Ottawa, National Arts Centre ..... [infos] Barber : Concerto pour violon Œuvres de Wagner, Sibelius Giora Schmidt, violon National Arts Centre Orchestra, Carlo Rizzi 17 Londres, Cadogan Hall ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Grieg English Chamber Orchestra, Raymond Leppard 16,17 Bregenz, Festspielhaus ..... [infos] Barber : Concerto pour violon Œuvres de Berlioz, Doderer Eugene Ugorski, violon Symphonieorchester Vorarlberg, David Wroe 16 New London, Garde Arts Center ..... [infos] Barber : Knoxville Summer of 1915 Œuvres de Weber, Mahler, Cimador Mireille Asselin, soprano Eastern Connecticut Symphony Orchestra, Toshiyuki Shimada 15 Paris, Amphithéâtre de l'Opéra-Bastille ..... [infos] Barber : Dover Beach Œuvres de Poulenc, Durey Tiago Matos, baryton Richard Schmoucler, Marie-Cécile Jego, violons Satryo Aryobimo Yudomartono, alto / Anaïs Reznicek, violoncelle 15 Washington, Ambassade d'Italie ..... [infos] 16 Philadelphie, Temple University ..... [infos] Barber : Quatuor à cordes (arr. orchestre), Canzonetta pour hautbois & cordes Verdi : Quatuor à cordes (arr. orchestre), Ave Maria (arr. orchestre) World Youth Orchestra, Damiano Giuranna 14 Lahti, Sibelius Hall ..... [infos] Barber : Concerto pour violoncelle Œuvres de Sibelius, Tchaïkovski Alisa Weilerstein, violoncelle Sinfonia Lahti, Osmo Vänskä 14 Evanston, Nichols Hall ..... [infos] Barber : Adagio pour cordes Œuvres de Piperis, Lavry, Hovhaness, Respighi, Jarrett Renovo String Orchestra, Matthew Cataldi 7 Berlin, Philharmonie ..... [infos] Barber : Knoxville Summer of 1915 Œuvres de Mahler, Ives Heidi Stober, soprano Rundfunk-Sinfonieorchester Berlin, Mark Wigglesworth 3 Vérone, Sala Maffeiana ..... [infos] Barber : Sérénade pour cordes Œuvres de Rota, Morricone, Herrmann, Nyman I Virtuosi Italiani 3 Edmonton, All Saint Anglican Cathedral ..... [infos] Barber : Agnus Dei Œuvres de Martin, Praulins, Gjeilo, Emery Pro Coro Canada, Michael Zaugg 1,2 Washington, Kennedy Center ..... [infos] Barber : Concerto pour violon Œuvres de Rachmaninov, Enesco Jennifer Koh, violon National Symphony Orchestra, Kristjan Järvi Mai 31 Saint-Nazaire, Théâtre ..... [infos] Barber : Concerto pour violon Œuvres de Mendelssohn, Dvorak Taiping Wang, violon Orchestre symphonique de Saint-Nazaire, Thierry Bréhu 29 Vienne, Konzerthaus ..... [infos] Barber : Nocturne Œuvres de Gershwin, Bernstein, Copland Sebastian Knauer, piano 29 Kouklia, Royal Manor House ..... [infos] Barber : Sonate pour piano Œuvres de Franz Liszt Ashley Wass, piano 25 Midsomer Norton, St. John the Baptist Church ..... [infos] Barber : Agnus Dei Œuvres de MacMillan, Rubbra, Bennett, Martin, Poulenc, Bernstein, Holst Turner Choir, Jonathan James 24 Yvré l'Evêque, Abbaye de l'Epau ..... [infos] Barber : Quatuor à cordes Œuvres de Reich, Glass Quatuor Diotima 24 Evanston, Nichols Concert Hall ..... [infos] Barber : Capricorn Concerto Œuvres de Copland, Ives, Keller Renovo String Orchestra, Matthew Cataldi 23 Paris, Cité de la Musique ..... [infos] Barber : Adagio pour cordes Œuvres de Britten, Bernstein Les Dissonances, David Grimal 17 Vivoin, Prieuré ..... [infos] Barber : Quatuor à cordes Œuvres de Chostakovitch, Bartok Quatuor Debussy 12 Hatfield, Weston Auditorium ..... [infos] Barber : Knoxville Summer of 1915 Œuvres de Copland, Bernstein, Gershwin, Williams Lucy Roberts, soprano de Havilland Philharmonic, Robin Browning 11 Aurora, Vista Peak Preparatory Academy ..... [infos] 12 Aurora, Gateway Center ..... [infos] Barber : Essay n°1 Œuvres de Saint-Saëns, Prokofiev, Still Aurora Symphony Orchestra, Norman Gamboa 11 Berlin, Deutsches Historiches Museum ..... [infos] Barber : Adagio pour cordes Œuvres de Schubert, Mozart Rundfunk-Sinfonieorchester Berlin, Jean-Christophe Spinosi 10 Evanston, Southern Hall ..... [infos] 17 Chicago, Fourth Presbyterian Church ..... [infos] Barber : Quatuor à cordes Œuvres de Gershwin, Bernstein Musiciens du Renovo String Orchestra 6 Kansas City, Helzberg Hall ..... [infos] Barber : Concerto pour violon Œuvres de Copland, Beethoven Filip Lazovski, violon Conservatory Orchestra, Robert Olson 5 Evanston, Pick-Staiger Concert Hall
Recommended publications
  • Songs for Piano Alone a Look at Franz Liszt’S Buch Der Lieder Für Piano Allein Books I and Ii
    SONGS FOR PIANO ALONE A LOOK AT FRANZ LISZT’S BUCH DER LIEDER FÜR PIANO ALLEIN BOOKS I AND II BY JEREMY RAFAL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December, 2012 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music __________________________________ Karen Shaw, Chairperson __________________________________ Edmund Battersby, Committee Member __________________________________ Emile Naoumoff, committee member ii Songs for Piano Alone A Look at Franz Liszt’s Buch der Lieder für Piano allein Books I and II Music circles have often questioned the artistic integrity of piano transcriptions: should they should be on the same par as “original works” or are they merely imitations of somebody else’s work? Franz Liszt produced hundreds of piano transcriptions of works by other composers making him one of the leading piano transcriptionists of all time. While transcriptions are the results of rethinking and remolding pre-existing materials, how should we view the “transcriptions” of the composer’s own original work? Liszt has certainly taken much of his original non-piano works and transcribed them for solo piano. But would these really be transcriptions, or different versions? This thesis explores the question of how transcriptions of Liszt’s own works should be treated, particularly the solo piano pieces in the two books of Buch der Lieder für Piano allein. While some pieces are clearly transcriptions of previous art songs, some pieces should really be characterized as independent piano pieces first before art songs.
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • Andreas Delfs, Conductor
    ANDREAS DELFS, CONDUCTOR In January 2021 The Rochester Philharmonic Orchestra (RPO) announced the appointment of Maestro Andreas Delfs as its thirteenth music director in the organization's 98-year history. Delfs follows in the footsteps of a long line of distinguished music directors including Erich Leinsdorf, David Zinman, Mark Elder, Christopher Seaman, and Ward Stare. A native of Flensburg, Germany, and graduate of the Hamburg Conservatory and Juilliard School of Music, Andreas Delfs has established himself as a pre-eminent force in the classical music world and one of the finest conductors of his generation. He has held chief artistic posts with orchestras in Europe and North America. At the age of 20, he became the youngest-ever Music Director of the Hamburg University Orchestra and Musical Assistant at the Hamburg State Opera. Throughout his 12 seasons as Musical Director of the Milwaukee Symphony Orchestra, Delfs drew larger audiences to Uihlein Hall, selling out a record 40 concerts there during the 2000-2001 Season. Delfs led the Saint Paul Chamber Orchestra as Music Director (2001-2004) and artistic consultant (2004-2006). Delfs has conducted numerous world premieres and has close links with many of today’s composers. He counts among his profound musical inspirations musicians such as John Corigliano, Philip Glass, Roberto Sierra, and Hans Werner Henze. He is the frequent partner to many of the world’s most renowned solo artists, including André Watts, Emanuel Ax, Joshua Bell, Hilary Hahn, Yo Yo Ma, Lang Lang, and Renée Fleming. He has an extensive discography, including all five of the Beethoven Piano Concertos; opera and choral works such as Hansel and Gretel, and the Mozart Requiem; and new works for the classical repertoire such as Roberto Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Sierra’s Missa Latina.
    [Show full text]
  • JUNE 2-9, 2018 Alejandro Hernandez-Valdez Artistic Director
    JUNE 2-9, 2018 Alejandro Hernandez-Valdez Artistic Director Albert E. & Myrtle Gunn York Trust AEOLUS QUARTET pg. 10 MOZART’S JOYS pg. 30 ARTISTIC DIRECTOR Alejandro Hernandez-Valdez EXECUTIVE DIRECTOR Nina M. Di Leo AEOLUS EMERGING ARTISTS COORDINATOR Faith DeBow QUARTET RENÉE ANNE LOUPRETTE pg. 10 pg. 26 BOARD OF DIRECTORS OFFICERS Ronald Walker, President Tim Hornback, Vice President Carolina Astrain, Secretary David Faskas, Treasurer Calendar of Events | 2-3 Thursday, June 7, evening: BOARD MEMBERS History of the Festival | 5 Homage | 22-23 Sallye Allen Bill Blanchard Friday, June 8, noon: Meet the Artistic Director | 7 Doris Boyd Teenage Geniuses | 24-25 Contributors / Memorials | 8-9 Clay Cain Friday, June 8, evening: Gary Childress Saturday & Sunday, June 2-3, evening: Renée Anne Louprette | 26-28 Paula Cobler Aeolus Quartet | 10-12 Saturday, June 9, evening: Annie Cullen Wednesday, June 6, noon: Mozart’s Joys and Sorrows | 30-35 John Griffin Emerging Artists | 14-16 Vanessa Hicks-Callaway About the Artists | 36-38 Dr. Michael Hummel Wednesday, June 6, evening: Festival Staff | 38 Phyllis Keller Baroque Masters | 18-19 Dr. Suzanne LaBrecque Thursday, June 7, noon: Acknowledgements and Thanks | 43 Linda Patterson Die Fünf & Les Six | 20-21 John Quitta Dr. Margaret Rice Mary Ann Sawyers SEASON SPONSORS Eileen Stewart Dolly Stokes Tommy Taylor Felecia Vela Philip Welder Albert E. and Myrtle Gunn York Trust ADVISORY BOARD John B. Bierman LEAD SPONSORS John E. “Buddy” Billups Wilbur Collins Dr. Marylynn Fletcher Joe A. Hewell Cloyd and Ethel Lee Tracy Foundation Lynn Knaupp M. Russell Marshall Neldene Matusevich Catherine McHaney David P.
    [Show full text]
  • Program Notes Hosted by the Score Board 7:00
    DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum.
    [Show full text]
  • April 2021 Vol.22, No. 4 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
    Journal April 2021 Vol.22, No. 4 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] April 2021 Vol. 22, No. 4 Editorial 3 President Sir Mark Elder, CH, CBE Ballads and Demons: a context for The Black Knight 5 Julian Rushton Vice-President & Past President Julian Lloyd Webber Elgar and Longfellow 13 Arthur Reynolds Vice-Presidents Diana McVeagh Four Days in April 1920 23 Dame Janet Baker, CH, DBE Some notes regarding the death and burial of Alice Elgar Leonard Slatkin Relf Clark Sir Andrew Davis, CBE Christopher Robinson, CVO, CBE Book reviews 36 Andrew Neill Arthur Reynolds, Relf Clark Martyn Brabbins Tasmin Little, OBE CD Reviews 44 Christopher Morley, Neil Mantle, John Knowles, Adrian Brown, Chairman Tully Potter, Andrew Neill, Steven Halls, Kevin Mitchell, David Morris Neil Mantle, MBE DVD Review 58 Vice-Chairman Andrew Keener Stuart Freed 100 Years Ago... 60 Treasurer Kevin Mitchell Peter Smith Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Portrait photograph of Longfellow taken at ‘Freshfields’, Isle of Wight in 1868 by Julia Margaret Cameron. Courtesy National Park Service, Longfellow Historical Site. Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much Editorial preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if required, are obtained. Professor Russell Stinson, the musicologist, in his chapter on Elgar in his recently issued Bach’s Legacy (reviewed in this issue) states that Elgar had ‘one of the greatest minds in English music’.1 Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, This is a bold claim when considering the array of intellectual ability in English music ranging cued into the text, and have captions.
    [Show full text]
  • Samuel Barber (1910-1981)
    Catalogue thématique des œuvres I. Musique orchestrale Année Œuvre Opus 1931 Ouverture « The School for Scandal » 5 1933 Music for a Scene from Shelley 7 1936 Symphonie in One Movement 9 Adagio pour orchestre à cordes [original : deuxième mouvement du 1938 11 Quatuor à cordes op.11, 1936] 1937 Essay for orchestra 12 1939 Concerto pour violon & orchestre 14 1942 Second Essay for Orchestra 17 1943 Commando March - 1944 Serenade pour orchestre à cordes [original pour quatuor à cordes, 1928] 1 1944 Symphonie n°2 19 1944 Capricorn Concerto pour flûte, hautbois, trompette & cordes 21 1945 Concerto pour violoncelle & orchestre 22 1945 Horizon, pour vents, timbales, harpe & orchestre à cordes - Medea (Serpent Heart) [version révisée Cave of the Heart, 1947 ; arr. Suite 1946 23 de ballet, 1947] 1952 Souvenirs [original : piano à quatre mains, 1951] 28 1953 Medea’s Meditation and Dance of Vengeance 23a 1960 Toccata Festiva pour orgue & orchestre 36 1960 Die Natali - Chorale Preludes for Christmas 37 1962 Concerto pour piano & orchestre 38 1964 Night Flight [arr. deuxième mouvement de la Symphonie n°2] 19a 1971 Fadograph of a Yestern Scene 44 1978 Third Essay for Orchestra 47 Canzonetta pour hautbois & orchestre à cordes [op. posth., complété 1978 48 et orchestré par Charles Turner] © 2009 Capricorn Association des amis de Samuel Barber II. Musique instrumentale Année Œuvre Opus 3 Sketches pour piano : Lovesong / To My Steinway n°220601 / 1923-24 - Minuet Fresh from West Chester (Some Jazzings) pour piano : Poison Ivy 1925-26 - / Let’s Sit it Out, I’d Rather Watch 1931 Interlude I (« Adagio for Jeanne ») pour piano - 1932 Interlude II pour piano - 1932 Suite for Carillon - 1942-44 Excursions pour piano 20 1949 Sonate pour piano 26 Souvenirs pour piano à quatre mains [arr.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Orch Directory
    y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms.
    [Show full text]
  • A Listening Guide for the Indispensable Composers by Anthony Tommasini
    A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section.
    [Show full text]
  • R a I R a D I O 5 C L a S S I C a Domenica 05. 03. 2017
    RAI RADIO5 CLASSICA sito web: www.radio5.rai.it e-mail: [email protected] SMS: 347 0142371 televideo pag. 539 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto DOMENICA 05. 03. 2017 00:00 EUROCLASSIC NOTTURNO: mantzaros, nicolaos (1795-1872): sinfonia di genere orientale - [9.28] - orch sinf nazionale della radio greca dir. andreas pylarinos (reg. 11/06/2005) - enescu, george (1881-1955): konzertstück per vla e pf - [8.53] - gyözö máté, vla; balázs szokolay, pf - duruflé, maurice (1902-1986): quatre motets sur des thèmes grégoriens op. 10 - [7.58] - tallinn music high school chamber choir dir. evi eespere - wagenseil, georg christoph (1715-1777): concerto in mi bem mag per trbne e orch - [9.37] - warwick tyrrell, trbne; adelaide symphony orch dir. nicholas braithwaite - scriabin, alexander (1872-1915): preludio e notturno per la mano sinistra op. 9 - [10.17] - martina filjak, pf - ciajkovskij, piotr (1840-1893): marcia slava in si bem min op. 31 - [9.36] - BBC philharmonic orch dir. rumon gamba (reg. hanley, 11/03/1999) - brahms, johannes (1833-1897): trio per pf e archi n. 3 in do min op. 101 - [17.46] - tamas major, vl; peter szabo, vcl; zoltán kocsis, pf - schubert, franz (1797-1828): fantasia in do mag per pf (D 760) "wanderer" - [21.27] - paul lewis, pf (reg. bath, 28/05/1998) - grieg, edvard (1843-1907): dai tempi di holberg, suite op. 40 - [20.02] - bergen philharmonic orch dir. andrew litton 02:00 Il ritornello: riproposti per voi i programmi trasmessi ieri sera dalle ore 20:00 alle ore 24:00 06:00 ALMANACCO IN MUSICA: georg friedrich haendel: concerto in si bem mag per org orch e b.
    [Show full text]
  • Castleton Festival Opera the Britten Project: the Rape of Lucretia
    CAL PERFORMANCES PRESENTS Thursday, March 24, 2011, 8pm Friday, March 25, 2011, 8pm Zellerbach Hall Castleton Festival Opera The Britten Project: The Rape of Lucretia Composed by Benjamin Britten Conducted by Lorin Maazel Stage Direction by William Kerley Berkeley Symphony production Set & Costume Designer Nicholas Vaughan Lighting Designer Rie Ono Production Stage Manager Laine Goerner Assistant Director Amanda Consol Assistant Lighting Designer Marnie Cumings Associate Lighting Designer Brandon Mitchell Assistant Costume Designer Sarah Swafford cast (in order of vocal appearance) Male Chorus Vale Rideout Female Chorus Arianna Zukerman Collatinus Michael Rice Junius Michael Weyandt Tarquinius Matthew Worth Lucretia Ekaterina Metlova Bianca Alison Tupay Lucia Marnie Breckenridge music staff Assistant Conductor Blake Richardson Rehearsal Pianist/Coach Wilson Southerland By arrangement with Boosey & Hawkes, Inc., publisher and copyright holder. These performances are funded, in part, by the Britten-Pears Foundation and by Patron Sponsors Susan Graham Harrison and Michael A. Harrison. Cal Performances’ 2010–2011 season is sponsored by Wells Fargo. CAL PERFORMANCES 5 SYNOPSIS PROGRAM NOTES Scene 2 The Female Chorus takes us into the world of Lucretia at home with her nurse, Bianca, and maid, Lucia. They work, spinning yarn, embroi- dering, and folding linen, while Lucretia frets over Collatinus’s prolonged absence. Just as they are preparing to go to bed, Tarquinius arrives and demands to be put up for the night. With some trepidation, she invites him in and shows him to his room. Giuseppe DiLiberto Giuseppe act two The Rape of Lucretia (1946; rev. 1947) Scene 1 Civil unrest grows in Rome, and the discontent- he events of the opera, which take ed wait for the moment to revolt.
    [Show full text]