The Power of Live Performance

Total Page:16

File Type:pdf, Size:1020Kb

The Power of Live Performance THE POWER OF LIVE PERFORMANCE Music director Daniel Meyer tells us why 2011-2012 might be the best season yet for the Asheville Symphony. PAGE 16 Asheville Bravo Concerts opens its 80th season with a performance by the National Acrobats of China, one of four distinct and dynamic performances. PAGE 22 Kristen Hedberg, Asheville Lyric Opera’s new Associate Artistic Director, shares a behind the scenes peek at Madama Butterfly. PAGE 3 PLUS: The Altamont Theatre page 19 Robb Helmkamp, contemporary furniture maker page 21 Chall Gray and Sandee Shaffer Johnson, Steven Samuels owner of the Bizarre Bazaar page 23 at the Magnetic Patti Best, landscape artist page 23 Heritage Weekend Field. PAGE 17 at the Folk Art Center page 24 Blake Sneed of Bogart’s page 37 13th Season Diana Wortham Theatre ashevillelyric.org Box Office: 828-257-4530 PG. 20 A September 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 15, No. 1 PRINTS COLOR RAPID RIVER ARTS performance INTERVIEW WITH INTERVIEWED BY DENNIS RAY Kristen Hedberg uccini’s Madama Butterfly returns to Asheville, this time featuring Jennifer Davison, international soprano, in the title role. Jon Truitt, acclaimed director of last season’s The Magic PFlute, returns to direct this beautiful new production. This Italian opera is set in Nagasaki, Japan at the turn of the last century. The story centers on a young geisha whose life is changed forever by an American naval officer, exploring the sacrifices she makes Kristen Hedberg, Associate Artistic Director, for true love and the cruelty of the world Asheville Lyric Opera. around her. Asheville Lyric Opera’s new Associate the often “cut” sections of the opera. The Artistic Director, Kristen Hedberg, joins us orchestral interludes that were cut in the for a behind the scenes interview. last show will be played, which gives the director a much greater artistic challenge; Rapid River Magazine: Why did Asheville furthering character and emotional scope Lyric Opera decide to tackle Madama But- with the elements while no singing is heard. terfly again and how will it be different from This demands more from the singing the 2006 version? actors and allows the orchestra to play its Kristen Hedberg: Moving into season 13, own character; often, that of Father Time. we are looking for works that will challenge We are excited to see our orchestra, lead by us, pushing us to a higher artistic level by renowned concert master, Corine Brouwer demanding more collaboration amongst and conducted by Dr. Robert Hart Baker, designers, and earlier planning in casting take on this brave challenge proudly. and preparation to fully capture the integ- The chorus will also play the com- rity of the work. Madama Butterfly is the primario, or smaller roles. We have the catalyst that will throw us into a full season strongest group of theatrical choral singers of revived artistic flavor. Comparing our yet this season. Already under the tutelage of last production of Madama Butterfly to the new chorus master, Andrea Blough, they are upcoming one this season would be like stepping up their game as well. natural beauty comparing apples to oranges. I’ll stop there. RRM: How long does it take to put on an RRM: How will the design be different this ALO production, from first concept to time around? opening night? KH: A new set has been conceived by KH: David Starkey chose this work in late designers Julie K. Ross and Sylvia Pierce’s May, along with the other productions in Scenery Concepts, Inc. Julie, our scenic the season. Artistic planning and budget artist, was inspired by Japanese rice paper configurations began immediately. Casting paintings and our backdrop will be reminis- choices were based on previous auditions cent of one, with a turquoise wash, tree sil- from the prior year. houettes, and traditional signature stamping. I have been working on Madama But- Instead of using Diana Wortham’s tra- terfly consistently five days a week since ditional black floor, an overlay will be built that day, initiating planning meetings for out of muslin to extend symmetrical floor- concepts, reviewing ways to improve effi- ing from Butterfly’s house, and to enhance ciency, and empowering the insane amount the natural landscape of a less manicured of artistic genius we have in our design and sandy garden and bank. production team. It has been inspiring and The lighting design, by W. Erik Mc- exciting; like climbing uphill, but being in Daniel, will be integral to the success of this better shape this time around. look, as time depiction is crucial to telling Check out ashevillelyric.org for more the story and furthering the dramatic pro- information about the cast and the rest of gression. Hair and make-up designer, Tricia our cool new season, including a Mozart 18k sapphire and diamond Zinke, will create Asian looks for all but opera set in the 1920s, and one of the great- pendant by Alex Sepkus the three American characters of the cast, est musicals of all time. including the styling of 23 Japanese wigs; seven of which will be geisha. IF Madama Butterfly, October 7-8, RRM: How does music play into this later YOU www.jewelsthatdance.com GO at 8 p.m. Asheville Lyric Opera, 2 version of Madama Butterfly? South Pack Square, Asheville, NC. KH: As a company, we are coming into a Opera Office (828) 236-0670. Tickets on (AYWOOD3Ts!SHEVILLE .#s s(OURS-ON 3AT maturity that allows us to take on some of sale September 7. Phone (828) 257-4530. Vol. 15, No. 1 — RAPID RIVER ARTS & CULTURE MAGAZINE — September 2011 PRINTS COLOR RAPID RIVER ARTS performance Asheville Lyric Opera’s 13th Season he Asheville Lyric BY DAVID CRAIG STARKEY Opera’s 13th season for 2011-2012 will feature T five main stage events. children with professional art- ists from the Asheville area. Madama Butterfly October 7 & 8, 2011 – 8 p.m., Taste of Opera by Giacomo Puccini, featuring June 9, 2012 – Food at 6 p.m., Jennifer Davison, international Concert at 7:30 p.m. Reper- soprano. Jon Truitt directs this toire from opera, operetta and production set in turn of cen- musical theatre. The evening tury Japan. A breath-taking and includes fine wine and gour- moving experience for all. met food from 10 or more of Asheville’s finest restaurants. The Asheville Christmas Show Jennifer Davison, This one-of-a-kind event November 18, 2011 – 7:30 p.m. international soprano. continues to draw appeal and Seasonal solo and ensemble delight. music. Così Fan Tutte (All Women Are Like That) IF YOU For information on season February 17 & 18, 2012 – 8 p.m. Mozart GO subscriptions or dress rehearsal classic showcases an ensemble cast exploring tickets, auditions, or to request a the stereotypes in relationships within the season brochure, please contact ALO at delightful angst of finding true love. (828) 236-0670, or visit www.ashevillelyric. org. Single tickets are sold solely through The Sound of Music Diana Wortham Theatre box office at (828) April 20 & 21, 2012 - 8 p.m.; April 22 - 3 257-4530, beginning September 6. (www. p.m. This family favorite combines a cast of dwtheatre.com) Can We Walk? Walking Together for Health and Wellness Wellness Walk Know Your Numbers& Health Screening Saturday, September 24 ~ 8:00 AM Start & Finish at PSP Reuter Terrace, across from the fire station downtown. Sponsor a Walker for $10 For more information call ABIPA at 251-8364 or register online at www.abipa.org Leading With Excellence – Serving With Grace September 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 15, No. 1 PRINTS COLOR RAPID RIVER ARTS we love this place RAPID RIVER ARTS & CULTURE MAGAZINE ND ANNUAL INTERNATIONAL Established in 1997 • Volume Fifteen, Number One DAY OF PEACE Peacetown Asheville and Local 099 of Veterans for Peace, Mountain Area Interfaith Forum and other allies present the International Day of SEPTEMBER 2011 3 Interviews Peace celebration in Pack Square, Wednesday, www.rapidrivermagazine.com Kristen Hedberg . September 1, from 4:30 to 7:30 p.m. Charlie Flynn-McIver . 6 Our region joins with hundreds of other com- Publisher/Editor: Dennis Ray Daniel Meyer . 16 munities around the world as they observe a Managing Editor: Beth Gossett day of ceasefire from all conflicts locally and Marketing: Dennis Ray globally. The International Day of Peace has 4 Performance been observed since 1921 through the League of Julia Gaunt of SpiritWings releases doves at the Staff Photographer: Liza Becker Asheville Lyric Opera . Nations, and was later continued by the United conclusion of 2010’s International Day of Peace. Layout & Design: Simone Bouyer 18 Nations, which added the goal of the one day Asheville Symphony Orchestra . cease-fire in 2002. “We’re particularly proud to be dedicating our first hour to our younger gen- Poetry Editor: Ted Olson Altamont Theatre . 19 eration this year,” says event planner Rachael Bliss of Peacetown. “We’re inviting as many kids as Proofreader: Mary Wilson Bravo Concerts Season . possible to make Pinwheels for Peace.” Accounting: Sharon Cole The second hour will feature keynote speaker Mike Ferner, interim national director of Veterans Distribution: Dennis Ray for Peace. Elected leaders will read local proclamations, and Peacetown will introduce its Bring 8 Columns our War Dollars Home Resolution that it plans to take the Asheville City Council for adoption James Cassara - Music . 8 later this year. The event concludes with Spiritwings’ release of white doves and a “community CONTRIBUTING WRITERS: Eddie LeShure - Jazz . 10 soapbox opportunity” so participants can share their own passions for peace in the region and in Rachael Bliss, James Cassara, Greg Vineyard - Fine Art .
Recommended publications
  • World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest
    April 30, 2014 World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest Industry's Most Popular Touring Systems Deliver Power and Reliability to Help Main Stage Artists Including Kraftwerk and Chic Featuring Nile Rodgers Connect With Audiences Like Never Before BURLINGTON, Mass., April 30, 2014 (GLOBE NEWSWIRE) -- Avid® (OTC:AVID) today announced that its live sound systems were selected to record and mix headline performances at Moogfest, an annual five-day technology, art and music festival featuring some of the world's most influential electronic artists. Moogfest, which celebrates the visionary and creative spirit of Bob Moog, inventor of the Moog synthesizer and founding father of electronic music, took place on April 23-27 in Asheville, North Carolina. For the main stage, which hosted headline acts including electronic music legends Kraftwerk, Chic featuring Nile Rodgers, and M.I.A., Moogfest needed a powerful and reliable front of house console that could cope with the size, scope and complexity of the headliners' live sound requirements. As the headline artists' live system of choice, the Avid Profile System was the house console for the main stage, while the ultra- compact Avid S3L System was the main stage recording console. Every stage throughout the festival used Avid Pro Tools® audio production software to record the live music performances. Pro Tools is a flagship application of the Avid Artist Suite of content creation applications, powered by the Avid MediaCentral Platform. "Avid live sound systems deliver performance and reliability and are the standard for headline acts," said KamranV, Moogfest documentation producer and CEO of CyKiK.
    [Show full text]
  • List of Available Videos
    Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper
    [Show full text]
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • Official Sponsor Package
    Valid through April 30, 2007 IEG Valuation® Statement 15 MerleFest Official Sponsor - 2007 Contents Description of Property 2 IEG Valuation Service ™ 3 Valuation Methodology 3 Tangible Benefits 4 Notes to Tangible Benefits 5 Intangible Ranking 7 Deal Terms 9 Geographic Reach and Impact 9 Cost/Benefit Ratio 9 Fair Market Value 10 Chart A: Five-Year Attendance History 11 Chart B: Attendees by Gender 11 Chart C: Attendees by Annual Household Income 11 Chart D: Attendees by Age 11 Chart E: 2007 MerleFest Sponsors 12 Chart F: Sponsor Renewal Rate 12 Chart G: Scope of Exclusivity 12 Chart H: Summary of 2007 MerleFest Sponsorship 12 Packages Verification Documents Received 12 Certification 13 © 2006 IEG, Inc. All Rights Reserved. Page 1 of 13 Valid through April 30, 2007 ® IEG Valuation Service IEG Valuation Statement IEG, Inc. 640 North LaSalle, Suite 600 Chicago, Illinois 60610-3777 U.S.A. Tel: 312/944-1727 Fax: 312/944-1897 e-mail: [email protected] Web site: www.sponsorship.com 1 Art Menius MerleFest Sponsorship and National Marketing Coordinator MerleFest Official Sponsor - 2007 P.O. Box 120 Wilkesboro, NC 28697 Tel: 919.542.3997 Fax: 240.250.7229 e-mail: [email protected] Web site: www.merlefest.org Description of Property Established in 1988 to celebrate the music and life of Merle Watson, MerleFest (the 2 "Festival") is a four-day Americana music festival held annually at the Wilkes Community College campus in Wilkesboro, North Carolina. MerleFest offers a generation- and genre- crossing mix of traditional and contemporary roots music, bringing together the best bluegrass, contemporary acoustic, blues, folk, old-time, Cajun, jazz and signer-songwriter artists.
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • Program Notes Hosted by the Score Board 7:00
    DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • To See the 2018 Pier Concert Preview Guide
    2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper.
    [Show full text]
  • Can Milwaukee Festivals Compete?
    Arts and Entertainment Summer 2010 _________________ Donna the Buffalo’s Tara Nevins, left, and Woody Platt of Steep Canyon Rangers, both have played in Milwaukee, but are local festivals too big to showcase quality? Photos by Geoff Davidian Smaller venues offer sober, cleaner, family-friendly chance to see popular acts By GEOFF DAVIDIAN ILKESBORO, North Carolina – It was Sunday morning and Dan Fedoryka looked every bit a Baptist preacher in his white suit as he stepped out of the Church Bus, walked a hundred or so yards over a worn path and mounted the raised platform where he would perform a ritual that has become familiar in this Appalachian community. The sun was shining and it was already in the 80s when the 30-year-old former student at a Ukrainian seminary slipped off his jacket, folded it and placed it neatly on the back of a chair, rolled up his sleeves and turned to the energetic congregation. Then Fedoryka strapped on his guitar and jumped over some speakers to join his brother Alexander, childhood friend Josef Crosby and Mike Ounallah as the band Scythian jumped right into its third performance in two days at MerleFest, the annual gathering in Wilkesboro, NC, to worship and be baptized in quintessential American music. MerleFest began 22 years ago as a celebration of traditional American folk and bluegrass music but after more than two decades, it has opened its arms to a broader slice of regional and national talent. The event, dedicated to the memory of Eddy Merle Watson and to raise money for the Wilkes Community College, was held this year from April 28 to May 1 on the college campus.
    [Show full text]
  • Gender and Audience Reception of English-Translated Manga
    Girly Girls and Pretty Boys: Gender and Audience Reception of English-translated Manga June M. Madeley University of New Brunswick, Saint John Introduction Manga is the term used to denote Japanese comic books. The art styles and publishing industry are unique enough to warrant keeping this Japanese term for what has become transnational popular culture. This paper represents a preliminary analysis of interview data with manga readers. The focus of the paper is the discussion by participants of their favourite male and female characters as well as some general discussion of their reading practices. Males and females exhibit some reading preferences that are differentiated by gender. There is also evidence of gendered readings of male and female characters in manga. Manga in Japan are published for targeted gender and age groups. The broadest divisions are between manga for girls, shōjo, and manga for boys, shōnen. Unlike Canada and the USA, manga is mainstream reading in Japan; everyone reads manga (Allen and Ingulsrud 266; Grigsby 64; Schodt, Dreamland 21). Manga stories are first serialized in anthology magazines with a specific target audience. Weekly Shōnen Jump is probably the most well known because it serializes the manga titles that have been made into popular anime series on broadcast television in North America (and other transnational markets) such as Naruto and Bleach. Later, successful titles are compiled and reprinted as tankobon (small digest-sized paperback books). The tankobon is the format in which manga are translated into English and distributed by publishers with licensing rights purchased from the Japanese copyright holders. Translated manga are also increasingly available through online scanlations produced by fans who are able to translate Japanese to English.
    [Show full text]
  • Orch Directory
    y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]