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The Power of Live Performance

Music director Daniel Meyer tells us why 2011-2012 might be the best season yet for the Asheville Symphony. page 16

Asheville Bravo Concerts opens its 80th season with a performance by the National Acrobats of China, one of four distinct and dynamic performances. page 22

Kristen Hedberg, ’s new Associate Artistic Director, shares a behind the scenes peek at Madama Butterfly. page 3

Plus: The Altamont Theatre page 19 Robb Helmkamp, contemporary furniture maker page 21 Chall Gray and Sandee Shaffer Johnson, Steven Samuels owner of the Bizarre Bazaar page 23 at the Magnetic Patti Best, landscape artist page 23 Heritage Weekend Field. page 17 at the Folk Art Center page 24 Blake Sneed of Bogart’s page 37 13th Season Diana Wortham Theatre ashevillelyric.org Box Office: 828-257-4530

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 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

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interview with interviewed by Dennis Ray Kristen Hedberg uccini’s Madama Butterfly returns to Asheville, this time featuring Jennifer Davison, international soprano, in the title role. Jon Truitt, acclaimed director of last season’s The Magic PFlute, returns to direct this beautiful new production. This Italian opera is set in Nagasaki, Japan at the turn of the last century. The story centers on a young geisha whose life is changed forever by an American naval officer, exploring the sacrifices she makes Kristen Hedberg, Associate Artistic Director, for true love and the cruelty of the world Asheville Lyric Opera. around her. Asheville Lyric Opera’s new Associate the often “cut” sections of the opera. The Artistic Director, Kristen Hedberg, joins us orchestral interludes that were cut in the for a behind the scenes interview. last show will be played, which gives the director a much greater artistic challenge; Rapid River Magazine: Why did Asheville furthering character and emotional scope Lyric Opera decide to tackle Madama But- with the elements while no singing is heard. terfly again and how will it be different from This demands more from the singing the 2006 version? actors and allows the orchestra to play its Kristen Hedberg: Moving into season 13, own character; often, that of Father Time. we are looking for works that will challenge We are excited to see our orchestra, lead by us, pushing us to a higher artistic level by renowned concert master, Corine Brouwer demanding more collaboration amongst and conducted by Dr. Robert Hart Baker, designers, and earlier planning in casting take on this brave challenge proudly. and preparation to fully capture the integ- The chorus will also play the com- rity of the work. Madama Butterfly is the primario, or smaller roles. We have the catalyst that will throw us into a full season strongest group of theatrical choral singers of revived artistic flavor. Comparing our yet this season. Already under the tutelage of last production of Madama Butterfly to the new chorus master, Andrea Blough, they are upcoming one this season would be like stepping up their game as well. natural beauty comparing apples to oranges. I’ll stop there. RRM: How long does it take to put on an RRM: How will the design be different this ALO production, from first concept to time around? opening night? KH: A new set has been conceived by KH: David Starkey chose this work in late designers Julie K. Ross and Sylvia Pierce’s May, along with the other productions in Scenery Concepts, Inc. Julie, our scenic the season. Artistic planning and budget artist, was inspired by Japanese rice paper configurations began immediately. Casting paintings and our backdrop will be reminis- choices were based on previous auditions cent of one, with a turquoise wash, tree sil- from the prior year. houettes, and traditional signature stamping. I have been working on Madama But- Instead of using Diana Wortham’s tra- terfly consistently five days a week since ditional black floor, an overlay will be built that day, initiating planning meetings for out of muslin to extend symmetrical floor- concepts, reviewing ways to improve effi- ing from Butterfly’s house, and to enhance ciency, and empowering the insane amount the natural landscape of a less manicured of artistic genius we have in our design and sandy garden and bank. production team. It has been inspiring and The lighting design, by W. Erik Mc- exciting; like climbing uphill, but being in Daniel, will be integral to the success of this better shape this time around. look, as time depiction is crucial to telling Check out ashevillelyric.org for more the story and furthering the dramatic pro- information about the cast and the rest of gression. Hair and make-up designer, Tricia our cool new season, including a Mozart 18k sapphire and diamond Zinke, will create Asian looks for all but opera set in the 1920s, and one of the great- pendant by Alex Sepkus the three American characters of the cast, est musicals of all time. including the styling of 23 Japanese wigs; seven of which will be geisha. If Madama Butterfly, October 7-8, RRM: How does music play into this later You www.jewelsthatdance.com Go at 8 p.m. Asheville Lyric Opera, 2 version of Madama Butterfly? South Pack Square, Asheville, NC. KH: As a company, we are coming into a Opera Office (828) 236-0670. Tickets on (AYWOOD3Ts!SHEVILLE .#s  s(OURS-ON 3AT  maturity that allows us to take on some of sale September 7. Phone (828) 257-4530.

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 

prints color RAPID RIVER ARTS performance Asheville Lyric Opera’s 13th Season

he Asheville Lyric by David Craig Starkey Opera’s 13th season for 2011-2012 will feature T five main stage events. children with professional art- ists from the Asheville area. Madama Butterfly October 7 & 8, 2011 – 8 p.m., Taste of Opera by Giacomo Puccini, featuring June 9, 2012 – Food at 6 p.m., Jennifer Davison, international Concert at 7:30 p.m. Reper- soprano. Jon Truitt directs this toire from opera, operetta and production set in turn of cen- musical theatre. The evening tury Japan. A breath-taking and includes fine wine and gour- moving experience for all. met food from 10 or more of Asheville’s finest restaurants. The Asheville Christmas Show Jennifer Davison, This one-of-a-kind event November 18, 2011 – 7:30 p.m. international soprano. continues to draw appeal and Seasonal solo and ensemble delight. music. Così Fan Tutte (All Women Are Like That) If You For information on season February 17 & 18, 2012 – 8 p.m. Mozart Go subscriptions or dress rehearsal classic showcases an ensemble cast exploring tickets, auditions, or to request a the stereotypes in relationships within the season brochure, please contact ALO at delightful angst of finding true love. (828) 236-0670, or visit www.ashevillelyric. org. Single tickets are sold solely through The Sound of Music Diana Wortham Theatre box office at (828) April 20 & 21, 2012 - 8 p.m.; April 22 - 3 257-4530, beginning September 6. (www. p.m. This family favorite combines a cast of dwtheatre.com)

Can We Walk? Walking Together for Health and Wellness

Wellness Walk Know Your Numbers& Health Screening

Saturday, September 24 ~ 8:00 AM Start & Finish at PSP Reuter Terrace, across from the fire station downtown.

Sponsor a Walker for $10 For more information call ABIPA at 251-8364 or register online at www.abipa.org

Leading With Excellence – Serving With Grace

 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

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RAPID RIVER ARTS & CULTURE MAGAZINE 2nd Annual International Established in 1997 • Volume Fifteen, Number One Day of Peace Peacetown Asheville and Local 099 of Veterans for Peace, Mountain Area Interfaith Forum and other allies present the International Day of September 2011 3 Interviews Peace celebration in Pack Square, Wednesday, www.rapidrivermagazine.com Kristen Hedberg ...... 3 September 21, from 4:30 to 7:30 p.m. Charlie Flynn-McIver ...... 6 Our region joins with hundreds of other com- Publisher/Editor: Dennis Ray Daniel Meyer ...... 16 munities around the world as they observe a Managing Editor: Beth Gossett day of ceasefire from all conflicts locally and Marketing: Dennis Ray globally. The International Day of Peace has 4 Performance been observed since 1921 through the League of Julia Gaunt of SpiritWings releases doves at the Staff Photographer: Liza Becker Asheville Lyric Opera ...... 4 Nations, and was later continued by the United conclusion of 2010’s International Day of Peace. Layout & Design: Simone Bouyer 18 Nations, which added the goal of the one day Asheville Symphony Orchestra . . . . cease-fire in 2002. “We’re particularly proud to be dedicating our first hour to our younger gen- Poetry Editor: Ted Olson Altamont Theatre ...... 19 eration this year,” says event planner Rachael Bliss of Peacetown. “We’re inviting as many kids as Proofreader: Mary Wilson Bravo Concerts Season ...... 22 possible to make Pinwheels for Peace.” Accounting: Sharon Cole The second hour will feature keynote speaker Mike Ferner, interim national director of Veterans Distribution: Dennis Ray for Peace. Elected leaders will read local proclamations, and Peacetown will introduce its Bring 8 Columns our War Dollars Home Resolution that it plans to take the Asheville City Council for adoption James Cassara - Music . . . . . 8 later this year. The event concludes with Spiritwings’ release of white doves and a “community Contributing Writers: Eddie LeShure - ...... 10 soapbox opportunity” so participants can share their own passions for peace in the region and in Rachael Bliss, James Cassara, Greg Vineyard - Fine Art . . . . 25 the world. For more information, contact Rachel Bliss at (828) 505-9425 or email asheville_pe- [email protected]. Michael Cole, Amy Downs, Joe Zinich - Beer ...... 26 Beth Gossett, JéWana Grier-McEachin, Greg Vineyard – Wine . . . . . 27 Max Hammonds, MD, Cherry Hart, Haywood’s Got Talent – $1000 top prize Ted Olson - Poetry ...... 29 Phil Hawkins, Stephanie Hickling, The Haywood Arts Regional Theater will give area talent a chance to strut their stuff and win Janna Hoekema, Phil Juliano, Peter Loewer - Thoreau’s Garden 30 some top prize money. Contestants are not limited to Haywood County, there is no age limit or Chip Kaufmann, Michelle Keenan, Bill Walz - Artful Living ...... 31 category restrictions. From musicians, to jugglers, to dancers, to acrobats, all are encouraged to Max Hammonds, MD - Health . . 32 audition on September 11 between 1 p.m. and 6 p.m., or September 12 beginning at 6:30 p.m. Eddie LeShure, Amanda Leslie, Anyone unable to attend auditions may submit a recorded audition to HART at PO Box 1024, Peter Loewer, Roberta Madden, Waynesville, NC 28786, or email [email protected] prior to auditions. Those who get Pamela Miller, April Nance, Music past the initial audition will be part of a semifinal round of performances September 16 and 17 Ted Olson, Michael Parker, 9 which will be presented as full variety shows on the HART main stage. Trio ...... 9 Dennis Ray, Lindsey Rhoden, ...... 10 The following week on September 23 at 7:30 p.m. the Finals will be presented as an evening Ryan Robison, Clara Sofia, featuring the best of the best; those selected out of the semifinal competition. At the end of the David Starkey, Greg Vineyard, David Mayfield Parade ...... 11 evening the audience will be allowed to cast a vote. The winner selected by the three judges and Bill Walz, Joe Zinich. LEAF October 20-23 ...... 36 the audience will be presented with a check for $1000, and the runners up will receive $300 and $200 prizes. INFO Movie Reviews The Performing Arts Center at the Shelton House is located at 250 Pigeon St. in downtown Rapid River Arts & Culture Magazine is a 12 Waynesville. The theater’s main auditorium will be the site of the event. A piano is available, but monthly publication. Address correspondence no mics will be set up for auditions. Additional information at www.harttheatre.com. to [email protected] or write to: 15 Noteworthy Rapid River Arts & Culture Magazine 15 85 N. Main St. WNCAP – Dr. Polly E. Ross ...... Canton, NC 28716 Asheville Quilt Show ...... 28 Phone: (828) 646-0071 www.rapidrivermagazine.com 17 Stage Preview All materials contained herein are owned and 17 copyrighted by Rapid River Arts & Culture The Magnetic Field ...... Magazine and the individual contributors BeBe Theatre – Dreamland Motel . 28 unless otherwise stated. Opinions expressed in this magazine do not necessarily reflect the opinions of Rapid River Arts & Culture 21 Fine Art Magazine or the advertisers found herein. Robb Helmkamp ...... 21 © Rapid River Arts & Culture Magazine, Patti Best ...... 23 September 2011 Vol. 15 No. 1 Sandee Shaffer Johnson . . . . . 23 Folk Art Center ...... 24 37 Local Favorites Bogart’s – Blake Sneed ...... 37 Fisherman’s Quarters II . . . . . 38 On the Cover: Chall Gray and Steven ™ Samuels on the set of the 34 What to Do Guide Magnetic Field’s latest production. page 17 Best in Show by Phil Juliano . . 35 Photo by Peter Brezny Callie & Cats by Amy Downs . . 35 Corgi Tales by Phil Hawkins . . . . 35 Dragin by Michael Cole ...... 35

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Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011  RAPID RIVER ARTS & CULTURE MAGAZINE stage preview

Part 3 of a 3-Part Discussion interviewed by Dennis Ray a lot of this, a theatre needs to be run like a business. Conversations with relationships with your donors. Speaking I was talking to some bankers the other with them one on one and engaging them in day and describing cash flow needs in our your organization. theatre and trying to get them to understand things like how we have to have a bond in Charlie RRM: What does it mean for a community to for the union members, and that have live theatre? money is taken out of our cash flow. There Flynn-McIver CFM: Well, it means you have a gathering are times when the money flows better than place where ideas are shared and individuals others with ticket sales, fundraising appeals harlie Flynn-McIver is the Artistic become a group. A place where you can be and subscription sales, and there are slow Director of Asheville’s North Caro- entertained and challenged all at the same times when there’s not enough revenue gen- lina Stage Company. Last month, time. A place where you can experience erating activity to keep bringing in money. Flynn-McIver shared his thoughts conflicting emotions at the same time. A Creating revenue generating activity costs on the future of theatre in Ashe- place that reflects life for examination and money to produce. They looked at me and Cville. This month we continue our conver- implementation and, as Shakespeare said, said, “Wow. I never thought of it before, but staion, beginning with the value of theatre. hold the mirror up to nature. It also means that’s just like any small business!” Duh! that surrounding restaurants and businesses To people who would produce theatre: RRM: How can we get the government/peo- have help in attracting people to their loca- Theatre is harder than it looks. I don’t know ple to believe in theatre and that it is worth tion. My speech talks of a few more things. why this is, but so many people view theatre supporting? as something they can do. And to a certain I think we have to continue making the Charlie Flynn-McIver in Boeing-Boeing. RRM: What’s the greatest threat to theatre? extent I get it. I mean, you can’t say you’re a point to lawmakers and the general public CFM: Of course performing arts are threat- musician unless you can play an instrument. that theatre is a valuable commodity in our We need the arts ened by the ease of entertainment options You can’t call yourself a dancer un- community. But we also need to work hard to be a daily part of these days. You can watch a movie, stream- less you can act. You can’t call yourself a to make theatre a valuable commodity in everyone’s lives. ing online, at ANY moment. You can watch pilot unless you can fly a plane, and have a our community. There are already impor- bits of stuff for free on Youtube. There is an license. Ditto for lawyer and accountant and tant ways that the arts impact our daily lives, becomes important to others than just the immediacy of stuff today that simply can’t so on. But because theatre seems to be about but we need to find other ways that theatre usual suspects. be met with theatre. We hold performances getting up in front of people and just speak- We need theatre and arts as part of the at a specific time and at a specific place and ing while pretending to be someone else, so education process in schools. We need the we must convene a group of people. Plus, many people think it’s something they can arts as part of the correctional system in the it’s expensive to produce. So these are all out and should do. prisons. We need the arts to be a daily part there. Expressing an emotion is not acting. of everyone’s lives and theatre has to find a But I believe the biggest threat to Eliciting laughter from an audience is not way to do that without having to get people theatre is apathy among the producers of acting. Acting is a complex task of figuring to pay a lot of money and come to a theatre theatre. The belief that what you’re doing out what a character’s belief system is that somewhere. I don’t know how this is done is good enough. It never is. I assume that makes them do what they do in a play and per se but this is what has to happen. everyone coming to the theatre needs to then, using skills learned over a lifetime of be won over to loving theatre. So you have classes, professional and life experiences, RRM: How has fundraising for NC Stage this one chance to change their perception and a very vivid imagination, putting that changed over the years? of theatre from this boring thing that their character on display in front of an audience CFM: It’s gotten harder in some ways, but parents forced them to go to when they as just a part of the whole play. in other ways, it’s been about the same. were kids, to this relevant and vital art form Theatre is about expressing the human About 4 years ago, NC Stage was awarded a that they don’t know how they lived without condition and the human condition is FAR recurring General Operating Support grant before. more complex than people want to think from the NC Arts Council. We are among And if you squander that opportunity, about. Sometimes characters’ actions are only 4 arts organizations in the community you put another nail in the coffin of live hard to explain without limiting the char- (Wortham Theatre, Asheville Arts Museum theatre. If someone comes to a play and their acter with your own limited experience. A and Asheville Symphony are the others) to response is, “Meh,” then all is lost. I would really good playwright has crafted a play that receive this grant. almost rather them leave outraged and on deftly catches characters and their best and I can’t tell you how grateful and proud a vendetta AGAINST live theatre than feel worst of behavior. we are to have made it into this league in that it’s mediocre. But of course it would An actor’s job is to figure out why the the first 10 years of our existence. It’s quite be best if audiences came away saying that character is behaving the way he is. It usually an accomplishment and it helps us, not only it was amazing and they can’t wait to tell a has to do with an unfulfilled need. Emotion with our general operating needs but with friend about it. And you need that reaction is the by-product of an unfulfilled need. So raising money with local foundations and from total strangers. Not your buddies that to theatre people out there, when you think individuals. It gives us a certain stamp of love everything you do. you’ve nailed something about a character’s approval from the Depart- behavior or a playwright’s intent, assume ment of Cultural Resources that we’re a RRM: What’s the biggest myth about live you haven’t and ask yourself one more time, dependable and sustainable organization that theatre? “Why do they want this? To what ends?” would be safe to contribute money to. But CFM: Two answers. To the general public: Figure out the answer and then ask the fundraising continues to be a one person at a Theatre is harder than it looks. But you same question to those answers. See how time kind of endeavor. should never see how hard it is. The easier it doesn’t end? And that it’s maddening? A lot of people think there must be something looks on stage, the longer it’s There ya go. Now you’re getting to what it some silver bullet organizations or fund- been rehearsed, the more skilled the ac- means to do theatre. raiser party that will solve all their funding tors, designers and director and the more needs. It’s not that way. It might have been nuanced it has become over the course of Read all three parts of this conversation at one time but now it’s about individual rehearsing and performing it. In order to do online at www.rapidrivermagazine.com

 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011  RAPID RIVER ARTS & CULTURE

I’m back again with a wide selection of artists and styles. With spinning summer winding down it seems the music this month has taken a more mellow turn. Just remember that no matter what your pg. 39 discs tastes, be sure to support the many fine independent records J CD Reviews stores that Asheville is so fortunate to have. Year after year they by James Cassara are keeping it real!

Sam Phillips J.D. Souther many of you knew Oz even had one) Kasey Solid State: Natural History Chambers has been a pivotal figure in mod- ern era pop. She’s simultaneously managed Songs from the E One Music Long Play to elevate the status of female singers, Aus- Perhaps the tralia, and the genre while still maintaining a Litterbox ultimate “behind the high degree of artistic integrity. Records scenes” songwriter, That’s no simple feat; Chambers has Just how great J.D. Souther has balanced upon that delicate tightrope by is it to have a new penned numerous staying focused on refining her sound and from Sam Phillips? This gloriously hits for others, most notably The Eagles, expanding her horizons, which is why Little talented queen of acid pop has been far too while maintaining a relatively low profile Bird presents such a conundrum. long absent from the above ground scene, solo career. While firmly ensconced in all things limiting her prosaic masterpieces to a trickle His last album, 2008’s If the World Was Nashville, from the “oh so country darlin’ of EP releases streamed via the internet and You, was his first record in almost a quarter, photo shoot” to enlisting ace session man available to only a select few. and while the jazzy compositions weren’t Shane Nicholson to oversee the sessions, the Solid State (originally titled Camera cut from the Southern California country- package just screams country chic. Unfor- in the Sky and reconfigured/renamed at rock cloth for which he is best known, the tunately the definition of country found the eleventh hour) is the first “proper” full album garnered strong reviews and surpris- herein leans toward the over processed hash length record since 2008. That’s a relatively ingly solid sales. that has dominated the air waves over the short time for most artists but for someone His latest, Natural History, takes a dif- past decade. as boundlessly creative and productive as ferent tack; it features his own versions of While there is an undeniable romantic Phillips it seems much longer. songs that made the charts for others while vibe that keeps much of the album palatable, As with most of her Solid making Souther a wealthy man. Those who and while Chambers’ own winsome voice State feels a bit like a riddle, a smaller are familiar with the popular translations is as engaging as ever, much of Little Bird piece of a much larger whole waiting to be (and you’d have to be living on the moon sadly emphasizes sheen over substance. dissected. It’s a startling departure from not to be) may be surprised at how much With few exceptions (notably on the her last few albums; gone are the layers of more honest and unfiltered these takes are. “Bring Back My Heart”), the arrangements harpsichord, viola, and drum synths that Certainly “Best of my Love” and “New fail to sustain any real tension or muscle, as dominated her post 2000 work, scrapped Kid in Town” were two of the most cringe- if Chambers is dancing around a nippy pond in favor of a basic /drums/keyboards worthy hits of the 70s but here, with a more but resists plunging right in. Most of Little ensemble with an emphasis not so much organic arrangement, they actually sound Bird explores such similar themes as love of on studio tinkering but rather towards fresh and alive. The spare backing, domi- family (“Somewhere”) or nature (“Down solid traditional songwriting. nated by piano and acoustic guitar, part with Here On Earth”) which is in itself fine; Not that it sounds the least bit settled only the occasional quiet acoustic bass and has long been dependent on – Phillips is far too inventive to ever allow drums (as well as a few select horn augmen- archetypes and there’s really no reason to stasis to creep into her work – but the tations) to bring out the beauty of the melo- change that. stripped down instrumentation and up dies as well as the unexpectedly thoughtful But while the best of standard country front vocals simply match the nature of lyrics. Who knew? can tap into the melancholic sentimentality the material. “Prisoner in Disguise” and “Faith- within us all, Chambers hasn’t quite grasped The opening “Tell Me,” which clocks less Love,” both made famous by Linda the subtle difference between cliché and in at a brisk one minute, might well be the Ronstadt, are well suited to Souther’s own, classic. She might well be delivering her most straightforward song she’s ever record- slightly grainy tenor and he delivers them tunes with honesty and conviction but in the ed, a linear declaration of need from an artist with the time-worn hurt they deserve: end it’s the material that matters and in that who rarely makes her intentions known. These are stories filled with lonely people regards Little Bird barely takes flight. **1/2 Behind a great hook Phillips lets out with a longing for a bit of succor in an otherwise lover’s plea and the need to start again: “Tell cruel and harsh world, often finding joy Madeleine me it’s all in my heart, not my head/ tell me only in the equally disjointed. Peyroux you’ve forgotten everything I’ve said” are So while you’ll certainly hear the not words of comfort or certainty but they echoes of the more famous recordings of Standing on the do come direct from the heart. these songs you’ll just as likely to wonder Rooftop “When I’m a Camera” is more typi- why it took Souther so long to reclaim them Decca cally obscure in its stylish manifestation for himself. And after a few listens you’ll be There are few but it’s also the most sincere and deeply glad he did. **** things in modern personal song here, a perfect finale to this music more endlessly interesting than the uniquely satisfying effort. The ten songs Kasey Chambers ongoing evolution of . that make up Solid State are often quiet Little Bird Since emerging in the mid-1990’s as an artist and playful and profound, as one has come worth watching, her work has been a lesson to expect from Sam Phillips. It’s another Liberation Records in calculated risk and wild abandon. milestone from an artist who can seem- Born in Georgia and raised in Southern ingly conjure up such wonderful music at As the appointed California, Brooklyn, and Paris, Peyroux has will, once again setting an impossibly high leader of the Austra- fused those various influences into a style standard and surpassing it. ****1/2 lian country music movement (and how that is as seamless as it is shimmering, at ‘CD’s’ continued on next page

 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE MAGAZINE what’s happening

Countdown to : the Adrian Belew Power Trio by James Cassara

Although over a three decade career Adrian Belew has played schedule, along with some of rock’s biggest names, he remains one of the most with the intermit- underrated and criminally overlooked guitarists of recent times. tent solo project, and while nothing is solo work, as well as his ten- up the guitar, teaching himself how to play is certain, plans ure with the power pop quartet and to write original songs. for another King The Bears, has been a lesson in First coming into his own as a member Crimson revival versatility and chameleon-like of Zappa’s Baby Snakes era band, he quickly do seem possible. stylistic changes, always plying became one of the most sought after players But it’s the Power Hhis trade to enhance the sound of those in rock. He seemed to be everywhere: work- Trio that currently around him. ing as a studio practitioner (Paul Simon’s occupies his time Like all great guitarists, Belew has his Graceland), and touring extensively with hundred hours of unreleased music, with and energy, and as with all things Adrian own recognizable sound, equal parts id- The Talking Heads and David Bowie. Fol- plans to eventually release a portion via his Belew, any attempt at predicting which iosyncratic, piercing, and crunching, and lowing the release of 1992’s Lone Rhino, web site, and remains one of music’s busiest course it might take is futile. Phase one is an incredibly dynamic player, always his first solo record, Belew opted to join the artists. is even now unfolding, and fans of his finding how best to make his style fit into newly reconfigured King Crimson. That His latest project came together in early vast output, not to mention guitar geeks a wide variety of musical genres. Whether line up, Belew, Robert Fripp, Bill Bruford, 2006 when Belew played a benefit show for in general, would be well advised to take it be hard rock, , new wave, experi- and Tony Levin, became one of the most a fledging Brooklyn music program. It was this opportunity to hear a master at work. mental, or Beatles-like pop, Belew has a successful in the group’s long (and at times there that he reacquainted with ex-Bowie unique way of making it his own. Born convoluted) history. guitarist Early Slick and met his sister, bass- in Covington, Kentucky, the 62 year old For the next two decades Belew see- ist Julie Slick. The three quickly meshed, Belew caught the musical bug at an early sawed between Crimson and a variety of If laid down some tracks, and began as series You The Adrian Belew Power Trio age. His first instrument of interest was solo efforts, all the while making occasional of relatively low key North American tours. Go at MoogFest, October 28-30. , initially playing in his high stops with the Tom Tom Club, Nine Inch That led to a subsequent Euro tour and still Precise times and locations school’s marching band. But shortly after Nails, Primus, and other bands. He has by to be released studio album. are still to be determined. For more his discovery of , Belew picked his own admission accumulated nearly one Belew continues his hectic session work information go to www.moogfest.com

‘CD’s’ continued from page 8 there’s nary a moment to catch your breath. either dug it or you didn’t. Jackson band Her own material soars just as high, with My Back Pages follows their minor – bassist/vocalist once both wildly expansive and deeply per- such delights as the bare bones funk of “The 2007 comeback Here & Now by shifting Graham Maby sonal. Dreamland, her majestic 1996 debut, Kind You Can’t Afford” (co-written with from the present to the past. It also marks and drummer remains a touchstone both of her career and former ) and their move to a smaller independent label, Dave Houghton of the decade. Since then Peyroux has been “Meet Me in Rio” rounding out an already something that in the band’s earliest days – provides ample no less experimental, making records that stellar selection. would have been unheard of. proof that while are often exhilarating, occasionally baffling, In some way Standing on the Rooftop But these are of course different times, Jackson’s hit mak- but never dull. is not as immediately arresting as her other ones in which the label has become increas- ing days might be Following closely on the heels of 2009’s efforts, but I fully suspect its subtle plea- ingly insignificant. As to the music itself behind him there Bare Bones (her only album of all original sures will grow with repeated listens. I am Bunnell and Beckley take the safer path. is plenty of performing fuel left in the tank. material), Standing on the Rooftop guides equally certain that Madeleine Peyroux will There are no great surprises in the song The man himself is in fine form with her music in yet another direction. Teamed continue to amaze and endear as an artist of selection, with a strong reliance on sixties a voice that, while perhaps not as sustained with producer , the sound is as the first rank. **** icons like Dylan, Simon, Joni Mitchell, as it once was, still has plenty of strength diverse and eclectic as she’s ever allowed it and Brian Wilson, but they two do throw and shade. As to the piano playing Jackson to be: The eight originals and four covers America in a few ringers in tunes from Fountains takes a back seat to no one, with a style of Wayne, the Gin Blossoms and the New that straddles jazz, straight ahead rock, and are rooted equally in parlor room , My Back Pages classic Americana, torch jazz, and summer-y Radicals. romantic swing. pop. E One Music Most of the arrangements stay close to Weighted heavily towards his 1982 mas- Much of that is a direct result of the art- From their the originals so My Back Pages succeeds or terpiece Night and Day, certainly one of the ists involved: Decca fronted a budget large earliest AM radio- fails on the harmonies, and in that regards seminal recordings of that decade, the selec- enough to include such names as drummer hit-making days, the two haven’t missed a beat, turning tion also includes a few oddities, including Charlie Drayton; guitarists Christopher America rarely shied away from their influ- these familiars into something that sound covers of the Beatles (“”), Ian Dury Bruce and Marc Ribot; bassist Me’Shell ences. Neil Young tells the story of hearing distinctly like the rest of their records. It’s (“Inbetweenies”), and Bowie ( a pulsating Ndegeocello; and keyboardist Patrick War- “Horse with No Name” and thinking, “I comfortable and engaging without being “Scary ”). ren (not to mention !) , don’t remember recording that!” But for complacent, and for those who have fol- The arrangements are sparse but satisfy- which gives Peyroux the opportunity to flex the most part they carved out a comfortable lowed the band since “back in the day” I ing, and while the tenor isn’t as forceful her considerable musical strengths. And “southern California brings me down” niche suspect that’s more than enough. *** as the band during its 1980’s prime, Live what strengths they are. and stayed with it. on Tour Europe (the third live disc of his From the deliberate leisure of Mc- Even after founding member Danny Joe Jackson Trio catalog), it is such an unexpected pleasure Cartney’s “Martha My Dear” to the studio Peek bolted for the prosaic pastures of Live Music: Europe 2010 that I’ll even forgive the absence of “Is She Really Going out with Him?” After all, a indulgence of ’s “Love in Christian music, Dewey Bunnel and Gerry Razor and Tie Records Vain” (replete with echoing pump organ Beckley soldiered bravely on with a sound man can’t have everything, can he? **** and Ribot’s Robert Fripp-like guitar work) that rarely left the middle of the road. You This solid sample of the stripped down

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011  RAPID RIVER ARTS & CULTURE MAGAZINE music Black Moth Super Rainbow

inding reliable tidbits about the enig- first fully hi-fi record, made with a budget matically named Black Moth Super by James Cassara approaching respectability, Eating Us gave Rainbow is both notoriously difficult adequate space to BMSRs off-kilter melo- and richly rewarding; a fact of which leased two more albums, Start a People and dies and knack for studio trickery that actu- the based band is not only Lost Picking Flowers in the Woods. ally adds something to the music. Faware but keenly proud. A critically acclaimed collaboration with Now a six piece band, Black Moth Su- Emerging from the steel city’s un- the Octopus Project, 2006’s The House of per Rainbow admits the entire project could derground music scene, the group, at first Apples and Eyeballs, combined with a suc- “could come or go at any time”. Knowing a five piece ensemble with such unusual cessful debut at that year’s South by South- the incendiary nature of their existence, the nomenclatures as , the Seven Fields west Festival, catapulted the group into the band relishes each day out on the road. This of Aphelion, Power Pill Fist, Iffernaut, and indie limelight. Their psychedelic hued is precisely why you should go see them. Father Hummingbird, BMSR have con- fourth release, , followed Who knows what tomorrow, or even later tinually changed direction while remaining less than a year later, a time during which today, might bring? intentionally secretive in regards to their various members released solo projects and true origins. other off-kilter delights. With a sound that nodded towards con- Regrouping in 2009 with producer If You Black Moth Rainbow, with special temporary retro-chic electronic acts like Air Dave Fridmann, best known for his work Go guests Dosh and Marshmallow and the Octopus Project (who they would with and MGMT, their Ghosts, perform Friday, September eventually collaborate with), the group next release, Eating Us, was their most 16 at The Grey Eagle. Tickets are priced released their first album, Falling through accessible and pop oriented effort to date. at $12 advance / $15 day of show for this 9 a Field, in 2003. Operating out of a hidden Released on the Grave Face label, the album p.m., standing room only, show. Advance location somewhere in rural , was best described by the band as “a dark Black Moth Super Rainbow, June 2007 tickets available online, at our local outlets, Photo: Sarah Cass over the course of three years the group re- bubblegum freak out” of sound. The band’s and at Static Age in downtown Asheville.

WNC Jazz Profiles: Mark Guest by Eddie LeShure

“Post-adulthood” is the place that jazz guitarist Mark Guest firmly rooted in the jazz tradition, Mark brings unique approaches to non-stan- now hangs his hat. dard repertoire as varied as the 1960s’ Hollies’ “Bus Stop” to the blues. on’t get me wrong, raising my Orleans to the Gulf Coast, the Eastern kids was huge for me, but now Seaboard, to Toronto and Western “One of the great joys of living that they’re grown and gone, Canada. Now residing in Asheville, in our mountain community is some well… life goes on!” says Mark. he happily travels to various perfor- of the wonderful new artists who’ve Prior to Hurricane Katrina, mances. “We decided that Katrina gave decided to make Asheville home. D I’ve had the honor of sharing the Mark was actively gigging in the Mis- us an opportunity to change our lives sissippi Gulf Coast and New Orleans for the better, and that’s what I’m do- stage with guitarist Mark Guest on region, but after Katrina, Mark’s music ing. Playing this music for appreciative several occasions at a local restaurant career began taking center stage in his life. audiences is such a fulfilling element venue called the Chop House. Mark “Before the storm, I had a day job of my life that, in some ways, I’m brings a musical spark to a perfor- in public finance, enough jazz gigs every grateful for the alterations that Katrina mance that’s refreshing and new to week to keep me happy, and a nice home brought.” claims Mark. our area, plus he’s a great melodist near the beach. I lived an interesting Raised in Toronto, Canada, and arranger of tunes with a concep- arts-oriented community and had New Mark was a fan of jazz early on. He Mark Guest Photo: Frank Zipperer tual balance between improvisation Orleans nearby. When Katrina wiped us remembers, “During the early 1970’s I and well-known material that the out, all that changed,” says Guest. Mark’s became a teenaged ‘jazz snob’ and regularly sive album.” He added, “He’s a guitarist listener can latch onto. This refresh- home, most of his guitar collection, and hung out listening to jazz players like Lenny who lets his solos unfurl out of the tunes ing brew Mark creates is something much of his community were destroyed Breau, Ed Bickert, Sonny Greenwich, Don he’s playing, songfully, with a mellow tone not to be missed.” by the hurricane. Thompson and Terry Clark. I also was from his Ribbecke Halfling blue guitar. His ~ Bassist Eliot Wadopian “After the storm, I had invitations to exposed to the avant-garde/free jazz scene solo improvisations reference the melodies, play in venues literally around the world. that was happening at the time. It was a real enhancing rather than abandoning them www.markguest.net My wife and I planned to take a portion eye-opening experience to play with guys as his imagination takes wings on the frets. www.facebook.com/markguestjazz of our homeowner’s insurance money like Al Greg, who was pretty far out there in Whether plush chords or ringing single and follow the gigs around the world for the free jazz world.” notes, his solos tend to trace a definite nar- a year or two.” They didn’t count on an While largely self-taught, Mark has rative arc, a strong melodic thread weaving insurer that did not want to honor their studied with noted musical luminaries such through their harmonies and rhythm.” Share Eddie LeShure’s claims until two years after the loss. Now as Toronto guitarists Lenny Breau, Lorne Mark can be found playing solo, in duo passion for jazz with Mark’s performances are booked on the Lofsky, and New Orleans guitarists Phil settings in the Mark Guest Jazz Duologues Jazz Unlimited on MAIN quality of the music, not what he calls the DeGruy, and Hank Mackie. (along with various accompanists, including FM each Wednesday “Katrina Factor”. Noted NYC jazz critic George Kanzler bass, piano, tuba, sax, voice, and flute) and 7-10 p.m., at 103.5 or Mark has been a popular addition provided liner notes to Mark’s “Happy To- group settings ranging from his “Bop/Pop MAIN-FM.org. at jazz festivals and in venues from New gether” CD, a project he calls “an impres- Trio” to larger groups. While remaining

10 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS 2 0 1 1 - 2 0 1 2 SEASON music Daniel Meyer, Music Director Call for tickets today! David Mayfield Parade

t’s always gratify- SATURDAY SEPTEMBER 17 • 8pm by James Cassara ing when success comes to those OPENING NIGHT: who have toiled Mayfield recalls it as I hardest, and in “some of my happiest Tchaikovsky Symphony No. 5 that regards David memories.” Mayfield is most de- The family serving. After years of eventually moved back Adams Lollapalooza balancing music with to their hometown Ravel Piano Concerto in G day jobs Mayfield is in Ohio but David the very definition of returned a few years Simone Dinnerstein, piano “working musician.” A later and, after a year Tchaikovsky Symphony No. 5 three week tour is fol- of knocking around Lisa-MariePhoto: Mazzucco lowed by time at home the tourist filled Simone Dinnerstein fulfilling the mundane honky-tonks that line chores of domestic downtown Nashville, SPONSOR life, all the while laying he auditioned for ris- the groundwork for ing country star Andy the next trip out. It is Griggs. Mayfield got OCTOBER 15, 2011 NOVEMBER 19, 2011 no wonder then that the gig and hit the upcoming Mayfield relishes every David Mayfield road, eventually land- SORCERER’S MAHLER’S “RESURRECTION” opportunity to play ing several appearances APPRENTICE SYMPHONY music: Tasting the bitter makes the sweet on the coveted Grand Ole Opry stage. even more so. In 2008 when Jessica Lea Mayfield was As a member of folk rock favorites ready to make her debut record, she asked FOR TICKETS AND MORE INFORMATION Cadillac Sky (whose last album Letters In David to play bass on it. It was an offer he The Deep was produced by Dan Auerbach couldn’t refuse, and over the next year he 828.254.7046 U www.ashevillesymphony.org of ) the Grammy nominated would tour as her bassist, and as a newly Mayfield knows too well the fine line be- minted member of Cadillac Sky, all while tween following your dream and succumb- writing and performing his own songs. ing to the harsh realities of life. That same year he produced and engineered an album for his longtime friend Barry Scott. Much to everyone’s By the time he was a teenager, surprise the album (In Gods Time) Mayfield had won several went on to earn a Grammy nomination national awards for his guitar and in the Southern Gospel category. But it was while on the road with playing. Jessica that Avett Brothers, Scott and Seth took notice of Mayfield’s musi- Growing up in rural Ohio, David was cianship and the three quickly developed surrounded by . At the age a friendship, leading them to invite him of twelve he was playing bass for the family to sit in with them on a number of shows, band, traveling from festival to festival, along including their 2010 Bonnaroo & Merlefest with his younger sister, noted songstress, appearances. After strongly urging he make a Jessica Lea Mayfield. Listening intently to record of his own, Mayfield finally acqui- the stories and lessons taught by road-sea- esced, an effort to which the Avett’s were soned veterans he took every opportunity to quick to lend their voices. Going Beyond Racism learn a new lick on guitar or master a differ- David Mayfield Parade is the culmina- ent harmony. By the time he was a teenager, tion of that encouragement. The album Through Understanding & Respect Mayfield had won several national awards reflects the numerous influences that for his guitar and mandolin playing and his come from a lifetime of being immersed in reputation was being forged in the world of Americana and channeling its unique forms Join us for compelling dialogue, Bluegrass as a figure worth watching. with sincerity and celebration from the howl But things changed when the family of early rock-n-roll, to the low lonesome community building, and a call to action. parked their bus in the heart of Country twang of folk and country with a voice that Music USA. Settling in Nashville, with the is all at once heartbreaking and inherently hopes of finding a steady gig that would hopeful. Sometimes nice guys do finish first NEXT NINE WEEK SESSION allow for some stability, David’s father (or at least finish) and in the case of David 0RQGD\VSPƔ)LUVW&RQJUHJDWLRQDO8&&Ɣ2DN6W took a job in a machine shop working the Mayfield this is just the beginning. graveyard shift, while 16-year-old David was September 12 - November 7, 2011 hired on to sweep the floors. Once the last If $30 Registration Fee Includes Materials day shift worker and office staffer had left You The David Mayfield Parade at the building, voices would soar over the roar Go Pisgah Brewing Company in Black Special Discount for Public School Teachers!!! of machinery. Father and son, while work- Mountain, Saturday, September 3. &KLOGFDUHRQVLWHZLWKSULRUDUUDQJHPHQW ing to keep the family afloat, would simply Showtime is 7 p.m. with tickets priced at sing as if they hadn’t a care in the world. $20-$25: Ages 21 and older only. Register at www.buildingbridges-asheville.org or 777-4585

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 11 Reel Take Reviewers: ∑∑∑∑∑ - Fantastic Chip Kaufmann is a film historian who ∑∑∑∑ - Pretty darn good also shares his love of as a program ∑∑∑ - Has some good points host on WCQS- ∑∑ - The previews lied FM radio. ∑ - Only if you must Michelle Keenan is M- Forget entirely a long time student For the latest reviews, theater info of film, a and movie show times, visit believer in Illustration of Michelle www.rapidrivermagazine.com the magic of & Chip by Brent Brown. movies and a fundraiser for Brent Brown is a graphic Questions/Comments? public radio. designer and illustrator. You can email Chip or Michelle at View more of his work at [email protected] www.brentbrown.com.

Captain America: The First apparently want our is outstanding, complete with a seems to be channeling his role in the 1979 Avenger ∑∑∑∑ superheroes to have Boogie Woogie Bugle Boy musical Gene Wilder Western The Frisco Kid. Short Take: Old school period action flick those traits as well. number that will bring back cheers The star of the film, though, is Daniel stays true to its roots in telling the story Not me. I prefer my and vivid memories to some. Craig and he is more than up to the task of of 1940s Captain America. comic book heroes to With a 79% critical rating and a taking this film on his back and carrying it be, for lack of a better 78% audience rating on Rotten To- a long way. He is reminiscent not only of Reel Take: For the first time in quite a word, super. matoes, for my money, this is the early Clint Eastwood but also of a combina- while, I find myself in agreement with most I’m sure the summer blockbuster to see. This tion of Gary Cooper and Jimmy Stewart. of the critics concerning Captain America. 1940s setting has was clearly the favorite of all the His character, Jake Lonergan, is strong and It is a good, old fashioned, refreshingly free something to do with movies I reviewed for this issue. silent most of the time but he is capable of of angst superhero movie that channels the that. Imagine Chris- showing emotion when the situation calls pre-Batman superhero movies of yore when Rated PG-13 for sequences of sci-fi tian Bale’s Bruce violence and action. for it. entertainment was first and foremost and Wayne in World War In addition to Ford, the film co-stars Review by Chip Kaufmann subtext was completely unnecessary. We II? Not a chance. Olivia Wilde as a with a secret that live in age of uncertainty and anxiety and What we have is the Cowboys & Aliens turns out to be more than you expect. She classic story of the un- fulfills her role quite nicely, although the derdog making good ∑∑∑1/2 way it’s written, any young actress could when the proverbial Short Take: This hybrid of have done it. The supporting cast is a strong Chris Evans as Captain Western and Science Fiction Theatre Directory 90 lb weakling Steve America: The First Avenger one but Paul Dano as Ford’s sniveling son (a Rogers (marvelously is ready to defend his ground starts off well, loses steam role he could do in his sleep) and Keith Car- rendered in CGI to against all challenges. halfway through, and ends on a radine as the town sheriff (good to see him Asheville Pizza & Brewing Company low note. Movieline (828) 254-1281 make Chris Evans back) are woefully underused. www.ashevillepizza.com look like a 90 lb weakling) is transformed Reel Take: Cowboys & Aliens was some- The biggest letdown for me was, that into a super soldier complete with G.I. Joe thing of a frustrating experience for me. It after finally getting to the cowboys versus Beaucatcher Cinemas (Asheville) physique and super athletic powers. His started off well, ran out of steam a little over aliens showdown, the aliens turn out to be Movieline (828) 298-1234 commanding officer (Tommy Lee Jones) halfway through, and then totally tanked vile and nasty with more than a passing re- Biltmore Grande has no use for him so he is dubbed Captain in the last 30 minutes. That’s really too bad semblance to the original Alien. At this point 1-800-FANDANGO #4010 America, complete with red, white, and blue because it had a lot going for it. the film becomes increasingly violent and www.REGmovies.com uniform so that he can sell war bonds. How- Cross-pollinating unpleasant with people and ever, a sharp and attractive British agent the Western with other creatures dying right and Carmike 10 (Asheville) named Peggy Carter (Hayley Atwell) sees genres is nothing new. left until the film’s climax is Movieline (828) 298-4452 his potential and helps him to realize it. There were vampires in reached. www.carmike.com The of the piece is a good one, Curse of the Undead Although director Jon Carolina Cinemas uber-German Johann Schmidt, a.k.a. Red (1959), hippies in Zacha- Favreau made the first two (828) 274-9500 Skull (Hugo Weaving) who also has Captain riah (1971), and who Iron Man movies, the shad- www.carolinacinemas.com America’s powers but not his looks. His could forget Blazing Sad- ow of executive producer plans are for nothing less than total world dles (1974)? There were Steven Spielberg looms Cinebarre (Asheville) domination (including Hitler’s Germany) even sci-fi elements as far large over the proceedings www.cinebarre.com by the use of secret high tech armaments back as 1935 with Gene and that is not a good thing provided by evil Doctor Armin Zola (Toby (think War of the Worlds The Falls Theatre (Brevard) Autrey and The Phantom Jones). The good doctor (Stanley Tucci) and the recent Super 8). Movieline (828) 883-2200 Empire, and don’t forget who created both men has been eliminated that Star Wars started off Cowboys & Aliens is solid Fine Arts Theatre (Asheville) so it’s up to the Captain to save the day, as a Western transferred summer entertainment but Movieline (828) 232-1536 which, of course, he does. into outer space. it could have been so much www.fineartstheatre.com Director Joe Johnston has both good It’s quite fitting to better. (The Rocketeer, October Sky) and bad Flat Rock Theatre (Flat Rock) bring up Star Wars since Rated PG-13 for sequences (The Wolfman, Jumanji) in his resume so Movieline (828) 697-2463 C & A co-stars Harrison of western and sci-fi violence, the question I had going in was: On which www.flatrockcinema.com Ford, who no doubt partial nudity, and crude refer- side of the ledger would Captain America must have said to himself ences. Daniel Craig as the mysterious Four Seasons (Hendersonville) fall? The 4-star rating I gave it answers that ,“This looks and sounds Review by Chip Kaufmann Movieline (828) 693-8989 question. In addition to good performances, stranger who holds the key familiar”. In addition to an alien invasion in Cowboys a script that works, and CGI in the service to Star Wars, Ford also & Aliens. ‘Movies’ continued on page 13 Smoky Mountain Cinema (Waynesville) of the story, the 1940s period recreation Movieline (828) 452-9091

12 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE MAGAZINE film reviews

‘Movies’ continued from page 12 Rise of the Planet of the Fright Night ∑∑∑ effects make it easy to forget that Caesar Apes ∑∑∑∑ is not actually real. The first half of the Short Take: Stylish but ultimately While trying to find a cure for unsatisfying remake of the 1985 cult movie is the story of Caesar’s childhood, Alzheimer’s disease, scientist Will Rod- classic has Colin Farrell but very little and the violent ape takeover does not else going for it. man (James Franco) creates an intel- begin until the second half. However, ligence-boosting drug that changes the while a few apes and humans die, there Reel Take: The original Fright Night world forever. The trouble begins when is no monkey massacre, and the violence dates from 1985 and has a small town, home Rodman takes home a baby chimpanzee is kept to a minimum so even animal spun feel to it, like Gremlins or The Lady exposed to the drug, names him Caesar, lovers should be able to enjoy the film. in White. This gave the film a certain charm and raises him as a son. Although the Caesar, the super intelligent chimp, Rise of the Planet of the Apes and sense of intrigue, which is totally miss- two share three happy years together, prepares to do battle with humans in shows that it is still possible to make a ing in this remake. Caesar is eventually taken by animal Rise of the Planet of the Apes. movie with decent writing and a strong control to a cruel confinement center storyline that doesn’t overdose on the where he begins to resent humans. Us- abundance of screeching monkeys facing action but still provides a fun ride. I ing his increased intelligence to organize off with armed humans. Thankfully, I was highly enjoyed the film and think it can his fellow apes, Caesar commences a pleasantly surprised. The creators of Rise appeal to a wide audience. The film fight to free them from humans. of the Planet of the Apes actually create a provides an important message to kids When I walked convincing explanation for – that they need to be kind to animals into the theater, I did Caesar and properly devel- – but it is also amusing to watch. If you not have much hope op the characters so that the want to be entertained and learn some- for Rise of Planet of Teen viewer can empathize with thing in the process, go see Rise of the the Apes. Based on them. James Franco gives Planet of the Apes. the previews, I was a respectable performance Review Rated PG-13 for intense and frightening expected a high-octane as Will Rodman, and the sequences of action and violence. action romp with an by Clara Sofia excellence of the special Colin Farrell as a decidely blue collar vampire in the remake of the 1985 cult classic Fright Night.

The offbeat casting added to the mys- tique of the original, with Chris Sarandon as when he needs to get nasty, he does com- was one entry in the romantic genre that an unlikely but very effective vampire (he’s plete with overemphatic CGI effects that actually held some promise. Still though, I given a cameo in this version). Roddy Mac- left me yawning. It helps that Farrell is very couldn’t quite shake a sneaking suspicion of Dowell was completely credible as a failed good and knows to order a ham sandwich a tragic flaw. [Spoiler Alert] Sure enough, this actor turned TV horror host Peter Vincent with his bloodletting, but the others aren’t love fest for hopeless romantics is marred (named after Peter Cushing and Vincent up to his level. by nothing short of a Nicholas Sparks-like Price), who doesn’t believe in vampires until Anton Yelchin channels Jesse Eisenberg amorous devastation. Ergo, our love story he meets the real thing. as the kid who is forced to become a vam- twenty years in the making careens towards This Fright Night seems like a cross be- pire slayer, which works most of the time, a pointlessly sad end … when it finally tween Poltergeist (1983) and the recent Shia but Toni Collette is totally wasted as the decides to end. The question is – why does LeBoeuf vehicle Disturbia (which is a re- mother and Imogen Poots is too much like said tragic plot line work in the book but not make of Alfred Hitchcock’s Rear Window). Kirsten Dunst’s Mary Jane Watson in the in the film? Spiderman movies for my taste. Christopher Per the usual, fans of the book say the Jim Sturgess and Anne Hathaway The setting is a cookie cutter neighborhood find love One Day. where Anton Yelchin believes his next door Mintz-Plasse as the geeky friend starts off movie doesn’t do the story justice. Interest- neighbor (Colin Farrell) might be a vam- great but he turns into a ho-hum splatterfest ingly David Nicholls wrote the book and the on the same day of each year. Sometimes pire. In this version it’s his close friend who vampire who I quickly grew tired of. screenplay, so you’d think it would work. they are friends, sometimes they are not. tries to convince him (it was the opposite in Fright Night isn’t a bad movie, it’s That said, the movie is not all bad. It’s actu- Sometimes one is up while the other is the original). just a totally unnecessary one. In the end it ally quite good, just only part of the time. I down. Sometimes they don’t even like each The biggest change of all is in the char- turned out to be completely disposable in liked the characters. I cared. It even tugged other, but they always love each other. They acter of Peter Vincent. For the 21st century, that I had already forgotten it by the time I at my rusty old heartstrings a couple of are destined be the loves of each others lives, being a TV show horror host is outdated, got home. At least, with a budget of only 17 times, but something missed the mark. Of but ultimately destiny takes a hand. so the writers transformed him into a foul million, it was not a colossal waste of money what worked and what didn’t, I’m really not Anne Hathaway is Em and James Stur- mouthed Las Vegas stage magician who puts but early indications are that it will tank and quite sure. The production values are solid. gess is Dex. Both turn in solid performanc- on supernatural shows a la Black Sabbath they might have trouble even getting that I don’t know what fans of the book take es. They are supported briefly but capably or Kiss, and revels in the fakery of it all. Of back. umbrage with, but for me I think it’s more and touchingly by Patricia Clarkson and Ken course he does happen to have a fearsome Rated R for bloody violence, language, and some to do with the tragic flaw than anything else. Stott. Rafe Spall is also very good as Em’s collection of supernatural lore, which comes sexual references. I’ll just give you a few impressions and let rather hapless beau and unrequited love. you make your own decision. in handy especially when his secret is re- Review by Chip Kaufmann The evolution of their characters is almost vealed. David Tennant does a good job with In the late 1980’s Emma and Dexter entirely predictable but that’s not necessarily this new incarnation but I prefer the Roddy One Day ∑∑∑ spend the night of their college graduation a bad thing and both Hathaway and Sturgess MacDowell version. together. She’s has to work for everything bring enough to their parts that you really It was director Craig Gillespie’s original Short Take: Movie for hopeless she has. He’s had everything handed to him. romantics with a tragic streak. do like them. intention to cast Heath Ledger as Jerry the She wants to make the world a better place. Ultimately One Day is mediocre neighbor, but after Ledger died the role was Reel Take: I heard the bestselling book He just wants to play. They are opposites, romantic fare. I recommend it for a girl’s given to Colin Farrell. The character is re- that One Day is based on was a really good but they get each other like no one else does. night out. Ladies, don’t pick this one for written as a blue collar vampire who drinks story. Director Lone Scherfig’s last film, The unfolding story of the relationship is beer and watches a flat screen TV. However An Education, was a fine little film, so this told over the course of the next twenty years ‘Movies’ continued on page 14

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 13 RAPID RIVER ARTS & CULTURE MAGAZINE film reviews

‘Movies’ continued from page 13 ers and the storyteller know exactly to Americans for roles in Tropic Thunder how to manipulate the audience and Night at the Museum plays himself as date night. On the other hand fellas, if your and they do it perfectly, affecting an actor getting a little long in the tooth, lady love is a romantic girly girl and you’ve the perfect outcome and applause desperate to be taken seriously and make it put her through a few too many testosterone in the end. as an A-list actor. Brydon, a Welsh come- fests of late, you could score some points Unlike One Day, fans of The dian and popular television personality and for indulging her romantic sensibilities. Help will not be disappointed. It’s a voice talent, plays his trusty sidekick and a The film also has enough intelligence to be crowd pleaser all the way through. fellow perfectly contented with his career appealing to a more mature audience and an It is not an important cinematic path and lot in life. The two are not Hope audience that can appreciate twenty years of work, but The Help does prove that and Crosby, but they are one of the brilliant the ins and outs of love, but only if you can mainstream fare doesn’t have to be pairings of all time. stomach the ‘tragic flaw’. mediocre and at its best is univer- Really, there is no plot. As they mean- sally appealing. der from one pretentious foodie destination Rated PG-13 for sexual content, partial nudity, to another, they spar — dueling imperson- some violence and substance abuse. Rated PG-13 for thematic material. Emma Stone, Octavia Spencer and Viola Davis form ations of Sean Connery, Michael Caine, Review by Michelle Keenan Review by Michelle Keenan an unlikely friendship in The Help. Anthony Hopkins, Lawrence Olivier and Al The Trip ∑∑∑∑ Pacino along the way in a near-constant rip The Help ∑∑∑∑1/2 kind of story that makes us, as Americans, of classic movies such as Goldfinger and the Short Take: The film adaptation of the realize how far we’ve come and yet how Short Take: A buddy-pic, road trip, The Man Who Would be King. The food is best-selling novel by the same name some things stay the same. foodie spoof non-movie featuring born of Ferran Adria-like culinary audac- about a young white woman in the early Best of all, this movie is a fabulous two Brit comedians and their dueling ity and is worthy of Anthony Bourdain-like impressions of Sean Connery, Michael 1960’s who enlists the help to tell their vehicle for its cast, but most especially the narrative, but of course our heroes are Caine and more. side of the story. talented and under-celebrated Viola Davis. better apt to know their way Reel Take: Unlike One Day, which Davis is Aibileen Clark, a middle aged black around an English breakfast was supposed to be not so mainstream woman who has been a house maid, caring and a banoffee pie than the but rather mediocre, The Help is a very for white babies since she was 14 years old. highly stylized, contem- mainstream movie, but not mediocre in the Despite her own losses and anger at her lot porary gastronomy scene. least. Written and directed by Tate Taylor in life, she loves the children in her charge They do however know their and based on Kathryn Stockett’s wildly and she raises them like her own. way through great English popular, best-selling novel, The Help tells Emma Stone (Easy ‘A’) is Skeeter, a literature, and the residences the story of a young woman in early 1960’s young woman just recently graduated from of these great scribes are Mississippi who enlists the help to tell college with her eye not on her MRS but integrated into their travels their side of the story in a tell-all, anony- rather on a career as a journalist. She is from as well. mous book. It’s the kind of book and the the privileged white society of Jackson, Mis- The result is a funny kind of movie that makes audiences cheer sissippi, but does not share the same values cultural contrast, mingling and cry and hate the bad guy. It’s also the as many of her caste. It is while getting and layering. They brilliantly reacquainted with her old girlfriends and dialogue on today’s pseudo- tasked with a housekeeping column for the reality driven television, food local paper that she enlists Aibileen’s help Rob Brydon and Steve Coogan swap Connery obsessed culture, while their and hatches the idea of writing a book told impersonations in The Trip. one-upmanship and contests Radical Reels Tour from the perspective of the help. in mimicry harken back to Catch the steepest and deepest in Octavia Spencer is Minny Jackson, a Reel Take: When British actor/comedian a very different time and place — to films high-adrenaline outdoor sport films. local maid who finds herself looking for Steve Coogan is asked to do a foodie road and stars that shaped our cinematic his- Hurtle down steep untouched powder, work after sass talking the story’s villain, trip for The Observer, he intends to take his tory and influenced our childhoods. The feel the cold spray of stomach-drop- Hilly Holbrook, (Bryce Dallas Howard) and girlfriend on a decadent romp through the contrast of today’s disposable culture is ping kayak first descents, fly high with ultimately joins forces with Aibileen and English and Scottish countryside. Instead almost laughable. Those iconic personalities the world’s wildest BASE jumpers, Skeeter to write the book. The three form he ends up enlisting the help of friend and offer so much more. After all, 30 years from and much more in extreme mountain an unlikely bond as they bravely work in fellow funny man Rob Brydon. This is the now who is going to remember who Kim sports. secret on the project, all the while protecting premise of The Trip, a foodie-spoof directed Kardashian was or offer up their best Ryan The Radical Reels Tour showcas- their respective lives, jobs and relationships. by Michael Winterbottom as a limited- Reynolds impersonation? es nine short films that capture some There’s a lot packed into the movie – per- run series for British television, in which Bottom line, Winterbottom, Coogan of the most progressive talent in action haps a bit too much – but the sub-stories are Coogan and Brydon play trumped up ver- and Brydon came up with a great way to sports. Hosted by REI to benefit the all integral to the overall story. Laced with sions of themselves. The series was recently have a paid foodie holiday. For me the cul- Appalachian Trail Conservancy, the reminders of what was going on in our na- released as a ‘film’ here to positive critical tural contrast was really just a bonus. The Radical Reels Film Tour screens on tion and at Old Miss in 1963, our heroine’s notices, but given the modicum of distribu- Trip is an amusing deviation for foodies, Monday, September 12, at 7 p.m. plight is made even more poignant. tion and press, most filmgoers missed it. film buffs, anglophiles and of course fans Rounding out the cast are Allison Jan- There is a certain segment of the movie of Coogan and Brydon. Brydon’s Small If You Go: Tickets are on sale only ney, Cicely Tyson, Spacek and relative going audience and [we hope] our readers Man In a Box voice alone makes the whole at REI for $15. After September 10 newcomer Jessica Chastain (The Tree of who will thoroughly enjoy this off beat title. thing worth watching, and I’d have happily tickets will be $17. For tickets and Life). There is no weak link here. All bring By the time this section comes out, The watched them do nothing but swap Sean more information please contact REI something special to their parts and the sto- Trip will have completed its theatrical run Connery impressions. You get to decide at (828) 687-0918 or [email protected]. ry. Spacek brings unexpected comic relief, and will be available on DVD. My colleague who does the better Michael Caine when REI, 31 Schenck Parkway, Asheville, and interestingly, Chastain plays a character Chip Kaufmann and I thought The Trip was you rent The Trip now available on DVD. NC 28806. that the white look down on even more an unusual delight and still worthy of a nod Not Rated. One night showing only with limited than they do the blacks. in this issue. Review by Michelle Keenan seating at Carolina Cinemas Asheville, The film is a perfect time capsule in Coogan, who is beloved in the UK 1640 Hendersonville Rd. Doors open both aesthetics and culture. 1963 is meticu- for creating the character of hapless chat at 6 p.m. Prizes will be given away at lously recreated. Most of all, the filmmak- show host Alan Patridge and is best known the screening.

14 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE noteworthy Dr. Polly E. Ross Named 2011 Raise Your Hand Auction Chair 011 marks the thirtieth anni- illness that they wore extensive versary of the first report of an gowns and masks whenever unknown virus that was later to they entered the patient’s room. be named HIV. The devastation She was a young woman who 2that this virus has inflicted upon was just as frightened by the the planet is overwhelming and hard staff as they were of her. At age to comprehend in terms of human life twenty-seven, she had only had and suffering. three boyfriends in her lifetime. Yet, this thirtieth year is a time for She only found out that she was Polly E. Ross, MD, 2011 Raise Your Hand Auction Chair positive reflection and hope. Tremen- HIV positive after one too many dous progress has been made on every visits to the gynecologist’s office level — locally, nationally and inter- for a yeast infection. We had to spend — WNCAP has learned that the easy nationally. Humanity has been given a lot of time disrobing the fear of the path of complacency is not an option the opportunity to learn much from hospital staff, in an effort to allow in defeating HIV/AIDS. Medications this small retrovirus — and we have. them to provide their much needed are not enough. We must continue to From the tremendous acceleration in compassionate care. In her own way, educate, assist, ccare and facilitate on Special Free medication approval for HIV patients this frightened patient was a heroine every level to create a hopeful path for to the expansion of sexual literacy and and leader in HIV care. tomorrow. Book Offer! dialogue — progress has been made. Likewise, WNCAP is our re- I want to personally engage each —Pat Boone I remember in the early 1990’s gional and leader, which fights of you to be a leader and a beacon of Crashing the Dollar: when I was working in a small local the fear and stigma of HIV/AIDS hope in the effort to make WNC a How to Survive a hospital with a patient who had one of everyday. With relentless determina- better place for everyone. Please Raise Global Currency the first cases of Pneumocystis pneu- tion and hope, WNCAP continues to Your Hand as we mark the 30th year Collapse by Craig R. monia (PCP) in the area; the deadly focus its staff and resources in making anniversary of HIV. Raise Your Hand Smith was written to help pneumonia that strikes persons with a our part of the world better for people to be a part of the hope that the next very low immune system. with HIV/AIDS. In a time when thirty years finds us with a planet free save American families The staff in this small facility many may say — “what is the big deal of HIV/AIDS. from the economic death were so unfamiliar and afraid of this — can’t you just take a pill for that?” spiral of a falling U.S. dollar and rising inflation. To help prepare Americans for the dollar’s demise now, I Building the Beloved Community have been authorized to offer a FREE copy of Crashing Special Free Book Offer! —Pat Boone by Roberta Madden Call 1-866-709-3643 today! “We are tied together in a single garment of destiny, caught in an inescapable network of mutuality.” of racism. Dr. King said that to create the Beloved Community, we need a ~Dr. Martin Luther King, Jr. qualitative change in our souls and a quantitative change in our lives. We can change these tragic numbers and achieve a better life for people of all r. King envisioned a Beloved • The nationwide graduation rate for races; that’s the quantitative change. Community. As long as rac- black students is 40 percent, compared The qualitative change in our souls ism persists, that community to 61 percent of white students. has to begin with awareness about the remains a distant dream. • One of every 3 black males born pervasive racism in our society, even D Racism, defined as “prej- today will go to prison in his lifetime. though it is invisible to many of us. udice + power,” is often unconscious Because it’s hard to talk about race • Blacks constitute 13 percent of all and unintentional, but 50 years after with someone of another race, we must drug users, but represent 35 percent the civil rights era began, significant start with structured, facilitated dia- of arrests for drug possession, 55 per- racial inequities and disparities persist: logues. Building Bridges of Asheville cent of convictions, and 74 percent of • The median net worth of a white offers an eye-opening nine-week series prison sentences. household is now 20 times that of a on institutional, or structural, racism. black household. That gap has doubled • Forty-nine percent of the nation’s since the recession began. homeless population is African American. • Black women are significantly more If The next Building Bridges likely to die from breast cancer than • The unemployment rate for black You series starts Monday, o white women. people nationwide is twice that for G September 12 and runs • One out of 3 black students in 7th whites. weekly, from 7 to 9 p.m. at through 12th grades has been suspend- These sad statistics may not First Congregational United Church ed or expelled at some point, com- reflect what is in individual hearts, of Christ in Asheville. To register, go pared to one out of 6 white children. but they reflect the legacy of centuries to www.buildingbridges-asheville.org.

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 15 RAPID RIVER ARTS performance

interview with interviewed by Dennis Ray Daniel Meyer s Music Director of the Asheville Symphony and Erie Philharmonic, Daniel Meyer is recognized as one th of the top young conductors of his Celebrating an Extraordinary 80 Season! generation. In his sixth season with Athe Asheville Symphony, Meyer has helped to reinvigorate the orchestra, enlivening National Acrobats of the the community with innovative, collabora- People’s Republic of China tive programs and a dedication to create Daniel Meyer, conductor of the Asheville and sustain an enthusiastic audience for Symphony. Photo: Michael Morel Back by popular demand, fresh on classical music. His Friday afternoon Sym- the heels of their 2009 Sold Out phony Talks held at UNCA are a popular how did it come about? community staple. Show! Entertain your whole family. DM: There used to be a “Tea and Sym- Sunday, Oct. 23, 2011 • 4 pm Rapid River Magazine: Tell us a little phony” held in the basement of the Public about the 2011-2012 season and why it Library downtown. It typically garnered might be the best year yet for the Asheville anywhere from 30 to 50 people. I thought to Symphony? myself, there just has to be a better way to Daniel Meyer: We are taking some of our connect with more people. biggest leaps in this coming season. We’re I am so passionate about the music we make, and I love to talk about the interest- Breathtaking virtuosity and a keeping our artistic vision broad, and ex- perimenting with the concert format a bit, ing back-stories to how and why compos- rare beauty. Experience the as well. We are inviting Attack Theatre, a ers were inspired to write their music. This Red Violin’s musical talent. modern-dance company, to return to Ashe- is where the Reuter Center on the campus of UNCA stepped-in. They generously saturday, nov. 12 • 7:30 pm ville to create a brand new production of Stravinsky’s Soldier’s Tale. It will be fully- invited us to move our preview events staged, danced, acted, and costumed in a way to their space, and almost instantly, our that is faithful to the music’s original intent. attendance grew to well over 250 for each We’re also tackling ’s “Symphony Talk”. Soweto Gospel Choir massive Second Symphony, complete with We love the space because we have soloists, huge choir, offstage brass, and as access to a grand piano, a large projection Dynamic music to brighten up many musicians as we can fit on the stage. screen, microphones, and ample seating. your winter. “Joyful … fresh and We’re also partnering with the Asheville I think our audience loves it because they vibrant” ~ USA Today Art Museum to create a photo montage to can park for free right next to the build- accompany our performance of Beethoven’s ing. “Symphony Talk” is completely free, Sunday, jan. 29, 2012 • 4 pm Pastoral Symphony. Why not capitalize on sponsored by our ASO Guild, and is a great the rich arts life we enjoy in Asheville with a way to meet our guest artists and musicians. little creative collaboration? Local experts like Chip Kaufmann and Dick Kowal have also lent their expertise to these RRM: The Asheville Symphony Orchestra talks, and I always look forward to what they Labor Day Concert is coming up again. have to say about great music. Moscow Festival Ballet What challenges do you find the hardest about performing outside? RRM: There has been a lot of talk about the Fall in love with the Asheville Symphony Orchestra’s opening timeless classic “Giselle.” DM: Well, the fact that the fire department night. What is making this night a night not happens to be right on Pack Square can to miss? Friday, march 9, 2012 • 7:30 pm make for some interesting situations – I’m thinking specifically about last year, when DM: For one, we’re playing John Adams’s a truck rolled out right in the middle of a Lollapalooza for the first time. It’s an incred- quiet moment in the music with sirens blar- ibly fun, short piece that mixes jazz, be-bop, ing. I’m hoping that if that happens again, rock, and classical into one boisterous romp. Win a BMW! we’ll be able to make an elegant pause. Another reason we’re excited is our first BMW of Asheville meeting with the famed pianist Simone Win a brand new BMW and I have to say, though, that the benefits of playing outdoors for such an apprecia- Dinnerstein. She has written her own rules support the performing arts! tive and excited crowd far outweigh any when it comes to creating a fascinating Tickets are $100. Only 1,200 minor inconveniences of noise or weather. career in music, and I just think that her bmwofasheville.com tickets are available. To reserve We are thrilled to be repeating this won- performance of Ravel’s G Major Concerto 828-681-9900 will be one of the highlights of my tenure yours, call 828.225.5887. derful event, and I recommend you stake- out your spot early. with the orchestra. If that’s not enough, we’ll perform RRM: Tell us about “Symphony Talk With Tchaikovsky’s 5th Symphony – a true test of Student discounts, season subscriptions & individual tickets available by calling Daniel Meyer.” Is it designed for those what the ASO can do. Asheville Bravo Concerts at 828.225.5887 • AshevilleBravoConcerts.org who listen to the symphony or for those who want to be part of the symphony, and Continued on page 18

16 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS & CULTURE MAGAZINE stage preview The Magnetic Field – Changing Theatre, Play by Play

an Asheville have an impact on While The Magnetic Field has six ar- the national theatre scene? Sure, tistic associates whose work they present on the city has its fair share of theatre an ongoing basis, and the much larger group companies, of all colors and stripes, of talents who have worked on all of their but is it enough to capture atten- shows so far, they’re always looking to add Ction above and beyond WNC? Chall Gray new people to their group. “We very much and Steven Samuels think that it can. They want to create a place that’s open to the best are the principal creative forces behind The we can find, and we’re always interested in anchor the programming. Tuesdays are the Magnetic Theatre, the resident produc- meeting and working with people we don’t night for comedy, with touring stand-up ing company in The Magnetic Field, a chic already know,” Gray said. comedians booked in by the Disclaimer new River Arts District venue which Gray Magnetic Midnight is one of their Comedy Series, and improv performances opened last December and began planning 2 avenues for meeting fresh faces and giv- by the in-house troupe, Reasonably Priced ½ years before that. ing them a chance to perform. The show, Babies. Music is frequently presented on “What we’re doing is unique. We’re the which occurs on the first Friday of each Wednesdays. only theatre in the Southeast that produces month, has a simple premise: show up at 10 So, can Asheville have an impact on the all-original works, but the response from p.m. to perform something of your own or national theatre scene? With companies like the community, both audiences and theatre Chall Gray and Steven Samuels. someone else’s. The only guidelines are that The Magnetic Theatre continuing to present artists, has been overwhelmingly positive,” Photo: Peter Brezny pieces must be original and no longer than new, different and innovative works, the five minutes. Other than that, pretty much odds are looking better all the time. Samuels, the artistic director, said recently. anything goes. The Magnetic Field has set a blistering In addition to their theatre efforts, there The Magnetic pace since day one, with nine full-scale pro- is also a multitude of other programming The Magnetic Field ductions already under its belt, and they are that occurs at The Magnetic Field. Mondays Glen Rock Depot, 372 Depot Street Field Restaurant already making waves outside of Asheville, play host to storytelling and poetry slam in the River Arts District with write-ups in the New York Times and events—two popular series, The Asheville (828) 257-4003 Charleston Magazine. Poetry Slam and the Synergy Story Slam, www.themagneticfield.com “In just the past few months, we’ve re- ceived scripts from New York, Los Angeles, Chicago, Atlanta, Arkansas, and Connecti- cut, as well as here in WNC,” Gray, who is the producer, noted. “It’s surprised even us how fast word has spread. It’s incred- In addition to the groundbreaking ibly hard to get new plays done, even for work in their theatre, The Magnetic established playwrights, and that’s one of Field is fast making a name for itself the reasons we’re dedicated to premiering as a restaurant and bar. Co-head chefs original works.” Liam Luttrell-Rowland, who recently The Magnetic Field includes an inti- was invited to prepare dinner for Ruth mate 64-seat theatre, and a bar and restaurant Reichl, and Jason Rowland, who has in a separate space. With the wide variety of cooked at the renowned James Beard dynamic shows they’ve done, the company House, consistently produce great has surprised audiences with works such pg. 39 dishes. Award-winning bartenders as: Lucia Del Vecchio’s The Family Tree, a H match the chefs’ creations with their dramatic work leavened with comedy; and own innovative cocktails. David Eshelman’s The Witches’ Quorum, a wild revisionist historical romp set in the 1600’s, but with raunchiness, bawdy humor, Magnetic Field’s and some risque content. Fall Season The Magnetic Field has also received praise from many publications and journals. Shangri-La, a new comedy by Lucia A reviewer from CVNC.org, an arts journal, Del Vecchio, set in a retirement mo- proclaimed that “The Magnetic Field lives up bile-home park in Florida, premieres Take Your Craft to to its branding as one of America’s most in- in September. October brings Brief ventive and audacious theatrical troupes, and Encounters: New Magnetic Voices Another Level a groundbreaking leader in the development 2011, a presentation of short plays by and production of the nation’s new plays.” Workshops and Core Programs new writers. This young company has also amassed for Adults and Youth Next comes Rock Saber, a crazed, an impressive base of talent—they have a late-night only show about the section on their website featuring the bios world’s worst epic metal band, by Ju- of everyone they’ve worked with, a group lian Vorus, and December brings the which already amounts to more than 50. return of the much loved Bernstein “It’s really amazing, the quality of talent this The Only Professional family in the 28th Annual Bern- town has,” Samuels said. “The local creative stein Family Christmas Spectacular: Acting Studio in WNC pool is deep and wide, supplemented by Christmas in Space, in 3-D! successful, experienced transplants from If You Go: For more details please large cities like New York and LA, like my- www.stellaadler-asheville.com visit www.themagneticfield.com. self and any number of our colleagues.” (828) 254-1320

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 17

prints color RAPID RIVER ARTS performance Party on the Terrace – September 5

he Asheville Lyric Opera and BMW of Asheville invite you to enjoy a private party with T friends of the opera during the Asheville Symphony Orchestra’s La- bor Day concert on Monday, Septem- ber 5, 2011. The Party on the Terrace will take place before and during the concert, across the street from the fes- tivities at the Lynch building. With exclusive access to the first-floor patio and the rooftop terrace over- looking Pack Square Park, those in attendance will delight in an exquisite viewing experience. In addition to private seating, guests ALO has in store while enjoying an elegant will have the chance to mingle with ALO’s holiday evening. soloists, international operatic soprano Jen- Beginning at 5:30 p.m., guests may nifer Davison and American operatic tenor claim their reserved parking spot in the Scott Joiner, who will be performing selec- Merrill Lynch garage and ride the elevator tions in the concert alongside the Asheville directly to the party. Symphony Orchestra, conducted by Daniel Meyer. If Throughout the concert, fine hors You Tickets are $100 per person and d’ouvres and wine will be provided by One Go space is extremely limited. Call the pg. 39 North Pack by Biltmore Catering. Guests Asheville Lyric Opera at (828) 236- R will get a sneak-peak at what exciting events 0670 to reserve tickets.

‘Meyer’s’ continued from page 16 If You The Asheville Symphony RRM: Since we have a well-read readership, Go Orchestra Labor Day Concert takes what books did you enjoy reading this sum- place September 5, from 7 to 10 mer? p.m. at Pack Square Park, in Asheville. Symphony Talk with Daniel Meyer takes DM: I read Erik Larson’s In the Garden of place on September 16, from 3 to 4 p.m. at Beasts, Ian McEwan’s Solar, John Ashbery’s UNC-A’s Reuter Center. new translations of Rimbaud’s Illumina- tions, Alex Ross’ Listen to This and count- Opening Night – September 17, 8 p.m. at less bits of biographies which the Thomas Wolfe Auditorium. helped me prepare for the coming season. Call the Asheville Lyric Opera at (828) 236- The best among them, I think, was Donald 0670 to reserve tickets. To find out more Mitchell’s work on Mahler’s Wunderhorn about ALO’s upcoming season, including years. how to purchase season tickets, please visit www.ashevillelyric.org.

pg. 39 S Women in the Moon Creative and Distinctive Gifts

163 South Main Street Waynesville, NC 28786 828-452-4558 Follow us on Twitter and Facebook

Located in a turn of the century medical office. Hours: Tuesday - Saturday 10:00 to 5:00

18 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS & CULTURE MAGAZINE noteworthy

Altamont Theatre Opening Season a great tradition of theatre here in Asheville dating back to the 1940’s, when Charlton he much anticipated opening season Heston ran the local community theatre. of the new Altamont Theatre Com- by Cherry Hart In my role with , I feel an pany in downtown Asheville is just obligation to support the arts. Serving on the around the corner. The Altamont’s The intimate setting of the Altamont’s Board of the Altamont is one small opportu- first Off-Broadway musical produc- black-box arrangement gives the audience nity I have to give back to this rich history.” Ttion will open September 13 in the newly of 120 an up-close and personal view of the Actress and Asheville resident Andie renovated location at 18 Church Street. Pete action. Table seating invites theatre guests to MacDowell is also a member of Altamont’s ‘n Keely, a rousing comedy, will run select enjoy a glass of wine while listening to great Board of Directors. She commented about dates through September 25. performances in a relaxed environment. the upcoming productions, “I’m a big fan The year is 1968, when Pete Bartel and Hampton said that auditions are held of performance theater in Asheville. We have Keely Stevens reunite for a live television in and Asheville with so many great venues here. The approach show retracing their illustrious musical ca- invitations extended to union actors. Local of the Altamont in bringing NYC caliber reer on TV, in Las Vegas showrooms, and at productions will be directed by nationally musicals here adds to the unique atmosphere the top of the hit parade. Their commercial renowned directors between their projects in of our city.” break antics will soon reveal why they are larger metropolitan cities. The only professional musical the- divorced and have not spoken in five years. Bill Russell, Asheville City Council- atre company in downtown Asheville, the New York City performers and Broadway member and Chairman of Altamont Theatre Altamont promises to meet its mission as it veterans, Jan Herndon and Stephen Berger, Company’s Board of Directors, said, “The “inspires, educates, and entertains by per- will bring to life many favorite songs, like Altamont is the greatest entertainment and forming professional musicals and plays that “Fever” and “Black Coffee.” creative addition to Asheville that I’ve seen touch the hearts of audiences of all ages.” This professional musical theater is in the last decade. I’m certain the Altamont the fruition of the dream of entrepreneur will become an entertainment centerpiece and Altamont Executive Director Brian Lee in Asheville, attracting folks from all around Taking a break from the many preparations If for the coming season of musical You Purchase tickets at the box office and Tiffany Hampton, a long time musical the region. I can’t imagine ever missing any productions, Brian Lee (left) and Tiffany Go or online at www.TheAltamont. theater performer, who is Artistic Director of the productions.” Hampton, owners of the Altamont Theatre, com. Adults $35; Seniors $32; for the Altamont. Lee and Hampton moved Moog Music President Mike Adams pause near the doors of the black-box Students $30; Call (828) 270-7747 or visit to Asheville in 2007 to get away from the remarked, “The Altamont Theatre continues performance area. Photo: Cherry Hart the website for group sales. hectic lifestyle of New York City and raise their two small children. Hampton’s father, the late George Thomas Hampton, Jr., was born in Ashe- ville. He suggested the name for the theater, paying homage to the city of Altamont, the INTERNATIONAL fictitious Asheville in Thomas Wolfe’s Look Homeward Angel. DAY OF PEACE Earlier this year, the Altamont received Dedicated to The Griffin, an award given by The Preser- vation Society of Asheville and Buncombe Peace Lovers Everywhere County in recognition of outstanding contributions to historic preservation. The theatre qualified in the Adaptive Re-use cat- Wednesday, egory due to the owners’ attention to detail September 21 in preserving historical aspects during the building renovations. Lee added, “The basement and first 4:30 to 7:30 PM floor are the lobby and theater space, plus an art gallery featuring the work of nation- Pack Square ally acclaimed artists. The two upper levels Downtown Asheville are six fully furnished short term rental condominiums.” Altamont Director of FREE MuSIC Development Honor Moor stated they anticipate supporting the local economy in Open to All a significant way, as about 5,000 patrons an- nually take advantage of nearby restaurants Great Folks and businesses. Speaking Great Words Altamont Performances Youth Happenings Pete ‘n Keely September 13-18 & 21-25; Tuesday, Pinwheels for Peace Wednesday and Thursday at 7:30 p.m.; Friday and Saturday at 8 p.m.; Sunday at 2:30 p.m. Rachael (828) 505-9425 Songs for a New World Come Declare PEACE in Asheville! Kasha (828) 252-1967 November 2-13, 2011 internationaldayofpeaceasheville.wordpress.com [email protected]

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 19

prints color RAPID RIVER ARTS biltmore ave shops

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The Rapid River Magazine has been one of my favorite publications for advertising over the last 6 years. Not only do you reach local and out-of-town people, you also benefit from the interesting articles the magazine writes about you and your business. I would encourage you to consider participating in a group advertising section. When enough businesses from a specific street or area advertise together, it makes for a worthwhile destination for people to visit. We all benefit when this happens. ~ Susan Marie, owner of Susan Marie Designs Fine Handmade Jewelry, (828) 277-1272 4 Biltmore Avenue, downtown Asheville

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20 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS fine art Robb Helmkamp Exploring the Relationship Between Wood and Metal

obb Helmkamp moved to the Asheville area in 2004 after decid- ing to take his backyard wood- working addiction and make a career out of it. Since finishing theR Professional Crafts: Woodworking program at Haywood Community College, Helmkamp has established his own busi- ness, Kamp Studio, where he has shaped his furniture making style, landed in a few October 20-23 books, and earned a few design awards along the way. Living and working in an active arts Asheville Civic Center community has helped Kamp Studio come Downtown Asheville, NC to life and has encouraged Helmkamp to continuously create furniture with contem- Thu.-Sat.: 10am-6pm porary appeal. Sun.: 10am-5pm Admission: $8 Robb Helmkamp Children Under 12 Free

“I am continually inspired by the raw feel, rough beauty and honesty of art.”

Marti Mocahbee ent, Helmkamp exudes a sincere energy for (Photo: Scott F. SMith) www. craftguild.org 828-298-7928 each project from start to finish. “Working on a project with Robb was such a wonder- ful experience. We were involved from the very beginning with a brainstorming session. Robb really took our home environment into consideration, along with the way we September 30 - October 2, 2011 wanted to use the space and our style. He was able to create for us a piece of art that we are able to utilize and enjoy every day,” from a Charleston, South Carolina client. This response does not come as a Once Upon A Quilt surprise. If you are able to meet Helmkamp, you will understand the creative process that “The Stories Our Quilts Tell” drives him as an artist and pushes his need Caught in the Cypher, side table by Sponsored by Asheville Quilt Guild Robb Helmkamp. to create beautifully designed furniture and sculpture. Elegant, fluid lines and contemporary The need to further explore his career design are key elements to Helmkamp’s led Helmkamp to an assistant position at the furniture and sculptural work. Using a Anderson Ranch Arts Center in Colorado * $7,000 in Prize Money variety of techniques including laminations, this summer where he has learned many Raffle Quilt vacuum pressing, and carving, Helmkamp new techniques. He will return this fall with * enhances the relationship between wood a new spin on his creativity and continue to * Over 35 Vendors and metal. push the endless possibilities of his trade. Guild Gift Shop “As the child of a military family living Helmkamp’s interest in teaching and educa- * and traveling all over the United States and tion has been set in motion. He hopes to overseas, I have been exposed to numer- eventually give back to the community from ous and varied cultural traditions including which he has learned so much. the military, various religions and the wide Are weekend warrior workshops in world of art and craft. I am continually store? Or, is Helmkamp up for the challenge Fri & Sat 9-5 Sun 10-5 Admission $6 inspired by the raw feel, rough beauty and of graduate school? Keep an eye out for new * * honesty of art. Wood – like life – can be creations from Kamp Studio and visit the sweet and supple or rough and jagged. I use website www.kampstudio.com for more WNC Agriculture Center the wood and metal to express a conversa- information. Just off I-26 across from Asheville Regional Airport, Fletcher, NC tion between these two elements. My art Barbara Pate 828.254.4915 questions the relationship between the warmth of art and craft and the stark cold- Stop by Susan Marie Designs, 4 Biltmore Avenue in Asheville, to see Robb ness of the military machine.” www.ashevillequiltguild.org Helmkamp’s latest body of work. The Whether designing a freestanding sculp- gallery is open Monday-Saturday 10 a.m. Copyright 2009-2011, reproduction requires written permission of the publisher. ture for art’s sake, or a built-in unit for a cli- to 5:30 p.m.; Sunday 11 a.m to 4 p.m.

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 21

prints color RAPID RIVER ARTS performance Bravo Concerts 2011-2012 Season

s the promise of fall whispers in the leaves, so do we delightfully antici- by Rachel Strivelli pate the promise of upcom- ing arts and entertainment. This year, our oldest arts Anonprofit, Asheville Bravo Concerts, celebrates its 80th year anniversary. Celebrate the foresight of past Asheville arts patrons who recognized back in 1932 that the area needed to foster performing arts appreciation. Since those days, Asheville Bravo Concerts has been bringing world class acts to town. People, places, businesses have changed in the city, but the dedication to the music and performing arts has sustained. The 2011-2012 season has four distinct and dynamic performances to showcase the spirit and pedigree of the Asheville Bravo Concert Series. This season will include our most di- verse and inspired programming ever. With yet another great season, Asheville Bravo Concerts opens with an encore performance of the Na- tional Acrobats of China on Sunday, October 23, 2011. In 2009 the Acro- bats performed to a sold out crowd at Thomas Wolfe Auditorium and are back to revel WNC with another breathtaking performance of balanc- The National Acrobats of China perform ing, contortions, spinning, tumbling, Sunday, October 23. and more. Next up, a performance for everyone’s are priced in a way to offer music and per- bucket list: the violin superstar, Joshua Bell. forming arts to people with varied budgets. New York Times recently named Mr. Bell Bravo is lucky to be headed by a for- as “one of the few reliable marquee names ward thinking Executive Director, Tracey in classical music today,” who never disap- Johnston-Crum. In an age of budget cuts to points audiences. Violinist Joshua Bell is a the arts and fewer fundraising opportunities consummate virtuoso with a reputation that for nonprofits, Tracey consistently sup- is unsurpassed. ports student ticket discounts. She believes The season continues in the new year that offering opportunities for students to in a rhythmic, vibrant show of traditional connect to the arts is an essential factor in and contemporary music, percussion and maintaining a cultural and cultured popu- dance with the Soweto Gospel Choir. The lace. Every student deserves the opportunity South African choir performed at the world to attend live concerts and be informed and famous 46664 concert, hosted by Nelson inspired. With so much music and enter- Mandela. Their powerful voices, spiritual tainment available in electronic form, it’s sounds, and vibrant costumes create a rich a refreshing and positive habit to foster in experience to warm your winter soul. youth to attend and appreciate live shows Bravo concerts will close the season and live performers. with the distinguished Moscow Festival Bal- let performing the timeless classic, Giselle. The Moscow Festival Ballet’s superb atten- If tion to traditional Russian ballet produc- You Season subscriptions are available tion and detail makes for an emotional and Go now from $50-$210 per person, satisfying audience experience. with student tickets at half-price. The diverse season line-up will satisfy Subscribers receive a discount off the desires and cultural appetites of both individual ticket prices, plus choice seating, season subscribers and individual concert and other exclusive benefits. goers. The mission of the nonprofit, to pro- Individual tickets range from $15-$75 and mote and develop the educational, artistic, can be purchased by calling the Asheville and cultural life of the community, is per- Bravo Concerts office at (828) 225-5887, haps best shown through attention to season on the web at www.ticketmaster.com, or in subscription pricing. Bravo’s subscriptions person at the Civic Center Box Office.

22 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS & CULTURE MAGAZINE fine art

PB: I’m a late bloomer! interview with interviewed by Dennis Ray Even though I entertained the idea of interior design paint or do you just jump right in as a young adult, I married Patti Best and work it all out as you go? and became a mom before atti Best of Canton, N.C. PB: This question makes me age 21. Hugh and I have captures the beauty and smile! I have very little patience three adult children ages soul of the area through for studies and drawings so I 21, 24, and 29. I home- her enchanting oils. Most start with a basic sketch. This schooled for seventeen of her paintings are of has landed me in trouble with per- years, so I didn’t begin Plandscapes in Western North spective on more than one occa- painting seriously until the Carolina. Painting is a passion sion. To begin, I cover the canvas youngest no longer needed she loves sharing with others. I Landscape artist Patti Best in background color. Next I begin my full-time involvement Kayla’s Sky by Patti Best had the opportunity to talk with building layers from farthest with his schoolwork. Best about her work. distance to nearest detail. I try to keep the painting soft; somewhere between RRM: What is your primary goal in painting to re-create on canvas the beauty we see Rapid River Magazine: What led you to impressionistic and realistic. I call my paint- a particular location? all around us. If my artwork in small part decide to be a painter? brings serenity to the soul of the viewer, I am ing style, “soft realism”. PB: I wish everyone could experience the in- blessed! I believe a life is well lived if it adds Patti Best: I can’t remember any specific describable beauty of this area. Some of our richness to the lives of others along the way. event or epiphany that led to the thought, “I RRM: What sustains or inspires you dur- hikes are fairly inaccessible, so I like to think think I want to be a painter?” Art has always ing moments when things get tough in the I’m bringing the beauty back “out” with me. been a part of who I am. I cannot remember studio or art world? In the mountains, the same vista can re-cap- a time when drawing and painting were not PB: I have a strong faith in God, and I tivate us over and over again as the weather Works by Patti Best on display at my favorite pastimes! believe my talent is a gift from Him. When changes, the seasons turn, as the sun rises or Blackbird Frame & Art, 365 Merrimon I’m feeling frustrated with a painting, or sets. My primary goal in painting a particular Ave. in Asheville. (828) 225-3117, www. RRM: How important is the process of disturbed by the evening news, I ask for and location is the realization that I’m capturing blackbirdframe.com. painting from observation to your work? accept the peace He is so willing to give! a “moment in time”. Never will this view be To contact Best or to see her work, visit PB: My husband Hugh and I spend a good exactly the same again… www.mountainbrushworks.com or call her deal of time hiking. I take photos of the RRM: What colors do you put out on your My part in the human experience is at (828) 734-9304. places I would like to paint, and then I paint palette? at home in my “studio”. I enjoy reliving the PB: My palette of colors almost always hike as I paint from photos, but my memory include, Paynes Gray (my favorite), Olive plays an important role so observation is Green, Sap Green, Yellow Ochre, Raw Um- very important for me. ber, and Burnt Sienna. RRM: Can you tell us how you go about RRM: At what age were you when you knew making a painting? Do you make studies first you wanted to become a full-time artist? or work out a careful drawing before you

interview with interviewed by Dennis Ray

Sandee Shaffer Johnson: When I get excit- Sandee Shaffer ed about an idea I sometimes work 18 hours straight. For example, last year I shattered an ankle. I was transformed into a restless Johnson couch pear for three months and churned andee Shaffer Johnson has traveled out 145 works on paper. One after another. as a photographer/journalist across 80 countries. Her media and techniques RRM: What brought you to Asheville? include acrylics, collage, watercolor, After living in eight countries on five printmaking, encaustic and pen & ink. continents, I finally decided to retrace my SSandee’s unique art gallery, museum, and Southern roots and “nest.” My husband and workspace – The Bizarre Ba- I sadly left Europe – our zaar: TriArts Global Studio home for 20 years – and – is upstairs in Space 320, returned to Virginia to settle Riverview Station North, near family. The adjustment 191 Lyman Street. Her web- was too difficult. We needed site is www.sandee-art.eu to find “home.” We kept hearing Rapid River Magazine: You Asheville was incredible. have shown your art all After several trips, we fell around the world and have in love. We left our historic been in over 200 group, “money-pit” house and corporate or solo exhibitions downsized to a condo in in 35 years. How have you north Asheville. Naturally, managed to stay so prolific? Lemons by Sandee Shaffer Johnson Continued on page 24

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 23

prints color RAPID RIVER ARTS & CULTURE fine art

A Celebration of Southern Entertainment Schedule Saturday, September 17 Appalachian Culture 10:00 – Sara Lynch-Thomason 10:30 – Ellie and Roals Kirby he 31st Annual by April Nance 11:00 –  Apple Chill Cloggers with Heritage Week- Blue Eyed Girl end will be held 11:30 – The Moore Brothers Band September 17-18 making and furniture 1:00 – Blue Eyed Girl T at the Blue Ridge making. Other highlights 1:30 – Apple Chill Cloggers Parkway’s Folk Art Center. include sheep shearing with Blue Eyed Girl This free festival sponsored demonstrations through- 2:00 –  Gee Haw Whimmy Diddle by the Southern High- out the day on Saturday, Competition ur O Easiest Starting land Craft Guild features and border collie demon- 3:00 – Split Rail 2-Cycle Tiller EVER! traditional music, dancing strations on Sunday. We With a lightweight Mantis Tiller, one machine and heritage craft demon- welcome first time Heri- Sunday, September 18 enables you to tackle many tough jobs in your strations. Gee Haw Whimmy Diddle. tage Weekend participants 12:00 – Level Ground garden and yard. And, when you choose the NEW FastStart Photo: Stewart Stokes engine option, your tiller will start with 75% less effort. A highlight of the and new members of the 12:30 – Paul’s Creek Band Plus, so many advantages! weekend is the 31st Annual World Gee Haw Southern Highland Craft Guild, Matt Tom- 1:30 – Cole Mountain Cloggers P Easy to Use - Lightweight Whimmy Diddle Competition on Saturday, mey (basket making), and Brandy Clements with Paul’s Creek Band & Maneuverable 2:00 – Bear Down Easy P Patented Tines are Guaranteed from 2 to 3 p.m. Joe “Colonel Buncombe” (chair caning) to the event. for LIFE Against Breakage Bly will emcee the competition. The entertainment schedule is jam- 3:00 – Buncombe Turnpike P Handles Dozens of Gardening A whimmy diddle is an Appalachian packed with regional musicians on both & Yard Care Projects mountain toy made from two sticks of days, including the polished sounds of Buy Direct from mantis! wood. Notches are carved into one stick and Buncombe Turnpike as well as Blue Eyed one-year money BacK If Guarantee a propeller is attached to the end. The other Girl. The Apple Chill Cloggers and Cole You 31st Annual Heritage Weekend, fast free shipping Go September 17-18. Saturday, 10 Border edger & Kickstand with stick is rubbed against the notches, causing Mountain Cloggers will thrill the audience your tiller purchase - $69.90 Value! the propeller to spin either gee (to the right), with traditional mountain dancing. High- a.m. to 4 p.m. and Sunday, 12 to 5 or haw (to the left). lights also include Southwestern Virginia p.m. Folk Art Center, Milepost 382, Blue free DVD & info Kit 1-888-758-3096 During Heritage Weekend, learn from Fingerpicking with Ellie and Roals Kirby, Ridge Parkway, Asheville, NC. mt116300 ©2011 Schiller Grounds Care, Inc. area experts about beekeeping, rifle mak- and Paul’s Creek Band performing with spe- For more information call (828) 298-7928 ing, coopering, heritage toy making, natural cial guest, Arvil Freeman. or visit www.craftguild.org. Mouthwatering Gifts dyeing, spinning, quilting, whittling, print

‘S. Johnson’ continued from page 23 RRM: You’ve been all SSJ: The most inter- over the world. Do you esting exhibit featured I compensated by renting a sprawling stu- find location plays some Mary Magdalene as the dio space. part in your art? Do theme. The show began you look at your body in Paris and traveled all RRM: What inspires you most? of work and say, “This over the country. My painting could only have piece was chosen to SSJ: I find subjects everywhere. In Europe, been painted in Rome,” symbolize hope for a monochromatic pieces with political or 100% Satisfaction or does inspiration come Palestinian-Israeli peace % Guaranteed! intellectual motifs were widely accepted. from within? initiative. It was lashed Save 20 American tastes seemingly gravitate towards Offer only available at: Over 20 Million Berries, to the bow of a sailboat www.berries.com/big Hand-Dipped. artwork perhaps more decorative than SSJ: I believe the in- or call 1.888.743.1347 and a famous French fe- *20% discount will appear upon checkout. Discounts may provocative. So, I’m being channeled into spiration comes from not be used in conjunction with other special offers, coupons male sailor maneuvered or discounts. Discount applies to item cost only and does not environment, emotion, include discounts on shipping and handling or taxes. Discount different directions. Nature, music, other only applies to items over $29. Valid now through 12/31/2011. it from France to Israel. artists, events, people, locations, history, perception, and interpre- performances, books… the sources of inspi- tation. For instance, I had RRM: Do you have im- a residency in Hungary Chaos Theory by ration list are endless. Sandee Shaffer Johnson mediate future plans? gifts for in a villa where former RRM: You are by far the most versatile artist political prisoners were SSJ: I recently mailed GLMPHVIR I have met. Your work includes oil, water- tortured. I also lived in Lebanon during a artwork to Bulgaria, France, Korea, the For the best in baby & children’s gifts, look no further. From keepsakes to color, pen & ink, photography and at least a civil war and was in Colombia during an- Philippines and Hungary, plus I’m illustrat- toys, we can help you fi nd unique and dozen other mediums. The amazing part for ing several children’s books. The business of personalized gifts to fi t every budget. other surge in criminal drug violence. me is that you have seemingly mastered all These experiences forced my global art is my downfall. I just want to create. As usual, too many things to do, too little time. great gifts of them. How did this come about and why awareness. I was compelled to put together starting at save work in so many mediums? an exhibition called “Politicide,” which My mother did the same thing. Her motto $ 95 an additional 19+s/h included painting on X-rays and using my was, “To create is to live fully.” I’ve inher-

products. Discount will appear upon checkout and % SSJ: I’m always challenging myself partly ® ited the same relentless drive. 20 because I’m easily bored. It excites me to own blood on suitcases and sheets to depict plunge into new styles and techniques and “whitewashed” political decisions. A wall of paintings portrayed innocent victims or col- To redeem this offer, go to www.RedEnvelope.com/down mix them wildly together. My art changes as or call 1.888.506.9740 I do. It’s a journey from dark to light, teasing lateral damage. The exhibit collected dona- The Bizarre Bazaar - TriArts Global Studio handprint canvas stainless steel wine tions for Human Rights Watch in Berlin. Riverview Station North, Studio 320 stoppers the extremes, confronting the ambigui- 191 Lyman Street, Asheville, NC ties. I’m a moody, intense person and my RRM: What was one of your most unique art artwork faithfully shadows my struggles and (828) 989-3359 exhibitions? [email protected] personalized personalized triumphs. cannot be combined with other offers or discounts. Offer expires 1/31/2012. expires or discounts. Offer cannot be combined with other offers *Discount does not apply cates, to same-day shipping gift delivery, and cards handling, or taxes, certifi third-party hosted products (e.g. wine), or Bose signs animal storybook

24 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS Bring in this Ad and We’ll Take fine art 15% Off Your Order Excluding Alcohol Food, Art & Community 1 Coupon Per Table The Creative Connectivity of Matt Parris (828) 236-9800 Delicious Open 7 Days a Week f you live in by Greg Vineyard Hoagies & Pretzels Asheville and are Fresh-Baked Calzones a foodie, you’ve 50 Broadway ~ Asheville, NC likely heard of again I noted Matt’s Specialty Pizzas • Spring Water Dough • Salads pg. 39 Wireless Matt Parris of passion about his Vegan Soy Cheese, and other Vegetarian Options! F Internet Access! RootsI Catering and activities, as well as his Wholesale... he creates thoughts on how it’s a good line of food all connected. His art products. appreciation – he has Think: “The mi- a few favorite pieces at crobrew of hummus.” home that inspire him And he’s passionate – and love of music, about business, art along with his busi- and the community. ness sense, foster that One of the cool things mindset that makes about his production him care about other is it’s in the River Arts creatives and their District, in a build- futures: ing that has artists, “You can do too. Matt’s cross-over something that’s November 4-13, 2011 thinking exempli- inspired, beautiful, TickeTs: $5 fies how our creative tasteful... it’s the www.aicff.org worlds can mesh. Matt Parris outside his Roots process of replicat- I met Matt in Studios building. ing it that requires April of 2009 when I discipline and follow- called him for a Mediterranean feast for an through, that yields results.” A treAsure trove of 70 art event at Constance Williams Gallery, and He understands the process we each go films from 25 countries, this first exposure to his healthy, organic, through as we bring a creative passion to life, full of adventure, surprises, belly delicious food set the bar for me. Soon in any cultural medium. And he knows that after, I noticed a Roots spread at a Mountain quality products lead to channels of distribu- laughs and stories that are sure to BizWorks engagement. And then at another tion, and thus to discerning consumers. make kids think and see the world event. And another. Matt has a vested interest in his neigh- in a brand new way. I was a Roots addict by the time I borhood, cares about buying and employ- became a regular at his Roots Cafe concept ing local and builds potential in others. His in the then newly-renamed Roots Building philosophies tie in with how arts, culture Above: tally Ho! Mobile. Left: Q and A. Below (L-r): into the Woods and Under the Sea, Legends come Alive on the north end of the River Arts District. and quality food intertwine in our region. Surrounded by other daily regulars, I had Now, if we could also harness the business meetings, lunch dates and quiet energy of his proud smile when I asked him journaling times there. There was always how his son is doing, we could power up all local art on the walls. And the building’s as- of Asheville for about a year. He gets it that sociation with the arts continued with artists we pursue the things we do in order to take like painter Barbara Frohmader upstairs. care of other things that are also very impor- Locations: Ashevillle Pizza & Brewing, Posana cafe, and Tryon Theater tant to us. It’s a good lesson to keep in mind, no matter what we’re creating. For details visit www.aicff.org or call (828) 298-4789 This marriage of art and By the way, I recommend eating Roots business is part of what hummus with a spoon. Crackers just get in has allowed the District to the way! investing in the souls of our city • Awesome Desserts expand organically. • Delicious Snacks For more information on Matt Parris visit Creatures Café • 23 Bottled Sodas Matt’s wholesale food business now has www.rootsfood.com • Mocktails Alcohol-Free and Café • Full Espresso Bar products distributed all over the East. What impresses me is that while he expands, he also sees the benefits of staying attached to Greg Vineyard is an local culture. The cafe is now gone to make artist and creative Featuring: room for more wholesale efforts, but by consultant in Asheville’s • Live Entertainment keeping the building and its tenants, he is River Arts District. • Amazing Desserts nurturing both artistic livelihoods and our He and his Ceramics • An Inspiring Art Gallery palates. This marriage of art and business for Contemplation & 81 Patton Ave., Asheville is part of what has allowed the District to ex- Connectivity can be found Hours: pand organically over time, attracting more at Constance Williams Gallery, (the middle Tues-Thurs, 5:30pm-12am 828-254-3636 building in CURVE), 9 Riverside Drive in Fri & Sat, 5:30pm-3am pg. 39 and more artists, business people and chefs, G www.creaturescafe.com each with their own unique offerings. Asheville. Open every day 11 a.m. to 4 p.m. Visit www.CURVEstudiosNC.com. On a recent catch-up session, once Creatures Cafe is a non-profit organization 501 (c)(3) ein 26-0245324 – Photos courtesy of Monzingo Photography

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 25

prints color RAPID RIVER ARTS & CULTURE MAGAZINE joe’s brew notes

September, October, Fall, Festivals – Oktoberfest! Brew News eptember — cooler weather, colorful Organizers have by Joe Zinich Think you can create a leaves, harvest festivals and, for beer planned a fair-like beer ad that’s “Too Hopped enthusiasts, Oktoberfest! It’s like the festival that adds for TV”? Asheville Brewing Company German version of Saint Patrick’s to the Oktoberfest and Brewgasm believe you can and Day except it lasts 16 days instead of tradition with a will put it on-line for the entire world Sone and celebrates a wedding instead of a Craft Bier Garden, to see. The beer ad contest has cash Saint. Both festivals have long histories that which features “Beer prizes: $500 for first; $300 for second; include ritual dress, parties, games, food, University”. Also $150 for third, and five honorable camaraderie, and lots of great beer. And included are an mentions for a box of beer schwag of both cultures encourage everyone to join in This year’s Ok- alcohol-free family- their choice. the fun. toberfest will be held fun zone, traditional The 15- to 45-second ads should The first Oktober- Saturday, October 8 Oktoberfest food, display a sense of humor and not fest was held in Munich from noon to 6 p.m. music (two stages), break any laws. Submit your creations Germany in 1810 as a The special music, and contests that to toohopped@ashevillebrewing. wedding celebration for food, games, and cos- include a corn-hole- com by Friday, September 30, 2011 Bavarian Prince Ludwig tumes encourage the toss tournament at midnight. Questions? Contact and his blushing bride with a first-place spirit and camaraderie Green Man’s coach John Stuart with “Das [email protected]. Princess Theresa. It be- of the event. Tickets Boot,” the team trophy from last year’s prize of $1,000. Pisgah Brewing are brewing a came more a community event and beer ori- for beer sampling Asheville Oktoberfest, says, “It’s all or nothing The festival is straw-colored, light-bodied Kolsch ented with the introduction of beer and food are on sale now ($25 this year” (No doubt.) free to all and beer with a delicate malt aroma specifically stands in 1818. The event grew through – ashevilledowntown. can be purchased for their 2nd annual “Del Yeah” festi- the years and is similar to a state fair in the org). All beer served will be from local anywhere on the grounds except in the val on September 3 with the legendary U.S. with rides, games, and agricultural breweries and many will feature seasonal family-friendly “Das Kidzone”; however, Del McCoury Band as the headliner. displays. Given our region’s beer culture and ales for the occasion. The brewers will be the Craft Bier Garden is a ticketed area Also for September release is a European heritage, it is no surprise we have on hand for questions. Non-beer-drinking where festival-goers will enjoy beers from pilsner made to style (dry and crisp not one but two festivals this year – the third revelers can enjoy all the fun for free! 25 southern craft breweries and one-of-a- with a clean finish) and an ESB that annual Asheville Oktoberfest and the first Attend and experience “Little Munich,” kind beers made especially for and at (using is essentially an English version of annual Oktoberfest in Kingsport, TN. Asheville style, with music by the Strat- an infuser) the event. “Beer University” is their pale ale. The ESB is made with The very first Asheville Oktoberfest ton Mountain Boys, Oktoberfest games, a within the Bier Garden area where patrons toasted malt and authentic English ale was held then discontinued in the early festival-wide costume contest, and traditional can quiz brewers, hop farmers, and malt yeast and has a deep copper color and 1990’s well before our current beer scene. German food supplied by the Wall Street producers and listen to presentations about an oaky flavor. It was re-introduced 3 years ago by the restaurants and Beulah’s Bavarian Pretzels. each discipline. The Craft Bier Garden will To improve their craft, Jason Asheville Downtown Association (ADA). Watch brewery teams compete in events open from 1:00PM to 5:30 p.m. For more Caughman (owner), Kyle Williams The ADA is a non-profit organization to like the “dizzy gnome,” “keg-rolling,” “stein information and to purchase tickets ($29, (Head Brewer), and Ryan Frank support the vitality of downtown through race,” etc. for the prized “Das Boot” trophy. which includes a commemorative glass), (Brewer) attended a 2-day workshop community events like Downtown After 5, Want to compete on one of the teams? Visit visit kingsportoktoberfest.com. The fun at Briess Malting in August. Breiss the Holiday Parade, etc. The combination the individual websites for more information. starts at 8:30 a.m. and ends at 9:30 p.m. with opened in 1876 and produces the larg- of Asheville’s beer scene and Wall Street’s The Kingsport Oktoberfest will be held the closing ceremony. est variety of malts in the world. old-world look and feel made for an easy September 24 as a family-friendly event My experience with Asheville and ex- From August 29 to September 5 the decision to include Oktoberfest in their list in downtown Kingsport, TN – about a pectations for Kingsport put both Oktober- Thirsty Monk in downtown Asheville of events. one-and-a-half-hour drive from Asheville. fests on my must-attend list. Ein Prosit! will hold their 2nd Annual Thirsty- Fest with rare and obscure keg tap- pings. For example, Founders KBS, Dogfish Head Olde School Barley- Mechanical rides continued to be added ies are served during the festival and History of wine 2010, De Molen Cease & Desist, and in 1908 Germany’s first roller coaster beer consumption at the fest accounts Hanssens Oude Gueuze, Pisgah Red was introduced. Eventually the event was for almost 30% of the entire annual beer Devil, and many more. See updates increased to 16 days and moved back to start production of all the breweries combined. Oktoberfest and schedule at www.monkpub.com. in September and end the first Sunday of The most common Oktoberfest beer Although any time is a good time to October to take advantage of better weather. served is a dark gold to deep orange-red visit the LAB, now is a great time with From the start beer was an important lager with an initial malt sweetness, a rich ktoberfest started in Munich in seven beers on tap, their most ever. part of the festival, which began as a wed- toasty-malt flavor, and just enough hops 1810 to celebrate the October They are featuring an Oktoberfest ding celebration and became a more beer- to prevent a cloying finish (~ 5%). 12th marriage of Bavarian Crown (delicious); a Belgian-style Golden focused festival in 1818 when the first beer In the U.S. the largest Oktoberfest O Prince Ludwig to the Saxon-Hild- Strong Ale (meant to be sipped and and food stands were introduced. The beer celebration is in Zinzinnati, (Cincinnati) burghausen Princess Therese. Nobles and savored, 10% APV); Belgian-Saison stands were replaced by 1896 with halls and OH with over 500,000 people attending citizens (unusual for the time) celebrated farm style ale; a brown porter; an tents sponsored by Munich breweries. this 3-day event annually. It boasts the in a field in front of the city gates with a American stout; Belgian white ale; In 1913 the largest tent was the Bräu- world’s largest chicken dance, which last horse race as the main event and plenty of and their American pale ale. games (wheel barrel and sack races, barrel rosl with room for 12,000 guests; today the year included 45,000 participants. More rolling races, and goose chases, etc.) to largest is the Hofbräu-Festzelt, which holds than 800 barrels of beer are consumed entertain the nearly 40,000 Bavarians in about 10,000. Currently all the beer halls (about the yearly capacity of many craft and tents combined can seat nearly 100,000 breweries). For eight years, Joe Zinich attendance. has been taking a self- Each succeeding year the festival be- people but reservations are still encour- Ludwig and Therese held a bash to aged. The festival has grown from 40,000 to celebrate their nuptials and, unwittingly, guided, high-intensity tour came larger and more elaborate. In 1811 of the Asheville beer scene. an agricultural show was added, followed almost 7 million visitors a year. unleashed a party for the whole world. Only beers from the Munich brewer- Thank you. Contact him at: jzinich@ in 1818 by a carousel and two swings. bellsouth.net.

26 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE MAGAZINE restaurants & wine Tasting Grandly, White Wines to Summer’s End - Plus, Channeling Spirits, Carolina Style

he WNC Wine and Food Festival dice told me this would be kind of hokey presented its Grand Tasting on or cheap. I was wrong. This drink was a by Michael Parker September Events at August 13 at the WNC Agricultural pleasant surprise, distilled from WNC apples Center. It was the same day as a and oak-aged. Distillers Chris Hollifield and Oh, yeah. I tasted some white wine at The Weinhaus the festival as well, like this North Carolina rodeo there, but no matter, the fes- Keith Nordan run a clean, green operation Friday, September 23 tivalT was upwind, and any barnyardy scents that supports North Carolina apple farmers. beauty: detected by the wine-sniffers were for real. The product is smooth, with the oak adding Junius Lindsay Vineyard, Second Leaf Welcome in the fall by joining us for an evening of fine food and wine. This Something else is for real: competent some substance and structure. They also Viognier-Roussanne, Lexington, North Carolina 2008 ($15) - I adore white Rhones will be a five course dinner prepared by North Carolina Distillers. Three were there. chose well their packaging: the only bottle of Chef Mike Atkinson with wines paired I was there to eat for the first hour or so, and its kind in North America, and a dark green, and whites of that style. I wondered what this North Carolina-grown Roussanne was by the Weinhaus staff. We look forward then taste only white wines. I didn’t want not-quite-Maker’s, wax seal. to an exciting evening that will challenge going to taste like, and I was very impressed, to spoil my plans for later that day as I had Troy & Sons Distillers, Moonshine our taste buds. The time is 7 p.m. at the worked hard on my cannibal costume for ($30) - YES! Moonshine has always scared especially for the $15 price tag. And get this Orchard at Broadmoor. Price: $65 all the luau. Still the spirits beckoned: me, while at the same time, my friends – it won the gold at the damn San Francisco inclusive. Please call the Weinhaus for Cardinal Gin ($30)– WOW! This is the always lived to tell about it. I was relieved to Chronicle Wine Competition! reservations at (828) 254-6453. first gin legally produced in North Carolina discover quality-controlled, legally produced Other, worldly whites: since before Prohibition. Kings Mountain corn liquor. The taste and style is of this Pascal Bellier, Cheverny, Loire, France Friday, September 30 brothers Charlie and Alex Mauney offer Asheville-made product is unmistakable. 2010 ($18) This was my single favorite taste Friday night flights at the Weinhaus will a smooth gin that tastes like a flower got They poured me a huge sample at the Grand in a field of wine at the Grand Tasting, and feature Autumnal Reds. As the leaves squeezed in it. Even with tonic, the flavor Tasting, on ice with some fruit. Sadly, I was my only full-glass purchase there. Those begin to take on their color, so does is there. This is a gin for those who prefer way out there 16 miles from home, and I of you who pursue Loire Valley Sauvignon our preference in the shades of wine theirs be botanical. I also have to praise their realized it was decision time: dump it, or Blanc labeled Pouilly-Fume and Sancerre we enjoy. This tasting will focus on heavier bodied red wines. We will choose choice of bottle and especially the intelli- get arrested. What I can say is this bottle is would find your money’s worth in this selections from around the world. While gently designed, ambigramic, tattoo-worthy part of my home bar - worth every dollar bottle. Refreshing, but worth slow sips. Its Cardinal logo. for every worthy sip. Again, I admire the the wines will all share a large profile, we maker understands good structure. aim to show their uniqueness rather than Carriage House Apple Brandy ($24) packaging: a heavy, manly bottle – a nifty Lumos Winery, Pinot Gris- Rudolfo, - IMPRESSED! Brandy makes my throat contrast to the woman who distills the good- similarity. The wine will be accompanied Oregon 2010 ($22) I want to say that every- by light hors d’ouvres. The price is close, so I usually avoid it. Plus, my preju- ness inside. one would love this, or that it has something $10. Time is 5:30-7:30 p.m. Held at the for everybody. This is so complex, with so Weinhaus, 86 Patton, Ave. Asheville. many layers of flavors and nuances. Peach here, grapefruit there. If you are a hardcore The Weinhaus, 86 Patton Avenue Asheville Chamber Music Series Chardonnay drinker, or, say, prefer crisp Asheville, NC (828) 254-6453 and simple, it’s actually not for you, but he Asheville Chamber Music Series otherwise, it’s a dance of a white wine. I love by Pamela Miller (ACMS), founded in 1952, the this. oldest established concert series in Xarmant Txakolina, Basque Country, Zum Martin Sepp, Grüner Veltliner, Asheville, is pleased to announce If Spain 2010 ($16) This is a Basque blend Austria 2010 ($14) For the price and the their 59th season. Presentations will You Season tickets are available for of – get ready – Hondarribi Zuri, Izkiri- quality and the one liter bottle and the o T G $135 each, a $40 savings on the ota, Izkiriota Ttippia, and Hondarribi Zuri bottle cap, this is my favorite white wine feature acclaimed chamber music players $35 individual ticket price. To from throughout the world in a wide range Zerratia, grown in chalky soil. The minerals this summer. Nothing quenches my white purchase season tickets visit www. are there, as is the crisp apple and a little bit of diverse and innovative programming. The ashevillechambermusic.org or call Pam wine thirst/crave like a glass of Grüner, for ACMS season, running from October 2011 Miller at (828) 259-3626. Students may of natural carbonation. I just think it’s cool the right amount of minerals and the right through April 2012, includes 5 concerts at attend ACMS concerts free of charge. because it’s from that part of Spain. touch of citrus. the Unitarian Universalist Church of Ashe- ville, located at 1 Edwin Place at Charlotte Street. All concerts begin at 8 p.m. Artists for the 2011-2012 Great values & styles Season: The Kavafian- Schub-Shifrin Trio Free Wine Tastings on Saturdays ~ October 21 from 2 to 5 p.m. The Calder Quartet Tasting wine is not only fun, but it presents a chance to learn about ~ November 18 wine and what it is about a particular wine that you like, or don’t The American like. You can sip while you shop. Find some new favorites — try Chamber Players it before you buy it. We will usually have a few whites and a few ~ January 13, 2012 reds open, with the occassional guest speaker. Please stop by! Kavafian-Schub- The Alexander www.theAshevilleWineGuy.com Shifrin Trio String Quartet ~ March 2, 2012 Wine Retail ~ Tastings ~ Wine Classes 555 Merrimon Ave. Pacifica Quartet ~ April 13, 2012 Great wines for any occasion and budget. (828) 254-6500

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 27 RAPID RIVER ARTS & CULTURE MAGAZINE noteworthy

BeBe Theatre presents 29th Annual Asheville Quilt Show Summer Dreamland Motel Sponsored by the Asheville Quilt Guild Summer is burning itself, burgeoning reamland Motel, a play hen we look at quilts, we are in October 1 & 2, 2011. The time is Friday and In thick sticky green smiles inspired by the life and times many ways, looking at a story. Saturday, from 9 a.m. to 5 p.m., Sunday, 10 and fondness of Asheville’s legendary This year the theme of the a.m. to 5 p.m. (almost riotous) rock band, Flat Rock, opens quilt show is “Once Upon A We will have demonstrations, 20 ven- With fervid aim. September 15 at the BeBe Quilt—The Stories our Quilts dors, the quilt craft shop, a donation quilt, Summer lies upon us, DTheatre in Asheville. WTell”. The show even has a prize category and a silent auction of small quilts. There wraps and shrouds, A comedy about a band of misfits that honors the best theme quilt. A quilt can will be food service available during the A heated sheet ablaze from the 60s who struggle for survival be humorous, tell a sad story, reflect events lunch hour. And most importantly there is and smoked, in a fleabag motel features local tal- in our lives, and be beautiful at the same free parking.! A moving cloak ent, Jacque Glenn, time. If You Go: For more information, visit that smolders Chuck Conlon, This is an exciting exhibit for the www.ashevillequiltguild.org or contact through tropics Taylor Loven, Asheville Quilt Guild. The show will be Barbara Pate, Quilt Show Chair at (828) Of time, Steve Turner, Jerita held at the WNC Agriculture Center in the 254-4915. scorched and slow. Wright, Justin Jones, Expo Building. The dates are September 30, and Chuck Beattie. The sheet is slit Rock Eblen directs to cool this world premiere by catapulting droplets from writer Larry Klondyke Playground Initiative From comely cloudbursts David Donahue. in heat-drenched ether. Chuck Beattie harlotte Street Computers (CSC) equipped playground at Klondyke Homes, a As valley city people will continue its annual initiative to public housing facility in Asheville. At pres- lift faces fevered, If boost the operations of the Ashe- ent, some 80 children live at Klondyke and You Tickets are $13 in advance Heat vacates, Go and $15 at the door, with ville Community Theatre (ACT) have very limited outdoor play options. reveals red features a Pay-What-You-Can and local nonprofits. Under the The first show CSC will be sponsoring Now daunted Cinitiative CSC purchases blocks of tickets is Guys and Dolls, on stage September 29, at performance on Wednesday, yet delighted September 14 at 8 p.m. Performances for shows at ACT and donates them to local 7:30 p.m. Local nonprofits with an interest by deluge are Thursday - Saturday at 8 nonprofits, which, in turn, sell the tickets to in the ticket donation program, or anyone and raucous rumbling: p.m.; Sundays at 2 p.m. their members and supporters. The pro- who wants to assist with the playground The still-extant exhorts Call BeBe Theatre at (828) 254-2621. ceeds are then kept by the nonprofits. project, can contact CSC’s Nelson Parets, of Thor’s plan. BeBe Theatre, 20 Commerce Street, In addition, CSC will sell some of (828) 225-6600 or tickets@charlottestreet- in downtown Asheville. the tickets to raise funds for a new, fully computers.com. In time the torrent fades to faint drizzle Devising pools of promises 28th Annual Church Street Art & Craft Show that change And day ith its church steeples, shade artists and crafters has Polish, Greek and drips itself away trees, benches, brick sidewalks grown into one of the Mid-Eastern dishes; in recollection and beautiful galleries and finest one day shows hot dogs, baked goods, of drier days shops, downtown Waynesville in Western North BBQ, funnel cakes, And portent of autumn captures the best of the old Carolina. A juried kettle corn, cinnamon Beyond the reach of May. W st fashioned small town and a thriving 21 show, the 28th annual glazed nuts, fresh century arts community. It’s a town where Church Street Art & squeezed lemonade and ~ Kirsten M. Walz you can choose fine dining, a sandwich on Craft Show will show- more. the patio, gourmet coffee at the cafe, have case two and three- Downtown a cola at the general store, or enjoy sweets dimensional art. All Waynesville’s fine from the chocolate shop. items must be designed restaurants, shops and Meet Sharyn McCrumb, Waynesville has been a destination for and created by the artist. It is a reflection galleries will be open throughout the day. author of The Ballad of travelers for more than 200 years. Surround- of the art and craft culture found in our Founded in 1984 by artist Teresa Tom Dooley. McCrumb ed by the natural beauty of the Great Smoky mountains. The juried art includes paint- Pennington and property owner, Richard uncovered a missing piece of Mountains and the Blue Ridge Parkway, ings in colored-pencil, oil, acrylic, water- Miller, the show is now sponsored by the the Tom Dooley story that downtown Waynesville has breath-taking color, pastels; porcelain; sculpture; pottery; Downtown Waynesville Association, and will shock those who think views of the mountains. woodworking; weaving; basketry; quilting; funded in part by Haywood County TDA. they already know what Held during the height of the fall color handmade jewelry, glass art and wearable art happened. McCrumb tells season and always the second weekend in and many will be demonstrating. Appalachian stories like no one else. October, the Church Street Art & Craft Also featured: a variety of professional If You Church Street Art & Craft Show, Show attracts more than 20,000 visitors. mountain music and dance, Balsam Range, Go takes place Saturday, October 8 If You Go: Wednesday, September 21 at Over 120 artists, crafters and food vendors Whitewater Bluegrass, along with several from 10 a.m. to 5 p.m. on Main 6:30 p.m. at Blue Ridge Books, 152 South from throughout the southeast will line groups of cloggers, Montreat Pipes and Street in downtown Waynesville, NC. Main Street, Waynesville, NC 28786. (828) Waynesville’s Main Street to help celebrate Drums, and the Ashegrove Garland Danc- For more information contact: Buffy 456-6000, www.blueridgebooksnc.com. the twenty-eighth year of the festival on ers. Mr. Tom, the Balloon Man, and The Phillips, Executive Director, Downtown Friday, September 23 at 7 p.m. at Malaprop’s Saturday, October 8 from 10 am-5 pm. Living Statue complete the entertainment. Waynesville Association, (828) 456-3517 Bookstore & Café, 55 Haywood St. (828) What began as a small gathering of Local and international food booths include [email protected]. 254-6734, www.malaprops.com

28 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE poetry & poets / authors & books

Poetry and Storytelling: by Ted Olson a story before an ap- preciative—and forgiv- The Old Alliance ing—audience. Annually attracting We host numerous Readings, ll-too-often considered different their stories by means approximately 10,000 September Bookclubs, as well as Poetrio! art-forms today, poetry and story- of structured “poeti- audience members, the Partial Listing More events posted online. telling were historically inseparable. cal” forms—honored Antonio Sacre Festival is among the readings & booksignings In Celtic society, poets (known as the spirit of the ancient Photo: Kristin Burns most beloved regularly bards) memorized their culture’s bards by keeping the art staged cultural events Thursday, September 1 at 7 pm – SUSIE Jim May GREENE, Pocket Guide to Riches. Amyths and legends and transmitted those of the narrative alive. Photo: Angela Lloyd in the U.S.; devotees stories to others by creating and reciting Indeed, because return from far and Friday, September 2 at 7 pm – SUE narrative poems. Employed by a patron— people throughout the wide year after year FREDERICK discusses her book, I See Your generally a chieftain or lord—a bard was ages have treasured to hear stories told in Dream Job. Workshop and mini-readings. expected to tell persuasive and compelling if well-spun yarns (hu- tents situated along Tuesday, September 6 at 7 pm – TERRY often somewhat fanciful stories in praise of mans seemingly have the streets of one of BROOK reads from and signs The Measure that patron and his ancestors. a deep psychological Appalachia’s more of the Magic. Tickets are $10. For centuries after the decline of the need to hear and to tell picturesque towns. Thursday, September 8 at 7 pm – Joseph bardic tradition, poets across the English- stories), storytelling As Festival D’Agnese and Denise Kiernan present speaking world continued to compose nar- in recent decades has ex- founder and ISC their new book Signing Their Rights Away. rative poetry. In the twentieth century the perienced a remarkable president Jimmy Clare Muireann Friday, September 9 at 7 pm – PILKEY, ascendancy of literary modernism brought renaissance. Murphy Neil Smith observes, PILKEY & FRASER discuss their new about a general rejection of narrative poetry Anyone who shares “There is no substitute book, Global Climate Change: A Primer. in favor of a more abstract, decidedly non- appreciation (or at least Motoko for the power, simplic- Saturday, September 10 at 7 pm – ILSA narrative approach (T. S. Eliot’s “The Waste curiosity) for stories Photo: Susan Wilson ity, and basic truth of BICK presents Ashes, a teenaged girl Land” perfectly illustrates that trend). should note that the a well-told story, as struggles for survival. Which is not to say that narrative nation’s oldest and larg- millions of story lovers all over the world Tuesday, September 13 at 7 pm – Sadie poetry became extinct. Although not the est storytelling festival know.” The bards of yore likewise knew Adams discusses native flora. prevailing mode of poetic composition in is taking place next that simple fact. contemporary America—there is, frankly, month a short drive Friday, September 16 at 7 pm – MARY JANE RYALS presents Cookie & Me, mixed no prevailing poetic style in this heteroge- from western North Ted Olson is the author of race friendship during Civil Rights era. neous nation—narrative poetry still fasci- Carolina. Held each such books as Breathing nates many American poets, particularly in autumn since 1973 in in Darkness: Poems (Wind Monday, September 19 at 7 pm certain sections of the nation (author Robert Jonesborough, Tennes- Publications, 2006) and Blue – STEPHEN SHEEHI, Islamophobia: the Ridge Folklife (University Press Ideological Campaign Against Muslims. Morgan has noted that Southern poets are see, and produced by Gene Tagaban particularly skilled at breathing life into nar- the Jonesborough-based of Mississippi, 1998) and Friday, September 23 at 7 pm – SHARYN he is the editor of numerous MCCRUMB, The Ballad of Tom Dooley. rative poems). International Storytell- books, including CrossRoads: But while the narrative urge fell ing Center (ISC), the National Storytelling A Southern Culture Annual (Mercer University Saturday, September 24 at 7 pm out of favor in English-language poetry, Festival each year showcases compelling Press, 2009). His experiences as a poet and – STEPHANIE PERKINS reads from and amateur as well as professional “storytell- performances by some of the world’s most musician are discussed on www.windpub. signs Lola & the Boy Next Door. ers”—though not necessarily conveying interesting and entertaining storytellers. com/books/breathingindarkness.htm. Tuesday, September 27 at 7 pm – MONIKA During the three-day weekend of Oc- SCHRÖDER reads from and signs My tober 7-9, 2011, the Festival will host nearly Poets who would like for their poetry to be Brother’s Shadow: Berlin 1918: a Nation considered for a future column may send their in Turmoil - a Family Divided. two dozen storytellers from a wide range of books and manuscripts to Ted Olson, ETSU, Box Rapid River backgrounds. Attendees at the Festival this 70400, Johnson City, TN 37614. Please include Thursday, September 29 at 7 pm – ARTS & CULTURE MAGAZINE year will hear stories told by tellers from Ap- contact information and a SASE with submissions. CAROLYN SAKOWSKI, Touring the Western palachia (Donald Davis, Bil Lepp, Elizabeth North Carolina Backroads. 15th Annual Ellis, and David Holt), from other parts of Friday, September 30 at 7 pm – HANK the U.S. (Ed Stivender, Bill Harley, and Jim WESSELMAN, The Bowl of Light: Ancestral Poetry Contest May, for instance), and from other nations The Measure Wisdom from a Hawaiian Shaman. (Clare Muireann Murphy of Ireland and 5 Winners! Prizes Include: Motoko from Japan). of The Magic The Festival always seeks to represent 55 Haywood St. Tickets to local concerts; World-renowned diverse storytelling traditions; this year’s 828-254-6734 • 800-441-9829 Tickets to the Opera; Mellow and New York Times line-up, for example, includes “cowboy Monday-Saturday 9AM to 9PM Mushroom Gift Certificates; and Bestselling author, Terry poet” Waddie Mitchell, African Ameri- Sunday 9AM to 7PM books from Malaprops. Brooks, will be reading can voice Lyn Ford, and Native American from and signing copies storyteller Gene Tagaban. Additionally, of his new book The Measure of the Any unpublished poem the Festival has scheduled two programs Magic, at Malaprops Bookstore & Café on 35 lines or less is wanted! of ghost stories and two concerts offering Tuesday, September 6 at 7 p.m. Publishers a fusion of storytelling and music (one by Weekly hails Terry’s writing as “[A] superla- Deadline January 15, 2012. Winning poems bluesman Rev. Robert Jones, the other by tive Tolkien-style fantasy tweaked with a will be printed in the March 2012 issue. Appalachian-native singer-songwriter Mi- contemporary vibe.” Reading fee: $5 for three poems. For more chael Reno Harrell). information please call (828) 258-3752. The Festival will also feature a special If You Go: Malaprops Bookstore & Cafe, Send poems to: Rapid River Poetry Contest, showcase event for emerging storytellers, 55 Haywood Street, Asheville, NC. Phone 85 N. Main St., Canton, NC 28716 and a public forum wherein anyone can tell (828) 254-6734 for more details.

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 29 RAPID RIVER ARTS & CULTURE thoreau’s garden

Willow-Leafed Sunflowers by Peter Loewer or three summers we have grown a type of petunia produced by the annual types but stunning that actually appears to be a tumbling vine although just the same. it never clings to anything but just falls. Over the I first met the willow-leafed sunflower summer, flowers are fertilized often by, I think, (Helianthus salicifolius for that is the Fhummingbirds that flit from blossom to blossom, scientific name for this sunflower), in The each blossom eventually forming seed pods, pods that open Personal Garden by Bernard Wolgensinger allowing seeds to fall for the next summer’s show. and Jos Daidone, a French garden book Only this year, something new was added. Along about from 1975. That time it took months to the end of June, I spied a tall, gray-green, very straight track down this sunflower as it’s rather a stem that rose from a clump of the petunias and by the end rare duck in the world of American hor- of July, measured in at just a few inches shy of three feet. ticulture. As the common name suggests, Leaves were evident, leaves that are finely cut and still a rich you grow this plant for those graceful stems gray-green. all decked with elegant leaves — the small In the first week of August the stem measured four feet. flowers at the top of the stem are just icing Up towards the top the first flower buds began to appear on a great garden cake. and proved to be a member of the perennial sunflower clan, There’s another perennial sunflower known as Helianthus. Because the petunias in the pot begin that deserves attention and that’s Helianthus to fall over when they get about two feet tall, my sunflower angustifolius, or the swamp sunflower. This stem appears to rise from a wreath of petunias. plant blooms in early fall with two-inch Out in the garden proper (and this plant will be given flowers that crowd the tops of eight-foot an honored spot when I move it about the middle of Octo- stems. They prefer damp soil but will adapt ber) the plant will eventually form a thicket of sturdy stems to dry conditions. eventually topping six to eight feet. The stems support those large toothed leaves and plants are topped with bright yellow daisies. Peter Loewer, Their wants are few (and the way this plant began shown here, certainly proves that) starting with ordinary soil and full sun. examining the Admittedly, their flowers are not those giant behemoths Illustration by Peter Loewer blossoms of early-blooming Lenten roses, is a well- known writer and botanical artist who has written and West Asheville Garden Stroll illustrated more than twenty-five books on natural history over the past thirty years. he Third Annual West Asheville pointing out examples of medicinal and Garden Stroll will showcase many edible plants growing all around us. Mi- new gardens adjacent to Haywood chael Fortune at Green Hill Urban Farm, T Road - the most walkable/bikeable a Community Supported Agriculture Stroll yet! The event kicks off at the West operation and experimental nursery, will Asheville Branch Library at 10:30 a.m. provide an opportunity for visitors to see FalconGuides: on Saturday, September 10, with a short orchards and berry patches, flower and talk by community orchards and gardens vegetable beds, and ducks and fish raised Hiking advocate Bill Whipple, aka Professor inside the city limits. And, Mossin’ Annie Barkslip. will be on hand at Rainbow Mountain Waterfalls As urban gardens proliferate in this School to talk about the moss garden she in North sprawling and diverse community, gar- has planted there. dens of all kinds are emerging: traditional Maps will be available at West Carolina and permacultural, individual and com- Asheville Branch Library on September munal, floral, agricultural and medicinal. 10. Strollers are encouraged to walk or A Welcome Addition Approximately 15 new gardens will be bike. Strollers arriving by car are urged to Anyone’s Pack! on view in two areas of the Greater West to carpool. Centralized parking will be This accurate and comprehensive Asheville community: the Vermont available near the featured neighbor- guidebook, written by Melissa Watson, Avenue neighborhood, and the Virginia hoods at: Grace Baptist Church, 718 takes you to over 150 waterfalls throughout Avenue neighborhood. Haywood Road; and West Asheville Bap- western NC. Full color photos, trail direc- Each area offers unique garden dis- tist Church, 926 Haywood Road. Some tions, driving directions, GPS Coordinates, plays where Strollers can expect a Feast parking is also available at West Asheville entertaining history/folklore and important for the Senses, the theme of this year’s Park at the end of Vermont Avenue. general information such as distance and Stroll. Strollers may also find gardens If You Go: Saturday, September 10, difficulty can all be found in this fabulous with plants or art for sale as well as oc- 2011, from 11 a.m. to 4 p.m., rain collection of the state’s best waterfall hikes. casional refreshments. or shine. Kickoff ceremony at West A must have for any hiker. This year’s Stroll features sev- Asheville Branch Library, 942 Haywood eral scheduled opportunities for garden Rd. at 10:30 AM COST: The stroll is If You Go: Meet the author and get your lovers. Nancy Hyton from the West free. For more details contact the West signed copy on Saturday, September 3 at Asheville Center for Holistic Medicine Asheville Branch Library (828) 250-4750, the Book Launch Party, 5 p.m., Asheville and Keri Evjy from Healing Roots De- or visit www.WestAshevilleGardens.com Brewing Company, 77 Coxe Avenue in sign will conduct an Urban Plant Walk, downtown Asheville. (828) 255-4077.

30 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE MAGAZINE artful living

or speaking with a person, with simultaneous by Bill Walz focused attention on the action and with con- Space Consciousness sciousness of the space from which the action arises as well as the energy that connects us signature, etc. (any relatively skilled mu- with the action and the object. All with easy “All things are born of being. “Don’t play what’s there. sician can do that), but in playing what’s non-self-conscious, spacious energy. Being is born of non-being.” Play what’s not there.” not there: to play brilliantly the space Zen is practiced in meditation not only the notes emerge from and their ~ Tao Te Ching (5th Cent. B.C.) ~ with concentration on the breath, the mantra, interactive resonances. Beethoven, or the arising of thoughts and emotions (what after all, fell deaf half way through Buddhism refers to as mental objects) - as his career, yet the genius of his important as this may be - it is also in holding here are objects and there is the sound and the silence; otherwise music increased. He got better at in awareness the energetic space in which empty space around objects, that there is just noise. This principle playing the space of the music in breath, mantra, thoughts, emotions, sense which separates the objects. This is can be applied to everything his mind. He mastered the perceptions and wordless insights arise. It is the conventional way to sum up the we do, which is why to meditation of music. in experiencing how we create the figures in physical universe. Taoists and Buddhists, What Beethoven and our minds out of the ground of potentiality, TAnother perspective is that there is a non-doing is the secret to Miles Davis didn’t realize and allowing the quality of the gestalt to grow great energy field that is the Universe, and skillful doing. It is what was that their great talent and grow. It is in hearing the music of the within it, all connected, are patterns of energy Taoists called the Fertile in music could be applied Universe in all that is there and is not there. It of varying density giving the appearance of Void, the emptiness to every aspect of their is more than just awareness of your breathing, objects and space. Objects emerge out of that gives birth to all lives. Without this but awareness also of the space between and the space. The space can be experienced as things. The genius realization, while they around the breaths. Grow your awareness to what connects the objects, spacious energy of any doing must were geniuses in the realize that beneath all sound is the silence out connecting denser energy, so there are no come from skill in musical realm, they of which the sound emerges, and beneath all completely separate objects at all. non-doing. This requires were deeply flawed, clumsy, action is the stillness out of which the action The Universe as connected energy is refining the realms of emotion and intuition even self-destructive and emotionally danger- arises. Sound and silence, action and stillness, quite new to Western conceptualization, but as well as the senses and thought. ous in their everyday lives. Many artists, of all form and space. As the old Zen master would it is what the Taoist, Hindu and Buddhist What is truly radical, and what ancient media, musical, visual and language, suffer in say – “Enter Zen from there.” traditions (along with nature-based cultures meditation cultures have known for thousands this manner, and certainly, those of us without like the Native American) have believed for of years, is that the mind operates by the same even the meditation of an art-form, so live our millennia and is now what Western science is rules as the physical universe. As the Universe lives, clumsy in our manipulations of a world confirming through advanced physics. Every- is all interconnected energy at differing levels we only experience as made up of separate Bill Walz is a private- thing is energy and it is all connected. What of density (and this is fairly readily under- objects, with the frightened separate object of practice meditation teacher and guide for individuals in we experience as physical objects are actually standable when it comes to physical matter) ourself at the center. energy patterns of a certain level of density what is equally true is that thoughts are objects mindfulness, personal growth Eckhart Tolle refers to awareness of the and consciousness. He holds that give the illusion of solidity (or liquidity, in the mind – also energy at differing levels of space out of which the objects in the physical a weekly meditation class, gaseousness, or energy waves like sound). density - emerging from the more spacious, and mental world arise as “space conscious- Mondays at 7 p.m., at the Friends Meeting While this may be being taught in unformed energy of pure consciousness. ness.” At the heart of Zen is this realization, House, 227 Edgewood in Asheville. advanced physics, it remains a very foreign Ancient cultures were able to realize and with it, the mastery of the relationship of He will present a Meditation Intensive, concept to people living their everyday lives what modern science is just beginning to objects with space in every aspect of life. Many “Awakening into our Full Human Potential” (including, for the most part, scientists). grasp because at the level of consciousness no teachings and koans instruct the entry point – Sunday September 11, from 2 to 4 p.m. Human perceptual capability using linear advanced mathematics or scientific instru- for Zen to be found in refining consciousness at the Black Mtn. Unitarian Universalist conceptual thought, and without the aid of mentation is needed. Human awareness is into a subtle spaciousness capable of holding Church, 500 Montreat Rd. Black Mountain electron microscopes, particle accelerators and capable of experiencing this cosmological more and more elements of what’s there and (828) 669-8050. advanced mathematical models, simply can- truth unaided when focused skillfully on the not there in of perception. “What Info on classes, talks, personal growth and not conceive this connectedness; yet, it is the Universe within, but just as a scientist must is the sound of one hand clapping?” “Listen, healing instruction, or phone consultations truth of existence. skillfully focus a telescope or microscope to listen. This is the sound of my true self.” “Do at (828) 258-3241, e-mail at healing@ As we consider this, what becomes the Universe without or all that is perceived is you hear that distant mountain stream? Enter billwalz.com. Visit www.billwalz.com clearly evident is that to operate in the world a blur, so too, we must learn to skillfully focus Zen from there.” affecting everything from our individual lives inwardly-directed awareness. This focusing is Gestalt psychology expresses this concept to the world on a global scale without a true meditation, and through meditation, the an- well when it talks about the “figure-ground model of the Universe, has to be a recipe for cients came to understand the quantum phys- relationship” of perception. Out of the disaster, and as evidenced by the dysfunction- ics of the manifested universe as a reflection “ground” (the equivalent of objects and space) ality of our individual lives, human society of the quantum physics of the unmanifested of the totality of what is possible, the human and humanity’s relationship to the natural universe of the mind. mind creates a limited “figure” or object. The world, it certainly is. The lesson has to be that The Universe is energy. Some of the en- quality of the “gestalt” of the figure is deter- when we limit our experience to the realm ergy appears as objects. The rest of the energy mined by how much of the ground is still of the senses and thought, we are missing the is space. Objects exist within and because of experienced in relationship to the figure. Are reality of existence; we are missing the true space. Space exists because of objects. They you playing all of what is there, and, are you capacities of the human mind and our poten- are in relationship to each other. The quality also playing what’s not (but is) there? This is tial for harmonious lives. and aesthetics of life, whether it is the external Zen. It is also a very good guide to sanity and A world of separate objects is a clumsy world of objects or the internal world of effective living. and devalued world. There is no genius in mind, is found in that relationship. We must The practice of mindfulness is to live it. All there can be are awkward attempts intuit the unformed mystery out of which the in as high quality of gestalt and space con- to manipulate and control these separate forms emerge, and we must likewise experi- sciousness as one is capable. Zen is not found objects. But as the modern jazz genius Miles ence the resonances (emotions) these forms in chopping wood and carrying water with Davis said, to make great music, you have create in their interactions. intensely focused (or certainly as is often the to play not only what is there, you have to Musical genius, as is found in a Miles case, haphazard) attention on the action. Zen “play what’s not there.” Sound emerges from Davis or a Beethoven, is in knowing how to is found in chopping wood and carrying water, silence. The music is in the relationship of the play not only what’s there, the notes, time or walking down a path, or gazing at a tree,

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 31 RAPID RIVER ARTS & CULTURE MAGAZINE healthy lifestyles / workshops Nature or Nurture? by Max Hammonds, MD ature or nurture? Genetics most common diseases, it is easy to to lay the blame for lifestyle choices or environment? Which has understand that the same magnitude on someone else, anyone else except the greatest effect when it of effect – 5-20% – is the probable themselves. Like making excuses for comes to the cause of dis- contribution. Like overweight, most lifestyle choices, the line was funny at Nease? Although few statistical of the common and deadly diseases the time but soon loses it humor when analyses attempt to quantify such a – heart disease, stroke, cancer, diabetes the disease process sets in. question, one recent study ventured an II, metabolic syndrome, arthritis, men- Even more attention-getting is opinion that the problem of over- tal illness – are multifactorial; that is, the new understanding that lifestyle weight is about 5% caused by genetics. they have many different components choices can affect our own genes, That means 95% of the overweight to their cause – only one of which is causing certain genes to switch on and problem is as the result of environ- heredity. others to switch off, setting a new ge- ment – cultural patterns, economic There are few diseases (Hunting- netic pattern which can be passed on to constraints, formal and informal ton’s chorea comes to mind) which succeeding generations. Our genetics educational attainment, health inter- are 100% caused by genetics. In fact, are not chiseled in stone; our genetics vention awareness, parental model- no major diseases have genetics as the are affected by our lifestyle choices. ing, social pressures, advertising, and overwhelming cause of the disease. Conclusion: Do not become a personal choices. Do some people have a greater genetic victim of your genetic code. For the This is an amazing statistic – es- propensity than others to get hyper- most part, genetics plays only a small pecially when compared with the fre- tension, overweight, ovarian cancer, part in your risk of contracting one of quently shared opinion of those who diabetes, coronary heart disease and the major diseases. Just because you are overweight: “It runs in my family.” have to work harder at avoiding these have a genetic predisposition for a par- In the face of the above information, problems? Yes, but the majority of ticular disease generally does not mean one must ask: “What runs in the fam- those with the genetic predisposition that you are doomed to get it. Lifestyle ily? Genetics or habit patterns? Do we for these disease states actually do not choices are much more powerful than get these problems from the gene pool manifest the disease – because their genetics and can even modify your or from the collective cultural and lifestyle choices have improved their own genetics and the genetics that you familial habit patterns?” Clearly most chances of avoiding these and other pass on to your children. In fact, your of the problem lies with what we have disease states. lifestyle choices have a much higher learned to pattern after, not what we “The devil made me do it” was impact on your children than the genes were born with. a famous laugh line of a popular you pass to them. The information is Although there are no other comedian of the 1970’s. It points up out there; make good choices. Your similar quantified statistics for the the desire on the part of individuals children will thank you.

Stella Adler Studio of Acting Fall Workshops

his season, we will my physical an executive coach for presentational offer a 12-week and emotional and platform skills with Synergy Ex- Movement for Actors inhibitions and ecutive Enhancement. If you want to Workshop with Core impulses. I de- explore your creative potential, step out Program instructor veloped a deeper of your comfort zone, and re-experi- TRichard Handy. The class connection ence your sense of play in a safe and will meet on Monday nights with myself, my supportive atmosphere, this is the class from 8-10 p.m., September 12 environment and for you. All that is required is your through December 5, 2011. other actors.” A willingness to be present, available and We will also have an open necessary tool for perhaps a bit silly! Richard Handy enrollment Creativity Work- any aspiring actor, shop with Marty Rader every this comfort- Workshop Costs Sunday night from 7-9 p.m., Septem- able, progressive, and inviting method One class, in advance: $30 (Core Pro- ber 11 through December 4, 2011. allows students to move at their own gram students: $25). One class, at door: pace to ensure a safe and non-judge- $35 (Core Program students: $30) Movement for Actors mental atmosphere. FlexPass (4+ classes), in advance: Mondays, 8-10 p.m. Creativity Workshop $25/class (Core Program students: September 12 - December 5, 2011. $20/class) Participants in this class focus on Sundays, 7-9 p.m. September 11 - 12-week Season, in advance: $275 developing the connection to their December 4, 2011. Open Enrollment (Core Program students: $225) senses, their experiences and the natu- Designed for actors and non- ral behavior that flows between them- actors alike, this workshop will use selves and the world around them. improvisational games and exercises to Stella Adler Studio of Acting Based on the Williamson Technique, give participants the experience of liv- c/o Asheville Community Theatre this is not your average movement ing in the moment. The instructor has class; as a recent student puts it, “This taught acting for over three decades, 35 E. Walnut St., Asheville, NC 28801 class was so much fun and helped me including 28 years at North Carolina (828) 254-2939, x21 tremendously to free up and expand School of the Arts, and now works as www.stellaadler-asheville.com

32 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE noteworthy

How Is Your Social Health? by JéWana Grier-McEachin he Asheville Buncombe In- I recently heard stitute of Parity Achievement on the news that movie (ABIPA) improves health con- ticket sales were break- ditions for African Americans ing summer box office by providing education, health records. The commenta- Tservices and advocacy from a unique tor contributed it to the understanding of the African American movies being an escape experience and a demonstrated ability for the viewers. You are to increase collaboration, connection, encouraged to access awareness and trust across diverse seg- your social health. Have ments of the community. you taken time to forget We serve African Americans and about your troubles and all people of color in the following enjoy family and friends? ways: With this in mind Locate – From the barber shop to the we want those who join fellowship hall, we go into communi- us at our events to escape ties of color to reach people where Supporters enjoy a signature ABIPA event. the troubles of the day they are. Left to Right: Althea Gonzalez, Jill Fromewick, Leslie and embrace the joy of Council, Molly Black. the moment. Hopefully Educate – We speak in ways that are that which has been em- culturally relevant and sensitive. We health. With this in mind we ap- braced can be carried away as strength encourage participants to ask questions proach health by addressing physical, for another day. and get information in an environment financial, mental, spiritual, and social We would love to walk with you at of trust. health. We began our summer concert our wellness walk that we are co-spon- Navigate – We serve as guides and series in August to address the social soring with the LINKS Inc. on Sat- companions to individuals navigating a health of our community and the urday September 24 at 8 a.m., leaving complex health care system. financial health of our organization. from downtown Asheville’s PSP Re- uter Terrace. Finally, we will present Advocate – We empower individuals to We share the economic stress that another concert in late September and take control of their own health. We many are experiencing during this we look forward to seeing you there. strengthen the whole community by economic downturn. As a local non- bringing people and resources together profit we have been hit hard by recent to meet an urgent need. state budget cuts. However, because of innovative leadership and strong com- For more information call the ABIPA We realize that there are a number munity support we stand strong. office at (828) 251-8364. of socioeconomic determinants of

Asheville Choral Society Names New Music Director

fter a nation-wide search, keeping everyone happily by Lindsey Rhoden the Asheville Choral Society on task with her lively sense “came home” to find their of humor, and her joyful, and sorrow. The final concert new music director, Dr. Mel- loving spirit. Added another of the season is ‘Rytmus.’ odie Galloway, of Asheville. chorister, “Many concert-go- Latin for ‘rhythm’, we will ADr. Galloway is an Assistant Professor ers remarked that the passion be presenting works by Bach, of Music at the University of North and enthusiasm evidenced by Copland, Morales, McFerrin, Carolina-Asheville, where she is Co- all performers on stage made Hogan and more. As audi- ordinator of Vocal Studies, and direc- for an exceptional concert ence members experience tor of three choral ensembles. She also experience.’” this stunning finale, we will directs the Lake Junaluska Singers. What lies ahead for Dr. Melodie Galloway ask, ‘Can you feel the beat?’” Says Dr. Galloway, “I am thrilled listeners? “The 2011-2012 The Asheville Choral to take the reins with ACS, following concert season will offer Society is an auditioned chorus that the outstanding legacy of 2 exceptional new challenges and explore musical welcomes high school and adult singers leaders and many talented, dedicated dimensions with both singers and au- of all ages. “This is a particularly excit- singers.” ACS President, Lindsey Rho- dience members that will be exciting ing time to join,” says Ms. Rhoden. Au- den, adds, “Dr. Galloway’s passion for and engaging,” replies Dr. Galloway. dition information is available at www. choral music is contagious. The cho- “Winterfest kicks off our season with ashevillechoralsociety.org. A new “flex rus has such wonderful energy under Celtic songs celebrating a medieval ticket” plan is being offered to allow her leadership; the audiences will feel feast, shepherds greeting the 3 kings, patrons more flexibility of choice in it, too. We are very fortunate that she and chorus, brass, and organ playing concert attendance. chose the Asheville Choral Society.” carols old and new. As part of the audition process, The March concert is entitled, Dr. Galloway presented ACS’s March ‘Stars and Moon,’ and features mod- Information is available by visiting www.ashevillechoralsociety.org, or concert last season. Said one choris- ern of songs dealing with by calling (828) 232-2060. ter, “Melodie challenged us while themes of light and darkness, of joy

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 33 RAPID RIVER ARTS & CULTURE MAGAZINE what to do guide ™

Friday, Saturday, in the Grove Arcade in Asheville. http:// The Magnetic Field September 2 Concerts at September 10 TheReadonWNC.ning.com. Call the The Elemental St. Matthias Church Cassie Ryalls: bookstore at (828) 252-0020. Now until September 3, 2011 Arts Soul Serenade Friday, September 16 September 4 – Piano Trio playing The Last Laugh – One outra- Vermont Hills by Ongoing Opening reception Mozart and Beethoven. Rapid Prototyped Sculpture geously gay, pot-smoking leader of Rockwell Kent (1923-27), exhibit, The 11-4 p.m. On display Exhibit a great comic theatre troupe. 7:30 oil on canvas. Elemental Arts: September 11 – The Asheville through October 6, p.m. Tickets are $12. Air | Earth | Fire | Water, features Tango Orchestra. 2011. Constance Wil- Reception from 6-8 p.m. works from the museum’s perma- September 18 – Van Anthony liams Gallery, 9 River- September 2 & October 7 nent collection, including Elizabeth J. side Drive in the River for Gene Fe- Hall presents a program of spiritu- lice at UNC Magnetic Midnight – Arrive at 10 Peak’s Clouds, Paula Stark’s Red Earth, Arts District, www. als. Asheville’s p.m. to participate with an original Douglas D. Ellington’s Untitled Land- constancewilliamsgallery.com. Highsmith script, song, dance, or routine scape on Fire, and Ke Francis’s Three September 25 – Ms. Haselden Saturday, September 10 Gallery. in the Highsmith Gallery. no more than 5 minutes long. Friends: Loggerhead, Albino Catfish presents a concert of international Gallery hours are 9-6 p.m. Monday- Featured performer is Holiday and Magic Moon, among many other songs accompanied by Debra Anything Goes – Everything Shows Saturday, and noon-6 p.m. Sundays. Childress. Tickets are $5 cash at works. Asheville Art Museum, 2 South Belcher on the piano. Opening reception for the 5th Annual For more information, visit cesap.unca. the door. Performances begin at Pack Square, downtown Asheville. Concerts are held on Sundays at Mail Art Exhibit, 11 a.m. to 4 p.m. ALL edu/about-gallery, www.genefelice. 11 p.m. (828) 253-3227, www.ashevilleart.org 3 p.m. A free-will offering will be entries received through the postal com, or call (828) 251-6991. Sunday, September 4 taken for the restoration fund and system exhibited! Participants were Monday, September 5 for the musicians. The historic encouraged to explore themes, sizes, Saturday, September 17 Organic Market at Seventh Avenue The Synergy Story Slam - Open church is located just off South shapes, media of any kind. Courtyard Backwards off the Curb mic, community-based, storytell- Charlotte Street at Max Street, Gallery, Phil Mechanic Studios, 109 A variety of local, natural, and Author Chris McMillan reading and ing event. organic products for sale on Market on the hill across from the Public Roberts St., Asheville, NC. www. Works Building (1 Dundee St.). ashevillecourtyard.com booksigning at 3 p.m. Blue Ridge September 17 - October 8, 2011 Street in front of the Books, 152 S. Main St., Waynesville. Depot. 11-4 p.m. on historic Seventh Saturday, September 10 Shangri-La – A hilarious and mov- Saturday, September 17 Avenue in Hendersonville, NC. Play with Perception ing look at the lives of senior citi- media art project utilizing photographs, Arpetrio zens living in a retirement trailer Saturday, video, drawings and paintings. Opening An interactive art exhibit by Julie Rob- park in Florida. Performances at September 3 reception from 6-9 p.m. at The Artery, inson. Opening reception from 5 p.m. Nashville based live-electronic trio performs at the Emerald Lounge, 112 7:30 p.m. Saturday matinees at 4 Stephaniesid at 346 Depot Street, in the River Arts to 7 p.m. On display from September p.m. Tickets $12/14. District. 1 – October 6, 2011 at 310 Art Gallery, N. Lexington Ave., Asheville. (828) LAAFF 191 Lyman St., Studio #310 at River- 232-4372. The Magnetic Field Friday, September 9 Starfruit album view Station North, River Arts District, Saturday, September 17 Glen Rock Depot, 372 Depot release party. Free Twigs and Burls Asheville. Street, in the River Arts District and all ages! 7:30 p.m., Electric (Main) Studio Zahiya Grand Opening Opening reception Sunday, September 11 (828) 257-4003 Stage of the Lexington Ave. Arts and from 6-8 p.m. for 11 a.m. to 5 p.m. Free yoga, dance and www.themagneticfield.com Fun Festival, N. Lexington Ave., visit Carolyn Capps and Meditation Intensive more! Discounts on class cards and www.lexfestasheville.com. Steve Miller. On dis- Bill Walz will present “Awakening into dancewear. Drawings for free classes. Bellydance drop in classes have a Thursday, play through October our Full Human Potential,” from 2 7. Black Mountain maximum of 20 students, Bhangra and September 8 to 4 p.m. at the Black Mtn. Unitarian Center for the Arts, Universalist Church, 500 Montreat Rd. Hip Hop are 15. Arrive early to ensure How to place an event/ Jen Duke CD 225 W. State Street, (828) 669-0930. Black Mountain, (828) 669-8050. your spot! Studio Zahiya, 90 1/2 N. classified listing with Release Party Lexington Avenue, in Asheville. September 12 - October 10 Sunday, September 11 Rapid River Art Magazine Country blues, Gala Dance Showcase will take place Ballroom Dance Class Wolf Tales at Scandals Nightclub, 7:30 p.m., $10. Any “free” event open to the public can mountain Western Carolina University offers a The Haywood County Call for details, (828) 242-7595, or visit be listed at no charge up to 30 words. bluegrass and www.lisazahiya.com For all other events there is a $14.95 six-week ballroom dance class from Arts Council presents old-time gospel. 8 p.m. at the Al- 6 to 7 p.m., Mondays, on the WCU charge up to 35 words and 12 cents for the final party of the Saturday, September 17 each additional word. 65 word limit tamont Theatre. Tickets are $10, www. campus. To register call (828) 227-7397 2011 FUNd Party per event. Sponsored listings (shown myaltamont.com. Live performance on or visit http://learn.wcu.edu. Series, at 4 p.m. Visit the Pet First Aid & CPR Class in boxes) can be purchased for $18 per WNCW at 3 p.m. Haywood County Arts From 10 a.m. to 2 p.m. at The Ameri- column inch. September 9-11 Council, 86 N. Main, www.haywo- can Red Cross, 100 Edgewood Road, Deadline is the 19th of each month. odarts.org, or call (828) 452-0593 for Asheville, (corner of Merrimon & Payment must be made prior to printing. Fresh Preserves Jonas Gerard Fine Art details. Tickets: $35 for adults; $15 for Edgewood). Email Beth Gossett at: The Folk Art Friday, September 9 children 17 and younger. Center hosts the Sunday, September 18 [email protected] September 14-17 Or mail to: 85 N. Main St, Canton, stage performance The Doors of Asheville Art Auc- Name That Singer tion takes place at 6:30 p.m. NC 28716. Call (828) 646-0071 to of Tom Godleski’s On the Same Page Literary Festival 4-6 p.m. sponsored by Ashe- place ad over the phone. original play. Saturday, September 10 In West Jefferson, NC. The literary ville Lyric Opera Guild at Posana Cafe, Show times are festival will focus on the theme “Family on Biltmore Ave. Audience sing-along, – Disclaimer – Tom Godleski 7 p.m. on Friday Experience the dynamic intersec- Photo: Antonia Eden Matters” and will include a writing trivia contest, prizes, hors d’oevres, cash Due to the overwhelming number tion of art and music at 2 p.m. and Saturday, and competition and a community read. bar. Watch your favorite opera singers of local event submissions we get for Admission $10. Live music by the 2:30 p.m. Sunday. Admission is $15 for Scheduled authors include Wayne on the big screen. For information call our “What to Do Guide” each month, adults and $10 for students. Call (828) River Guerguerian Project. we can not accept entries that do not Caldwell, Mark de Castrique, Geor- (828) 230-5778. 298-7928 or visit www.craftguild.org. gann Eubanks, Jaki Shelton Green, and specifically follow our publication’s Thursday, September 15 Sunday, September 18 format. Non-paid event listings must Friday, Michael Malone. www.onthesamep- Benefit for Children in Need be 30 words or less, and both paid and September 9 agefestival.org. Aromatic Botanical Medicine non-paid listings must provide infor- – 5:30 to 8 p.m. Live painting Workshop mation in the following format: date, Living on the performance, art auction, wine and Thursday, September 15 time, brief description of your event, Edge hors d’oeuvres. Book Discussion X 1-3 p.m. The Botanical Gardens at and any contact information. Any en- Asheville, 151 WT Weaver Blvd. RSVP Chloe Kemp and 240 Clingman Ave., Asheville’s A Good Man Is Hard to Find and to Katie and recieve a free gift for at- tries not following this format will not James Daniel Other Stories by Flannery O’Connor. 7 be considered for publication. River Arts District. tending (407) 760-8214. present a multi- p.m. at the Battery Park Book Exchange

September Events ~ Announcements ~ openings ~ sales

34 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER ARTS & CULTURE MAGAZINE what to do guide ™

Hedwig and the Angry Inch Rocks Asheville Where The Hills Are Blue Glam-rock musical about the transgendered singer, Hedwig, with Friday, September 2 – Mark music and lyrics by Stephen Trask. Starring Michael Sheldon, aka drag Newton’s Stillhouse Band, and the legend Cookie LaRue, who is joined by her band, the Angry Inch, made Moore Brothers. up of Aaron Price, Caleb Beissert, and Matthew Kinne. Saturday, September 24 Friday, October 7 – Niall Toner Performances through September 25, 2011. Tickets are $17-$29. NC (from Ireland), and Bobby and the Upright Citizens Brigade Stage, 15 Stage Lane in downtown Asheville. Call (828) 239-0263 or Bluegrass Tradition. Touring Company visit www.ncstage.org. Saturday, October 15 – Grasstowne A wellspring of some of the funniest Mark Newton and Cumberland River. actors and writers, the Upright Citi- zens Brigade Touring Company brings Shows take place in the historic McMurray Building at 8 p.m. in Black Mountain. Tickets at www.white- down the house with their outrageous Best in Show by Phil Juliano sketch comedy. Diana Wortham horseblackmountain.com or call (828) 669-8012. Theatre at Pack Place, 8 p.m. Tickets: Regular $25, Student $20; Student rush day-of-show $10. Tickets/Info: (828) 257-4530, www.dwtheatre.com. Asheville Community Theatre Monday, September 26 Vaudeville Magic – Mainstage, Saturday, September Wellness Expo 10 at 10 a.m. Land-of-Sky Regional Council hosts a Angel Street Readers Theatre Performance – kick-off event for International Active Sep- Aging Week from 10 a.m. to 2 p.m. at tember 16-18 at 2:30 p.m. Friday & Saturday perfor- the Biltmore Square Mall in Asheville. mances at 35below; Sunday at the Reuter Center. September 29 - October 2 Guys and Dolls – Mainstage, September 23 - Octo- by Amy Downs ber 9. Fri & Sat at 7:30 p.m., Sun at 2:30 p.m. LGBTQ Film Festival Callie & Cats Details on all ACT performances, auditions, events, An amazing lineup of films show- and education opportunities at www.ashevilletheatre. ing primarily at the Fine Arts Theatre org or by calling the Box Office at (828) 254-1320. in Asheville. www.gastonpictures.com. Saturday, October 1 Birds, Beasts & Bodybones Southern Appalachian Opening reception from 7-10 p.m. for Lisa Walraven, Cynthia Potter, and Photographers Guild Exhibition Carlos Steward, who are exhibiting paintings, papier maché, and ceram- Friday, October 7 ics. Pump Gallery in the River Arts Artist reception from 6-9 District. Phil Mechanic Studios, 109 p.m. in conjunction with Roberts Street. www.ashevillecourt- downtown Waynesville’s Art yard.com, www.philmechanicstudios. After Dark. On display from com, (828) 254-2166. Corgi Tales by Phil Hawkins Wednesday, September 21 through Saturday, October Honeymoon Cottage 15, 2011 at 86 N. Main St., by William A. Smith Waynesville. Gallery hours are Pinocchio 10 a.m. to 5 p.m. Monday through Saturday. Asheville Pup- petry Alliance presents an enchanting family Opportunity for Entrepreneurs friendly production. Deadline is September 16 Friday, September 30 Blue Ridge Entrepreneurial Council Breakthrough Business Challenge is an exciting opportunity for 10 a.m. at the Diana Wortham entrepreneurial ventures to receive strategic assis- Theatre. For reservations call Dragin by Michael Cole tance and the possibility of up to $5,000 cash. (828) 210-9837. Group Tickets are $5 each. Both startups and existing businesses seeking an opportunity to expand are invited to apply. For more Saturday & Sunday, October 1-2 information contact Todd Fisher, Director, CEG, 2 p.m. at the White Horse Black Tech 20/20, [email protected], (865) 228-4853 Mountain, www.whitehorse- or visit www.brecnc.com blackmountain.com, (828) 669- 0816. Tickets are $7 each. The public is welcome to attend if seats are available. Contact School Black Mountain Music Scene Scheduling (828) 210-9837 to find out. Covering events at Straightaway Cafe, the Town Pump Tavern, White Horse Black Mountain, the For more information visit www. EyeScream Ice Cream Parlor, and more. ashevillepuppetry.org. www.blackmountainmusicscene.com

Classes ~ auditions ~ Arts & Crafts ~ Readings

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 35 RAPID RIVER ARTS & CULTURE noteworthy LEAF October 20-23, 2011

EAF is one of the treasured • ArtOfficial fall traditions for families and • The Legendary JC's friends across the southeast • Bearfoot and beyond. LEAF’s 33rd • Songs of Water fall festival takes place the • Peter Mawanga [Malawi] Lweekend of October 20-23 at Camp • TURKU, Nomads of the Silk Road Rockmont in Black Mountain. The fall Make sure your funky dancing colors will complement the stunning shoes are tied extra-tight for this fall beauty of Lake Eden with Mt. Mitchell event. Many more performances standing tall in the distance. and artists will be announced on our Sweet Honey in The Rock® A weekend at LEAF is the equiva- website. LEAF creates a performance lent of going on a year-long multi-cul- lineup that introduces you to lots of Contra dancing, poetry slams, puppetry tural music, arts, dance, and outdoor new bands, represents many genres slam, music jams, a parade, a adventure journey. A few aspects that and cultures, and contributes to the contest, circus arts, and more than 50 make LEAF one of the best fests in positive community. Many of the Healing Arts Workshops. the country are the family friendly artists will also participate in LEAF in LEAF’s music is but one thread atmosphere, the diverse sampling of Schools & Streets programs. that holds together the cloth of a week- arts and music, the setting, and the LEAF is honored to welcome end experience that includes art and intimate size. Sweet Honey in The Rock as the culture from around the world, for the finale. The group will present a special entire family. LEAF’s Fall Performers LEAF in Schools & Streets commu- NEW! Runners bring your shoes • Sweet Honey in The Rock® nity concert on Monday, October for the 4th Annual “Rock the Quarry” • Galactic 24 at in downtown 4-Mile Trail Challenge during LEAF • Leo Kottke Asheville, NC. This internationally on Saturday, October 22. The path • Wanda Jackson renowned, all-woman, African-Ameri- is beautiful as it goes through woods, • , featuring Bill can, a cappella ensemble is known for along streams, and it features one of Kreutzmann, , George their powerful civil rights and African the most stunning views in WNC Porter Jr & Matt Hubbard American culture work. Concert when you reach the top peak. • Abigail Washburn begins at 11 a.m. Tickets are $3 for • Toubab Krewe children under 18, and $8 for adults. • The Infamous Stringdusters Tickets are available at the Orange If Lake Eden Arts Festival • The Infamous Krewe Peel Box office, at www.theorange- You Go October 20-23 at Camp • Bassekou Kouyate [Mali] peel.net, or call (866) 468-7630. • Vishten [Prince Edward Island] Rockmont in Black • The Mighty Diamonds [Jamaica] Mountain, NC. Advance tickets The World of LEAF only. For tickets or more information • Contra with Perpetual e-Motion & The stages keep us dancing, lis- visit www.theLEAF.org or call (828) Hot Point Stringband tening, and grooving and are comple- 68-MUSIC (686-8742). Under 10 • Rising Appalachia mented by a host of creative experi- free! Volunteers welcome – join LEAF • David Wax Museum ences, including Unifire Theater, for discounts and more.

36 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1 RAPID RIVER local favorites interview with Blake Sneed of Bogarts in Waynesville

ogart’s Restaurant, located in by Dennis Ray downtown Waynesville, has been noted for great steaks, Retail Wine, Beer, Indoor Wine Bar soups, and salads. They provide a casual family atmo- Champagne, Port Cheese, Tapas, TV sphere in a rustic setting, and have a menu noted for Bits practical value. They are located within walking distance of Waynesville’s unique shops and seasonal festival activities and within one mile of Waynesville Country Club. Rapid River Magazine: Bogart’s has been voted #1 in Waynesville for great soups, salads, and steaks. What makes Bogarts so well loved?

Outdoor Seating Live Music Friday Nights Under the Trellis Wineseller Bandstand

20 Church Street pg. 39 Waynesville, NC 28786 E

pg. 39 828-452-6000 Q ClassicWineSeller.com [email protected]

Shelly Sneed (left), April Sutton, and Kathryn Mills welcome you to Bogart’s. Photo: Liza Becker pg. 39 N Blake Sneed: Consistency in value, great food and great ser- vice. Outstanding effort on the part of the management team, tain’s B Shannon Herrera, Jarrod Edens, Shelly Sneed, April Sutton ap ay and Kathryn Millis. C RRM: How did the restaurant get its name? Lunch BS: The restaurant is named after the original owner’s dog. SpeciaL RRM: How has Bogart’s changed since you first opened? Mon-Sat. BS: For years Bogart’s was known for being a local hang-out. Over time, it has been transformed into a great, very well- known restaurant. $ 75 RRM: What are some of the most popular menu items? 4 BS: The Bogart’s Filet is the best steak in town. Fresh cut, from 11 to 3 PM wrapped with bacon, seasoned and cooked on the open flame. Our fresh salads, appetizers, and side choices are unbeatable. DaiLy Dinner RRM: Are there any special stories behind any of your recipes or entrées you would like to share? SpeciaLS BS: A lot of credit for the current state of Bogart’s goes to Marty Lowe, the previous owner, he purchased the place not Mon-Sat. knowing what the potential may be and turned the place into 3 PM to Close one of the best restaurants in town. He named one of the sandwiches after his mother Thelma Lou. With a hat tip to Open Everyday the Lowe family that item will never leave the menu. 11 to 9 PM

pg. 39 Bogarts U 303 South Main Street 562 Russ Ave. Waynesville, NC 28786 Waynesville, NC 28786 (828) 452-1313 pg. 39 www.bogartswaynesville.com (828) 456-6761 M

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 37

prints color RAPID RIVER pg. 39 P Full Bar and Award-Winning local favorites Wine List Fresh Seafood requires little clams at Fisherman’s Quarters II

estaurants that by Dennis Ray have opened in Asheville over the last decade tend to fall into Rone of two categories. There are those that are very good and cost a lot and serve small portions. And those that don’t cost a lot but • House Made Enjoy Wine, Food, aren’t very good. How- Pastas and Friends ever, there is a third, but this one is very rare, a restaurant that serves four-star food without the four-star price and serves a • Breads Made Dinner Monday – Saturday good strong portion of it. from Scratch 5 PM – 9 PM Fisherman’s Quarters II in West Asheville falls into the Everyday latter serving up fresh seafood and good service at competitive • Fresh Seafood 828-452-6210 prices. Owner George Baxevanis and Executive Chef Alex Reservations Honored Baxevanis have created a perfect dining experience, some- • USDA Choice thing that keeps the locals happy and coming back for more. or Higher Grade 30 Church Street George Baxevanis and his immediate family have been pg. 39 Black Angus Just off Main Street, across from the in the restaurant business for over thirty years, something he Beef Town Hall parking lot, in Waynesville, NC U attributes to team effort and solid communication between the restaurant and their valuable customers. www.TheChefsTableOfWaynesville.com Fisherman’s Quarters II provides a relaxed family at- mosphere. The tables and booths are surrounded by colorful murals of ships, underwater sea life and seaside locations. The restaurant is broken up into several dining areas with just over 300 seats. Although it can be quite crowded serving pg. 39 K over 1000 guests on a weekend night, the service is fast yet far from pushy. “We want our customers to be happy Pizza & Hoagies and enjoy the food,” Family Owned & Operated George Baxevanis says. Great food and great service is what folks want from a locally family owned restaurant and this is exactly what they get here. sPecial As David Routers a regular customer says, “It’s always Serving Mouth Watering Lunch & Dinner worth the wait. They have the best crab legs anywhere and 2 Pan Pizzas Mon-Sun 11am - 10pm my wife and I are from Boston.” Fisherman’s Quarters II uses only freshest seafood, never for frozen and serves both fried or grilled items. Their most $ 99 popular menu dishes are the fried baby shrimp, flounder, and Weekend Special! Alaskan whitefish. Fisherman’s Quarters II supports local 9 growers and when available will purchase rainbow trout from Every Sunday & Tuesday All Bottled $ a nearby fish farm. Beers! The menu is extensive and offers steaks and pasta dishes Offer good only with this coupon. Take-Out or 2 as well. There is a menu for children under 12. And, although Eat-In Only. Coupon Expires 10/15/2011 you may not have room after the meal, they offer many deca- dent desserts like cheesecake, baklava, lemon meringue, and Designated drivers drink for FRee on Sundays for football games. Purchase Any Fajita Dinner Plate and Get key lime pie. They also serve beer and wine. 84 Mineral Springs Road pg. 39 Behind Applebees by the Innsbrook Mall Half Off B Second Dinner of Equal or Lesser Value We Deliver! (828) 255-8310 Fisherman’s Quarters II Dine -in Only. Coupon good through 12/2011. 1445 Patton Avenue, Asheville, NC 28806 Authentic New York Style Pennsylvania Style Hand Tossed Pizza, Stromboli, Hoagies, Cheese Steaks, and (828) 285-0940 and Calzones! Chicken Cheese Steaks. 1047 Haywood Road Hours: Tues-Thurs 4-9 PM • Fri-Sat 3-10 PM pg. 39 Find us on Facebook • [email protected] West Asheville ~ 828 255-5148 Sunday Noon-9 PM • Closed Monday L

38 September 2011 — Rapid River ArtS & CULTURE Magazine — Vol. 15, No. 1

prints color RAPID RIVER ARTS & CULTURE guided fly fishing Trips unique shops and restaurants

Waynesville / Russ Ave. Downtown Asheville

N E D F

M Beginners WelCome! All you need to do is show up. All gear is provided. Our guides are excellent at casting instructions, relaying fishing techniques, and downtown Waynesville I teaching basics or stream biology. If you have ever wanted to try G H fly fishing and are intimidated, this is where to start. J O Waynesville Fly Shop 168 S. Main Street • 28786 Asheville / Tunnel Rd. www.waynesvilleflyshop.com [email protected] Get On B The Map, Call W (828) 646-0071 828•246•0306 R Call for Trip priCing P Q A^oV7ZX`ZgE]did\gVe]n W lll#a^oVWZX`Zge]did\gVe]n#Xdb S

U T Seafood Restaurant Since 1996

We Bring the Sea to the Mountains Waynesville / Great Smoky Mtn. Expy. Extensive Seafood Menu 3.22 miles Broiled, Steamed, or Fried past Exit 98 to Downtown on right, next Waynesville to Innovative F Interiors.

If[Y_Wb_p_d]_d0 half off DWjkhWbB_]^j_d] 2nd dinner BWdZiYWf[F^eje]hWf^o of Equal or Lesser Value west asheville eateries With Purchase of Regular Priced Dinner. FehjhW_jF^eje]hWf^o Dine-in Only. M[ZZ_d]F^eje]hWf^o Coupon Expires 10/1/2011 K If[Y_WbEYYWi_edi0 Dinner Hours: Monday - Closed • Tues-Thurs 4-9 PM 8_hj^ZWoit7dd_l[hiWh_[i Fri-Sat 3-10 PM • Sunday Noon-9 PM ;d]W][c[djit8[bbo8kcfi L 1445 Patton Avenue L Asheville, North Carolina 28806 .(.#-')#*'*- Phone (828) 285-0940 a^oVWZX`Zge]did\gVe]n@\bV^a#Xdb

Vol. 15, No. 1 — Rapid River ArtS & CULTURE Magazine — September 2011 39

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