Paladino Music – Catalogue 2017
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Written by Darren Henley Darren Henley the STORY of CLASSICAL MUSIC
Includes a e n 150 n d i Musical l i n n o t Excerpts e l ra i a c e r ti v e m at Written by Darren Henley Darren Henley THE STORY OF CLASSICAL MUSIC CONTENTS Track List 2 Classical Music – from the notes on the page, through history, to performance today 30 Biographies: Darren Henley and Aled Jones 34 Aled Jones Feature 35 Historical Timeline 40 Acknowledgements and Credits 53 Other titles available from Naxos AudioBooks 55 For interactive material and excerpts, including pictures, articles, sheet music, quizzes and more, visit: n-ab.com/socm Password: classicalsounds 2 1 The Story of Classical Music 2:14 Concerto: Duo seraphim from Vespers of the Blessed Virgin The Scholars Baroque Ensemble 8.550662–63 THE MEDIEVAL PERIOD (600–1490) Franciscus Bossinensis (fl.1510) 2 The Year 600 – Music in Churches 2:06 Music featured: Music featured: Recercar Anonymous Christopher Wilson, lute 8.553694 Gregorian chant from the Proper of the Mass: Introitus – Adorate Deum Nova Schola Gregoriana; Turco 8.550711 THE BAROQUE PERIOD (1600–1750) 3 Hildegard of Bingen (1098–1179) 2:31 6 Into the 17th Century 3:04 Music featured: Jean-Baptiste Lully (1632–1687) O ignis spiritus Music featured: Oxford Camerata; Summerly 8.550998 Entrée from Ballet des plaisirs Aradia Baroque Ensemble; Mallon 8.554003 THE RENAISSANCE PERIOD (1490–1600) 7 4 Medieval to Renaissance 2:37 London 2:10 Giovanni Pierluigi da Palestrina (1525/6–1594) Henry Purcell (1659–1695) Music featured: Music featured: Missa Papae Marcelli Voluntary in G Oxford Camerata; Summerly 8.550573 Joseph -
A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
A register of music performed in concert, Nazareth, Pennsylvania from 1796 to 1845: an annotated edition of an American Moravian document Item Type text; Thesis-Reproduction (electronic) Authors Strauss, Barbara Jo, 1947- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 23:14:00 Link to Item http://hdl.handle.net/10150/347995 A REGISTER OF MUSIC PERFORMED IN CONCERT, NAZARETH., PENNSYLVANIA FROM 1796 TO 181+52 AN ANNOTATED EDITION OF AN AMERICAN.MORAVIAN DOCUMENT by Barbara Jo Strauss A Thesis Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC WITH A MAJOR IN MUSIC HISTORY In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 6 Copyright 1976 Barbara Jo Strauss STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The Univer sity of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu script in whole or in part may -
Russian Piano Music Series, Vol. 13: Sergei Rachmaninov
Russian Piano Music Series, vol. 13: Sergei Rachmaninov Sergei Rachmaninov (1873-1943) 1 Etude-Tableau in A minor, Op. 39 No. 2 8:15 Moments Musicaux, Op. 16 31:21 2 No. 1 Andantino in B flat minor 8:50 3 No. 2 Allegretto in E flat minor 3:49 4 No. 3 Andante cantabile in B minor 4:42 5 No. 4 Presto in E minor 3:32 6 No. 5 Adagio sostenuto in D flat major 4:29 7 No. 6 Maestoso in C major 5:52 Piano Sonata No. 1 in D minor, Op. 28 40:20 8 I Allegro moderato 15:38 9 II Lento 9:34 10 III Allegro molto 15:06 total duration : 79:56 Alfonso Soldano piano Dedication I wish to dedicate this album to the great Italian pianist and professor Paola Bruni. Paola was a special friend, and there was no justice in her sad destiny; she was a superlative human being, deep, special and joyful always, as was her playing… everybody will miss you forever Paola! Alfonso Sergei Rachmaninov (1873-1943) “The Wanderer’s Illusions” by Rosellina de Bellis ".. What I try to do, when I write my music, is to say simply and directly what is in my heart when I compose. If there is love, or bitterness, or sadness, or religion, these moods become part of my music .. " The bitterness of the words spoken by Schubert about the connection between song and love, "... when I wanted to sing love it turned into pain, and if I wanted to sing pain, it became love; so both divide my soul.. -
Mozart (Re)Inventions Ensemble Paladino
RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 1 mozart (re)inventions ensemble paladino lamb rummel RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 2 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 3 mozart (re)inventions eric lamb & martin rummel 3 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 4 Wolfgang Amadeus Mozart (1756–1791) arr. Eric Lamb & Martin Rummel from “Die Zauberflöte“ from the “London Sketchbook” (“The Magic Flute”), K 620 07 […] K Anh. 109b, No 1 (K 15a) 01:40 01 “Der Vogelfänger bin ich ja” 01:27 02 “Das klinget so herrlich” 01:21 08 Menuet in G Major, K 1 (1e) 02:13 09 Menuet in F Major, K 2 00:58 Duo in G Major, K 423 10 Allegro in B Flat Major, K 3 01:05 (original for violin and viola) 11 Andante in F Major, K 6 03:10 03 Allegro 06:58 12 Menuet in D Major, K 7 01:10 04 Adagio 03:34 13 […] K 15hh 01:58 05 Rondeau. Allegro 05:29 14 […] K 33b 01:12 06 Allegro in C Major 02:27 Duo in B Flat Major, K 424 (original for violin and viola) 15 Adagio - Allegro 08:43 16 Andante cantabile 03:06 17 Andante con variazioni 09:09 from “Die Zauberflöte“ (“The Magic Flute”), K 620 18 “Ein Mädchen oder Weibchen” 01:07 19 “Wie stark ist nicht dein Zauberton” 02:50 TT 59:40 4 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 5 Eric Lamb, flute Martin Rummel, cello 5 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 6 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 7 “Mozart (re)inventions” is ensemble paladino’s The Duos K 423 and 424 were written in Salzburg continued reimagining and exploration of classical works during the summer of 1783, as favors for his old friend of great composers. -
Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro Moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25
vol.9 Pleyel-Museum Ingrid Marsoner, Klavier www.pleyel.at Matthias Rácz, Fagott Pleyel Camerata pro Musica Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25 Johann Ladislaus Dussek (1760–1812) Klavierkonzert, F-Dur, op. 17, 1792 4 Allegro vivace – Kadenz: Pavel Singer 10:03 5 Larghetto più tosto Adagio 4:55 6 Rondo 3:47 Geburtshaus – Birthplace Ignaz Joseph Pleyel (1757–1831) Ignaz Joseph Pleyel Symphonie à grand orchestre, G-Dur, Ben 156, 1804 Museum Ersteinspielung in originaler Fassung 7 Allegro vivace assai 9:12 8 Adagio 7:01 9 Menuetto. Trio 3:00 10 Rondo. Allegro 6:23 gesamt 60:32 NEUJAHRSKONZERT der Internationalen Ignaz Joseph Pleyel Gesellschaft (IPG) am 7. 1. 2012 Matthias Rácz, Fagott (1-3), Ingrid Marsoner, Klavier (4-6) Camerata pro Musica, Dirigat: Paul Weigold www.pleyel.at 3 HIeg nwasc ea mJaons eopf hsm Palll estyaetul r(e Rwuithp pa edrimstihnuatli v1e7 h5e7a d–, aPn airraissc ib18le3 t1e) mper and dark, fiercely intelligent eyes EIr gwnaar zn iJchot sseephhr gProlße, yhealt t(e Reiunpenp eerhsetrh kalel in17e5n 7K –op fP, daürnisn e1 8H3a1u) t, schwarze intelligente durchdringende that lit up whenever he talked about his teacher Joseph Haydn or his admirer Wolfgang Amadé Mozart. The Augen, die funkelten wenn er von seinem Lehrer Joseph Haydn oder von seinem Schätzer Wolfgang Amadé Allgemeine musikalische Zeitung described him as a man of bold yet elegant character, whose education far Mozart sprach. Die Allgemeine musikalische Zeitung bezeichnete ihn als wackeren, angenehmen, und nicht exceeded the boundaries of his metier. -
Christopher Hinterhuber the Original Debut Recording
christopher hinterhuber the original debut recording bach haydn liszt stravinsky rachmaninoff christopher hinterhuber the original debut recording 3 Johann Sebastian Bach (1685–1750) Franz Liszt (1811–1886) Partita No 2 in c minor BWV 826 9 13:15 Rhapsodie Espagnole S 254 1 4:33 Sinfonia (Folies d’Espagne et Jota aragonesa) 2 4:44 Allemande 3 2:16 Courante 4 3:27 Sarabande Igor Stravinsky (1882–1971) 5 1:27 Rondeaux Trois Mouvements de Pétrouchka 6 3:16 Capriccio 10 2:34 I. Danse russe. Allegro giusto 11 4:35 II. Chez Pétrouchka Joseph Haydn (1732–1809) 12 8:43 III. La semaine grasse Sonata No 32 in g minor Hob. XVI:44 7 10:04 Moderato Sergei Rachmaninoff (1873–1943) 8 3:34 Allegretto 13 5:58 Vocalise op 34/14 total time: 1:08:29 4 Christopher Hinterhuber, piano 5 Johann Sebastian Bach Partita No 2 in c minor BWV 826 In 1723, Bach arrived in Leipzig to assume the position Joseph Haydn of a cantor at the Thomaskirche, a post by which he Sonata in g minor Hob. XVI:44 undertook the responsibility of organizing the musical life of the city. It was during his earliest years in Leipzig that Around 1770, Haydn composed his first important he embarked on the four volumes of harpsicord and symphonies and string quartets. The rarely-heard two organ music known as the Clavierübung (keyboard movements Sonata in g minor hob. XVI:44 recorded on practice). Finally, Bach published, at his own expense, six this CD can, in the same vein, be considered to belong partitas or suites, first singley from 1726 to 1730, and to the list of his greatest piano sonatas. -
Joseph Woelfl Streichquartette Op. 4 Und Op. 10
Joseph Woelfl Streichquartette Op. 4 und Op. 10 Quatuor Mosaïques Erich Höbarth und Andrea Bischof, Violine Anita Mitterer, Viola Christophe Coin, Violoncello paladino music Quatuor Mosaïques Erich Höbarth und/and Andrea Bischof Violinen, Franz Geissenhof, Wien 1806, Inv.-Nrr. SAM 683 und 684 Violins, Franz Geissenhof, Vienna 1806, Inv.-No. SAM 683 and 684 Anita Mitterer Abb. auf S. 1: Viola, Franz Geissenhof, Violine, Franz Geissenhof, Wien 1806, Wien 1797, Inv.-Nr. SAM 683 Inv.-Nr. SAM 685 Ill. on p. 1: Viola, Franz Geissenhof, Violin, Franz Geissenhof, Vienna 1806, Vienna 1797, Inv.-No. SAM 683 Inv.-No. SAM 685 Christophe Coin Violoncello, Franz Geissenhof, Wien 1794, Inv.-Nr. SAM 686 Violoncello, Franz Geissenhof, Vienna 1794, Inv.-No. SAM 686 Deutsch: Seite Franz Geissenhofs Instrumente 4 Joseph Woelfl 7 English: page Franz Geissenhof‘s instruments 12 Joseph Woelfl 15 2 FRANZ GEISSENHOFS INSTRUMENTE Joseph Woelfl (1773 –1812) Streichquartett Op. 4 Nr. 3, c-Moll 01 Allegro 7'46 02 Menuetto (Allegretto) 4'37 03 Adagio ma non troppo 7'35 04 Finale (Presto) 5'57 Streichquartett Op. 10 Nr. 4, G-Dur 05 Allegro 7'24 06 Menuetto (Allegro) 3'41 07 Andante 5'10 08 Prestissimo 4'16 Streichquartett Op. 10 Nr. 1, C-Dur 09 Allegro moderato 7'35 10 Andante 8'11 11 Menuetto (Allegro) 4'05 12 Allegro 5'26 Gesamtspielzeit / total duration: 74'00 3 FRANZ GEISSENHOFS INSTRUMENTE Druckzettel von Franz Geissenhofs Violine von 1806 Inv.-Nr. SAM 683 Franz Geissenhof war der einflussreichste Geigenbauer zur Zeit der Wiener Klassik. Völlig zu Recht wurde er bereits kurz nach seinem Tod mit dem Beinamen eines „Wiener Stradivari“ Printed label of Franz Geissenhof’s violin bedacht, was nicht nur als eine schmeichelhafte Anspielung auf seine handwerklichen Fähig- from 1806 Inv.-No. -
HUMMEL Oberon's Magic Horn
557845bk Hummel US 19/9/07 11:43 am Page 5 Gävle Symphony Orchestra The orchestral parts and scores of the following works are available from: The Gävle Symphony Orchestra is one of the oldest in Sweden, dating back to 1912. The first artistic director of this HUMMEL 25-man orchestra was the composer Ruben Liljefors. It has grown to 52 full-time members during the past ninety www.artaria.com or so years. The orchestra is based in the provincial capital of Gävle, but tours regularly both in its home province and elsewhere in Sweden. The Gävle Symphony Orchestra has also toured in The Netherlands, Finland, Norway and Sources Oberon’s Magic Horn the former Yugoslavia. There was a unique collaboration with the symphony orchestra in Dubrovnik during the The sources upon which the editions used in this recording have been made are: 1990s when the two orchestras performed Benjamin Britten’s War Requiem in support of the suffering people in (Fantasy) war-torn Croatia. Since its inception, the Gävle Symphony Orchestra has had a succession of distinguished conductors as Artistic Directors including Stig Westerberg, Rainer Miedel, Göran W Nilson, Hannu Koivula, Carlos Le retour de Londres. Grand Rondeau brillant, Oberons Zauberhorn, Op. 116 Grand Rondeau brillant • Variations and Finale Spierer and Petri Sakari. The orchestra’s current Artistic Director and Principal Conductor is Robin Ticciati, who Op. 127 Edited by Allan Badley - Artaria Editions AE422 took up his appointment in January 2006. The Gävle Concert Hall was dedicated in January 1998, marking the Edited by Allan Badley - Artaria Editions AE448 London, The British Library (autograph); completion of a project first proposed in the 1930s. -
HUMMEL Mozart’S Symphonies Nos
HUMMEL Mozart’s Symphonies Nos. 38 ‘Prague’, 39 and 40 Arranged for Flute, Violin, Cello and Piano Uwe Grodd • Friedemann Eichhorn Martin Rummel • Roland Krüger Johann Nepomuk Hummel (1778–1837) his privy council, after acceding to the throne in 1775, was pirated copies of his original manuscripts were always a Wolfgang Amadeus Mozart (1756-1791) that of poet, artist and politician Johann Wolfgang von threat. Hummel was suspicious of editions published on the Goethe. The court theatre immediately became the central continent. In a letter to a friend he wrote: “How come … Mozartʼs Symphonies Nos. 38 ʻPragueʼ, 39 and 40 focus of city life and the addition of the new Hoftheater in you do not find a single note from an honourable German arranged by Hummel for flute, violin, cello and piano 1791 ensured the predominance of music. Hummelʼs publisher?” The editions for this recording were made using dedication of his arrangement of the Prague Symphony Hummelʼs English publications from Chappell and Co In 1786, at the age of eight, Hummel went to live and study aus dem Serail. Hummelʼs lack of diplomacy, however, reads “This Symphony is respectfully dedicated to His (1823-4) for which J. R. Schultz acted as intermediary in with Wolfgang Amadé Mozart in Vienna. During his two combined with his disregard of dress codes, “loud and Excellency Baron von Goethe, Minister of State to His London. While England and France had regulations years as a lodger in the familyʼs apartment in the pushy” manner and devotion to his own performing career Royal Highness the Grand Duke of Saxe Weimar by J. -
Ludwig Van Beethoven: Triumph Over a Life of Tragedy
Ludwig van Beethoven: Triumph Over a Life of Tragedy Madeline Brashaw Senior Division Historical Paper Paper Length: 2,448 words “It seemed unthinkable for me to leave the world forever before I had produced all that I felt Heiligenstadt Testament called upon to produce,” Ludwig van Beethoven wrote in shortly before he passed away. Ludwig van Beethoven practiced music his entire life. He told people that he did not know what he would do without music. Beethoven was brought up during the Classical Period which was defined and determined by its clear characteristics such as its emphasis on beauty, elegance, and balance, and by the variety and contrast within the musical pieces. It is said that his music altered the course of musical history and that it modified the Classical Period (Classical Music). Sadly, Beethoven’s career came to a halt when he began to lose his hearing, and it became nearly impossible for him to compose and conduct his works. The tragic loss of Beethoven’s hearing led to his triumph in changing musical history. Beethoven was brought into this world in December of 1770. As a child, Ludwig van Beethoven often had a sad life. He had no friends and had nobody to care for him. The one thing that he did have, and he used almost every day, was his music. Beethoven’s main instruments were the piano and the violin. As a child, he even composed his own music at times. His father, Johann van Beethoven, was young Beethoven’s first music teacher. As a child, his father harshly pushed him in his musical studies. -
Pettman National Junior Academy of Music |
THE PETTMAN NATIONAL JUNIOR ACADEMY of Music 2015 / 1 REPORT REPORT 2015 1 THE PETTMAN NATIONAL Our Students JUNIOR ACADEMY The PNJA currently has a total of 46 students with 34 of those being at the Academy on a full-scholarship and the remaining 12 on half-scholarships. Auditions for the recent Pettman National Junior Academy of Music Scholarships were held at the end of 2014, and applications reflected a large number of eager musicians, who were ready to pave their way towards a career in music. These auditions revealed an increased interest in the PNJA, particularly in New Zealand’s largest city, with two thirds of the scholarships being awarded to students from Auckland and the remaining third located in Christchurch. In total, thirteen new students aged between 11 and 25 were accepted into the Academy for 2015, including ten students from Auckland, two from Hamilton and one from Tauranga. INSTRUMENT STUDENT TEACHER CITY Recorder Olivia Rose Humphrey Wolfgang Kraemer Christchurch This report is designed to keep you fully Recorder Linwei Lily Li Wolfgang Kraemer Christchurch Flute Zoe Stenhouse- Burgess Uwe Grodd/ Melody Lin Auckland informed about the progress, news, events Flute Kexin (Anna) Zhang Uwe Grodd/ Abigail Sperling Auckland Clarinet Lorna Pairman John Robinson Christchurch and activities that are happening at The Bassoon Gabriel Baird Selena Orwin Christchurch Viola Anna Elisara Susan Bierre Auckland Pettman National Junior Academy (PNJA) Viola Grace Leehan Serenity Thurlow Christchurch Viola Marijke Cooper Serenity Thurlow Christchurch located in Auckland and Christchurch, New Violin Emilly Fan Stephen Larsen Auckland Violin Sandy Niu Stephen Larsen Auckland Zealand. -
9003643992122.Pdf
1 Britain's Glory Joseph Haydn (1732–1809) Original Canzonettas 6 Original Canzonettas (1794) Hob XXVIa: 25-30 Poems/Gedichte: Anne Hunter 1 The Mermaid’s Song in C major / C-Dur 3:47 2 Recollection in F major / F-Dur 6:20 3 A Pastoral Song in A major / A-Dur 3:44 4 Despair in E major / E-Dur 5:51 5 Pleasing Pain in G major / G-Dur 2:38 6 Fidelity in F minor / f-Moll 3:59 6 Original Canzonettas (1795) Hob XXVIa: 31-36 7 Sailor’s Song (Anne Hunter) in A major / A-Dur 2:40 8 The Wanderer (Anne Hunter) in G minor / g-Moll 4:41 9 Sympathy (after/nach Metastasio) in E major / E-Dur 3:31 bl She never Told Her Love (William Shakespeare) in A-fl at major / As-Dur 3:31 bm Piercing Eyes (anonymous/anonym) in G major / G-Dur 2:09 bn Content / Transport of Pleasure (anonymous/anonym) in A-fl at major / As-Dur 2:46 Lieder Hob XXVIa: 41, 42, 46 bo The Spirit’s Song (Anne Hunter) in F minor / f-Moll 6:22 bp O Tuneful Voice (Anne Hunter) in E-fl at major / Es-Dur 5:17 bq Antwort auf die Frage eines Mädchens (anonymous/anonym) in G major / G-Dur 4:02 Cornelia Horak soprano / Sopran Richard Fuller fortepiano / Hammerklavier 2 Joseph Haydns englische Kanzonetten Das Kunstlied, wie es bis heute als musikalische Gattung im Repertoire wesentlich seltener. Es ist sowohl musikalisch gültig ist und von Komponisten in aller Welt gepflogen als auch textlich interessant, sich mit einigen der selbst wird, entwickelte sich aus den verschiedensten Formen nach den intensiven Recherchen der letzten 200 Jahre nur des Volkslieds, der Arie und des Kirchenlieds etwa ab ungefähr mit etwa 70 zu beziffernden bekannten originalen der Mitte des 18.