DOCSLIB.ORG

12:00:00A 00:00 Lunes, 5 De Marzo De 2018 12A NO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
12:00:00A 00:00 Lunes, 5 De Marzo De 2018 12A NO *Programación sujeta a cambios sin previo aviso* LUNES 05 DE MARZO 2018 12:00:00a 00:00 lunes, 5 de marzo de 2018 12A NO - Nocturno 12:00:00a 09:20 6 piezas p/laúd (ver cred.) Joanambrosio Dalza Jakob Lindberg-laúd bajo en re 12:09:20a 33:00:00 *Sinfonía Española p/violín y orq. en mi men. Edouard Lalo (1823-1892) Charles Dutoit Sinfónica de Montreal Joshua Bell-violín 12:42:20a 13:27 Obertura festiva Pall Isolfsson (1893-1974) Petri Sakari Sinfónica Islandesa 12:55:47a 00:50 Identificación estación 01:00:00a 00:00 lunes, 5 de marzo de 2018 1AM NO - Nocturno 01:00:00a 04:53 Tarantelas nos.1-6 (Madrid, 1787) Anónimo Gregorio Paniagua Atrium Musicae de Madrid 01:04:53a 26:23:00 Sonata p/piano no.2 op.50 "Heroica" Edward Macdowell (1861-1908) Noël Lee-piano 01:31:16a 23:45 Serenata para tenor, corno y cuerd. op.31 Benjamin Britten (1913-1976) Simon Streatfield De Cámara de Manitoba Benjamin Butterfield-tenor 01:55:01a 00:50 Identificación estación 02:00:00a 00:00 lunes, 5 de marzo de 2018 2AM NO - Nocturno 02:00:00a 08:52 Danzas del tratado "Danserye" (1551) Tielman Susato (1510-1570) René Clemencic Clemencic Consort 02:08:52a 29:14:00 Sinfonía # 1 1943 Karl-Birger Blomdahl (1916-1968) Leif Segerstam Sinfónica de la radio sueca 02:38:06a 15:54 Sonata I, p/piano Enrique Santos (1930-) Eva María Zuk-piano 02:54:00a 00:50 Identificación estación 03:00:00a 00:00 lunes, 5 de marzo de 2018 3AM NO - Nocturno 03:00:00a 12:44 Concerto grosso op.3 no.4 George Frideric Händel (1685-1759) Michi Gaigg L'Arpa Festante 03:12:44a 27:28:00 Quinteto en do men. p/ piano y alientos op.52 Louis Spohr (1784-1859) Miemb.del quinteto residente de Wolfgang Sawallisch-piano 03:40:12a 15:12 Tenebrae super Gesualdo (Representación) Carlo Gesualdo (ca.1561-1613) Sir Peter Maxwell Davies The Fires of London 03:55:24a 00:50 Identificación estación 04:00:00a 00:00 lunes, 5 de marzo de 2018 4AM NO - Nocturno 04:00:00a 38:20:00 *Concierto para orquesta Béla Bartók (1881-1945) André Previn Filarmónica de los Ángeles 04:38:20a 18:18 Concierto p/clavecín, fortepiano y orq. (Hamburgo 1788) Carl Philipp Emanuel Bach (1714-1788) Martin Haselböck Academia Vienesa Martin Haselbock-clav.; Richard Fuller-fortepiano 04:56:38a 00:50 Identificación estación 05:00:00a 00:00 lunes, 5 de marzo de 2018 5AM NO - Nocturno 05:00:00a 15:33:00 Cantiga de Sta.Maria no.69 Alfonso X "El sabio" (1221-1284) Gpo.de mus.antigua de Eduardo 05:15:33a 04:28 Siete Invenciones Gian Francesco Malipiero (1882-1973) Peter Maag Filarmónica Veneciana 05:44:01a 07:02 Preludio p/metales, campanas y percusiones Michael Tippett (1905-1998) Richard Hickox Sinfónica de Bournemouth 05:51:03a 03:00 + HIMNO NACIONAL + 05:54:03a 00:50 Identificación estación 06:00:00a 00:00 lunes, 5 de marzo de 2018 6AM MA - Mañanas 06:00:00a 04:13 Fantasía en Do May. p/laúd Silvius Leopold Weiss (1686-1750) Hopkinson Smith-laud 06:04:13a 09:50 Variaciones p/clarinete y piano Op.33 Carl Maria von Weber (1786-1826) Eduard Brunner-clarinete; Gerhard Oppitz-piano 06:14:03a 03:00 CORTE INE 06:17:03a 21:47 Concierto p/flauta y orq. en la men. Frantisek Benda (1709-1786) Milan Munclinger Ars rediviva de Praga Andras Adorjan-flauta 06:38:50a 14:13 Fragmentos Turcos op.62 Mihail Ippolitov-Ivanov (1859-1935) Choo Hoey Sinfónica de Singapur 06:53:03a 00:50 Identificación estación 07:00:00a 00:00 lunes, 5 de marzo de 2018 7AM MA - Mañanas 07:00:00a 08:33 Sonata no.20 en do men. Francesco Mancini (1672-1737) Judith Linsenberg y Musica Pacifica 07:08:33a 03:00 CORTE INE 07:11:33a 03:29 Las Sílfides (orq. Roy Douglas) Frederic Chopin (1810-1849) Herbert von Karajan Filarmónica de Berlín 07:39:02a 14:22 Concierto para trompeta Franz Joseph Haydn (1732-1809) Bohdan Warchal Cámara Eslovaca Guy Touvron-trompeta 07:53:24a 00:50 Identificación estación 08:00:00a 00:00 lunes, 5 de marzo de 2018 8AM MA - Mañanas 08:00:00a 05:27 Suite p/guit. barroca en sol menor Robert de Visèe (c.1660-c.1720) Rafael Andia-guit. barroca 08:05:27a 12:04 Sinfonía en Do May. "Sinfonía Comista" Johann Baptist Vanhal (1739-1813) Concerto Köln 08:17:31a 03:00 CORTE INE 08:20:31a 25:32:00 *Concierto p/violín y orq. no.1 op.26 sol men. Max Bruch (1838-1920) Charles Dutoit Sinfónica de Montreal James Ehnes-violín 08:46:03a 07:27 El barón gitano, obertura Johann Strauss II (1825-1899) Erich Kunzel Cincinnati Pops 08:53:30a 00:50 Identificación estación 09:00:00a 0:00:00 lunes, 5 de marzo de 2018 9AM MA - Mañanas 09:00:00a 13:35 Sonata op.5 no.11 p/ violín y b.c. sol men. Jean-Marie Leclair (1697-1764) Ensamble Convivium 09:13:35a 12:55 Sinfonía en fa menor Karl Kohaut (1726-1784) Bohdan Warchal Cámara Eslovaca 09:26:30a 3:00:00 CORTE INE 09:29:30a 17:38 Concierto p/ piano y orq. op.69 fa sost. men. Ferdinand Hiller (1811-1885) Louis de Froment De la Radio de Luxenburgo Michael Ponti-piano 09:47:08a 05:14 Cortejo solemne op.91 Alexander Glazunov (1865-1936) Horia Andreescu Del Estado Rumano 09:52:22a 00:50 Identificación estación 10:00:00a 00:00 lunes, 5 de marzo de 2018 10A MA - Mañanas 10:00:00a 16:35 Sonata para Arpa op.68 Alfredo Casella (1883-1947) Isabelle Moretti-arpa 10:16:35a 03:00 CORTE INE 10:19:35a 18:51 Italia, rapsodia para orq. (1909) Alfredo Casella (1883-1947) Silvano Frontalini Nacional Moldava *Programación sujeta a cambios sin previo aviso* LUNES 05 DE MARZO 2018 10:38:26a 09:00 Siciliana y Burlesca p/flauta y orq. Alfredo Casella (1883-1947) Uros Lajovic Sinfónica de la radio de Berlín Karl-Bernhard Sebon-flauta 10:47:26a 00:50 Identificación estación 11:00:00a 0:00:00 lunes, 5 de marzo de 2018 11A MA - Mañanas 11:00:00a 10:56 *Benvenuto Cellini, obertura (1838) Hector Berlioz (1803-1869) Bernard Haitink Real del Concertgebouw 11:10:56a 03:00 CORTE INE 11:13:56a 26:49:00 Los ideales, Poema sinfónico no.12 Franz Liszt (1811-1886) Bernard Haitink Filarmónica de Londres 11:40:45a 09:10 Danzas sacra y profana p/arpa y orq. de cuerdas Claude Debussy (1862-1918) Bernard Haitink Real del Concertgebouw Vera Badings-arpa 11:49:55a 00:50 Identificación estación 12:00:00p 00:00 lunes, 5 de marzo de 2018 12P PR - Programas 12:00:00p 3:00:00 * CORTE INFORMATIVO * 12:03:00p 08:38 Concerto Grosso no.3 en Do May. Giuseppe Tartini (1692-1770) Chiara Banchini Ensemble 415 12:11:38p 11:33 Obertura "El joven Henry", arr.p/2 guitarras Etienne-Nicolas Mehul (1763-1817) Duo Horreaux-Trehard-guitarras 12:23:11p 03:00 CORTE INE 12:26:11p 14:54 Cuarteto con oboe no.1 (1930) Rutland Boughton (1878-1960) Cuarteto Razumowsky Sarah Francis-oboe 12:41:05p 12:36 *La doncella de nieve, suite Nikolai Rimsky-Korsakov (1844-1908) Ernest Ansermet Orquesta de la Suisse Romande 12:53:41p 00:50 Identificación estación 01:00:00p 00:00 lunes, 5 de marzo de 2018 1PM MA - Mañanas 01:00:00p 07:00 ESPECIAL HEITOR VILLA-LOBOS 01:55:00p 00:50 Identificación estación 02:00:00p 00:00 lunes, 5 de marzo de 2018 2PM ME - mediodía 02:00:00p 5:00:00 CONTRAPUNTO (con Eduardo Lizalde) 02:05:00p 16:52 Suite p/ 2 flautas y bajo cont. Si Bem.May. Marin Marais (1656-1728) Ensamble Fitzwilliam 02:21:52p 10:30 Sonata p/pianoforte y violín op.14 no.5 La May. Johann Schobert (1740?-1767) Luciano Sgrizzi-pianoforte; Chiara Banchini-violín 02:32:22p 03:00 CORTE INE 02:35:22p 14:53 *Sinfonía no.1 "Clásica" op.25 en Re May. Sergei Prokofiev (1891-1953) Mark Stephenson London Musici 02:50:15p 3:27:00 ¡Oh vino! disipa la tristeza, de "Hamlet" Ambroise Thomas (1811-1896) Richard Bradshaw de la Ópera Canadiense Russel Braun-barítono 02:53:42p 00:50 Identificación estación 03:00:00p 00:00 lunes, 5 de marzo de 2018 3PM ME - mediodía 03:00:00p 11:38:00 7 Canc. populares españolas (orq. Luciano Berio) Manuel De Falla (1876-1946) Edward Gardner Sinf. de Gotenburgo Alison Balsom-trompeta 03:11:38p 03:00 CORTE INE 03:14:38p 09:37 5 Pzas. p/violín y cuerd. op.42/34/26 Piotr Ilich Chaikovsky (1840-1893) Liana Issakadze Cámara Georgiana Liana Issakadze-violín 03:48:15p 5:09:00 La danza de los pollitos, de "Mascarada" Carl Nielsen (1865-1931) Esa-Pekka Salonen Sinfónica de la radio sueca 03:53:24p 00:50 Identificación estación 04:00:00p 00:00 lunes, 5 de marzo de 2018 4PM ME - mediodía 04:00:00p 05:13 Sonata 17 Kk.119 en Re May. Domenico Scarlatti (1685-1757) Sophie Yates-clavecín 04:05:13p 15:43 Quinteto no.3 en Sol May. Giovanni Battista Sammartini (1700-1775) Chiara Banchini Ensamble 415 04:20:56p 03:00 CORTE INE 04:23:56p 16:26 Tarde de Verano Zoltán Kodály (1882-1967) Cámara Orpheus 04:40:22p 11:58 Concierto p/violín y orq.
Load more

Recommended publications
  • Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro Moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25
    vol.9 Pleyel-Museum Ingrid Marsoner, Klavier www.pleyel.at Matthias Rácz, Fagott Pleyel Camerata pro Musica Dussek Paul Weigold Ignaz Joseph Pleyel (1757–1831) Fagottkonzert, B-Dur, Ben 107, Ersteinspielung 1 Allegro moderato 9:55 2 Romance Cantabile 2:47 3 Rondeau 3:25 Johann Ladislaus Dussek (1760–1812) Klavierkonzert, F-Dur, op. 17, 1792 4 Allegro vivace – Kadenz: Pavel Singer 10:03 5 Larghetto più tosto Adagio 4:55 6 Rondo 3:47 Geburtshaus – Birthplace Ignaz Joseph Pleyel (1757–1831) Ignaz Joseph Pleyel Symphonie à grand orchestre, G-Dur, Ben 156, 1804 Museum Ersteinspielung in originaler Fassung 7 Allegro vivace assai 9:12 8 Adagio 7:01 9 Menuetto. Trio 3:00 10 Rondo. Allegro 6:23 gesamt 60:32 NEUJAHRSKONZERT der Internationalen Ignaz Joseph Pleyel Gesellschaft (IPG) am 7. 1. 2012 Matthias Rácz, Fagott (1-3), Ingrid Marsoner, Klavier (4-6) Camerata pro Musica, Dirigat: Paul Weigold www.pleyel.at 3 HIeg nwasc ea mJaons eopf hsm Palll estyaetul r(e Rwuithp pa edrimstihnuatli v1e7 h5e7a d–, aPn airraissc ib18le3 t1e) mper and dark, fiercely intelligent eyes EIr gwnaar zn iJchot sseephhr gProlße, yhealt t(e Reiunpenp eerhsetrh kalel in17e5n 7K –op fP, daürnisn e1 8H3a1u) t, schwarze intelligente durchdringende that lit up whenever he talked about his teacher Joseph Haydn or his admirer Wolfgang Amadé Mozart. The Augen, die funkelten wenn er von seinem Lehrer Joseph Haydn oder von seinem Schätzer Wolfgang Amadé Allgemeine musikalische Zeitung described him as a man of bold yet elegant character, whose education far Mozart sprach. Die Allgemeine musikalische Zeitung bezeichnete ihn als wackeren, angenehmen, und nicht exceeded the boundaries of his metier.
    [Show full text]
  • Ludwig Van Beethoven: Triumph Over a Life of Tragedy
    Ludwig van Beethoven: Triumph Over a Life of Tragedy Madeline Brashaw Senior Division Historical Paper Paper Length: 2,448 words “It seemed unthinkable for me to leave the world forever before I had produced all that I felt Heiligenstadt Testament called upon to produce,” Ludwig van Beethoven wrote in ​ ​ shortly before he passed away. Ludwig van Beethoven practiced music his entire life. He told people that he did not know what he would do without music. Beethoven was brought up during the Classical Period which was defined and determined by its clear characteristics such as its emphasis on beauty, elegance, and balance, and by the variety and contrast within the musical pieces. It is said that his music altered the course of musical history and that it modified the Classical Period (Classical Music). Sadly, Beethoven’s career came to a halt when he began to lose his hearing, and it became nearly impossible for him to compose and conduct his works. The tragic loss of Beethoven’s hearing led to his triumph in changing musical history. Beethoven was brought into this world in December of 1770. As a child, Ludwig van Beethoven often had a sad life. He had no friends and had nobody to care for him. The one thing that he did have, and he used almost every day, was his music. Beethoven’s main instruments were the piano and the violin. As a child, he even composed his own music at times. His father, Johann van Beethoven, was young Beethoven’s first music teacher. As a child, his father harshly pushed him in his musical studies.
    [Show full text]
  • 9003643992122.Pdf
    1 Britain's Glory Joseph Haydn (1732–1809) Original Canzonettas 6 Original Canzonettas (1794) Hob XXVIa: 25-30 Poems/Gedichte: Anne Hunter 1 The Mermaid’s Song in C major / C-Dur 3:47 2 Recollection in F major / F-Dur 6:20 3 A Pastoral Song in A major / A-Dur 3:44 4 Despair in E major / E-Dur 5:51 5 Pleasing Pain in G major / G-Dur 2:38 6 Fidelity in F minor / f-Moll 3:59 6 Original Canzonettas (1795) Hob XXVIa: 31-36 7 Sailor’s Song (Anne Hunter) in A major / A-Dur 2:40 8 The Wanderer (Anne Hunter) in G minor / g-Moll 4:41 9 Sympathy (after/nach Metastasio) in E major / E-Dur 3:31 bl She never Told Her Love (William Shakespeare) in A-fl at major / As-Dur 3:31 bm Piercing Eyes (anonymous/anonym) in G major / G-Dur 2:09 bn Content / Transport of Pleasure (anonymous/anonym) in A-fl at major / As-Dur 2:46 Lieder Hob XXVIa: 41, 42, 46 bo The Spirit’s Song (Anne Hunter) in F minor / f-Moll 6:22 bp O Tuneful Voice (Anne Hunter) in E-fl at major / Es-Dur 5:17 bq Antwort auf die Frage eines Mädchens (anonymous/anonym) in G major / G-Dur 4:02 Cornelia Horak soprano / Sopran Richard Fuller fortepiano / Hammerklavier 2 Joseph Haydns englische Kanzonetten Das Kunstlied, wie es bis heute als musikalische Gattung im Repertoire wesentlich seltener. Es ist sowohl musikalisch gültig ist und von Komponisten in aller Welt gepflogen als auch textlich interessant, sich mit einigen der selbst wird, entwickelte sich aus den verschiedensten Formen nach den intensiven Recherchen der letzten 200 Jahre nur des Volkslieds, der Arie und des Kirchenlieds etwa ab ungefähr mit etwa 70 zu beziffernden bekannten originalen der Mitte des 18.
    [Show full text]
  • Rádio Mec Fm Rio De Janeiro
    Relatório de Execução Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC - CNPJ: 09.168.704/0001-42 Nome Fantasia: Rádio MEC FM - Rio de Janeiro - Dial: 99,3 - Cidade: Rio de Janeiro - UF: RJ Execução Data HoraDescrição Intérprete Compositor Gravadora Vivo Mec. 01/10/2018 01:00:54 CONCERTO PARA VIOLONCELO, CORDAS E BAIXO CONTÍNUO EM LA SOLISTA: ANNER BYLSMA VIVALDI Programação Musical X MENOR REGENTE: JEANNE LAMON ORQUESTRA DE CÂMARA TAFELMUSIK 01/10/2018 01:16:13 SONATA EM MI MENOR MÚSICA ANTIQUA DE COLÔNIA TELEMANN (Georg Philipp) Programação Musical X DIREÇÃO DE REINHARD GOEBEL (1681 - 1767) 01/10/2018 01:31:19 SINFONIA NÚMERO 1 EM SI BEMOL MAIOR ORQUESTRA DO FESTIVAL MENUHIN WILLIAM BOYCE (1711-1779)(Londres) Programação Musical X REGENTE: YEHUDI MENUHIN 01/10/2018 01:38:38 RONDÓ EM LÁ MENOR, KV. 511 PIANO: MICHEL DALBERTO MOZART (Wolfgang Amadeus) (1756-1791) (Áustria) Programação Musical X 01/10/2018 01:49:30 QUARTETO COM CLARINETA EM MI BEMOL MAIOR, OPUS 19, NÚMERO 1 CLARINETA: LAJOS ROZMÁN STAMITZ( Carl Ph) (1745-1801) Programação Musical X CELLO: CSILLA VÁLYI. MEMBROS DO AUTHENTIC QUARTET VIOLA: GÁRBOR RÁC 01/10/2018 02:05:32 DIVERTIMENTOS - DO BALLET "SOMBRAS DA NOITE" ORQUESTRA DO LONDON FESTIVAL BALLET BELLINI Programação Musical X REGENTE: TERENCE KERN (Vincenzo) (1801-1835) (Itália) 01/10/2018 02:16:39 MARCHA E 3 DANÇAS ORIENTAIS DA ÓPERA "ROUSLAN E LUDMILA" ORQUESTRA DO TEATRO BOLSHOI DE MOSCOU GLINKA (MICHAIL) Programação Musical X REGENTE: YURI SIMONOV (1804 - 1857) 01/10/2018 02:28:00 "ORAÇÃO" - da ópera "A Pousada de Granada" QUARTETO "VOKALZEIT" e KREUTZER (CONRADIN) Programação Musical X TROMPISTAS DA ORQUESTRA FILARMÔNICA DE BERLIM (1780 - 1849) 01/10/2018 02:32:38 CONCERTO PATÉTICO, PARA PIANO E ORQUESTRA PIANO: RICHARD FRANK LISZT (Franz) (1811-1886)(Hungria-Alemanha) Programação Musical X DIREÇÃO: ROBERT HART BAKER (1811-1886) ORQUESTRA SINFÔNICA SZEGED (Hungria-Alemanha) 01/10/2018 02:52:44 SINFONIA EM RÉ MENOR -" Per la Morte di Capuzzi".
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8485/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] PERFORMING CLASSICAL-PERIOD MUSIC ON THE MODERN PIANO Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts (DMA) Petros Moschos ýý*** City University Music Department June 2006 Contents Acknowledgements ................................................................................. iii Abstract ................................................................................................ iv List figures
    [Show full text]
  • KHM-Mozart Book Neu Korr 12.06.2013 11:57 Uhr Seite 1
    KHM-Mozart Book neu korr 12.06.2013 11:57 Uhr Seite 1 W. A. Mozart Sonaten für Klavier und Violine Maria Bader-Kubizek Violine, aus dem Besitz von L. Mozart Richard Fuller Hammerflügel, Geschwister Stein, 1794 paladino music KHM-Mozart Book neu korr 12.06.2013 11:57 Uhr Seite 2 Die vorliegende CD-Serie erscheint als Kopro- This CD series is a co-production of the duktion des Kunsthistorischen Museums Wien Kunsthistorisches Museum Wien and the label und des Labels paladino music und umfasst paladino music. It presents recordings of his- Aufnahmen mit historischen Musikinstrumen- torical musical instruments from the Collec- ten der Sammlung alter Musikinstrumente. tion of Historic Musical Instruments in Vienna. Die in der Neuen Burg beheimatete Samm- The Collection, which is housed in the Neue lung besitzt eine bedeutende Anzahl von Burg, contains a large number of playable mu- spielbaren Musikinstrumenten aller Epochen. sical instruments from all periods. Some of Einige dieser Instrumente werden in der vor- these instruments are being presented in this liegenden Serie erstmals in ihrer eigentlichen series for the first time in their authentic func- Funktion, nämlich als klingende Dokumente tion: as sonorous documents of their age. ihrer Zeit, vorgestellt. Besonderen Stellenwert A special status in the Collection is accorded nehmen dabei Musikinstrumente aus dem musical instruments that were formerly in the Besitz von prominenten Musikern oder Kom- possession of prominent musicians or com- ponisten ein. posers. Das Repertoire der CD-Serie ist sehr weit The repertoire of this CD series covers a very gefächert und umfasst neben der Alten Musik broad range and includes, along with early im engeren Sinn auch Werke der Romantik music in the more narrow sense of the word, und der Klassischen Moderne.
    [Show full text]
  • Concert Program Booklet 2016-2017
    DEPARTMENT OF MUSIC CARLETON COLLEGE CONCERT PROGRAM BOOKLET 2016-2017 NORTHFIELD, MINNESOTA 2016-2017 CONCERT PROGRAMS CONCERT SERIES AND VISITING ARTISTS pgs. 8-52 CHRISTOPHER U. LIGHT LECTURESHIP I September 16 Composer Andrea Mazzariello, Mobius Percussion, & Nicola Melville, piano CHRISTOPHER U. LIGHT LECTURESHIP II September 17 Symmetry and Sharing film screening Featured artists Andrea Mazzariello & Mobius Percussion GUEST ARTIST CONCERT September 30 Dúo Mistral plays Debussy Featuring pianists Paulina Zamora & Karina Glasinovic WOODwaRD CONCERT SERIES October 16 Larry Archbold Concert and Colloquium FaculTY AND GUEST ARTIST CONCERT October 29 “Music of China” Featuring Spirit of Nature & the Carleton Chinese Music Ensemble GUEST ARTIST CONCERT January 20 The Saint Paul Chamber Orchestra Featuring Jonathan Biss, piano & composer Sally Beamish GUEST ARTIST LECTURE February 1 Musicians from the Beijing Bamboo Orchestra LauDIE D. PORTER CONCERT SERIES February 9 MONTAGE: Great Film Composers and the Piano film screening Featuring Gloria Cheng, piano 2016-2017 CONCERT PROGRAMS CONCERT SERIES AND VISITING ARTISTS (Cont.) GUEST ARTIST CONCERT April 28 Malcolm Bilson, keyboard virtuoso ARTS @ CARLETON VISITING ARTISTS pgs. 53-57 THIRD COAST PERCUSSION April 11 Sponsored by Arts @ Carleton and the Department of Art and Art History FACULTY RECITALS pgs. 58-72 CONTEMPORARY VOICES FROM LATIN AMERICA January 15 Matthew McCright, piano Featuring Guest Artist Francesca Anderegg, violin CHINGLISH: Gao Hong, Chinese pipa April 7 HOMAGES: Nicola
    [Show full text]
  • Paladino Music – Catalogue 2017
    jean françaix works for clarinet paladino music dimitri ashkenazy 2017 ada meinich bernd glemser yvonne lang cincinnati philharmonia orchestra christoph-mathias mueller harald genzmer works for mixtur trautonium. from post war sounds to early krautrock catalogue paladino music peter pichler paladino music RZ-Korr_BOOKLET_pmr0075_Antheil_32-stg.qxp_Layout 1 26.07.16 16:21 Seite 1 RZ-Korr_BOOKLET_pmr0075_Antheil_32-stg.qxp_Layout 1 26.07.16 16:21 Seite 1 george antheil bad boy of music (en/de) george antheil bad boy of music (en/de) gottlieb wallisch cghortisttloiepbh ewr arolltihsch kcahrrli smtoarpkhoevirc sroth karl markovics composers / a–b Antheil: Bad Boy of Music Bach: Goldberg Variations Works by George Antheil Johann Sebastian Bach: Goldberg Variations, BWV 988 Gottlieb Wallisch, piano | Christopher Roth, narrator english Michael Tsalka, clavichord Karl Markovics, narrator german This is the first recording of the Goldberg Variations on two clavichords Antheil’s approach to piano playing is extremely physical: He compares standing side by side. Acclaimed Early Music specialist Michael Tsalka his work with that of a boxer, describes how he cools his swollen hands regularly performs this work on a variety of keyboard instrument, but in goldfish bowls and eloquently talks about sweat running down his has chosen the clavichord for his first recording of Bach’s masterwork. body in broad and greasy streams. On this recording you can hear some of his most interesting compositions played by Viennese pianist Gottlieb ”My interpretation is a bow to the spirit of improvisation, freedom and pmr 0075 (2 CDs) Wallisch. Between the piano pieces Karl Markovics and Christopher Roth unbound imagination, which shines through the music of JS Bach and his pmr 0032 antheil: are reading excerpts from Antheil’s biography „Bad Boy of Music“.
    [Show full text]
  • Introduction to Music Unit for Grades 3-5 on Variations on “Ah Vous Dirai-Je, Maman” by Wolfgang Amadeus Mozart Dr
    Introduction to Music Unit for grades 3-5 On Variations on “Ah vous dirai-je, maman” by Wolfgang Amadeus Mozart Dr. Kay Edwards, Miami University Unit Length There are 3 lessons in this unit for grades 3-5. Lesson plans are designed for class periods of approximately 30-45 minutes. Teachers will need to adapt the lesson plans to fit their school resources and the individual needs of their students. Lesson Use These 3 lessons are designed for use by general music teachers; however, portions of the lessons could be used by classroom teachers as well. Standards National Standards for Music are indicated on each lesson. The lessons combined address all of the 9 National Standards. The Ohio Standards for Music are indicated on each lesson also. Music teachers in other states can easily match their standards to those in this Unit. The 3 lessons combined address all 5 of the Ohio Content Standards. Multiple Intelligences These lessons facilitate musical, bodily-kinesthetic, interpersonal and intrapersonal intelligence, 4 of the 7 intelligences originally identified by Howard Gardner. Overview Music Concepts and Objectives/Outcomes are indicated on each lesson. Over the 3 lessons, all 6 of the Concept Areas of Rhythm, Melody, Form, Timbre/Tone Color, and Harmony are used (also Style, as a combination of several of these). Skills developed over the 3 lessons are Singing, Moving, Listening, Playing Instruments, Creating, and Relating music to other subject areas. Lesson #1: Introduction to Theme and Variations Lesson #2: Create and Play Theme and Variations Lesson #3: History and Mozart’s Variations Prior Knowledge No prior knowledge on the part of the student is needed, although it is helpful to have had experience keeping a steady beat, using Curwen hand signs to indicate Sol–Mi–La–Re–Do, using quarter, eighth, and half notes and quarter rests in 2/4 meter, identifying different sections of a piece through listening, and playing non-pitched and pitched percussion instruments.
    [Show full text]
  • Ledger Lines SCHOOL of MUSIC and DANCE
    LEDGER LINES SCHOOL of MUSIC and DANCE The Oregon Marching Band performs at a Holiday Bowl pep rally in San Diego. NEWSLETTER for ALUMNI and FRIENDS February, 2009 Vol. XXI, No. 1 LEDGER LINES — SPECIAL EVENts — is the biannual newsletter of the University of Oregon School of Music and Dance. Letters, photos, and contri- Sunday, March 1 • 1–3 p.m.: butions from alumni, friends, and faculty are always welcome. Grand Opening Tour & Concert Address correspondence to: Alumni and friends are invited LEDGER LINES to tour the new additions and School of Music and Dance renovations to the MarAbel B. 1225 University of Oregon Eugene OR 97403-1225 Frohnmayer music building from 1-3 p.m., followed by a 4 p.m. EDITOR: Scott Barkhurst concert at the Hult Center. The [email protected] concert will feature the Univer- CONTRIBUTORS: Jenifer Craig, George sity Symphony, Oregon Wind Evano, DeNel Stoltz, Eric Wiltshire Ensemble, Chamber Choir, and UO Repertory Dance Co. PROOFREADERS: Laura Littlejohn, Carol Roth See story on page 2. COVER PHOTO by Scott Barkhurst Tuesday, April 7 • 7 p.m. Tower Theatre in Bend MUSIC & DANCE Thursday, May 21 • 7 p.m. ADMINISTRATION Ginger Rogers Theatre in Medford DEAN: Brad Foley [email protected] School of Music and Dance ensembles will return to Bend and Medford after the success of our recent programs there. ASSOCIATE DEANS: Ann Tedards–Graduate Studies This year will feature a special farewell program honoring [email protected] UO President Dave Frohnmayer. Free admission! Jeffrey Williams–Undergraduate Studies [email protected]
    [Show full text]
  • Walter Riemer: My Relationship with the "Art of the Fugue" Page 1 / 10
    Walter Riemer: My relationship with the "Art of the Fugue" Page 1 / 10 Walter Riemer: My relationship with the "Art of the Fugue" ... has begun in the early nineteen-sixties, when the one or two last piano lessons of a school year at the conservatory of Vienna were dedicated to playing the work four-handed and unrehearsed, either on one piano (from the version by Bruno Seidlhofer) or on two pianos (from the version by Schwebsch). At that time already the work was fascinating to me, but there were plenty of other things to do, and so this activity was restricted to just "smelling the flavor" at the end of a school year. After finishing my studies I neglected the "Art of the Fugue" for some decades. In 1988 I began organizing chamber music concerts at Niederfellabrunn Castle, Lower Austria, not far from Vienna. A few years later the American fortepiano specialist Richard Fuller (resident in Vienna) contacted us, wishing to play a concert in our castle. It was the opening concert of the 1993 season; the two of us played the last piece on the progam (the G Major variations by Mozart) four-handed on his modern copy of a Walther fortepiano. My interest in playing the fortepiano grew, and so in 1994 we started playing recitals on two fortepianos; the second one was borrowed. From early summer 1995 on I had my own instrument. Starting at that time, Richard Fuller and I toured the country for a few years with two fortepianos in a FIAT Ulysse, playing concerts.
    [Show full text]
  • Fortepiano Master Richard Fuller to Perform in the University of Dayton Art Series University of Dayton
    University of Dayton eCommons News Releases Marketing and Communications 11-5-2001 Fortepiano Master Richard Fuller to Perform in the University of Dayton Art Series University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation University of Dayton, "Fortepiano Master Richard Fuller to Perform in the University of Dayton Art Series" (2001). News Releases. 10190. https://ecommons.udayton.edu/news_rls/10190 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. o Nov. 5, 2001 UNIVERSITY Contact: Pamela Gregg [email protected] DAYTON NEWS RELEASE FORTEPIANO MASTER RICHARD FULLER TO PERFORM IN UNIVERSITY OF DAYTON ART SERIES DAYTON, Ohio -In the hands of even the most skilled pianists, the essence of compositions by Mozart, Haydn and others of the classical and Romantic eras is somewhat diminished when performed on a contemporary piano. After all, the arrival of 88 keys didn't occur until the late 19th century, long after Mozart composed his last piece on the fortepiano­ a smaller, lighter and more delicate-sounding version of today's ironclad instrument. Enter Richard Fuller, who has dedicated his musical career to the instrument that helped Amadeus stake his claim to fame. The Vienna-based artist's European and North American concert schedule brings him to the University of Dayton at 8 p.m Thursday, Nov. 15, in Sears Recital Hall in the Jesse Philips Humanities Center.
    [Show full text]