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PAPERS DELIVERED at SHARP CONFERENCES to DATE (Alphabetically by Author; Includes Meeting Year)
PAPERS DELIVERED AT SHARP CONFERENCES TO DATE (alphabetically by author; includes meeting year) Abel, Jonathan. Cutting, molding, covering: media-sensitive suppression in Japan. 2009 Abel, Trudi Johanna. The end of a genre: postal regulations and the dime novel's demise. 1994 ___________________. When the devil came to Washington: Congress, cheap literature, and the struggle to control reading. 1995 Abreu, Márcia Azevedo. Connected by fiction: the presence of the European novel In Brazil. 2013 Absillis, Kevin. Angele Manteau and the Indonesian connection: a remarkable story of Flemish book trade (1958-1962). 2006 ___________. The biggest scam in Flemish literature? On the question of linguistic gatekeeping In literary publishing. 2009 ___________. Pascale Casanova's The World Republic of Letters and the analysis of centre-periphery relations In literary book publishing. 2008 ___________. The printing press and utopia: why imaginary geographies really matter to book history. 2013 Acheson, Katherine O. The Renaissance author in his text. 1994 Acerra, Eleonora. See Louichon, Brigitte (2015) Acres, William. Objet de vertu: Euler's image and the circulation of genius in print, 1740-60. 2011 ____________. A "religious" model for history: John Strype's Reformation, 1660-1735. 2014 ____________, and David Bellhouse. Illustrating Innovation: mathematical books and their frontispieces, 1650-1750. 2009 Aebel, Ian J. Illustrating America: John Ogilby and the geographies of empire in Restoration England. 2013 Agten, Els. Vernacular Bible translation in the Netherlands in the seventeenth century: the debates between Roman Catholic faction and the Jansenists. 2014 Ahokas, Minna. Book history meets history of concepts: approaches to the books of the Enlightenment in eighteenth-century Finland. -
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights And
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights and Wonder Woman as Symbols of the United States and Canada Scores of superheroes emerged in comic books just in time to defend the United States and Canada from the evil machinations of super-villains, Hitler, Mussolini, and other World War II era enemies. By 1941, War Nurse Pat Parker, Miss America, Pat Patriot, and Miss Victory were but a few of the patriotic female characters who had appeared in comics to fight villains and promote the war effort. These characters had all but disappeared by 1946, a testament to their limited wartime relevance. Though Nelvana of the Northern Lights (hereafter “Nelvana”) and Wonder Woman first appeared alongside the others in 1941, they have proven to be more enduring superheroes than their crime-fighting colleagues. In particular, Nelvana was one of five comic book characters depicted in the 1995 Canada Post Comic Book Stamp Collection, and Wonder Woman was one of ten DC Comics superheroes featured in the 2006 United States Postal Service (USPS) Commemorative Stamp Series. The uniquely enduring iconic statuses of Nelvana and Wonder Woman result from their adventures and character development in the context of World War II and the political, social, and cultural climates in their respective English-speaking areas of North America. Through a comparative analysis of Wonder Woman and Nelvana, two of their 1942 adventures, and their subsequent deployment through government-issued postage stamps, I will demonstrate how the two characters embody and reinforce what Michael Billig terms “banal nationalism” in their respective national contexts. -
Myth–Making and Identities Studies in the Long Nineteenth Century, Vol 2
The Idea of North Myth–Making and Identities Studies in the Long Nineteenth Century, vol 2. Publisher: The Birch and the Star – Finnish Perspectives on the Long 19th Century ©The Birch and the Star and the authors. All rights reserved. Editors: Frances Fowle and Marja Lahelma Designer: Vilja Achté Cover illustration: Vilja Achté Helsinki 2019 ISBN: 978-952-94-1658-5 www.birchandstar.org Contents Preface Frances Fowle and Marja Lahelma 4 Introduction: Conceptualising the North at the Fin de Siècle Frances Fowle and Marja Lahelma 5 Sámi, Indigeneity, and the Boundaries of Nordic National Romanticism Bart Pushaw 21 Photojournalism and the Canadian North: Rosemary Gilliat Eaton’s 1960 Photographs of the Eastern Canadian Arctic Danielle Siemens 34 Quaint Highlanders and the Mythic North: The Representation of Scotland in Nineteenth Century Painting John Morrison 48 The North, National Romanticism, and the Gothic Charlotte Ashby 58 Feminine Androgyny and Diagrammatic Abstraction: Science, Myth and Gender in Hilma af Klint’s Paintings Jadranka Ryle 70 Contributors 88 3 This publication has its origins in a conference session and assimilations of the North, taking into consideration Preface convened by Frances Fowle and Marja Lahelma at the issues such as mythical origins, spiritual agendas, and Association for Art History’s Annual Conference, which notions of race and nationalism, tackling also those aspects took place at the University of Edinburgh, 7–9 April 2016. of northernness that attach themselves to politically sensitive Frances Fowle and The vibrant exchange of ideas and fascinating discussions issues. We wish to extend our warmest thanks to the authors during and after the conference gave us the impetus to for their thought-provoking contributions, and to the Birch continue the project in the form of a publication. -
Vive La Culture Franco-Manitobain
VOLUME 70 // VOLUME ISSUE 18 // FEB. 4 FREE.WEEKLY. Vive la culture Franco-Manitobain Manitoba’s Francophone lines run deep VISUAL COMICS ON KEEPING PROGRAMS DIARIES P6 CAMPUS P16 PUBLIC P17 THE OFFICIAL STUDENT NEWSPAPER OF THE UNIVERSITY OF WINNIPEG THE UNITEr // F EBrUary 4, 2016 3 ON THE COVER An actor is immersed in his role as a historical French Canadian at Festival du Voyageur. SO, YOU WRITE? We have some open reporter positions, which means that we’re hiring writers. Or, in simpler terms, we’re hiring people who are good with words and interested in journalism, regardless of whether they call themselves writers. Writing can be a tough craft to claim, and a hard kind of work to pin down. That romanticized vision of happily pecking at a laptop keyboard next to a steaming hot latte at the local coffee shop, words flowing effortlessly onto the page? I’ll level with you: that rarely happens. Laptops and coffee shops are great, don’t get me wrong. I love to work at coffee shops, even just answering emails. Often I’m there more for exposure to daylight or because part of me is still chasing that idealized notion of what a writer is or does. There is the research, then there are interviews, and transcribing, and finally there is the putting words onto paper (or a screen). And wringing the words out is hard work, not to be underestimated. But the good news is that the work doesn’t end there. That’s where the editors come in, and where writing becomes a truly collaborative act. -
Truth, Justice, and the Canadian Way: the War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario
Truth, Justice, and the Canadian Way: The War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario 148 What might be called the “First Age of Canadian Comics”1 began on a consum- mately Canadian political and historical foundation. Canada had entered the Second World War on September 10, 1939, nine days after Hitler invaded the Sudetenland and a week after England declared war on Germany. Just over a year after this, on December 6, 1940, William Lyon MacKenzie King led parliament in declaring the War Exchange Conservation Act (WECA) as a protectionist measure to bolster the Canadian dollar and the war economy in general. Among the paper products now labeled as restricted imports were pulp magazines and comic books.2 Those precious, four-colour, ten-cent treasure chests of American culture that had widened the eyes of youngsters from Prince Edward to Vancouver Islands immedi- ately disappeared from the corner newsstands. Within three months—indicia dates give March 1941, but these books were probably on the stands by mid-January— Anglo-American Publications in Toronto and Maple Leaf Publications in Vancouver opportunistically filled this vacuum by putting out the first issues of Robin Hood Comics and Better Comics, respectively. Of these two, the latter is widely considered by collectors to be the first true Canadian comic book becauseRobin Hood Comics Vol. 1 No. 1 seems to have been a tabloid-sized collection of reprints of daily strips from the Toronto Telegram written by Ted McCall and drawn by Charles Snelgrove. Still in Toronto, Adrian Dingle and the Kulbach twins combined forces to release the first issue of Triumph-Adventure Comics six months later (August 1941), and then publisher Cyril Bell and his artist employee Edmund T. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
Basil Stuart-Stubbs Fonds
Basil Stuart-Stubbs fonds Compiled by Melanie Hardbattle (2004) Revised by Christopher Hives (2015) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes Series Descriptions o Publications - General series o Books and Booklets series o Published Articles series o Papers and Speeches series o Reports series o W. Kaye Lamb series o UBC Press series o Subject Files series o UBC Senate Library Committee series File List Catalogue entry (UBC Library catalogue) Fonds Description Basil Stuart-Stubbs fonds. – 1964-2001, predominant 1964-1991. 0.7 m of textual records and other materials. Biographical Sketch Basil Stuart-Stubbs was born in Moncton, New Brunswick in 1930. After completing a Bachelor of Arts degree at the University of British Columbia in 1952, he continued his studies at McGill University, receiving a Bachelor of Library Science degree in 1954. In 1956 Stuart-Stubbs began a career at the UBC Library, working in various divisions, including Cataloguing, Serials, and Special Collections, until he became the Co- ordinator of Collections in 1962. He was appointed to the position of University Librarian in 1964, and remained in that position until 1981, when he became the Director of UBC's School of Librarianship, later the School of Library, Archival, and Information Studies. Stuart-Stubbs retired as Director in 1992. While University Librarian, Basil Stuart-Stubbs played a key role in the creation of the University of British Columbia Press in 1971, and he served as Chairman of the President's Permanent Committee on the UBC Press between 1971 and 1982. -
Lles HERALD- SPECTATOR 1 50 Thiirdaoctobeo 12 2017 Niieshera1dspeutororn
© I-o lLES HERALD- SPECTATOR 1 50 ThiirdaOctobeo 12 2017 niIeshera1dspeUtororn GO 1 History revealed Bells in Nues Leaning BOWLERO Tower likely date to How we bowl 17th, 18th centuries, Upscale,fullservice bowling alleys drawing crowds. Page 19 report says.Page 12 SPORTS HOOLEY/CHICAGO TRIBUNE This bell, one of five inside the Leaning Confroflting Tower of Nues, is believed to date to 18th century Italy, according to Chi- cago Bell Advocates, which recently corruption studied and researched the bells. Local coaches weigh in on FBI probe of CHICAGO BELL ADVOCATES men's college basketball. Paga 42 90CHICAGO'WO D'S#lSP BUNDESLIGA CHAMPIONS WORLD CUP PREMIER LAUGh S GUE 1 MLS IItIsENrEn U get nonetep socter coverage at CHICAGO FiRE SOCCER CLUB ch icagotribunecom/9Ommutes 2 SHOUT OUT NILES HERALD-SPECTATOR nilesheraldspectator.com Chelsea Ridley, Disney princess Nues resident Chelsea Ridley, 24, recently made her Jim Rotche, General Manager debut as Princess Tinisa of the movie "The Princess Phil Junk, Suburban Editor and the Frog" for the Disney on Ice skating show John Puterbaugh, Pioneer Press Editor. "Dream Big?' She began skating at ag4 and 312-222-2337; [email protected] performed in a "Nutcracker" production at the Robert Georgia Garvey, Managing Editor Crown Center in her native Evanston. Q: How do you feel about starring as Tiana in Matt Bute, Vice President of Advertising Disney on Ice? [email protected] A: I love being able to play Tiana. It's actually pretty Local News Editor: MAILING ADDRESS easy to transform into her, since her characteristics are Rhonda GlIespie. -
Title Abstract
DOCUMENT RESUME ED 05 8 901 LI 003 406 TITLE [National Conference on Cataloguing Standards (Ottawa, May 19-2 0, 1970]. INSTITUTION National Library of Canada, Ottawa (Ontario). PUB DATE Mar 7 1 NOTE 176p.; (66 References) EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Cataloging; Classification; Conferences; Foreign Countries; Government Publications; Information Retrieval; *Library Automation; *National Libraries; Serials; *Standards; *Union Catalogs IDENTIFIERS *Canada ABSTRACT The following papers were presented at an invitational conference on cataloging standards: (1) "Canadiana Meets Automation;" (2) "The Union Catalogues in the National Library - The Present Condition;"(3) "A Centralized Bibliographic Data Bank;" (4) "The Standardization of Cataloguing;" (5) "The Standardization of Cataloguing; a summary;" (6) "Standardization of Classification and Subject Headings;"(7) "Standardization of Input and Retrieval in an Automated System;"(8) "Standardization for Serials;" (9) "Standardization for Government Publications;" and (10) "The Means of Achieving Standardization." Resolutions based on the conference are also included. (Author/NH) "PERMISSION TO REPRODUCE THIS COPY. U.S. DEPARTMENT OF HEALTH, RIGHTED MATERIAL HAS BEEN GRANTED EDUCATION & WELFARE BY OFFICE OF EDUCATION Q-7. 67 ZWO.7.0,1 THIS DOCUMENT HAS BEENREPRO- iflaa- DUCED EXACTLY AS RECEIVEDFROM Na-711.0ng/ Z4Vey c THE PERSON OR ORGANIZATIONORIG- TO ERIC AND ORGANIZAIIONS OPERATING INATING IT. POINTS OF VIEWOR OPIN- UNDER AGREEMENTS WITH THE U.S OTFICE IONS STATED DO NOTNECESSARILY OF EDUCATION. FURTHER REPRODUCTION REPRFSENT OFFICIAL OFFICE OFEDU- OTSIDE THE ERIC SYSTEM REQUIRES PER. CATION POSITION OR POLICY. MISSION OF THE COPYRIGHT OWNER " [NATIONALCONFERENCE ON CATALOGUING STANDARDS Ottawa May 19-20, 1970 Sponsored by National Library ofCanada Ottawa March 1971 cz) TABLEOF CONTENTS Sylvestre, Guy Opening Remarks List of Participants Carding Clarisse Canadiana Meets Automation Shepard, Martha The Union Catalogues in the National Library - The PresentCondition Clement, Hope E.A. -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
IS5N-444-9652 PUB DATE May- 74 NOTE 134P
DOCUMENT RESUME ED 129 259 IP 004 036 TITLE Library Ser ices Cross Borders. Ninutes of the Semi-Annual Meeting of the Associatio4 of Research Libraries (84th, Toronto, Canada, May 9-10, 1974). 7- TITUTION Association of Research Libraries, Washimgt n, D.C. REPORT NO IS5N-444-9652 PUB DATE May- 74 NOTE 134p. ATAMLABLE FROM Association of Research Libraries, 1527 New Avenue, N.W., Washington, D.C. 20036 ($5.00) EDRS PRICE Mp-$0.83 Hc-$7.35 Plus Postage. DESCRIPTORS Conference Reports; Economics; French; nterlibrary Loans; library Associations; *Library Ex enditures; ational Libraries; Research Libraries; *University Libraries IDENTIFIERS ARL; Association of Research libraries; -Ca_ da ABS..FACT The niinutes of the May, 1974, meeting of the Association of Research Libraries (AFL) contain the texts affive presentations about Canadian research libraries. Descriptionsof the National Library of Canada, the National Sciencelibrary, and Canadian University libraries and their associations arefollowed by a discussion of the nroblemsencountered in French-language university libraries in Canada and a report from theCommission on Canadian Studies, a council formed to investigate the stateof teaching and research in studies relating to Canada. Theminutes record the debate and vote on a fee system proposalfar interlibrary loan services, and the reports of a number of ARLcommissions and executives. Two presentations, one on the ecomoaics of academic libraries are included. (KB) Documents acquired by ERIC include -manyinformal unpublished * materials not available from other sources. ERICmakes every effort * * to obtain the best copy available.Nevertheless, items of marginal * * reproducibility are often encountered andthis affects the quality * * of the microfiche and hardcopyreproductions ERIC makes available * * Via the.ERIC Document ReproductionService (EDRS). -
View Pdf Catalogue
INUIT & FIRST NATIONS ART July 12, 2020, Toronto First Arts First Arts INUIT & FIRST NATIONS ART AUCTION SUNDAY, JULY 12, 2020 at 7pm EDT Held at A. H. Wilkens Auctions & Appraisals 1 William Morgan Drive, Toronto PREVIEWS Thursday July 9 10am – 5pm Friday, July 10 10am – 5pm Saturday, July 11 10am – 5pm Sunday, July 12 12pm – 3pm To ensure a safe and orderly viewing experience we highly recommend scheduling an appointment to preview as we will be limiting access to the auction rooms in accordance with social distancing guidelines. For more information call: 647.286.5012. All lots may be viewed online on our website: www.FirstArts.ca ABSENTEE AND PHONE BIDDING Please contact us to register for telephone or absentee bidding. In order to ensure proper processing, all absentee bids or requests for telephone bidding must be submitted before 3:00pm on the day of the auction. Phone: 647.286.5012 Fax: 416.360.8900 [email protected] BUYER’S PREMIUM: 20% The auction will be live streamed on YouTube, and internet bidding will be available through both Liveauctioneers and Hibid. Please consult our website for any changes or updates. This auction is subject to the Terms and Conditions printed in the back of this catalogue. Copyright ©2020 All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of First Arts Premiers Inc. Catalogue photography by Dieter Hessel Catalogue design by Colleen Clancey Catalogue published by Heliographics, Toronto, and printed in Canada by Friesen’s Front Cover: Lot 37, Inside Front Cover: Lot 84 (detail), Back Cover:Lot 51 Introduction First Arts e at First Arts are proud to present our Spring/Summer 2020 live auction collection of Inuit, First Nations, irst Arts is an ambitious project.