DOCSLIB.ORG

Daylight Hours in the Northern Hemisphere at Various Degrees of Latitude

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Daylight Hours in the Northern Hemisphere at Various Degrees of Latitude Mount Fuji 2019 Red Fuji JANUARY 2019 Mon Tue Wed Thu Fri Sat Sun 1 New Year’s Day 2 3 4 5 6 7 8 9 10 11 12 13 14 G# 15 16 17 18 19 20 21 # MLK Day 22 23 24 25 26 27 H# (USA) 28 29 30 31 The Cushion-pine at Aoyama FEBRUARY 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 7 8 9 10 11 12 G# 13 14 15 16 17 18 Presidents Day 19 # 20 21 22 23 24 (USA) 25 26 H# 27 28 Inume Pass in Kai Province MARCH 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 7 8 9 10 Daylight Savings begins 11 12 13 14 G# 15 16 17 18 19 20 21 # 22 23 24 25 26 27 28 H# 29 30 31 Summer Time begins The Fujimi Fields in Owari Province APRIL 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 7 8 9 10 11 12 G# 13 14 15 16 17 18 19 # Good Friday 20 21 (UK, Canada) 22 Easter Monday 23 24 25 26 H# 27 28 (UK, Canada) 29 30 Kajikazawa in Kai Province MAY 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 May Day 7 8 9 10 11 12 G# 13 14 15 16 17 18 # 19 20 Victoria Day 21 22 23 24 25 26 H# (Canada) 27 Spring Holiday 28 29 30 31 (UK), Memorial Day (USA) Mitsui Stores on Suruga Street in Edo JUNE 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 7 8 9 10 G# 11 12 13 14 16 17 # 18 19 20 21 22 23 24 25 H# 26 27 28 29 30 Under the Wave off Kanagawa JULY 2019 Mon Tue Wed Thu Fri Sat Sun 1 Canada Day 2 3 4 Independence Day 5 6 7 (Canada) (USA) 8 9 G# 10 11 12 13 14 15 16 # 17 18 19 20 21 22 23 24 25 H# 26 27 28 29 30 31 The Coastline at Tago, near Ejiri on the Tokaido Highway AUGUST 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 6 7 G# 8 9 10 11 12 13 14 15 # 16 17 18 19 20 21 22 23 H# 24 25 26 Summer Holiday 27 28 29 30 31 (UK) Sekiya Village on the Sumida River SEPTEMBER 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 Labo[u]r Day 3 4 5 6 G# 7 8 (USA, Canada) 9 10 11 12 13 14 # 15 16 17 18 19 20 21 22 H# 23 / 30 24 25 26 27 28 29 The Fields of Umezawa Hamlet in Sagami Province OCTOBER 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 5 G# 6 7 8 9 10 11 12 13 # 14 Thanksgiving 15 16 17 18 19 20 (Canada), Columbus Day (USA) 21 H# 22 23 24 25 26 27 Summer Time ends 28 29 30 31 New Fields at Ono in Suruga Province NOVEMBER 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 Daylight Savings ends 4 G# 5 6 7 8 9 10 11 Veterans’ Day 12 # 13 14 15 16 17 (USA) Remember- ance Day (Canada) 18 19 H# 20 21 22 23 24 25 26 27 28 Thanksgiving 29 30 (USA) Thunderstorm beneath the summit DECEMBER 2019 Mon Tue Wed Thu Fri Sat Sun 1 2 3 4 G# 5 6 7 8 9 10 11 12 # 13 14 15 16 17 18 19 H# 20 21 22 23 / 30 24 / 31 25 Christmas Day 26 Boxing Day 27 28 29 (UK, Canada) Sunrise and Sunset at Greenwich, London, UK (51o 28′ 38′′ North, 0o 0′ 0′′ West) Hours 22 Sunset 20 18 Daylight hours 16 14 12 10 8 6 4 Sunrise 2 GMT Summertime GMT Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec JANUARY 2020 Mon Tue Wed Thu Fri Sat Sun 1 New Year’s Day 2 3 G# 4 5 6 7 8 9 10 # 11 12 13 14 15 16 17 H# 18 19 20 MLK Day (USA) 21 22 23 24 25 26 27 28 29 30 31 Daylight Hours in the Northern Hemisphere at Various Degrees of Latitude Hours 24 75 N 22 20 60 N (e.g. Oslo) 18 45 N (e.g. Ottawa) 16 14 15 N (e.g. Guatamala) 12 0 N (Equator e.g. The Galapagos ) 10 8 6 90 N (North Pole) 4 2 0 Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec (Data from: Astronomical Applications Dept., US Naval Observatory, Washington, DC 20392–5420) FEBRUARY 2020 Mon Tue Wed Thu Fri Sat Sun 1 2 G# 3 4 5 6 7 8 9 # 10 11 12 13 14 15 16 H# 17 Presidents’ Day 18 19 20 21 22 23 (USA) 24 25 26 27 28 29 The original woodblock prints are from the Herries Collection. They are by Hokusai from his Thirty-six Views of Mount Fuji first published in 1833. Usually Mount Fuiji is obvious but in some cases it is almost invisible in the far background. 1 The prints have been scanned and then reduced from their original oban size (approximately 9 /2 by 1 14 /2 inches) to fit. The Herries Press, Kenilworth, 2018.
Load more

Recommended publications
  • Agriculture Was One of the Most Important Economic
    SPATIAL DIVERSITY AND TEMPORAL CHANGE OF PLANT USE IN SAGAMI PROVINCE, CLASSICAL JAPAN: AN ARCHAEOLOGICAL APPROACH KATSUNORI TAKASE INTRODUCTION Agriculture was one of the most important economic bases of classical Japan and there were two main types of plant farming: paddy rice cultivation and dry field cultivation. There is no doubt that paddy rice cultivation was dominant in almost all of regions in classical Japan. At the same time, a lot of Japanese historians and historical geographers have disserted that farming in classical Japan was managed combining paddy rice cultivation and dry field cultivation. Classical Japanese state often recommended cultivating millets and beans beside paddy rice against a poor crop. Furthermore, in the 8th century, the state established the public relief stocking system (義倉制) for taking precautions of food shortage caused by bad weather, flood and earth quake and so on. In this system, foxtail millet was regulated to be stocked in warehouses. Therefore, agricultural policies of the state had obviously a close relationship not only with paddy rice cultivation, but also dry field farming. It is likely that combination balance ought to differ from region to region and it should reflect land use strategy of each settlement. However, there are just few written records on dry field farming in classical Japan especially before the 11th century. Even if there are fragmentary descriptions on farming, they show only kinds of grain and their crop totaled in each province or county. Therefore, it is very difficult to approach to micro-scale land use and plant use in classical Japan. Nevertheless, pictorial diagrams and wooden strips have begun to play an important role to reveal these problems.
    [Show full text]
  • Samurai Life in Medieval Japan
    http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period.
    [Show full text]
  • Chigasaki Breeze
    International Association of Chigasaki (IAC) March 1, 2014 Bimonthly Publication Chigasaki Breeze Truly great friends are hard to find, difficult to leave, and impossible to forget. No.51 けんせつちゅう し やくしょしんちょうしゃ New City Hall Under Construction 建設中の市役所新庁舎 The new municipal hall is scheduled to be completed at the end of 2015 and come into service in January, 2016. After the completion of the new hall, the existing annex will be renovated and then the temporary and current main hall will be demolished. The entire construction, including parking lots for cars, motorbikes and bicycles, is projected to be finished by March, 2017. The design philosophy of the project is comprised of seven pillars, namely that the new City Hall should be: a) a base to support citizens’ safe and peaceful lives; b) sustainable; c) efficient in providing public services; d) open for citizens to associate and cooperate with each other; e) friendly to people; f) friendly to the environment; and g) appealing to citizens. These principles are reflected in a number of key features of the new hall, as follows: z The hall’s structure is seismically isolated to withstand great earthquakes and has been designed to be strong and durable with built-in flexibility to facilitate future restructuring. z Energy will be saved through natural ventilation and lighting, using LED (light-emitting diode) and solar panels. z For the purposes of disaster management, the new hall is equipped with an emergency power generator, a hovering space for a helicopter, open space and a well. z Inside, a universal design has been adopted for the disabled, elderly, and mothers with young children.
    [Show full text]
  • Art Spotlight: Hokusai's Thirty-Six Views of Mount Fiji
    Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji This document has all 36 prints from Hokusai's Thirty-six Views of Mount Fiji. The following links will help you discuss these works with your children. • Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji: The original blog post about these works with commentary, discussion questions, and learning activities • Woodblock Printing with Kids tutorial • Free Art Appreciation Printable Worksheet Bundle • How to Look at Art with Children • All art posts on the Art Curator for Kids The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Conventions of Japanese Ukiyo-e Prints • peaceful, harmonious scenes • asymmetrical composition • limited color palette of about 4 colors plus black • unclear space or perspective • diagonal or curved lines that guide your eye through the composition • outlined shapes filled with solid, flat color The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Questions to Ask • What is going on in this artwork? What do you see that makes you say that? • What emotions do you feel when looking at this artwork? What emotions do you think the artist was feeling? • Describe the lines and colors in this artwork. How do the colors and lines contribute to the emotion? • Describe the ways Hokusai included Mount Fuji in the artworks. • What can you tell about the Japanese way of life in the Edo Period by looking at these artworks? What types of things are the people doing? • What do these artworks have in common? How could you tell that these were created by Hokusai during this time period? The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Learning Activities 1.
    [Show full text]
  • Hokusai's Landscapes
    $45.00 / £35.00 Thomp HOKUSAI’S LANDSCAPES S on HOKUSAI’S HOKUSAI’S sarah E. thompson is Curator, Japanese Art, HOKUSAI’S LANDSCAPES at the Museum of Fine Arts, Boston. The CompleTe SerieS Designed by Susan Marsh SARAH E. THOMPSON The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator, and print designer throughout his ninety-year lifespan. Yet his most famous works of all — the color woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji — were produced within a relatively short time, LANDSCAPES in an amazing burst of creative energy from about 1830 to 1836. These ingenious designs, combining MFA Publications influences from several different schools of Asian Museum of Fine Arts, Boston art as well as European sources, display the 465 Huntington Avenue artist’s acute powers of observation and trademark Boston, Massachusetts 02115 humor, often showing ordinary people from all www.mfa.org/publications walks of life going about their business in the foreground of famous scenic vistas. Distributed in the United States of America and Canada by ARTBOOK | D.A.P. Hokusai’s landscapes not only revolutionized www.artbook.com Japanese printmaking but also, within a few decades of his death, became icons of art Distributed outside the United States of America internationally. Illustrated with dazzling color and Canada by Thames & Hudson, Ltd. reproductions of works from the largest collection www.thamesandhudson.com of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai’s Front: Amida Falls in the Far Reaches of the landscape designs and the circumstances of their Kiso Road (detail, no.
    [Show full text]
  • (I): Labour Osamu Saito Abstract Tokugawa Japan Was a Land of Peasant
    Factor markets and their institutions in traditional Japan (I): Labour Osamu Saito Draft. Please do not cite Abstract Tokugawa Japan was a land of peasants. They were family-farm cultivators. Although the proportion of land under tenancy increased over time, there was no tendency towards consolidation of family farms. This social group of peasant families accounted for 80 per cent of the population. This percentage suggests that the size of the workforce in industry and trade was small and occupational differentiation limited, hence, one may argue, it is likely that market forces hardly operated in the allocation of labour during Tokugawa times. However, given the recent consensus that Tokugawa Japan achieved Smithian growth with rural industrialisation and agricultural output growth as major engines of growth, how could this picture of a factor market be consistent with the Smithian scenario? In order to answer this question, the paper will go over both rural and urban labour markets in the period before the age of the factory, examining how large the markets were, how they operated, and how skills were formed in different sectors of the economy. The rural sector Perhaps the best numerical evidence we have for the structure of the workforce in a traditional rural setting is the 1879 pilot census for Yamanashi prefecture (Tōkei-in 1882. See Saito 1986, 1998, Umemura 1969, 1980). This was a comprehensive survey of population taken by a group of Meiji-government statisticians in the hope that the exercise would be a preparation for the taking of a national census. Yamanashi (formerly Kai province) was chosen for the pilot study because the prefecture was relatively small with population of 397,000, geographically compact with no change made in administrative boundaries at the time of the Meiji Restoration, and retained much of traditional characteristics from the Tokugawa past.
    [Show full text]
  • How Do Katsushika Hokusai's Landscape Prints Combine Local and Transcultural Elements?
    Cintia Kiss 1921312 [email protected] IMAGINING PLACE: HOW DO KATSUSHIKA HOKUSAI’S LANDSCAPE PRINTS COMBINE LOCAL AND TRANSCULTURAL ELEMENTS? A CONSIDERATION OF CULTURAL APPROPRIATION Master Thesis Asian Studies 60EC Academic year 2017-2018 Supervisor: Dr. Doreen Müller Leiden University Humanities Faculty, MA Asian Studies Track of History, Arts and Culture of Asia Specialization of Critical Heritage Studies of Asia and Europe ACKNOWLEDGEMENTS First and foremost, I would like to express my deepest gratitude to my thesis supervisor, Dr. Doreen Müller, whose help and insights have supported me throughout the phases of researching and writing this dissertation. Her encouraging remarks and contagious enthusiasm provided valuable assistance. Furthermore, I am grateful for the opportunity to be able to conduct my studies at Leiden University, where I could gain valuable knowledge in an international-oriented atmosphere. The variety of courses, workshops and extracurricular opportunities provided a platform to expand my vision and think critically. Lastly, I must say my thanks to my family. Their continuous encouragement, patient listening, unconditional support and love always give me courage to continue moving forward. 1 TABLE OF CONTENTS ACKNOWLEDGEMENTS .................................................................................................. 1 TABLE OF CONTENTS ...................................................................................................... 2 LIST OF FIGURES ..............................................................................................................
    [Show full text]
  • Encyclopedia of Japanese History
    An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135
    [Show full text]
  • Development and Dispersal Process of Ancient Japanese Clan
    Development and Dispersal Process of Ancient Japanese Clan Development and Dispersal Process of Ancient Japanese Clan Masanobu SUZUKI Abstract In ancient Japan, how did the Yamato Kingdom (大和政権) form? In order to research this question, I studied the Ōmiwa clan (大神氏). This clan served the Yamato Kingdom and took charge of religious services in ancient times. The clan was one of the most powerful ancient Japanese clans. Therefore, knowledge of how the imperial family and the Ōmiwa clan are related is indispensable for understanding the nature of the politics of the Yamato Kingdom. Furthermore, it is indispensable for understanding the process of forming the Japanese nation in ancient times. In this paper, I extracted place names, Shinto shrine names, and clan names related to the “Miwa” (神, 三輪) or “Ōmiwa” (大神, 大三輪) from ancient historical documents. I found that they were distributed throughout almost all of the islands in ancient Japan, and some of the clans overlapped geographically. If we now find a related place name or Shinto shrine name, it is likely that related people who the Ōmiwa clan controlled lived there in ancient times. The Yamato Kingdom sent troops to or advanced into western and eastern Japan or foreign countries, so ancient people learned about the Ōmiwa god (大三輪神). They then established shrines for worship- ing that god as a war god, and the Miwa clan (神氏), the Miwahito clan (神人氏), the Miwahitobe clan (神人部 氏), and the Miwabe clan (神部氏) were established in various places in Japan to worship the god according to the local ruling systems of the Yamato Kingdom, including the Hito system (人制), the Bemin system (部民制), and the Kokuzō system (国造制).
    [Show full text]
  • |P£F. T the LIBRARY Illllm^Ill 099 the UNIVERSITY of BRITISH COLUMBIA
    If pr |fe 7950 IBS |p£F. t THE LIBRARY IllllM^ill 099 THE UNIVERSITY Of BRITISH COLUMBIA A List of JAPANESE MAPS of the Tokugawa Era A List of JAPANESE MAPS OF THE TOKUGAWA ERA By GEORGE H. BEANS TALL TREE LIBRARY Jenkintoum 1951 LIBRARY PUBLICATION NO. 23 CONTENTS INTRODUCTION 3 LIST OF MAPS 7 REFERENCES and INDEX 45 LIST OP ILLUSTRATIONS WORLD MAP OF THE SHOHO PERIOD, 1645.2 Frontisp iece PLAN OF EDO, 1664.2 facing page 13 THE TOKAIDO HIGHWAY, [1672.3] 14 PLAN OF KYOTO, 1691.1 16 JAPAN BY RYUSEN, 1697.1 17 SURUGA PROVINCE, 1701.12 18 POLAR HEMISPHERES, 1708.5 20 WORLD MAP BASED ON CHINESE SOURCES, 1710.1 21 HARIMA PROVINCE, I 749.1 22 NAGASAKI, 1764.1 23 JAPAN BY SEKISUI, I 779.1 24 ICELAND AND GREENLAND, 1789.24 27 WORLD MAP FROM DUTCH SOURCES, I 796.1 29 KAMAKURA; ITS SHRINES AND TEMPLES, 1798. I 30 INDIA, 1828.1 34 SURUGA PROVINCE, 1837.13 37 CHINA BY HOKUSAI, 1840. I 38 YOKOHAMA, 1859.1 42 HOKKAIDO, 1859.2 43 A List of JAPANESE MAPS of the Tokugawa Era ABBREVIATIONS p page. We have sometimes used this term to denote one side of a folded sheet but page numbers are used only in connection with books bound in western style. s sheet or sheets. Here used to denote a sheet bound in a book with printing on one side only but folded once and the "free" edges held in a binding. The numbers (not always present) should be sought at the fold where the thumb normally holds the open book.
    [Show full text]
  • Hokusai and Kuniyoshi
    98 Utagawa Kunimasa The Actor Iwai Kumesaburō as the Kamuro Tayori Kansei 8 (1796) 99 Katsukawa Shun’ei The Actor Segawa Kikunojō III as Osome Kansei 8 (1796) 100 Utagawa Toyokuni Women Washing, Rinsing, and Fulling Cloth by a Stream Late Kansei era (1789-1801) Around Kyōwa 3-Bunka 1 101 Kitagawa Utamaro Gathering Persimmons (c.1803-04) The New Year’s Day, The Girl’s Festival on the Third Day of the Third Lunar Month, The Boy’s Festival 102-106 Kitagawa Utamaro on the Fifth Day of the Fifth Lunar Month, The Star Festival on the Seventh Day of the Seventh Lunar Around Kyōwa era (c.1801-04) Month, The Chrysanthemum Festival on the Ninth Day of the Ninth Lunar Month Around end of Kansei era 107 Kitagawa Utamaro Two Women and a Child by a Painted Screen, from the series Pairs of Sevenths in the Floating World (c.1789-1801) 108 Kitagawa Utamaro Women Imitating the Procession of a Korean Embassy Around Kansei 9-10 (c.1797-98) Chapter4: The Arrival of the Landscape Print: Hokusai and Kuniyoshi 109 Katsushika Hokusai The Actor Iwai Hanshirō IV as the Courtesan Agemaki Kansei 3 (1791) 110 Katsushika Hokusai Summer, from the series The Elegant Moon in the Four Seasons Around late Tenmei era (1785-89) 111 Katsushika Hokusai Three Poles, from the series Elegant Parodies of Comic Plays Around Kansei 2 (c.1790) 112 Katsushika Hokusai Chinese Children Playing by a Pine Tree Around Kansei 2 (c.1790) 113 Katsushika Hokusai Fuji in Clear Weather (Red Fuji), from the series Thirty-six Views of t.Fuji Around Tenpō 2-4 ( c.1831-33) 114 Katsushika Hokusai Rain Beneath the Peak (Fuji over Lightning), from the series Thirty-six Views of Mt.Fuji Around Tenpō 2-4 ( c.1831-33) 115 Katsushika Hokusai Fujimigahara in Owari Province, from the series Thirty-six Views of Mt.Fuji Around Tenpō 2-4 ( c.1831-33) 116 Katsushika Hokusai Umezawa Marsh in Sagami Province, from the series Thirty-six Views of Mt.
    [Show full text]
  • Ancient Road to Fujisan
    List of Component parts and Constituent elements World Heritage Site Fujisan 1 Fujisan Mountain Area 9 “Oshi” Lodging House 1. Nature of Fujisan ANCIENT ROAD 1-1 Mountaintop worship sites (former House of the Togawa Family) Fujisan, a symbol of Japan was registered as a World Heritage Fujisan of Four-story structure Birth of the Fuji Five Lakes and huge amount of Aokigahara lava from the subsequent big Jogan Site in June 2013. Fujisan, which has been worshipped as an object 1-2 Omiya-Murayama Ascending Route 10 “Oshi” Lodging House “Aokigahara Jukai” Forest (present Fujinomiya Ascending Route) (House of the Osano Family) Fujisan is considered to be a stratovolcano built up of 4 dierent eruption in 864 owed into Lake Senomumi at the northwestern TO FUJISAN of religious faith by the people of Japan since ancient times and volcanoes. e three lakes of Motosuko, Shojiko and Saiko are considered foot of Fujisan to bury most part of the lake, which resulted in 11 Lake Yamanakako gave birth to numerous artworks, is composed of 25 component 1-3 Suyama Ascending Route (present Gotenba Ascending Route) 12 Lake Kawaguchiko Chronologically, rst the Sen-Komitake volcano emerged on the to have been once a huge lake surrounding the northern side of making Lake Saiko and Lake Shojiko appear in the remained area. — Mt. Fuji Worship and “Fuji-ko” parts and constituent elements such as the mountain area in which northern side of the present Fujisan. en, the Komitake volcano Fujisan called Lake Ko-Senoumi long ago as the water levels of Taka-marubi lava ow that is said to have subsequently owed out including ascending routes, and Sengen-jinja shrines and lakes at 1-4 Subashiri Ascending Route 13 Oshino Hakkai springs (Deguchiike Pond) (Fuji pilgrimage association) — 1-5 Yoshida Ascending Route 14 Oshino Hakkai springs (Okamaike Pond) overlapped with it.
    [Show full text]