Nature Is Blooming All Over Again for Beauty Brands
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Fashion Design
FIND YOUR DIFFERENCE Milano Master course Master Diploma IED FASHION DESIGN MILANO | BARCELONA | CAGLIARI | COMO | FIRENZE | MADRID | RIO DE JANEIRO | ROMA | SÃO PAULO | TORINO | VENEZIA th EDITION 19 “ELEGANT IS NOT WHAT Visiting Pitti Uomo at Florence YOU WEAR, AND IT’S NOT ABOUT HOW YOU WEAR IT, BUT IT’S MORE ABOUT WHO YOU ARE.” ALBER ELBAZ Title Master Diploma IED in Fashion Design Coordinator Fabio Di Nicola Starting date January Duration 1 year, full-time Location Milan Language English Students from the previous editions of the Master course collaborated with: MASTER COURSE IN FASHION DESIGN Photo by M. Siracusano “Fashion is changing and developing faster nowadays. Everything is on the move and needs to be refreshed constantly. The Master in Fashion Design aims at post graduate students who already have skills in fashion but need to upgrade their vision and enhance their abilities. A fashion designer today has to bring new ideas, new perspectives but also has to know how to create the fashion idea and make it real. The Master in Fashion Design ambitions are: create young professionals, aware of the fashion industry and ready to face the fashion world. Through different workshops, with real professionals, students will approach different experiences and various themes, going into deep every subject. Also the Master wants to develop the designers’ personality, the unique taste and the personal perspectives of the students to better define their personality both as creators and artists.” Fabio Di Nicola OVERVIEW IED Masters constitute an experience that allows students to explore concepts and develop projects aimed at the definition of their own professional identity. -
EU Brochure Digital EN.Indd
WHERE ITALIAN FIDENZA VILLAGE CONNECT STYLE REIGNS Add style to your holiday with a day of shopping at Fidenza Village. Located in the heart of Italy in the beautiful Emilia Download the free Village app. Romagna region just one hour drive from Milan, Bologna and the Lake Garda, Fidenza Village is home to more than Connect with us on Facebook, Twitter and Instagram. 100 boutiques of Italian and international brands offering savings of up to 70% on the recommended retail price. Free Wi-Fi. THE BOUTIQUES Alviero Martini 1A Classe · Angelico · Armani Asics · Aspesi · Baldinini · Barlumeria · Belstaff Beretta · Blumarine · Boggi · Braccialini Brooks Brothers · Ca’ Puccino · Calef · Calvin Klein Calvin Klein Collection · Calvin Klein Underwear Camper · Carlo Pazolini · Cesare Paciotti Class Roberto Cavalli · Coach · Coccinelle · Columbia Colombo · Corso Roma · Desigual · Diesel Dirk Bikkembergs · Dolce & Gabbana · Duvetica Elena Mirò · Elisabetta Franchi · Ermenegildo Zegna SHOP & EARN Etro · Facis · Ferrari Store · Fossil · Fratelli Rossetti Frette · Furla · Gallo · Guess · Gutteridge · Hackett Earn miles whenever you shop at Fidenza Village with our airline Lagostina - Home & Cook · Hostaria Delle Terre Verdiane partners. Ask the Fidenza Village Tourist Information Centre for more information and to convert your shopping into miles. Hugo Boss · Illy · Hour Passion · Ixos Malloni · Jeckerson La Perla · Lacoste · Les Copains · Levi’s · Lindt · Loewe For every Euro you spend while shopping Malìparmi · Marni · Massimo Rebecchi · Michael Kors in Fidenza Village, one award mile will Missoni · Modus Profumerie · Napapijri · Ottica Avanzi be credited to your Miles & More mileage account. You can also spend your Miles & More award miles on the Fidenza Village O bag · Pal Zileri · Patrizia Pepe · Paul Smith · Pinko Gift Card. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
Male Fragrances That Evoke a Feral Growl, Full-Blown Tempests Or The
A WHIFF OF DANGER Male fragrances that evoke a feral growl, full-blown tempests or the swaggering brio of ancient Rome are a bullseye for those who embrace their masculinity, says Lucia van der Post. Photograph by Omer Knaz he first scent I ever truly fell in love with was Schiaparelli’s Shocking, made by the great Jean Carles, and I came across it because my father wore it. I still remember the shock of pleasure when that first light floral note hit me, then the sense of surprise as the herbs, sandalwood and honey began to emerge, and finally it became sexier and more earthy as the oakmoss and what I now know Tto be civet took over. I remember, too, old-fashioned child that I was, that I thought it strange that my markedly heterosexual father wore a scent that seemed so voluptuous and so clearly aimed at women. Today, nobody would think anything of it. Speak to connoisseurs of perfume and as one they reject the notion of male and female scents. As Roja Dove, éminence grise of the perfume world, puts it: “For years floral notes were associated with feminine perfumes and – since men were considered strutting, predatory things – woody, mossy, earthy materials were linked with masculine ones, but the boundaries nowadays have become much more blurred. A rose, after all, has neither a penis nor a vagina – a rose on a man is a masculine rose, a rose on a woman is a feminine rose.” Violet, a note that one would have thought was largely feminine, was much beloved by Italian dandies in the late 19th and early 20th centuries, and it was an overdose of violet that made Geoffrey Beene’s Grey Flannel (£45 for 60ml EDT, to which much-respected perfume scholar Luca Turin awards five stars, calling it “a masterpiece”) such a success when it was launched in Clockwise from far left: 1975. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
Brands We Love
Brands We Love # D I N T DENIM 3.1 PHILLIP LIM DANSKO IRO NICOLE MILLER THEORY AG 360 CASHMERE DAVID YURMAN ISABEL MARANT NILI LOTAN THE GREAT AGOLDE We Do Not Accept: DEREK LAM ISSEY MIYAKE NO 6 STORE THE ROW AMO DL1961 NORTH FACE TIBI CITIZENS OF HUMANITY ABERCROMBIE & FITCH H&M A DOLCE & GABBANA TIFFANY & CO CURRENT/ELLIOTT AMERICAN APPAREL HOLLISTER ACNE STUDIOS AMERICAN EAGLE HOT TOPIC DONNA KARAN J TOCCA DL1961 ANN TAYLOR AG INC DOSA J BRAND O TOD’S FRAME ANGIE JACLYN SMITH AGL DRIES VAN NOTEN J CREW OBAKKI TOM FORD GOLDSIGN APT 9 JOE BOXER AGOLDE DVF JAMES PERSE OFFICINE CREATIVE TOP SHOP HUDSON ATTENTION JUICY COUTURE ALAIA JEAN PAUL GAULTIER OPENING CEREMONY AX PARIS LAND’S END TORY BURCH J BRAND BANANA REPUBLIC ALC OSCAR DE LA RENTA LOVE 21 JIL SANDER TRINA TURK JOES BDG LUX ALEXANDER MCQUEEN E JIMMY CHOO LEVIS BEBE MAX STUDIO ALEXANDER WANG EILEEN FISHER JOIE MOTHER BLUES METAPHOR BONGO ALICE & OLIVIA EMANUEL UNGARO P U MOUSSY MISS ME PAIGE CANDIE’S MISS TINA ANNA SUI ELIZABETH & JAMES UGG PAIGE CANYON RIVER PARKER MOSSIMO ANN DEMEULEMEESTER EMILIO PUCCI K ULLA JOHNSON R13 CATALINA NICKI MINAJ ANTHROPOLOGIE BRANDS ENZA COSTA KATE SPADE PATAGONIA RE/DONE CATHY DANIELS OLD NAVY ATM ERDEM PIERRE HARDY CHAPS ROCK & REPUBLIC SIMON MILLER CHARLOTTE RUSSE AUTUMN CASHMERE EVERLANE PRADA ROUTE 66 V CHIC ROXY AVANT TOI L PROENZA SCHOULER VALENTINO CHICOS L’AGENCE SAG HARBOR VANESSA BRUNO ATHLETIC CHRISTINALOVE SIMPLY VERA WANG F LANVIN VELVET ALO COVINGTON SO... CROFT & BARROW FENDI LEM LEM R VERONICA BEARD ATHLETA SONOMA LEVIS RACHEL COMEY DAISY FUENTES SOFIA VERGARA B FIORENTINI + BAKER VERSACE LULULEMON DANSKIN LOEFFLER RANDALL RAG & BONE STUDIO TAHARI BABATON FREE PEOPLE VICTORIA BECKHAM OUTDOOR VOICES ECOTE TARGET BALENCIAGA FRYE LOEWE RAILS VINCE NORTH FACE ELLE URBAN OUTFITTERS ETC.. -
Perfume Engineering Perfume Engineering Design, Performance & Classification
Perfume Engineering Perfume Engineering Design, Performance & Classification Miguel A. Teixeira, Oscar Rodríguez, Paula Gomes, Vera Mata, Alírio E. Rodrigues Laboratory of Separation and Reaction Engineering (LSRE) Associate Laboratory Department of Chemical Engineering Faculty of Engineering of University of Porto Porto, Portugal P. Gomes and V. Mata are currently at i-sensis company S. João da Madeira, Portugal AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 225 Wyman Street, Waltham, MA 02451, USA First published 2013 Copyright r 2013 Elsevier Ltd. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244 549 FRENCH CHINOISERIE BROCADE SILK, c. 1740-1750. Four small panels including one pieced, having ivory pattern on raspberry ground. Three pieces 24 wide x 15 1/2, 26 and 31. One 28 1/2 x 17. Holes and tears, fair. $57.50 550 LOT of SILK TEXILES, 18th C. Consisting of a red velvet panel, cushion cover and valance, the valance having shield-form tabs (applique and tassels removed), and a panel with narrow stripes in cream, dusty rose, yellow and green on a tiny checked weave. Fair. $34.50 551 THREE PRINTED COTTON PANELS, 19th C. One striped in teal with small white leaves and white with red and tan botehs, probably Persian. One English floral print. Both excellent. One large pieced panel with pomegranate trees, probably Indian, (oxidizing browns, mends and tears) poor. $103.50 552 BEADED NEEDLEWORK VICTORIAN BELL PULL. Wool flowers with beaded foliage on a ground of crystal beads having a Bohemian glass finial. (Glass cracked, backing shattered, minor bead loss) needlework intact, fair. $230.00 553 LOT of ASSORTED SMALL BEAD and NEEDLEWORK, 18th-19th C. Including two 18th C. petit point rectangles of figures in landscapes, three rectangles of needlework birds, a silk satin embroidered bag having gilt metal doves and chenille bell tassels, two framed 18th C embroideries: one eagle in tree, one basket of fruit. Good-excellent. $345.00 554 TWO PIECED SILK TEXTILES with FLORAL BROCADE, 18th C. Dusty pink damask bedcover with a serpentine floral in pastel hues, backed in blue silk, (some splits, mostly at seams). -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
14 January 2012
THE ART OF ELYSIUM HEAVEN 14 JANUARY 2012 HEAVEN THE PAST, PRESENT AND FUTURE OF HOLLYWOOD GLAMOUR MISSION STATEMENT THE ART OF ELYSIUM, A NON-PROFIT 501 (C) 3 ORGANIZATION FOUNDED IN 1997, ENCOURAGES WORKING ACTORS, ARTISTS, FASHION DESIGNERS AND MUSICIANS TO VOLUNTARILY DEDICATE THEIR TIME AND TALENT TO CHILDREN WHO ARE BATTLING SERIOUS MEDICAL CONDITIONS. WE PROVIDE ARTISTIC WORKSHOPS IN THE FOLLOWING DISCIPLINES: ACTING, ART, COMEDY, FASHION, MUSIC, RADIO, SONGWRITING AND CREATIVE WRITING. SPONSORS 2012 VISIONARY RECIPIENT CAMERON SILVER 2012 SPIRIT OF ELYSIUM RECIPIENT ELIJAH WOOD VISIONARY CIRCLE CAMERON SILVER AND JEFF SNYDER ANITA AND MARK MOTHERSBAUGH AMANDA AND SHEPARD FAIREY FRAN AND JIM SHERIDAN SPIRIT OF ELYSIUM CIRCLE ELIJAH WOOD JAMES FRANCO KIRSTEN DUNST EVA MENDES 2012 HOST COMMITTEE ODETTE & DAVE ANNABLE, DAVID ARQUETTE, JUSTIN BARTHA, ERICKA & SAMUEL BAYER, KRISTEN BELL, JEFFREY BEST, RACHEL BILSON, BRENT BOLTHOUSE, GERARD BUTLER, SCOTT CAAN, ANDREA FIUCZYNSKI, GINNIFER GOODWIN, TOPHER GRACE, AMBER HEARD, PATRICK M. HERNING, FINOLA HUGHES & RUSSELL YOUNG, SARAH HYLAND, TRACEY JACOBS, SCARLETT JOHANSSON, KIDADA JONES, RASHIDA JONES, MINKA KELLY, JAIME KING, ALI LARTER & HAYES MACARTHUR, JOE MANGANIELLO, DAVID MEISTER & ALAN SIEGEL, PATRIK MILANI, KIMBERLY & MICHAEL MULLER, AMAURY NOLASCO, KELLY OSBOURNE, BUSY PHILIPPS, MATTHEW RHYS, AMY SMART & CARTER OOSTERHOUSE, BRITTANY SNOW, TARINA TARANTINO & ALFONSO CAMPOS, ASHLEY TISDALE, MICHELLE TRACHTENBERG, KAT VON D, JOHNNY WUJEK, EMILY YOMTOBIAN & JEFF VESPA, ALICIA WITT -
2013 Victoria's Secret Fashion Show
PRESS ROOM EXCLUSIVELY FOR THE MEDIA THIS JUST IN… …from CBS Entertainment SEVEN-TIME GRAMMY® AWARD WINNER TAYLOR SWIFT AND GRAMMY AWARD-NOMINATED ARTIST FALL OUT BOY TO PERFORM ON “THE VICTORIA’S SECRET FASHION SHOW,” TUESDAY, DEC. 10 ON THE CBS TELEVISION NETWORK A Great Big World and UK Newcomers Neon Jungle Will Also Perform Seven-time GRAMMY® Award-winning artist Taylor Swift, GRAMMY Award-nominated artist Fall Out Boy, A Great Big World and Neon Jungle will perform on THE VICTORIA’S SECRET FASHION SHOW, to be broadcast Tuesday, Dec. 10 (10:00-11:00 PM, ET/PT) on the CBS Television Network. This year’s fashion show will include world-famous Victoria’s Secret Angels Adriana Lima, Alessandra Ambrosio, Lily Aldridge, Candice Swanepoel, Lindsay Ellingson, Karlie Kloss, Doutzen Kroes, Behati Prinsloo and many more. The lingerie runway show will also include pink carpet interviews, model profiles and a behind-the-scenes look at the making of the world’s most celebrated fashion show. Lauded by The New York Times as “one of the most important pop artists of the last decade,” and by Rolling Stone as “one of the few genuine rock stars we’ve got these days,” singer/songwriter Taylor Swift is a seven-time GRAMMY winner, and at 20, was the youngest winner in history of the music industry’s highest honor, the GRAMMY for Album of the Year in 2010. She is the only female artist in music history (and just the fourth artist ever) to twice have an album hit the one million first-week sales figure, and is the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 with three consecutive studio albums. -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath.