TEMPLAR ORDER the Templar’S Path a Path Towards Wisdom
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Her. = Heraldik DEUTSCH FRANZÖSISCH ENGLISCH
Her. = Heraldik DEUTSCH FRANZÖSISCH ENGLISCH abgeschnittene Exemplare filigrane découpé cut watermark abgetrennt séparé separated abgewinkelt angulaire angled Abschlussstrich (Buchstabe) trait final finishing stroke Abstand distance distance Abstand zwischen den espace entre les pontuseaux distance between chainlines Bindedrähten achtblättrig à huit feuilles with eight leaves achtstrahlig à huit rayons with eight rays Adler (Her.) aigle eagle Adler oberhalb aigle naissante upper half of eagle Adler rechtshalb aigle, moitié dextre dexter half of eagle Adlerherzschild (Her.) écu en cœur d’aigle escutcheon in fess point of an eagle ähnlich semblable similar Ähre épi ear of corn Affe singe monkey Agnus Dei Agneau de Dieu Agnus Dei Amboss enclume anvil Anbau (Turm) annexe extension Andreaskreuz croix de St. André St. Andrew's cross Anker ancre anchor Ankerfuß (Marke) ancrée à la base anchory at the lower end Ankerkreuz croix ancrée anchory cross Antoniuskreuz croix de St. Antoine St. Anthony's cross Architektur architecture architecture Architekturmerkmal élément architectural architectural element Arm bras arm Armbrust arbalète crossbow Ast branche bough Astkreuz croix écotée raguly cross Aufbau (Turm) superstructure upper work aufrecht debout upright Auge œil eye ausgebuchtet (Balken, Buchstabe) bombé with bulge ausgerichtet orienté orientated ausgestreckt (Finger) étendré lifted äußere extérieur outer Axt cognée axe Bär ours bear Balken (Kreuz) croisillon transverse bar Balken (Buchstabe) trait horizontal horizontal stroke Balken (Her.) -
FLAG of MONACO - a BRIEF HISTORY Where in the World
Part of the “History of National Flags” Series from Flagmakers FLAG OF MONACO - A BRIEF HISTORY Where In The World Trivia Apart from aspect ratio, the flag of Monaco is identical to the flag of Indonesia. Technical Specification Adopted: 1881 Proportion: 4:5 Design: A bi-colour in red and white, from top to bottom Colours: PMS: Red: 032 C CMYK: Red: 0% Cyan, 90% Magenta, 86% Yellow, 0% Black Brief History Monaco used to be a colony of the Italian city-state Genoa. A small isolated country between the mountains and the sea with one castle on the Rock of Monaco, overlooking the entire country. Francesco Grimaldi disguised himself and his men as Franciscan monks and infiltrated the castle to take control. It was not long before Genoan forces succeeded in ousting him. Later his descendents simply bought the castle and the realm from Genoa and turned it into a principality. At this point the flag of Genoa was the St. George’s flag. They allowed England, for a fee, to fly their flag so they could use their sea and ports to trade. The Monaco Coat of Arms has represented the country for as long as the Grimaldi dynasty has been in power, since the early 15th Century. Although the design has changed gradually over the years, the key elements have remained the same. The motto, 'Deo Juvante' is Latin for 'With God's Help'. This coat of arms today serves as the state flag. St George’s Flag of Genoa The Coat of Arms of Monaco The colours on the shield, red and white in a pattern known as 'lozengy argent and gules' in heraldic terms, are the national colours. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
Ewa Wipszycka Resources and Economic Activities of the Egyptian Monastic Communities (4Th-8Th Century)
Ewa Wipszycka Resources and economic activities of the Egyptian monastic communities (4th-8th century) The Journal of Juristic Papyrology 41, 159-263 2011 159_263 Wipszycka po kor_OK_105 str.qct:009-020 DERDA 8/28/12 9:44 PM Page 159 The Journal of Juristic Papyrology vol. xli (2011), pp. 159–263 Ewa Wipszycka RESOURCES AND ECONOMIC ACTIVITIES OF THE EGYPTIAN MONASTIC COMMUNITIES (4TH–8TH CENTURY)* his is not my first article with terms ‘monastic communities’ and 1 T‘economy’ in the title. Therefore, I should begin with an explanation of the scope of this text to give the reader an idea of its content. It focus- es on aspects of monastic economy that I have not yet discussed in detail. Lengthy passages concern the baking of bread in monasteries and her- mitages, as well as pottery production. I devoted a lot of space to the sub- * Abbreviations: The apophthegms in alphabetical order (those of the so-called Alphabetikon or Geron- tikon) are cited as follows: after the name of the monk to which the tradition attributes the given apophthegm I give two numbers: the first one is the number in the group of apophthegms in which that monk is the central figure and the second one (in paren theses) is the number of the apophthegm in the whole collection (e.g. Antony 1[1]). Edition of the alphabetical collection: J. B. Cotelerius (1677), reprint in Patrologia Graeca 65 (71–440); English translation I used: Benedicta Ward, The Sayings of the Desert Fathers. The Alphabet- ical Collection, Kalamazoo 1975. o B - Vita Bohairica – edition: L. -
The Pleiades: the Celestial Herd of Ancient Timekeepers
The Pleiades: the celestial herd of ancient timekeepers. Amelia Sparavigna Dipartimento di Fisica, Politecnico di Torino C.so Duca degli Abruzzi 24, Torino, Italy Abstract In the ancient Egypt seven goddesses, represented by seven cows, composed the celestial herd that provides the nourishment to her worshippers. This herd is observed in the sky as a group of stars, the Pleiades, close to Aldebaran, the main star in the Taurus constellation. For many ancient populations, Pleiades were relevant stars and their rising was marked as a special time of the year. In this paper, we will discuss the presence of these stars in ancient cultures. Moreover, we will report some results of archeoastronomy on the role for timekeeping of these stars, results which show that for hunter-gatherers at Palaeolithic times, they were linked to the seasonal cycles of aurochs. 1. Introduction Archeoastronomy studies astronomical practices and related mythologies of the ancient cultures, to understand how past peoples observed and used the celestial phenomena and what was the role played by the sky in their cultures. This discipline is then a branch of the cultural astronomy, an interdisciplinary field that relates astronomical phenomena to current and ancient cultures. It must then be distinguished from the history of astronomy, because astronomy is a culturally specific concept and ancient peoples may have been related to the sky in different way [1,2]. Archeoastronomy is considered as a quite new interdisciplinary science, rooted in the Stonehenge studies of 1960s by the astronomer Gerald Hawkins, who tested Stonehenge alignments by computer, and concluded that these stones marked key dates in the megalithic calendar [3]. -
Coptic Literature in Context (4Th-13Th Cent.): Cultural Landscape, Literary Production, and Manuscript Archaeology
PAST – Percorsi, Strumenti e Temi di Archeologia Direzione della collana Carlo Citter (Siena) Massimiliano David (Bologna) Donatella Nuzzo (Bari) Maria Carla Somma (Chieti) Francesca Romana Stasolla (Roma) Comitato scientifico Andrzej Buko (Varsavia) Neil Christie (Leichester) Francisca Feraudi-Gruénais (Heidelberg) Dale Kinney (New York) Mats Roslund (Lund) Miljenko Jurković (Zagabria) Anne Nissen (Paris) Askold Ivantchik (Mosca) This volume, which is one of the scientific outcomes of the ERC Advanced project ‘PAThs’ – ‘Tracking Papy- rus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context: Production, Copying, Usage, Dissemination and Storage’, has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 programme, grant no. 687567. I testi pubblicati nella collana sono soggetti a valutazione secondo la procedura del doppio blind referee In copertina: P. Mich. 5421 e una veduta di Karanis © Roma 2020, Edizioni Quasar di Severino Tognon S.r.l. via Ajaccio 41-43, 00198 Roma - tel 0685358444 email: [email protected] eISBN 978-88-5491-058-4 Coptic Literature in Context (4th-13th cent.): Cultural Landscape, Literary Production, and Manuscript Archaeology Proceedings of the Third Conference of the ERC Project “Tracking Papyrus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context (‘PAThs’)”. edited by Paola Buzi Edizioni Quasar Table of Contents Paola Buzi The Places of Coptic Literary Manuscripts: Real and Imaginary Landscapes. Theoretical Reflections in Guise of Introduction 7 Part I The Geography of Coptic Literature: Archaeological Contexts, Cultural Landscapes, Literary Texts, and Book Forms Jean-Luc Fournet Temples in Late Antique Egypt: Cultic Heritage between Ideology, Pragmatism, and Artistic Recycling 29 Tito Orlandi Localisation and Construction of Churches in Coptic Literature 51 Francesco Valerio Scribes and Scripts in the Library of the Monastery of the Archangel Michael at Phantoou. -
Transformation of a Goddess by David Sugimoto
Orbis Biblicus et Orientalis 263 David T. Sugimoto (ed.) Transformation of a Goddess Ishtar – Astarte – Aphrodite Academic Press Fribourg Vandenhoeck & Ruprecht Göttingen Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Publiziert mit freundlicher Unterstützung der PublicationSchweizerischen subsidized Akademie by theder SwissGeistes- Academy und Sozialwissenschaften of Humanities and Social Sciences InternetGesamtkatalog general aufcatalogue: Internet: Academic Press Fribourg: www.paulusedition.ch Vandenhoeck & Ruprecht, Göttingen: www.v-r.de Camera-readyText und Abbildungen text prepared wurden by vomMarcia Autor Bodenmann (University of Zurich). als formatierte PDF-Daten zur Verfügung gestellt. © 2014 by Academic Press Fribourg, Fribourg Switzerland © Vandenhoeck2014 by Academic & Ruprecht Press Fribourg Göttingen Vandenhoeck & Ruprecht Göttingen ISBN: 978-3-7278-1748-9 (Academic Press Fribourg) ISBN:ISBN: 978-3-525-54388-7978-3-7278-1749-6 (Vandenhoeck(Academic Press & Ruprecht)Fribourg) ISSN:ISBN: 1015-1850978-3-525-54389-4 (Orb. biblicus (Vandenhoeck orient.) & Ruprecht) ISSN: 1015-1850 (Orb. biblicus orient.) Contents David T. Sugimoto Preface .................................................................................................... VII List of Contributors ................................................................................ X -
Watermark-Terms
Watermark-Terms Magyar – English – Français – Deutsch – Italiano – Русский – Español – Português Vocabulary for Watermark Description Authors: Erwin Frauenknecht, Carmen Kämmerer, Peter Rückert, Maria Stieglecker With the aid of Marieke van Delft (English version) Paola Munafò and Viviana Nicoletti (Italian version) Elena Oukhanova (Russian version) Marisa Ferrando Cusí (Spanish version) Jenő Pelbárt (Hungarian version) Maria José Santos and Henrique Castro (Portuguese version) Special thanks go to Alois Haidinger, Sandra Hodeček, Victor Karnaukhov, Sven Limbeck, Emanuel Wenger, and Luis Weruaga. Version 9.1p: May 2016 Sorted by Hungarian Terms Sorted by Hungarian Terms her. = heraldry hér. = héraldique Her. = Heraldik arald. = araldica геральд. = геральдика her = heráldica her. = heráldica ICON HUNGARIAN ENGLISH FRENCH GERMAN ITALIAN RUSSIAN SPANISH PORTUGUESE abakusz abacus abaque Abakus Abbaco счеты ábaco ábaco abbé abbot abbé Abt Abate аббат abad bispo felette above au-dessus darüber al di sopra сверху encima em cima fenn above en haut oben Sopra сверху, кверху arriba por cima makk acorn gland Eichel ghianda желудь bellota bolota társmotívum additional motif motif accessoire Beizeichen motivo accessorio дополнительный motivo accesorio motivo adicional знак Isten Báránya Agnus Dei Agneau de Dieu Agnus Dei Agnus Dei агнец Agnus Dei Agnus Dei mandula almond amande Mandel mandorla миндаль almendra amêndoa amfora amphora amphore Amphore Anfora амфора ánfora ânfora horgony anchor ancre Anker Ancora якорь ancla âncora 2 Sorted by Hungarian Terms ICON HUNGARIAN ENGLISH FRENCH GERMAN ITALIAN RUSSIAN SPANISH PORTUGUESE horgonykar (jel) anchory at the lower ancrée à la base Ankerfuß (Marke) ancorato alla base якорь в нижней ancorada en la base ancorada na base end (mark) (marque) (segno) части (марка) (marca) és/vagy and/or (...) ou (...) respectivement bzw. -
Martyrs and Archangels
Studien und Texte zu Antike und Christentum Studies and Texts in Antiquity and Christianity Herausgeber /Editors Christoph Markschies (Berlin) · Martin Wallraff (München) Christian Wildberg (Princeton) Beirat /Advisory Board Peter Brown (Princeton) · Susanna Elm (Berkeley) Johannes Hahn (Münster) · Emanuela Prinzivalli (Rom) Jörg Rüpke (Erfurt) 116 Martyrs and Archangels Coptic Literary Texts from the Pierpont Morgan Library Edited by Matthias Müller and Sami Uljas Mohr Siebeck Matthias Müller , born 1971; 2003 graduated from Göttingen; since 2004 researcher at the De - partment Altertumswissenschaften at the University of Basel. Sami Uljas , born 1974; 2005 PhD in Egyptology from the University of Liverpool; currently Se - nior Lecturer in Egyptology at the University of Uppsala, Sweden. ISBN 978-3-16-156994-4 / eISBN 978-3-16-156995-1 DOI 10.1628 / 978-3-16-156995-1 ISSN 1436-3003 / eISSN 2568-7433 (Studien und Texte zu Antike und Christentum) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliogra - phie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de . © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to reproduc - tions, translations and storage and processing in electronic systems. The book was printed on non-aging paper by Laupp & Göbel in Gomaringen and bound by Nädele in Nehren. Printed in Germany. This book is dedicated to Werner Widmer/Zürich (1940–2014) & Hartmut Raguse/Basel Preface The volume at hand contains a publication of the following three hither- to unedited Coptic literary works preserved on manuscripts currently in the collections of the Pierpont Morgan Library in New York: I. -
The Coinage of Southern England, 796-840
THE COINAGE OF SOUTHERN ENGLAND, 796-840 C. E. BLUNT, C. S. S. LYON, and B. H. I. H. STEWART INTRODUCTORY WE think it desirable to explain how this paper came to be written under our joint names. For some years we have independently been aware of the shortcomings of the accepted chronology and classification of the coinage of the southern kingdoms in the age of the decline of the power of Mercia following the death of Offa. One of us, too, has been unhappy at the doubt which has been cast on the authenticity of certain coins in the Mercian series. Research in both these fields led us to write papers, read before the Society in successive years,1 that not only overlapped to an appreciable extent but which happily showed a very broad measure of agreement on the interpretation of the surviving material. We therefore felt that a single definitive publication, resulting from the integra- tion of our separate researches, would be more valuable than two distinct papers, and this we now offer. Brooke classified the ninth-century coinage according to the kingdom from which a named ruler derived his primary authority. While this may be a satisfactory basis for the coinages of the kings of Kent and of East Anglia, whose mints were, of necessity, located within their own immediate territories, it is quite unsuitable for the issues of the kings of Mercia, who were at times in a position to employ these same mints to strike the bulk of their own coinage. This is also true to a lesser extent, at a later stage, of the coins of the kings of Wessex. -
Excelsior for 2004
EXCELSIOR THE VOICE OF THE TREORCHY MALE CHOIR RECORD FOR THE YEAR 2014 Edited by DEAN POWELL, Publicity Officer and Honorary Archivist and Sub-Edited by SELWYN JONES, Secretary TREORCHY MALE CHOIR 2014 ——— Conductor Emeritus: JOHN CYNAN JONES, M.Mus., B.A., A.T.C.L. President: BRIAN BATES, Esq. Vice Presidents: NORMAN MARTIN, ISLWYN MORGAN MUSIC STAFF Conductor: JEFFREY HOWARD, B.Mus. Accompanist: HELEN ROBERTS, B.Mus. ADMINISTRATIVE STAFF Chairman: DAVID BEBB Secretary: Treasurer: SELWYN JONES JEFFREY PRIDAY Vice-Chairman: Assistant Secretary: JOHN FLETCHER RON EVANS Publicity Officer & Hon. Archivist: Registrar: DEAN POWELL TONY DAVIES Librarian: Librarian: ROGER MORSE EVAN DAVIES Honorary Members —Sir Tom Jones, Jon Schoffield, John Tucker, Brian Bates, Harold Woody, John Reid, James Kelso, Edward Fraser, Mel Absolam, Andrew Kay, Lester McGrath, Nigel Chivers, Max Boyce, Andrew Badham, Roy Noble, Dr Malcolm Williams, Dr Alwyn Humphreys, Dr Haydn James, Stuart Burrows, Richard Dinnen, David Lang, Robert Harris, David Geoffrey Thomas, Philip Grey, David Green, Paul Young Honorary Lady Members —Janice Ball, Helen Roberts, Jeanette Lawrence, Jennifer Jones, Iris Williams, Linde MacPherson, Fran Wheat, Val Dix, Judy Chivers, Marion Williams, Helen May, Heather James, Ros Evans, Iris Williams, Kate Woolveridge, Mair Roberts, Rhiannon Williams, Toni Rudov, Sue Gannon, Pia di Paolo, Iona Jones, Jeanne Grey, Marcelle Berry, Elvira Henry 2EXCELSIOR First Tenor Second Tenor First Bass Second Bass Arthur Miles Andrew Costin Derek Thomas Alun Davies -
A Dynamic and Living Figure by Ashley
Images of the Mother: A Dynamic and Living Figure Item Type Electronic Thesis; text Authors Milne, Ashley Marie Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 11:54:12 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/144846 IMAGES OF THE MOTHER: A DYNAMIC AND LIVING FIGURE BY ASHLEY MARIE MILNE A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors Degree With Honors in Religious Studies THE UNIVERSITY OF ARIZONA MAY 20 1 1 Approved by: Dr. Donna Swaim Department of Religious Studies The University of Arizona Electronic Theses and Dissertations Reproduction and Distribution Rights Form Name (Last, First, Middle) Wi\w, As~kqwlwk Degree title (eg BAYBS, BSE, ~d,BFA): &A Honors area (eg Molecular and Cellular Biology, English, Studio Art): f&,\ i 3 Smd u Date thesis submitted to Honors College: 4 I II Title of Honors thesis: es op -&t mouw: ,4 byand lm6"3 C\V(.hGJ Fl(jM6 :The University of I hereby grant to the University of Arizona Library the nonexclusive Arizona Library Release worldwide right to reproduce and distribute my dissertation or thesis and abstract (herein, the "licensed materials"), in whole or in part, in any and all media of distribution and in any format in existence now or developed in the future.