The Pleiades: the Celestial Herd of Ancient Timekeepers
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The Dunhuang Chinese Sky: a Comprehensive Study of the Oldest Known Star Atlas
25/02/09JAHH/v4 1 THE DUNHUANG CHINESE SKY: A COMPREHENSIVE STUDY OF THE OLDEST KNOWN STAR ATLAS JEAN-MARC BONNET-BIDAUD Commissariat à l’Energie Atomique ,Centre de Saclay, F-91191 Gif-sur-Yvette, France E-mail: [email protected] FRANÇOISE PRADERIE Observatoire de Paris, 61 Avenue de l’Observatoire, F- 75014 Paris, France E-mail: [email protected] and SUSAN WHITFIELD The British Library, 96 Euston Road, London NW1 2DB, UK E-mail: [email protected] Abstract: This paper presents an analysis of the star atlas included in the medieval Chinese manuscript (Or.8210/S.3326), discovered in 1907 by the archaeologist Aurel Stein at the Silk Road town of Dunhuang and now held in the British Library. Although partially studied by a few Chinese scholars, it has never been fully displayed and discussed in the Western world. This set of sky maps (12 hour angle maps in quasi-cylindrical projection and a circumpolar map in azimuthal projection), displaying the full sky visible from the Northern hemisphere, is up to now the oldest complete preserved star atlas from any civilisation. It is also the first known pictorial representation of the quasi-totality of the Chinese constellations. This paper describes the history of the physical object – a roll of thin paper drawn with ink. We analyse the stellar content of each map (1339 stars, 257 asterisms) and the texts associated with the maps. We establish the precision with which the maps are drawn (1.5 to 4° for the brightest stars) and examine the type of projections used. -
The Ancient Egyptian Hieroglyphic Language Was Created by Sumerian Turks
Advances in Anthropology, 2017, 7, 197-250 http://www.scirp.org/journal/aa ISSN Online: 2163-9361 ISSN Print: 2163-9353 The Ancient Egyptian Hieroglyphic Language Was Created by Sumerian Turks Metin Gündüz Retired Physician, Diplomate ABEM (American Board of Emergency Medicine), Izmir, Turkey How to cite this paper: Gündüz, M. (2017). Abstract The Ancient Egyptian Hieroglyphic Lan- guage Was Created by Sumerian Turks. The “phonetic sound value of each and every hieroglyphic picture’s expressed Advances in Anthropology, 7, 197-250. and intended meaning as a verb or as a noun by the creators of the ancient https://doi.org/10.4236/aa.2017.74013 Egyptian hieroglyphic picture symbols, ‘exactly matches’, the same meaning” Received: August 2, 2017 as well as the “first letter of the corresponding meaning of the Turkish word’s Accepted: October 13, 2017 first syllable” with the currently spoken dialects of the Turkish language. The Published: October 16, 2017 exact intended sound value as well as the meaning of hieroglyphic pictures as Copyright © 2017 by author and nouns or verbs is individually and clearly expressed in the original hierog- Scientific Research Publishing Inc. lyphic pictures. This includes the 30 hieroglyphic pictures of well-known con- This work is licensed under the Creative sonants as well as some vowel sounds-of the language of the ancient Egyp- Commons Attribution International tians. There is no exception to this rule. Statistical and probabilistic certainty License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ beyond any reasonable doubt proves the Turkish language connection. The Open Access hieroglyphic pictures match with 2 variables (the phonetic value and intended meaning). -
Frankfurt Pleiades Star Map 2
FRANKFURT PLEIADES STAR MAP 2 In investigating the Martian connection of the Pleiadian pattern of Frankfurt, one cannot avoid to address the origins at least in the propagation of this motif in the modern era and in all the financial powerhouses of today’s World Financial Oder. This is in part the Pleiades conspiracy as this modern version of the ‘Pleiadian Conspiracy’ started here in Frankfurt with the Rothschild dynasty by Amschel Moses Bauer, 1743. This critique is not meant to placate all those of the said family or those that work in such financial structures or businesses and specifically not those in Frankfurt. However the argument is that those behind the family apparatus are of a cabal that is connected to the allegiance of not the true GOD of the Universe, YHVH but to the false usurper Lucifer. It is Lucifer they worship and venerate as the ‘god of this world’ and is the God of Mammon according to Jesus’ assessment. According to research and especially based on The 13 Bloodlines of the Illuminati by Springmeier, the current financial domination of the world began in Frankfurt with Mayer Amschel. They were of Jewish extract but adhere more toward the Kabbalistic, Zohar, and ancient Babylonian secret mystery religion initiated by Nimrod after the Flood of Noah. The star Taygete corresponds to the Literaturahaus building. T he star Celaena corresponds to the Burgenamt Zentrales building. The star Merope corresponds to the area of the Timmitus und THE PLEIADES Hyperakusis Center. The star Alcyone corresponds to the Oper FINANCIAL DISTRICT The Bearing-Point building is Frankfurt or the Opera House. -
Download Notes 10-04.Pdf
Can you kill a god? Can he feel pain? Can you make him bleed? What do gods eat? Does Zeus delegate authority? Why does Zeus get together with Hera? Which gods are really the children of Zeus and Hera? Anthropomorphic Egyptian Greek ἡ ἀμβροσία ambrosia τὸ νέκταρ nectar ὁ ἰχώρ ichor Games and Traditions epichoric = local tradition Panhellenic = common, shared tradition Dumézil’s Three Functions of Indo-European Society (actually Plato’s three parts of the soul) religion priests τὀ λογιστικόν sovereignty 1 kings (reason) justice τὸ θυμοειδές warriors military 2 (spirit, temper) craftsmen, production τὸ ἐπιθυμητικόν farmers, economy 3 (desire, appetite) herders fertility Gaia Uranus Iapetus X Cœus Phœbe Rhea Cronos Atlas Pleione Leto gods (next slide) Maia Rhea Cronos Aphrodite? Hestia Hades Demeter Poseidon Hera Zeus Ares (et al.) Maia Leto Hephæstus Hermes Apollo Artemis Athena ZEUS Heaven POSEIDON Sea HADES Underworld ἡ Ἐστία HESTIA Latin: Vesta ἡ Ἥρα HERA Latin: Juno Boōpis Cuckoo Cow-Eyed (Peacock?) Scepter, Throne Argos, Samos Samos (Heraion) Argos Heraion, Samos Not the Best Marriage the poor, shivering cuckoo the golden apples of the Hesperides (the Daughters of Evening) honeymoon Temenos’ three names for Hera Daidala Athena Iris Hera Milky Way Galaxy Heracles Hera = Zeus Hephæstus Ares Eris? Hebe Eileithyia ὁ Ζεύς, τοῦ Διός ZEUS Latin: Juppiter Aegis-bearer Eagle Cloud-gatherer Lightning Bolt Olympia, Dodona ἡ ξενία xenia hospitality ὁ ὅρκος horcus ἡ δίκη oath dicē justice Dodona Olympia Crete Dodona: Gaia, Rhea, Dione, Zeus Olympia: -
Optical Spectroscopic Monitoring Observations of a T Tauri Star V409 Tau
International Journal of Astronomy and Astrophysics, 2019, 9, 321-334 http://www.scirp.org/journal/ijaa ISSN Online: 2161-4725 ISSN Print: 2161-4717 Optical Spectroscopic Monitoring Observations of a T Tauri Star V409 Tau Hinako Akimoto, Yoichi Itoh Nishi-Harima Astronomical Observatory, Center for Astronomy, University of Hyogo, Hyogo, Japan How to cite this paper: Akimoto, H. and Abstract Itoh, Y. (2019) Optical Spectroscopic Mon- itoring Observations of a T Tauri Star V409 We report the results of optical spectroscopic monitoring observations of a T Tau. International Journal of Astronomy Tauri star, V409 Tau. A previous photometric study indicated that this star and Astrophysics, 9, 321-334. experienced dimming events due to the obscuration of light from the central https://doi.org/10.4236/ijaa.2019.93023 star with a distorted circumstellar disk. We conducted medium-resolution (R Received: July 24, 2019 ~10,000) spectroscopic observations with 2-m Nayuta telescope at Ni- Accepted: September 16, 2019 shi-Harima Astronomical Observatory. Spectra were obtained in 18 nights Published: September 19, 2019 between November 2015 and March 2016. Several absorption lines such as Ca Copyright © 2019 by author(s) and I and Li, and the Hα emission line were confirmed in the spectra. The Ic-band Scientific Research Publishing Inc. magnitudes of V409 Tau changed by approximately 1 magnitude during the This work is licensed under the Creative observation epoch. The equivalent widths of the five absorption lines are Commons Attribution International License (CC BY 4.0). roughly constant despite changes in the Ic-band magnitudes. We conclude http://creativecommons.org/licenses/by/4.0/ that the light variation of the star is caused by the obscuration of light from Open Access the central star with a distorted circumstellar disk, based on the relationship between the equivalent widths of the absorption lines and the Ic-band magni- tudes. -
"Glory" John Legend and Common (2015) (From Selma Soundtrack)
"Glory" John Legend and Common (2015) (from Selma soundtrack) [John Legend:] [Common:] One day when the glory comes Selma is now for every man, woman and child It will be ours, it will be ours Even Jesus got his crown in front of a crowd One day when the war is won They marched with the torch, we gon' run with it We will be sure, we will be sure now Oh glory Never look back, we done gone hundreds of miles [Common:] From dark roads he rose, to become a hero Hands to the Heavens, no man, no weapon Facin' the league of justice, his power was the Formed against, yes glory is destined people Every day women and men become legends Enemy is lethal, a king became regal Sins that go against our skin become blessings Saw the face of Jim Crow under a bald eagle The movement is a rhythm to us The biggest weapon is to stay peaceful Freedom is like religion to us We sing, our music is the cuts that we bleed Justice is juxtapositionin' us through Justice for all just ain't specific enough Somewhere in the dream we had an epiphany One son died, his spirit is revisitin' us Now we right the wrongs in history True and livin' livin' in us, resistance is us No one can win the war individually That's why Rosa sat on the bus It takes the wisdom of the elders and young That's why we walk through Ferguson with our people's energy hands up Welcome to the story we call victory When it go down we woman and man up The comin' of the Lord, my eyes have seen the They say, "Stay down", and we stand up glory Shots, we on the ground, the camera panned up King pointed to -
CANAANITES READING HIEROGLYPHS* Horus Is Hathor? – the Invention of the Alphabet in Sinai
CANAANITES READING HIEROGLYPHS* Horus is Hathor? – The Invention of the Alphabet in Sinai By Orly Goldwasser This article is dedicated to the memory of Menakhem Shuval, a student at Tel Aviv University. Shuval wrote a Ph.D. thesis on local scarab production in Middle Bronze Age Canaan under the supervision of the late Pirhia Beck and myself. He concentrated on the definition of the local Canaanite scarab industry and collected hundreds of examples, which he divided into types of “specific Canaanite motifs.”1 His sudden death in December 1995 left behind a very extensive, unfinished manuscript, which comprises hundreds of pages of texts and plates and which has never been published. Many recent publications have confirmed his conclusions. May he rest in peace. PART ONE: HORUS IS HATHOR? to identify by the uninitiated as well, carry full meanings6 such as “the king of Upper and Lower An early, yet very common, combination of signs Egypt,” “life,7” “good,” “stability,” “gold,” “unifica- on Middle Bronze Age scarabs is (Fig. 1). It is tion,” “His Majesty,” “protection,” etc.; all these very frequently attested in Canaan and Byblos, signs may have simultaneously carried the addi- but is rare in Egypt.2 It does not appear in the tional prestige value “Egyptian” for their users. Uronarti collection or any other dated Egyptian One should remember that even in Egypt only a example, and is known from Tell el-Dabca from very small percentage of the population could two surface finds to date.3 This motif was by and read and write: the estimated range is 1–3%.8 Yet large explained by scholars as a combination of probably every Egyptian, and many foreigners the hieroglyph of the Horus falcon and a crudely too, would have recognized these specific icons executed n®r (R8) hieroglyph.4 and would have understood their meaning. -
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
THE DESTINY of the WORLD : a STUDY on the END of the UNIVERSE in the Llght of ANCIENT EGYPTIAN TEXTS
THE DESTINY OF THE WORLD : A STUDY ON THE END OF THE UNIVERSE IN THE LlGHT OF ANCIENT EGYPTIAN TEXTS Sherine M. ElSebaie A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Near and Middle Eastern Civilizations University of Toronto O Copyright by Sherine M. ElSebaie (2000) National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KfA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The Destiny of The World: A Study on the End of The Universe in The Light of Ancient Egyptian Texts Sherine M. ElSebaie Master of Arts, 2000 Dept. of Near and Middle Eastern Civilizations University of Toronto ABSTRACT The subject of this thesis is a theme that has not been fully çtudied until today and that has long been thought to be overlooked by the ancient Egyptians in a negative way. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
Book of the Dead: Becoming God in Ancient Egypt — Which Will Open in Our Special Exhibits Gallery This Fall
News & Notes MEMBERS’ MAGAZINE ISSUE 235 | AUTUMN 2017 FROM THE DIRECTOR’S STUDY defining characteristic of the Oriental Institute has always been the equal em- phasis on archaeological and textual approaches to the study of the ancient A THE ORIENTAL INSTITUTE Near East. This dual focus is aptly exemplified by the two featured articles in this 1155 East 58th Street issue, which, while considering ancient Egypt from different perspectives, demon- Chicago, Illinois, 60637 strate that novel approaches can shed new light on long-considered problems. In the lead article, Foy Scalf introduces us to the exhibition he is curating WEBSITE oi.uchicago.edu — Book of the Dead: Becoming God in Ancient Egypt — which will open in our special exhibits gallery this fall. The Book of the Dead, a seminal text of the ancient FACSIMILE world, has been the source of a vast scholarship since the middle of the nineteenth 773.702.9853 century, yet it remains poorly understood beyond Egyptological circles, and the MEMBERSHIP INFORMATION source of many popular misconceptions about ancient Egyptian culture and reli- 773.702.9513 gion. As Foy explains, our special exhibit seeks to remedy this by bringing the lat- [email protected] est research to bear on questions of the purpose, origins, history, and theological MUSEUM INFORMATION context of the Book of the Dead. Contrary to its name, which is a modern coinage, 773.702.9520 the Book of the Dead is about life — the eternal life of the soul after death. Far SUQ GIFT AND BOOK SHOP from being a book in the traditional sense or a single canonical text for that mat- 773.702.9510 ter, the Book of the Dead is a compendium of spells, of diverse origins and uses, which collectively provide the deceased with a handbook for the Netherworld, ADMINISTRATIVE OFFICE 773.702.9514 assuring rejuvenation and, moreover, identifying the human realm with the divine.