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Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Carl Dengler Scrapbooks
CARL DENGLER COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Mary J. Counts, spring 2006 and Mathew T. Colbert, fall 2007; Finding aid revised by David Peter Coppen, summer 2021 Carl Dengler and his band, at a performance at The Barn (1950): Tony Cataldo (trumpet), Carl Dengler (drums), Fred Schubert (saxophone), Ray Shiner (clarinet), Ed Gordon (bass), Gene Small (piano). Photograph from the Carl Dengler Collection, Scrapbook 3 (1950-1959). Carl Dengler and His Band, at unidentified performance (ca. 1960s). Photograph from the Carl Dengler Collection, Box 34/15. 2 TABLE OF CONTENTS Description of Collection . 4 Description of Series . 8 INVENTORY SUB-GROUP I: MUSIC LIBRARY Series 1: Manuscript Music . 13 Series 2: Published Sheet Music . 74 Series 3: Original Songs by Carl Dengler . 134 SUB-GROUP II: PAPERS Series 4: Photographs . 139 Series 5: Scrapbooks . 158 Series 6: Correspondence . 160 Series 7: Programs . 161 Series 8: Press Material . 161 Series 9: Association with Alec Wilder . 162 Series 10: Books . 163 Series 11: Awards . 165 Series 12: Ephemera . 165 SUB-GROUP III: SOUND RECORDINGS Series 13: Commercial Recordings . 168 Series 14: Instantaneous Discs . 170 Series 15: Magnetic Reels . 170 Series 16: Audio-cassettes . 176 3 DESCRIPTION OF COLLECTION Shelf location: M4A 1,1-7 and 2,1-8 Extent: 45 linear feet Biographical Sketch (L) Carl Dengler, 1934; (Center) Carl Dengler with Sigmund Romberg, ca. 1942; (Right) Carl Dengler, undated (ca. 1960s). Photographs from the Carl Dengler Collection, Box 34/30, 34/39, 34/11. Musician Carl Dengler—dance band leader*, teacher, composer. -
Oak Ridge Boys
NEWSPAPER MARCH 6, 1982 $2.75 Oak Ridge Boys Hits of the Week SINGLES SLEEPERS ALBUMS A TASTE OF HONEY. "I'LL TRY SOM NG ;IAN MORRISON. 'CLEANING WINDOWS ALABAMA. "MOUNTAIN MUSIC." NEW" (prod McKay) (writer Robihl (prod Morrison) (writerMorrisoni Wi anunshakeable iu-IDEr one coun- son) (Jobete. ASCAP) (3 45) Janiqd (Essential. BMI) 1418) Vans inimi- try LP (and huge crossover success) Marie Johnson s breathy. Enticing table vocal style is always a welcome berind them. this should create vocal is adorned with exotic :. sound for tired AOR-pop ears Cn heivy retail traffic with *h s release -he and percussion on this go -g this initial release from his newtitle cut is a rolltckirg to of the hE to Srnokey Robinson -penned Beautiful Vision LP he s at his best. bluegrass. and Creederce sG-een from the forthcomingLadies of -the backed by a crack rhythm sectiol River'is covered a:A AHL1-4229 Eighties LP Capitol 5099 Warner Bros 50031 E.-..8) RICK SPRINGFIELD. "DON'T TALK TO LAURA BRANIGAN, "ALL NIGHT WITH ME" BL:KNER & GARCIA, -PAC-MAN STRANGERS" I a Olsen) (prod White-Mathieson) {write-. FEvER." Instead oorxrying abDut (writerSpringfiel Super Ron Montan) (Special Old Sock. ASCAP)yids.) games sapping recxd sales why Roble Porter. BMI) ( 0) Equipped (3 50) From :he forthcomingBrari-not capitalize on the :re -d? That bt of with a snappy rockeat anct sharp gan LP this powerful ballad revea swisdom has yielded = 03 -Lie title sin; le chorus hook. Spnnield is ready to Laura s stunning vocal talents The and-ributes to populEr gE Tes like Cen continue his hot streak with tnis cut hook s lusty passion is sure to open tipE and "Mouser ac- (with fait- fu tfrom the newSuccess Hasn t pop and A C radio earsAtlanticele:-ronic sounds) nildelight N.. -
2008 Statement of Financial Information PDF File
CITY O F VANCO UVER INCLUD ING BO ARD S AN D CO M M ISSION S BRITISH CO LUM BIA STATEM ENT O F FINANCIAL INFO RM ATION D ECEM BER 31, 2008 • FINAN CIAL STATEM EN TS • SCHEDULE OF DEBTS • SCHEDULE OF GUARANTEE AND INDEM NITY AGREEM ENTS • SCHEDULE OF REM UNERATION AND EXPENSES • SCH ED ULE O F SUPPLIERS FO R G O O D S AN D SERVICES Publ shed pursuant to the F nanc al Inform at on Re.ulat ons under the F nanc al Informat on Act of Br t sh Colum b a CITY O F VAN CO UVER STATEM EN T O F FINAN CIAL INFO RM ATION APPRO VAL The undersigned, as authorized by the Financial Inform ation Regulation, Schedule 1, subsection 9(2), a roves all the statem ents and schedules included in this Statem ent of Financial Inform ation, roduced under the Financial Information Act. Esther Lee Director of Financial Services De uty Director of Finance A ril 23, 2009 CITY O F VAN CO UVER D IRECTO R O F FINAN CE REPO RT The Financial Statem ents contained in this Statem ent of Financial Inform ation under the Financial Inform ation Act have been re ared by m anagem ent in accordance w ith generally acce ted accounting rinci les, and the integrity and objectivity of these statem ents are m anagem ent’s res onsibility. ,anagem ent is also res onsible for all the statem ents and schedules, and for ensuring that this inform ation is consistent, w here a ro riate, w ith the inform ation contained in the financial statem ents. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
UMD 14-05-06 00040.Pdf (9.490Mb Application/Pdf)
• AIRWAVES A Service of Continuing Education and Extension l5tl University of Minnesota, Duluth _ VOL. 3 NUMBER 5 APRIL 1982 MAY 1982 ...i 0 C GI :ii:: >- .0 0 :-~~_,....._.._....._ a0 Metamorphosis: WDTH/KUMD enters the satellite age. Station Managn . ... , .. Tom Livingston Program Dittetor .. , ...... John Zitgltr ,\.u1. Progr~m Dirtctor . .... Paul Schmnz •:nginttring . Kirk Kinl~n to the Listener Producn-/Outrtach .. ..... Jun Johnson AIRWAVES is the bi-monthly program guide of KUMD, which is the 100,000 wall public radio station at the By Tom Llvlngaton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm . KUMDispart of University Media Resources, a KUMD WDSE Simulcasts Federal support for departr:nent of Continuing Education · Public Broadcasting h's coincidemal that on March 8th, six and Extension at the University of We have word from WDSE-TV, the Minnesota. KUMD ' s program years LO the day, after we changed from As a taxpayer, you should know and public television station in Duluth, that philosophy is to provide the highest KUMD to WDTH, we received the DATE decoder has arrived at their become involved in the changing quality non-commercial program- authorization from the Federal sllldios. This will give us the capability support level for Public Broadcasting at ming, including music, news and Communications Commission LO once to simulcast programs like Austin City the federal level. For the funding yeqr public affairs, and information again become KUMD. Although it took Limits Jive in stereo with WDSE. We we're now in, funding for all of Public a long time because of a variety of programs. -
Buster Williams Discography (Pdf)
Buster Williams Discography (Alphabetical by Artist) ABDULLAH IBRAHIM "NO FEAR NO DIE" TIPTOE 1993 ABDULLAH IBRAHIM "AFRICAN RIVER" ENJA ALBERT DAILY "THAT OLD FEELING" STEEPLECHASE 1107 1978 ALBERT DAILY "THE DAY AFTER THE DAWN" COLUMBIA KC31278 ANN BURTON "IT MIGHT AS WELL BE LOVE" TURNING POINT 30002 1983 ANN BURTON "NEW YORK STATE OF MIND" TRIO RECORDS 9175 1979 ART BLAKEY "THE ALL STAR JAZZ MESSENGERS" BAY STATE 8033 1982 ART FARMER/BENNIE GOLSON "JAZZTET" BENNY ARONOV "SHADOW BOX" CHOICE RECORDS 1978 BENNY GREEN "IN THIS DIRECTION" CRISS CROSS BENNIE MAUPIN "THE JEWEL IN THE LOTUS" ECM 1043 1974 BEN RILEY "WEAVER OF DREAMS" JOKEN BK105 1993 BETTY CARTER "BETTY CARTER ALBUM' BET-CAR NK10002 BILL BARRON "JAZZ CAPER" MUSE 5235 1978 BILLY HART "RAH" GRAMAVISION RECORDS BILLY HART "ENCHANCE" HORIZON A&M SP725 1977 BISON KATAYAMA/CEDARW/BUSTER W "URBAN LABYRINTH" KING RECORDS 1994 BOBBY HUTCHERSON "FAREWELL KEYSTONE" THERESA 124 1982 BOBBY HUTCHERSON "IN THE VANGUARD" LANDMARK 1513 1986 BOBBY HUTCHERSON "LANDMARKS 1984-86" LANDMARK RECORDS 1991 BRANFORD MARSALIS "RENAISSANCE" BUCK HILL "SCOPE" STEEPLE CHASE 1123 1979 BUCK HILL "THIS IS BUCK HILL" STEEPLE CHASE 1095 1978 BUSTER WILLIAMS "PINNACLE" MUSE RECORDS 5080 1975 BUSTER WILLIAMS "HEARTBEAT" MUSE REOCRDS 5101 1976 BUSTER WILLIAMS "CRYSTAL REFLECTIONS" MUSE RECORDS 5171 1977 BUSTER WILLIAMS "TOKU-DO" NIPPON COLUMBIA 1978 BUSTERWMS/CEDARW/BILLYH/CHAS.LL "ACOUSTIC MASTERS" ATLANTIC 1994 BUSTER WILLIAMS "DREAMS COME TRUE" VERSATILE/BUDDHA/ARISTA 1980 Agency1 Jim Wadsworth Productions -
Nar Haslewood
N.A.R. HASLEWOOD SADMAN RECORDS NEWS 63 SADMAN RECORDS AUCTION CLOSING: MONDAY, November 2nd 2020 P.O. BOX 1413 LEICESTER LE2 8ZE U.K. TEL: (0044) 0116 270 6325 MOBILE: (0044) 07968 327155 E-MAIL: [email protected] www.sadmanrecords.com Welcome to Sadman Records News 63. Again, there is a mixture of set-price and auction items. As usual, the set-price records can be ordered, paid for and sent to you now. Alternatively, the set-price items can be reserved and paid for at a later date, either when the auction closes or put aside and collected from an upcoming record fair (see below). Again, there is no LP auction this time; instead there is a larger modern jazz set-price list. Finally, I need to point out that 2020 may well be the last year that I send out such large lists. I am aiming to at least partially retire by the end of the year. This means that I want to sell large quantities of my remaining stock. I have now managed to sell most of my excess stock of 78s. However, if you, or anyone you know, are interested in buying a quantity of LPs, please get in touch. SEE YOU AT THE RECORD FAIR: For the first time for as long as I can remember, this regular feature of our lists is a blank. This is, of course, not through any dimunition in our enthusiam for such events but as a result of the current crisis we are all living through. At present the Utrecht Fair in November is still pencilled in but I fear, in the end, this event will go the same way as the one that should have been held in April. -
Loverboy the GOSPELTRUTH
ft I March 27, 1982 I I Loverboy THE GOSPELTRUTH ASCAP member won 16 Dove Awards in 1981. More than all the other licensing oiganizations combined. DOTTIE RAMBO Gospel Songwriter of the Year DOTTIE RAMBO Writer of Gospel Song of the Year “WE SHALL BEHOLD HIM” JOHN T. BENSON Publisher of Gospel Song of the Year “WE SHALL BEHOLD HIM” PUBLISHING CO. RUSS TAEE Male Vocalist of the Year DINO KARTSONAKIS Gospel InstrumenLilist of the Year PAUL SMITH Of the Imperials — Gospel Group of the Year PAUL SMITH Of the Imperials — Contemporaiv' Gospel Album of the Year “PRIORITY” MICHAEL OMARTIAN Producer of Contemporary' Gospel Album of the Year “PRIORITY” KLJRT KAISER Producer of Inspirational Gospel Album of the Year “JONES SONG” BOB MacKENZIE Producer Gospel Album of the Year — Children’s Music “KIDS UNDER CONSTRUCTION” RON HUEF Producer Gospel Album of the Year— Children’s Music “KIDS UNDER CONSTRUCTION” RON HUEE Producer of Gospel Album of the Year — Worship Music “EXALTATION” DON WYRTZEN Producer of Gospel Album of the Year — Musicals “THE LOVE STORY’ EDWIN HAWKINS Artist — Inspirational Gospel Album of the Year ( Black ) “EDWIN HAWKINS LIVE” EDWIN HAWKINS Producer— Inspirational Gospel Album of the Year ( Black) “EDWIN ILAVKINS LIVE” KEN HARDING Producer of Traditional Gospel Album of the Year “ONE STEP CLOSER” QSCQbAmerican Society of Composers, Authors & Publishers We've always had the greats. VOLUME XLIII -- NUMBER 44 — March 27, 1982 THE INTERNATIONAL MUSIC RECORD WEEKLY C4SH BOX GEORGE ALBERT President and Publisher NICK ALBARANO Vice President EDITORML Throw The Book At ’Em ALAN SUTTON Vice President and Editor In Chief The news last week that the Motion Picture Assn, Unfortunately, with the current state of J.B. -
Clark Terry Discography
Clark Terry Name Discography Compiled by Tom Lord This Clark Terry name discography is an extract from The Jazz Discography by Tom Lord. The Jazz Discography is the only general jazz discography compiled in a database. It includes almost 39,000 leaders, over 196,000 recording sessions, over 1.1 million musician entries and over 1.2 million tune entries. Details can be seen at www.lordisco.com . This detailed name discography of Clark Terry has been prepared as a companion piece to Clark Terrys autobiography. A summarized version of this name discography is included in the book. The discography includes 902 recording sessions from February 1947 to July 2008. It includes 788 sessions with Clark Terry as a sideman and 114 sessions with him as a leader. Included are 2584 unique musicians (total 12,604 entries) and 3403 unique tunes (total 7735 entries). The discography is organized chronologically by recording session. The leader of the session is listed at the top of each session in large bold print. Each session is organized with a session number (for easy reference) along with the group name, musicians including instruments, the recording location and the recording date. Tunes are listed with matrix numbers in a column to the left and releases to the right. Album titles are shown in underlined bold print after the session number or in the footnote to the session. The following five pages list abbreviations used throughout the discography. Then the 172 pages of the discography are listed. November 5, 2010 Tom Lord [email protected] Instrument -
The Black Experience in Children's Books. INSTITUTION New York Public Library, N.Y
DOCUMENT RESUME ED 091 066 PS 007 253 AUTHOR Baker, Augusta, Comp. TITLE The Black Experience in Children's Books. INSTITUTION New York Public Library, N.Y. PUB DATE 71 NOTE 116p. AVAILABLE FROM New York Public Library, The Branch Libraries, 8 East 40th Street, New York, N.Y. 10016 ($0.50) EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS African Culture; *Booklists; *Childrens Books *Library Material Selection; *Negro Literature; *Reading Materials ABSTRACT This annotated list of books suitable for children through age 12 was compiled to give children an unbiased, well-rounded picture of black life, both in the United States and in other parts of the world. It is a comprehensive rather than a selective list. Books are listed in categories such as picture books, stories for younger readers, poetry and verse, sports, science, civil rights, music and art, and others. (CS) THE BLACK EXPERIENCE IN CHILDREN'S BOOKS Selected by Augusta Baker Coordinator of Children's Services Sponsored by North Manhattan Project Countee Cullen Regional Branch Cover Design by Ezra Jack Keats I THE NEW YORK PUBLIC LIBRARY 1971 This bibliography was made possible by Federal Library Services and Construction Act funds of the North Man- hattan and Countee Cullen Regional Branch projects and is available free of charge at the Countee Cullen Regional Branch, The New York Public Library, 104 W. 136th Street. There is a 500 per copy handling charge for mail order copies up to 10. Special rates for orders of 11 or more. Do not send stamps. Make checks payable to The New York Public Library.