UMD 14-05-06 00040.Pdf (9.490Mb Application/Pdf)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Goodbye Pork Pie Hat Words & Music: Joni Mitchell & Charles Mingus
Goodbye Pork Pie Hat Words & Music: Joni Mitchell & Charles Mingus Joni set words to many of Mingus' jazz tunes on the 1979 album Mingus. Luckily, Charles Mingus was able to hear the results of the collaboration before his death that same year. If you don't know Mingus' work, go discover it. Works like "Fables of Faubus", "Better Git It In Your Soul" & "Slop" are sublime. The noted Jeff Beck cover of this tune earned the rare honor of a complete transcription in the November 2004 issue of Guitar Player. Chords are courtesy of Vivek Ayer. It is hard to map them to the words exactly, due to the free nature of the singing, but use Vivek's map & notes below. "This is a blues song with cool/weird changes written by Charles Mingus famously covered Beck, John Mclaughlin and Joni Mitchell. It's a 12 bar blues (can be read as 3 sections of 4 bars each) These chords can be played as a chord melody arrangement: | Ebm* B13| EM7+11 A7b5 | C#m9 B9| C#9 Eb7 | | Abm7 B13| EM7+11 Bb7#9#5 | C7b5 F7| B7 EM7| | A13 Ab7 | Bb7 C#7** | Ebm B7 | E A7 || * If you're not playing the melody I'd recommend Eb7#9 ** Some versions just play B9 for 2 bars here Eb7#9[Ebm] B13 EM7+11 A7b5 When Charlie speaks of Lester, you know someone great has gone. C#m9 B9 C#9 Eb7 The sweetest, swinging music man had a Porky Pig hat on. Abm7 B13 EM7+11 Bb7#9#5 A bright star in a dark age when the bandstands had a thousand ways C7b5 F7 B7 EM7 A13 Ab7 Of refusing a black man admission, black musician. -
Edgar Aaron Jay Charles
MUSIC + FESTIVAL 2019 THE UNIVERSITY OF ARIZONA TWELFTH ANNUAL COMPOSERS FESTIVAL OCTOBER 12-13 TUCSON, ARIZONA VarèseEdgar · AaronKernis Jay · MingusCharles COLLEGE OF FINE ARTS Fred Fox School of Music Music + Festival 2019: Edgard Varèse, Aaron Jay Kernis, Charles Mingus Twelfth Annual Composers Festival The University of Arizona Fred Fox School of Music October 12-13, 2019 The 2019 Music + Festival: Varese, Kernis, and Mingus will present the lives and music of these three composers within a rich and broad intellectual framework. The festival consists of a symposium providing the historical and artistic context in which these composers lived as well as what to listen for in this music; and four concerts: one chamber, one devoted to music of Charles Mingus, one featuring a mixture of electronic and concert music, and one including large ensembles. The festival features the faculty members and major student ensembles of the Fred Fox School of Music and guest artists and scholars. Despite his output of only slightly more than a dozen compositions, Edgard Varèse is regarded as one of the most influential musicians of the twentieth century. His concept of “organized sound” led to experiments in form and texture. He was constantly on the lookout for new sound sources, and was one of the first to extensively explore percussion, electronics, and taped sounds. He was, as Henry Miller called him, “The stratospheric Colossus of Sound.” Pulitzer Prize-winning composer Aaron Jay Kernis draws artistic inspiration from a vast and often surprising palette of sources, among them the limitless color spectrum and immense emotional tangle of the orchestra, cantorial music in its beauty and dark intensity, the roiling drama of world events, and the energy and drive of jazz and popular music. -
The Annual Bell Jazz Lecture, 2001 Mandy Sayer
AAAAAAAAAA.AAAAAAkkAAAA.AAAAAAAAA DOUBLY GIFTED • TT TTTTT ••••TTTTTTTTTTTTTTTTr TT The Annual Bell Jazz lecture, 2001 Mandy Sayer The Annual Bell Jazz lecture, 2001 Mandy Sayer The Ninth Annual Bell jazz Lecture Delivered 22nd September, 2001 Waverley Library © Mandy Sayer ISBN 0-9585157-5-1 Published by and printed at Waverley Library 32-48 Denison Street, Bondi Junction, 2022 Telephone: (02) 93861111 Fax: (02) 9386 7700 Introduction The Annual Bell Lecture in Jazz has now reached its ninth year in 2001. Once again the Doubly Gifted Committee wishes to thank the staff of the 'Waverley Library, the Friends of Waverley Library and the Waverley Council for making both the Doubly Gifted Exhibition and the Lecture possible. The Exhibition and the Bell Lecture in jazz were initiated by the late Harry Stein and therefore the Doubly Gifted Committee continues to present these as a tribute to his memory and as a tribute to the great Australian jazz musician, Graeme Bell. This year we are honoured to have as our lecturer, a well-known and highly - respected successful author, Mandy Sayer. She has published a number of novels and continues to delight her reading public with a variety of subjects. Mandy Sayer is the daughter of jazz drummer, the late Gerry Sayer, who travelled overseas with Mandy at his side. She has experienced a most unusual jazz life and will surely draw on some of these experiences to dehver a very informative and entertaining lecture. Mandy Sayer will be introduced by last year's lecturer Peter J.F. Newton. Kate Dunbar Co-Convenor Doubly Gifted Committee Mandy Sayer Mandy Sayer attended twelve public schools before touring the U.S. -
Cockroach Olympics! (415)821-4990 Social and Cultural Issues
PAGE 16 AUGUST 1979 ENLISTED TIMES Together of pedal steel guitar, mandolin and it works. Mitchell's lyrics to by McCoy Tyner fiddles to carry it home. Carry it Mingus' classics are vivid and witty, Gsmofon inlha Haw UJoHd home. and her singing is Rzrfwmad bq ttxt Ciamslen Sort of Lion Milestone Records (M-9087) surprisingly ver satile. Particularly good are the (JAZZ) The latest by pianist and moving, affectionate remake of composer McCoy Tyner is a joy. "Goodbye Pork Pie Hat" and the Precise, vigorous playing joins tasty hilarious "The Dry Cleaner From arrangements, as Tyner stretches Des Moines." Herbie Hancock on out in the company of an all-star piano, Wayne Shorter on sax and lineup that includes Freddy Jaco Pastorius on bass provide Hubbard on trumpet, Hubert Laws added texture and mood. on flute and Stanley Clarke on acoustic bass. The quietly powerful "Ballad for Aisha" and the mus cular, swirling percussion of Communique "Bayou Fever" are blue-ribbon by Dire Straits winners. Barren County Warner Brothers Records (HS 3330) by Newgrass Revival (ROCK) Bandleader Mark Knopf- Flying Fish Records (083) ler's much-praised lyrics strike me (BLUEGRASS) Newgrass Revival's as unexceptional. Vague threats of fusion of bluegrass and rock is violence if the hero doesn't get what Rickie Lee Jones shown off to good advantage on he wants (usually The Girl) are not by Rickie Lee Jones Barren County. Their trademark exactly new in rock and roll. How Warner Brothers Records airtight harmonies are here on ever, Knopfler's whispery vocals (BSK 3296) "Dancin* With the Angels," as are and liquid guitar lines grow on you, (ROCK/POP) The Jones lady's got it the spirited, lickety-split.picking (on and before you know it, you find a supple, sensual voice that can "Lee Highway Blues") and under yourself humming these quietly sing 'em fast or slow, a clever stated way with words (on "Crazy ominous songs. -
Album Title ) 01
2005/12/31 ( ALBUM TITLE ) 01. Paint It Black / Tim Ries The Rolling Stones Project 02. You're Gonna Make Me Lonesome When You Go / Madeleine Peyroux Careless Love 03. Lord Protect My Child / Susan Tedeschi Hope and Desire 04. Brown Baby / Oscar Brown Jr. Sin & Soul...and then some 05. The Gift Of God Is Eternal Life / Sister Gertrude Morgan Let's Make A Record 06. Call Me / Aretha Franklin Live At Fillmore West - Don't Fight The Feeling 07. Soul Serenade / King Curtis Live At Fillmore West - Don't Fight The Feeling 08. Sweet and Lovely / Thelonious Monk Quartet with John Coltrane At Carnegie Hall 09. Drown In My Own Tears / John Scofield That's What I Say 10. Soon / Souad Massi Honeysuckle (Mesk Elil) 11. Sister Morphine / Marianne Faithfull The Jack Nitzsche Story - Hearing Is Believing 12. Maha Shakti / Debashish Bhattacharya Calcutta Slide Guitar 2005/12/24 ( ALBUM TITLE ) 01. Everybody Cryin' Mercy / Georgie Fame The Blues And Me 02. Diamonds / Jet Harris & Tony Meehan No.1 British Beat 03. Blues In The Bottle / Jim Kweskin Jug Band Greatest Hits! 04. Mr. Pitiful / Otis Redding The Very Best Of Otis Redding 05. (Night Time Is) The Right Time / Ray Charles The Best of Ray Charles: The Atlantic Years 06. Sailin'Into Walker's Cay / Taj Mahal Sing A Happy Song 07. Blue Skies / Dr. John Afterglow 08. World I Never Made / Dr. John Our New Orleans 2005 - A Benefit Album 09. The Black Balloon / John Renbourn The Black Balloon 10. Strange Journey / Michael McGoldrick Wired 11. The Jewels of the Ocean / Sharon, Gavin, McGoldrick & Murray Tunes 12. -
Carl Dengler Scrapbooks
CARL DENGLER COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Mary J. Counts, spring 2006 and Mathew T. Colbert, fall 2007; Finding aid revised by David Peter Coppen, summer 2021 Carl Dengler and his band, at a performance at The Barn (1950): Tony Cataldo (trumpet), Carl Dengler (drums), Fred Schubert (saxophone), Ray Shiner (clarinet), Ed Gordon (bass), Gene Small (piano). Photograph from the Carl Dengler Collection, Scrapbook 3 (1950-1959). Carl Dengler and His Band, at unidentified performance (ca. 1960s). Photograph from the Carl Dengler Collection, Box 34/15. 2 TABLE OF CONTENTS Description of Collection . 4 Description of Series . 8 INVENTORY SUB-GROUP I: MUSIC LIBRARY Series 1: Manuscript Music . 13 Series 2: Published Sheet Music . 74 Series 3: Original Songs by Carl Dengler . 134 SUB-GROUP II: PAPERS Series 4: Photographs . 139 Series 5: Scrapbooks . 158 Series 6: Correspondence . 160 Series 7: Programs . 161 Series 8: Press Material . 161 Series 9: Association with Alec Wilder . 162 Series 10: Books . 163 Series 11: Awards . 165 Series 12: Ephemera . 165 SUB-GROUP III: SOUND RECORDINGS Series 13: Commercial Recordings . 168 Series 14: Instantaneous Discs . 170 Series 15: Magnetic Reels . 170 Series 16: Audio-cassettes . 176 3 DESCRIPTION OF COLLECTION Shelf location: M4A 1,1-7 and 2,1-8 Extent: 45 linear feet Biographical Sketch (L) Carl Dengler, 1934; (Center) Carl Dengler with Sigmund Romberg, ca. 1942; (Right) Carl Dengler, undated (ca. 1960s). Photographs from the Carl Dengler Collection, Box 34/30, 34/39, 34/11. Musician Carl Dengler—dance band leader*, teacher, composer. -
Oak Ridge Boys
NEWSPAPER MARCH 6, 1982 $2.75 Oak Ridge Boys Hits of the Week SINGLES SLEEPERS ALBUMS A TASTE OF HONEY. "I'LL TRY SOM NG ;IAN MORRISON. 'CLEANING WINDOWS ALABAMA. "MOUNTAIN MUSIC." NEW" (prod McKay) (writer Robihl (prod Morrison) (writerMorrisoni Wi anunshakeable iu-IDEr one coun- son) (Jobete. ASCAP) (3 45) Janiqd (Essential. BMI) 1418) Vans inimi- try LP (and huge crossover success) Marie Johnson s breathy. Enticing table vocal style is always a welcome berind them. this should create vocal is adorned with exotic :. sound for tired AOR-pop ears Cn heivy retail traffic with *h s release -he and percussion on this go -g this initial release from his newtitle cut is a rolltckirg to of the hE to Srnokey Robinson -penned Beautiful Vision LP he s at his best. bluegrass. and Creederce sG-een from the forthcomingLadies of -the backed by a crack rhythm sectiol River'is covered a:A AHL1-4229 Eighties LP Capitol 5099 Warner Bros 50031 E.-..8) RICK SPRINGFIELD. "DON'T TALK TO LAURA BRANIGAN, "ALL NIGHT WITH ME" BL:KNER & GARCIA, -PAC-MAN STRANGERS" I a Olsen) (prod White-Mathieson) {write-. FEvER." Instead oorxrying abDut (writerSpringfiel Super Ron Montan) (Special Old Sock. ASCAP)yids.) games sapping recxd sales why Roble Porter. BMI) ( 0) Equipped (3 50) From :he forthcomingBrari-not capitalize on the :re -d? That bt of with a snappy rockeat anct sharp gan LP this powerful ballad revea swisdom has yielded = 03 -Lie title sin; le chorus hook. Spnnield is ready to Laura s stunning vocal talents The and-ributes to populEr gE Tes like Cen continue his hot streak with tnis cut hook s lusty passion is sure to open tipE and "Mouser ac- (with fait- fu tfrom the newSuccess Hasn t pop and A C radio earsAtlanticele:-ronic sounds) nildelight N.. -
Graduate Lecture Recital: the Art of the Vocalese Hannah Martin
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-6-2019 Graduate Lecture Recital: The Art of the Vocalese Hannah Martin Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Martin, Hannah, "Graduate Lecture Recital: The Art of the Vocalese" (2019). All Concert & Recital Programs. 6030. https://digitalcommons.ithaca.edu/music_programs/6030 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. The Art of the Vocalese Graduate Lecture Recital Hannah Martin, jazz voice Emmett Scott, piano Zane Carnes, bass Jacob Graham, percussion Nabenhauer Recital Room Saturday, April 6th, 2019 8:15 pm Program Lecture: The Art of the Vocalese Intermission Moody's Mood for Love Composer: Jimmy McHugh Soloist: James Moody Lyricist: Eddie Jefferson Yardbird Suite Composer: Charlie Parker Soloist: Charlie Parker Lyricist: Bob Dorough In Walked Jon Composer: Thelonious Monk Soloist: Jon Hendricks Lyricist: Hannah Martin Goodbye Pork Pie Hat Composer: Charles Mingus Lyricist: Joni Mitchell Those Clouds Are Heavy, You Dig? Composer: Dave Inspired by Dave Brubeck's "Balcony Rock" Brubeck Soloist: Paul Desmond Lyricist: Kurt Elling Jackie Composer: Hampton Hawes Soloist: Wardell Grey Lyricist: Annie Ross Arr. New York Voices This recital is in fulfillment of the degree M.M. in Vocal Performance. Hannah Martin is from the studios of Dr. Ivy Walz & Kim Nazarian.. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.