Safaris to the Heart of All That Jazz
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nils Landgren
Nils Landgren Redhorn Collection ACT 6013 -2 CD 1: The Funk Unit / CD 2: The Ballads German Release Date: October 10, 2014 Two hours musical enjoyment with Mr. Redhorn and "Siggi Loch gave me the power to surpass myself, Maceo Parker, Brecker Brothers, Joe Sample, Roy and that is bearing a lot of fruits now," Landgren Hargrove, Fred Wesley, Ray Parker Jr., Bernard summarises their joint success story, but he isn't only active Purdie, Till Brönner, Rigmor Gustafsson, Ida Sand, for ACT as a musician, he is also a producer and scout. Esbjörn Svensson, Lars Danielsson, Per Ruskträsk Through Funk Unit, Loch's attention was called to Esbjörn Johansson, Magnum Coltrane Price, Magnus Svensson, and the singers Viktoria Tolstoy, Rigmor Lindgren, Wolfgang Haffner, Michael Wollny, NDR Gustafsson and Ida Sand also came to ACT from Bigband amongst others. Landgren's sphere of activity. Today, ACT is the biggest exporter of jazz from Sweden; thanks in no small degree to Nils Landgren is a name that has become Landgren. synonymous with versatility, curiosity and vigour. Whether with his Funk Unit, his jazz ballad projects, big Mr. Redhorn is one of the most active live artists in bands or his countless other contributions as sideman, contemporary jazz, in part also thanks to his concert soloist and bandleader – the likable Swede with the bright management partner Karsten Jahnke Konzertdirektion. He red trombone has constantly been on the move for more averages 200 days a year on the road around the music than 30 years. He is one of the most successful European world, and is one of a small number of jazz artists who jazz musicians, born Värmland in 1956, Landgren has made reach an audience that by far transcends the jazz "scene", around 550 records and received a plethora of jazz awards without making personal or artistic compromises. -
Imperials One More Song for You Mp3, Flac, Wma
Imperials One More Song For You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: One More Song For You Country: US Released: 1979 MP3 version RAR size: 1383 mb FLAC version RAR size: 1209 mb WMA version RAR size: 1280 mb Rating: 4.7 Votes: 763 Other Formats: APE AHX WMA DTS XM VOC TTA Tracklist Hide Credits What Can I Do For You A1 2:59 Lyrics By – Stormie OmartianMusic By – Michael Omartian I'm Forgiven A2 3:54 Lyrics By, Music By – Bruce Hibbard, Hadley Hockensmith, Michael Omartian All My Life A3 3:24 Lyrics By – Stormie OmartianMusic By – Michael Omartian Living Without Your Love A4 3:27 Lyrics By, Music By – Tom Hemby Eagle Song A5 3:14 Lyrics By, Music By – Russell Taff*, Tori Taff Closer Than Ever B1 4:23 Lyrics By – Stormie OmartianMusic By – Michael Omartian One More Song For You B2 4:38 Lyrics By – Stormie OmartianMusic By – Michael Omartian Higher Power B3 4:20 Lyrics By, Music By – Denny Correll More Like You B4 3:30 Music By – Michael OmartianWords By – Stormie Omartian Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Published By – See This House Music Published By – Word Music, Inc. Published By – Norman Clayton Publishing Published By – I.A.M. Music Recorded At – Jennifudy Studios Recorded At – Hollywood Central Recorders Mastered At – A&M Mastering Studios Pressed By – Monarch Record Mfg. Co. Credits Backing Vocals [Additional] – Marti McCall, Myrna Matthews, Stormie Omartian Bass – Abraham Laboriel Concertmaster – Assa Drori Congas – Victor Feldman Design [Album Design], Photography By – Bob Anderson Drums – Paul Leim Engineer [Additional] – Jack Lees , John Banuelos Engineer, Remix – John Guess Guitar – Marty Walsh Horns – Chuck Findley, Dick Hyde, Jackie Kelso, Steve Madaio Horns, Soloist [Saxophone] – Kim Hutchcroft Mastered By – Bernie Grundman Performer – Armond Morales, David Will , Jim Murray , Russell Taff* Producer, Arranged By, Keyboards, Percussion – Michael Omartian Notes Monarch Record Mfg. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Document .Pdf
CNDP-CRDP n° 135 octobre 2011 Les dossiers pédagogiques « Théâtre » et « Arts du cirque » du réseau SCÉRÉN en partenariat avec le CDN de Sartrouville et des Yvelines. Une collection coordonnée par le CRDP de l’académie de Paris. L’Opéra de quat’sous Avant de voir le spectacle : la représentation en appétit ! Distanciation brechtienne et théâtre épique [page 5] Vers un renouveau du genre lyrique : l’opéra épique de Kurt Weill [page 6] de Bertolt Brecht, L’Opéra de quat’sous : musique Kurt Weill, les origines [page 7] mise en scène Laurent Frechuret, Fable et personnages direction musicale Samuel Jean [page 11] Accueil et postérité de l’œuvre Du 4 au 21 octobre 2011 au CDN de Sartrouville et des Yvelines © JEAN-MArc LobbÉ / PHOTO DE RÉPÉTITION [page 14] Rebonds et résonances [page 15] Édito Après la représentation : Plus de quatre-vingts ans après la première de L’Opéra de quat’sous, l’œuvre a-t-elle pistes de travail perdu de sa modernité, de son acuité ? « Non », répondent en chœur tous les metteurs en scène qui, de par le monde, plébiscitent cet « opéra », devenu une des œuvres les Juste avant le spectacle : plus populaires du répertoire. Et effectivement, entre l’Angleterre de 1728, l’Allemagne l’affiche [page 16] à la veille de la crise de 1929 et le contexte actuel, marqué par la crise économique, la remise en cause du pouvoir de l’argent et le questionnement sur l’homme, que D’un quat’sous à l’autre d’échos ! C’est la même « danse au bord du volcan – à quatre pas de la descente aux [page 17] enfers 1 » ! Après Laurent Pelly à la Comédie-Française, Laurent Fréchuret, directeur Les partis pris du CDN de Sartrouville et des Yvelines, s’empare de ce matériau pour son ouverture de Laurent Fréchuret, de saison. -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
F. Ludwig Diehn Concert Series: Nicki Parrott with John Toomey and Russ
2013–2014 season Diehn Concert Series Sept. 9, 2013 Andrew Pelletier, horn Sept. 23, 2013 Stefon Harris and the Blackout Band, composer, vibraphonist, marimbist Oct. 29, 2013 Boston Camerata, early music Feb. 17, 2014 Berlin Philharmonic Wind Quintet with Andrey Kasparov, woodwind quintet with piano Nicki Parrott March 24, 2014 with John Toomey and Russ Helm Lambert Orkis (In conjunction with the Annual Nicki Parrott, bass Harold Protsman Classical Period Piano Competition) John Toomey, piano Russ Helm, drums April 14, 2014 Nicki Parrott, with the John Toomey Trio Monday, April 14, 2014 8:00 p.m. (In conjunction with a five day residency, April 10 – 14) Wilson G. Chandler Recital Hall, F. Ludwig Diehn Center for the Performing Arts An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Nicki Parrott will announce the program from the stage. Brecker, Clark Terry, Jose Feliciano, Rebecca Parris, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Patti LaBelle and the New York Pops Orchestra, Harry Allen, Michel Legrand, Joining Nicki Parrott for tonight’s performance: Marlena Shaw, Mike Stern, David Krakauer, Ken Peplowski, Ann Hampton Callaway, Scott Hamilton, Larry Carlton and Victor Wooten. Parrott has also performed in several John Toomey, piano Broadway shows such as “Avenue Q,” “Imaginary Friends,” “You’re a Good Man, Russ Helm, drums Charlie Brown,” “Summer of ’42” and “Jekyll and Hyde.” Parrott has performed at many major festivals around the globe including the Newport Born in Newcastle, Australia, Nicki Parrott started her musical training with the piano Jazz Festival, Jazz in July at the 92nd Street Y, Litchfield Jazz Festival, Detroit Jazz at the age of 4, and soon after took up the flute as well. -
The Byrds' Mcguinn at Joe College by Kent Hoover Rock in That Era
OUTSIDE WEATHER Temperatures in the 70s Baseball team loses to for Joe College Weekend, The Chronicle li ttle chance of rain today. Duke University Volume 72, Number 135 Friday, April 15,1977 Durham, North Carolina Search reopened for Trinity dean By George Strong to his discipline," Turner observed. The University is again searching for a "There is a real sense in which a staff replacement for David Clayborne, the as position is a detour for someone who is sistant dean of Trinity College who re getting started." signed last summer. In late March, Wright informed John George Wright, the history graduate Fein, dean of Trinity College, of Ken student hired several months ago to be an tucky's offer. "I felt obliged — though assistant dean beginning this fall, has ac regretful — to release him from his ob cepted a faculty position at the University ligation to Duke," Fein said. of Kentucky, his alma mater. "I don't know whether I expected this or His decision leaves Trinity College once not," commented Richard Wells, associate again without a black academic dean. dean of Trinity College. 1 thought maybe Wright maintained that neither qualms it would work out But good people are about the Duke administration nor finan always in demand" cial considerations had entered his de Wells is heading up the screening com cision. mittee for applicants to the vacated posi Couldn't refuse tion. Fein and Gerald Wison, coordinator 1 knew I would eventually move into for the dean's staff, join Wells on the com "What kind of kids eat Armour hot dogs?" Harris Asbeil, Joe College chef, my academic field," he said, "and once the mittee. -
Library Hour Cuts Cause Concern
Sept. 3,1981 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 400 UMSL feels crunch Library hour cuts cause concern Lacey Burnette the evening college students the hardest. " Budget cuts have forced Li This year's library budget is Library Budget Comparison brary Director Ronald Krash to 12.8 percent below last year's reduce library hours by 18.9 expenditures. The largest reduc percent. Last year the Thomas tion came in staffing where 1 980-81 1981-82 Difference Jefferson Library was open 87Yl S118,896.80 less was budgeted Expenditures hours a week. Under present for this year than was spent last Budget scheduling the library will be year. -$118,897 open 71 hours a week. The "We couldn't cut personnel Staff $758,628 $639,731 Education Library will also be and we did our best to retain the open only 71 hours a week. services we could," Krash said. "In order to continue to give full Materials $684,924 $ 640,000 - $44,924 "We are at the stage where services -while we are open we . we either have to cut hours or had to cut back on the hours." cut whole services out," Krash Operations $138,734 $99,237 -$39,497 Krash said that the money said. saved by reducing the hours Hardest hit by the reduction went toward adding staff to the w.ere the evening hours. Last Total $1,582,286 $1,378,968 -$203,318 day operations. "When you have year the library was open until dwindling resources, you need to 11pm, Monday-Thursday. This have full staffing," he said. -
Magnum Moon-- Naturally--In the Arkansas Derby
SUNDAY, APRIL 15, 2018 MAGNUM MOON-- FAMED SPORTSWRITER BILL NACK DEAD AT 77 By Bill Finley NATURALLY--IN THE Bill Nack, widely recognized as one of the most talented racing writers of all time, passed away Friday at his home in ARKANSAS DERBY Washington D.C. Nack died following a bout with cancer. He was 77. Best known for his work with Sports Illustrated, where he was employed from 1978 to 2001, Nack covered many sports, but racing was his primary assignment and his first love. His 1990 story Pure Heart on the passing of Secretariat was chosen as one of SI=s 60 most iconic stories. His 1975 book on Secretariat, ASecretariat : The Making of a Champion@ is considered the definitive book on the 1973 Triple Crown winner. ABill was a great reporter, a great writer a great friend, a great colleague,@ said Steve Crist, the former racing writer for the New York Times who later became the publisher of the Daily Racing Form. AHis work on Secretariat was the best turf writing ever done.@ Cont. p11 IN TDN EUROPE TODAY Magnum Moon | Coady photography WINX TIES BLACK CAVIAR’S WIN RECORD Trainer Todd Pletcher entered Saturday=s GI Arkansas Derby Winx (Aus) (Street Cry {Ire}) saluted in her 25th consecutive race, having saddled back-to-back winners of the race in the form of tying Black Caviar (Aus) (Bel Esprit {Aus})’s win record, when Overanalyze (Dixie Union) and Danza (Street Boss) in 2013 and scoring in her second G1 Queen Elizabeth S. at Royal Randwick on 2014, respectively. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project.