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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Teddy Pendergrass - If You Don’T Know Me
TEDDY PENDERGRASS - IF YOU DON’T KNOW ME A Documentary Film by Olivia Lichtenstein 106 Mins This is the story of legendary singer, Teddy Pendergrass, the man who would have been the biggest R&B artist of all time. The story of a childhood in a Philadelphia ghetto; of the murders of his father and first manager; of sex, drugs, money and global fame; of the triumph against injustice; and of the tragic accident that changed his life forever at the age of only 31. His was a life where, despite poverty, racism, and violence, he managed to become one of the first African-American artists to go multi-platinum over and over again. A man who actively championed the rights of black artists when discrimination was rife. A man who in the years after becoming quadriplegic, overcame depression and thoughts of suicide and resumed doing what he loved best - making music. A man who left a priceless legacy after his death, with the music he had made and the people he touched. With revealing and exclusive interviews from the people who knew Teddy best, a soulful soundtrack, and rarely seen archive, it’s a story that all too few really know and which is crying out to be told… Hammersmith Odeon, London, February 3rd 1982. It’s a cold night and fans – almost all of them women - are swarming at the entrance eager to see their idol, the biggest male R&B artist of the time, even bigger then than closest rivals, Marvin Gaye and Barry White. Teddy Pendergrass – the Teddy Bear, the ‘Black Elvis’ - tall and handsome with a distinctive husky soulful voice that could melt a woman’s clothes clean off her body! 'It took Teddy eleven seconds to get to the point with a girl that would take me two dinners and a trip to meet her parents,' says Daniel Markus, one of his managers. -
Calgary Musicians Association
VOLUME 22 NUMBER 1 FEBRUARY 2021 the official journal of the calgary musicians association - local 547 CFM/AFM CERB recipients won’t have to repay benefit if they applied based on gross income: Trudeau Some Canadians also won’t have to pay interest on 2020 tax debt until next year Author of the article: The moves eliminate a potential drag on growth for Canada’s National Post Wire Services economy, as many households faced the prospect of having to Publishing date: Feb 09, 2021 make large tax payments on last year’s benefits. It also gives Thousands of Canadians received letters last year Trudeau one less political worry as he considers whether to telling them they’d have to pay back the CERB. trigger an election later this year. Ottawa is tweaking financial support programs in More than 8 million people, or 40 per cent of the labour force, place to help people through the pandemic. received at least one payment from the government’s flagship Prime Minister Justin Trudeau says those who support program — the Canada Emergency Response Benefit. received emergency benefits and made up to $75,000 “Right now, I don’t want you to have to worry about what you in taxable income won’t have to pay interest on 2020 may owe in taxes,” Trudeau told reporters in Ottawa. “Our tax debt until next year. priority is to ensure that you and your family get through this And he says people who applied for the Canada pandemic and back on your feet.” Emergency Response Benefit based on their gross Interest on income taxes will be waived until April 30, 2022, cians income, rather than net income, won’t have to repay according to a statement released by Canada Revenue Agency. -
Put Your Money Where Your Heart Is
PUT YOUR MONEY WHERE YOUR HEART IS. We know giving back is an important piece of your financial plan because it’s an important part of our business plan, too. Associated Bank colleagues have volunteered more than 73,000 hours, and 1% of all our profits go back to local charities. So whatever your goals are for giving back to the place you love, our wealth management team will help you fulfill them. AssociatedBank.com/Wealth-Management Associated Bank, N.A. Member FDIC. (9/20) P02003 #MFF2021 #MFF2021 Annual Fund Milwaukee Film began in 2009 as primarily a film festival that occurred for Hello Film Fans! 11 days. Today, we operate 365 days a year as one of the nation’s leading nonprofit institutions dedicated to film, culture, and community. It’s appropriate that, for our first-ever spring Milwaukee We are committed to enriching, educating, and entertaining our community through film Film Festival, the significance of the season is stronger presentations, signature events, and year-round education programs for all ages. Our incredibly than it’s ever been. generous Annual Fund supporters provide us the visionary support we need to fulfill our mission Our world is opening up, and our thoughts are once again wandering and continue to thrive. beyond the confines of anxiety and isolation that have defined the past 14 months. Though we’re not yet to the point of safely welcoming crowds to a packed house at the Oriental Theatre, we can envision a time in the not-too-distant future when that will be happening again. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
A Memoir. by Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016
Just Between You and Me: A Memoir. By Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016. 379 pp. ISBN 978-1- 44344-670-9. Reviewed by: David Montgomery, York University Libraries1 The story arc of any rock memoir is predictable. It begins or ends with substance abuse, there are troubled family relationships, extra-marital affairs, betrayals, friends left behind, “musical differences,” management conflicts, and of course, as in any bildungsroman the vicissitude of fortune. The guitar slinger turned raconteur is duty-bound to caution that even modest fame comes at a price, that “rock and roll is a vicious game.” Like the music, the memoir embraces the cliché. On his third go at rehab, April Wine frontman Myles Goodwyn reflects, “Things come in threes” (341). Goodwyn tells us that the goal of his unvarnished memoir was to set the record straight, and not to settle old scores. Neither as beloved as Rush, nor as emblematic as The Tragically Hip, April Wine was nonetheless quintessentially Canadian. With roots in the Maritimes and Quebec, the band regularly toured Ontario rock circuits in the early 1970s, expanding its range to the rest of Canada by the end of the decade. It peaked in the early 1980s, with modest success in England and the US, and garnered worldwide sales of 20 million albums—a solid career. Yet, despite winning several Juno awards and in 2010 being inducted into the Canadian Music Hall of Fame, April Wine may also be a candidate for a quick fade. While songs such as “Weeping Widow,” “Oowatanite,” and “Roller” may resonate with the home demographic, future induction into Cleveland’s Rock & Roll Hall of Fame is unlikely. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Central Florida Future, Vol. 24 No. 68, July 29, 1992
University of Central Florida STARS Central Florida Future University Archives 7-29-1992 Central Florida Future, Vol. 24 No. 68, July 29, 1992 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 24 No. 68, July 29, 1992" (1992). Central Florida Future. 1144. https://stars.library.ucf.edu/centralfloridafuture/1144 OPINIONp. 4 FEATURES p. 7 SPORTSp. 8 Looking for investment Uve thrills Orlando with Fonner UCF hurler Jon advice? See G.G. Allin gift of 'Mental Jewelry' Henry plays for Rays .. entra uture Serving The University of Central Florida Since 1968 • Vol. 24, No. 68 WEDNESDAY July 29, ·1992 _ · . ,· 8 p~ges · Early registration good for sOme, bad for others , by Rosibel Monserrate He also noted that, outside ofa tempo- "Registration is a good system," Bush smoothly, in part because of the new rary computer shutdown on the first day said. "It works but it won't work without classes," said Dr. Stuart Lilie, dean of CENTRAL FLORIDA FUTURE ofearlyregistrationbecause ~======~~ classes." undergraduate studies. "Ifnecessary we of changes made in the soft- More than 100 new may add a few more when we see where • ware, no major problems "It sucks." classes have been added the demand is." surfaced during the regis- to facilitate students' A great portion of the new classes tration period. -
Biographical Sketch of Reba Rambo
Biographical Sketch Of Reba Rambo-McGuire Reba Rambo-McGuire is a GRAMMY and Dove Award- They also teach and minister through their online church, winning singer, songwriter, author, minister and teacher. The River. They broadcast the Good News of God's She’s the walking definition of a pioneering woman. unconditional love to the world weekly through Facebook Live on Reba's page on Tuesdays at 6:30 PM Central. At the age of 13, Reba began traveling with her parents, Videos are also archived and can be viewed anytime on Buck and Dottie Rambo, in the legendary southern Gospel Reba's Facebook page. group, The Rambos. Known for their innovative style of inverted, three-part harmony, The Rambos were one of In November of 2011, Reba proudly accepted a star on the most successful Gospel trios of the 20th century. Music City’s Walk Of Fame in honor of her mother, Dottie Rambo. As a teenager, Reba began a successful solo career in contemporary Christian music, garnering Dove Awards Reba and Dony are proud parents to four children and and GRAMMY nominations in a trailblazing genre that one grandson: Dionne and husband Scott Dismuke, merged Christian lyrics with modern styles of music. She Destiny Rambo McGuire, Israel Anthem McGuire and wife won her first Dove Award for Pop/Contemporary Album Lauren, and grandson Dyson Dismuke. Of The Year with her project Lady. One of the major highlights of her career came when Awards and Achievements 1977 Dove Award Reba and her husband Dony McGuire joined forces as Pop/Contemporary Album Of The Year Rambo McGuire and collaborated in writing a concept Reba Rambo-McGuire ~ Lady album, The Lord’s Prayer. -
On a Cold Road: Tales of Adventure in Canadian Rock. by Dave Bidini
On a Cold Road: Tales of Adventure in Canadian Rock. By Dave Bidini. Toronto: McClelland & Stewart, 1998. 278 p-, ill. ISBN 0771014562. $19.99 When the Tragically Hip embarked on its a table with a bunch of posters in fiont of him. Trouble in the Henhouse tour in the winter of His skin looked blue and he could barely keep 1996, the Rheostatics were invited to be the his head up ... 'Joey. It's me, Dave.' He had opening act. The offer was a dream come true no idea who I was. I left the store. Outside, for the self-described "Canadian Shield art the rain felt like spiders." rock band." Dave Bidini, a rhythm guitarist and founding member of the Rheostatics, In Toronto Bidini arrives at a different decided he would also take the opportunity to point on the musical spectrum. Inspired by write about his experiences. Thanks to Mitch the "poignant heaviness" of My Stompin' Potter, the Toronto Star ran some excerpts Grounds he sets out to find the self-exiled from Bidini's tour diary in December of 1996. Stompin' Tom Connors. Protesting what he This exposure interested McClelland & perceived as an American bias in the Canadian Stewart which, two years later, published On music industry, Stompin' Tom had stepped a Cold Road: Tales ofAdventure in Canadian out of the Canadian music scene in 1977. Rock. After a long and dogged search, Bidini gets a lead from an employee at Connors' record The adventures begin in Vancouver and label in Mississauga. Armed with a "Tom, take the reader eastward across the Prairies. -
The Social Meaning of Eh in Canadian English∗
THE SOCIAL MEANING OF EH IN CANADIAN ENGLISH∗ Derek Denis University of Toronto 1. Introduction. The recent surge in sociolinguistic investigation of pragmatic markers such as general extenders (and stuff, and things like that), discourse and quotative like, and utterance final tags (right, you know) has been primarily fuelled by questions about grammaticalization and language change (D’Arcy 2005; Tagliamonte and D’Arcy 2007; Cheshire 2007; Tagliamonte and Denis 2010; Pichler and Levey 2011; Denis and Tagliamonte pear). Included in that set of pragmatic markers is eh, a very special variant (at least for Canadians). In this paper, I build on earlier work (Avis 1972; Johnson 1976; Gibson 1977; Gold 2005, 2008) and discuss the development of this very Canadian feature in terms of indexical order and indexi- cal change, along the lines of Silverstein’s seminal 2003 paper and Johnstone and Kiesling’s (Johnstone and Kiesling 2008; Johnstone 2009) work on Pittsburghese, which applies Silverstein’s framework. Although eh is well-known as the quintessential Canadian English stereo- type, there has been little research that discusses how exactly it came to hold this status. By tracking the points in time at which eh gained meanings at subse- quent orders of indexicality, a` la Silverstein (1993, 2003) and Johnstone (2009), I establish a timeline of the development of eh’s social meaning in Canada. My arguments draw on evidence based on the metadiscourse surrounding eh, perfor- mances of Canadian identity, real- and apparent-time data that tracks the usage of eh in Southern Ontario English over the last 130 years (Tagliamonte 2006; Denis 2012) and the commodification of eh. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod.