Ghosts Among the Kudzu Melissa Davis Kennesaw State University
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Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Texts G7 Sout Pole Expeditions
READING CLOSELY GRADE 7 UNIT TEXTS AUTHOR DATE PUBLISHER L NOTES Text #1: Robert Falcon Scott and Roald Amundsen (Photo Collages) Scott Polar Research Inst., University of Cambridge - Two collages combine pictures of the British and the Norwegian Various NA NA National Library of Norway expeditions, to support examining and comparing visual details. - Norwegian Polar Institute Text #2: The Last Expedition, Ch. V (Explorers Journal) Robert Falcon Journal entry from 2/2/1911 presents Scott’s almost poetic 1913 Smith Elder 1160L Scott “impressions” early in his trip to the South Pole. Text #3: Roald Amundsen South Pole (Video) Viking River Combines images, maps, text and narration, to present a historical NA Viking River Cruises NA Cruises narrative about Amundsen and the Great Race to the South Pole. Text #4: Scott’s Hut & the Explorer’s Heritage of Antarctica (Website) UNESCO World Google Cultural Website allows students to do a virtual tour of Scott’s Antarctic hut NA NA Wonders Project Institute and its surrounding landscape, and links to other resources. Text #5: To Build a Fire (Short Story) The Century Excerpt from the famous short story describes a man’s desperate Jack London 1908 920L Magazine attempts to build a saving =re after plunging into frigid water. Text #6: The North Pole, Ch. XXI (Historical Narrative) Narrative from the =rst man to reach the North Pole describes the Robert Peary 1910 Frederick A. Stokes 1380L dangers and challenges of Arctic exploration. Text #7: The South Pole, Ch. XII (Historical Narrative) Roald Narrative recounts the days leading up to Amundsen’s triumphant 1912 John Murray 1070L Amundsen arrival at the Pole on 12/14/1911 – and winning the Great Race. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
The Tween Ghost Story: Articulating the Tween Experience
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 The Tween Ghost Story: Articulating the Tween Experience Erica Rostedt [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation Rostedt, Erica, "The Tween Ghost Story: Articulating the Tween Experience" (2013). University of New Orleans Theses and Dissertations. 1665. https://scholarworks.uno.edu/td/1665 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Tween Ghost Story: Articulating the Tween Experience A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Erica Allison Rostedt B.A. University of Washington, 2004 May, 2013 © 2013, Erica Allison Rostedt ii Table -
State of the Park Report, Kennesaw Mountain National Battlefield Park, Georgia
National Park Service U.S. Department of the Interior State of the Park Report Kennesaw Mountain National Battlefield Park Georgia November 2013 National Park Service. 2013. State of the Park Report for Kennesaw Mountain National Battlefield Park. State of the Park Series No. 8. National Park Service, Washington, D.C. On the cover: Civil War cannon and field of flags at Kennesaw Mountain National Battlefield Park. Disclaimer. This State of the Park report summarizes the current condition of park resources, visitor experience, and park infrastructure as assessed by a combination of available factual information and the expert opinion and professional judgment of park staff and subject matter experts. The internet version of this report provides the associated workshop summary report and additional details and sources of information about the findings summarized in the report, including references, accounts on the origin and quality of the data, and the methods and analytic approaches used in data collection and assessments of condition. This report provides evaluations of status and trends based on interpretation by NPS scientists and managers of both quantitative and non- quantitative assessments and observations. Future condition ratings may differ from findings in this report as new data and knowledge become available. The park superintendent approved the publication of this report. Executive Summary The mission of the National Park Service is to preserve unimpaired the natural and cultural resources and values of national parks for the enjoyment, education, and inspiration of this and future generations. NPS Management Policies (2006) state that “The Service will also strive to ensure that park resources and values are passed on to future generations in a condition that is as good as, or better than, the conditions that exist today.” As part of the stewardship of national parks for the American people, the NPS has begun to develop State of the Park reports to assess the overall status and trends of each park’s resources. -
Lucinda Hardage – from the Files at Kennesaw Mountain NBP
Lucinda Hardage – from the files at Kennesaw Mountain NBP Edited by Kimberlye M. Cole, 2013 Miss Lucinda Hardage, symbol of America, she saw it all – How war came to the land she knew for ninety-two years, saw boys in gray entrench upon her father’s farm in face of an advancing wave of blue. She lived to see those entrenchments become a part of a national park dedicated to perpetuate for America the memory of those stirring days of 1864, when soldiers and civilians, north and south, demonstrated that courageous hold characteristically American. To historians and other park officials, Miss Lucinda Hardage gave a wealth of first-hand information about the battle of Kennesaw Mountain, details and anecdotes available from no other source. She was a symbol of an era, the last direct link with a historic past. When she died July 14, 1940, seventy six years after the battle of Kennesaw, that personal link was broken. Miss Lucinda was born January 14, 1848, the daughter of George Washington and Mary Ann Cook Hardage. Her birthplace was a log cabin of one room, south of the Burnt Hickory Road, close to the base of Little Kennesaw Mountain. From Hall County, Georgia, her father had moved to Cobb County and built a cabin in Indian country. Miss Lucinda recalled that he cleared the land by day and improved the house after dark, with her mother’s assistance. Miss Lucinda was one of fourteen children. Two of her sisters who died in infancy are buried at the foot of the large cedar tree (now gone) near the trailside exhibit at Little Kennesaw. -
Ghost Hunting
Haunted house in Toledo Ghost Hunting GHOST HUNTING 101 GHOST HUNTING 102 This course is designed to give you a deeper insight into the This course is an extended version of Ghost Hunting 101. While world of paranormal investigation. Essential characteristics of it is advised that Ghost hunting 101 be taken as a prerequisite, it a paranormal investigation require is not necessary. This class will expand on topics of paranormal a cautious approach backed up investigations covered in the first class. It will also cover a variety with scientific methodology. Learn of topics of interest to more experienced investigators, as well as, best practices for ghost hunting, exploring actual techniques for using equipment in ghost hunting, investigating, reviewing evidence and types of hauntings, case scenarios, identifying the more obscure presenting evidence to your client. Learn spirits and how to deal with them along with advanced self- from veteran paranormal investigator protection. Learn from veteran paranormal investigator, Harold Harold St. John, founder of Toledo Ohio St. John, founder of the Toledo Ohio Ghost Hunters Society. If you Ghost Hunters Society. We will study have taken Ghost Hunting 101 and have had an investigation, you the different types of haunting's, a might want to bring your documented evidence such as pictures, typical case study of a "Haunting", the EVP’s or video to share with your classmates. There will be three Harold St. John essential investigating equipment, the classes of lecture and discussions with the last session being a investigation process and how to deal field trip to hone the skills you have learned. -
Texas Paranormalists
! TEXAS PARANORMALISTS David!Goodman,!B.F.A,!M.A.! ! ! Thesis!Prepared!for!the!Degree!of! MASTER!OF!FINE!ARTS! ! ! UNIVERSITY!OF!NORTH!TEXAS! December!2015! ! APPROVED:!! Tania!Khalaf,!Major!Professor!!!!! ! Eugene!Martin,!Committee!Member!&!!!! ! Chair!for!the!Department!of!Media!Arts ! Marina!Levina,!Committee!Member!!!! ! Goodman, David. “Texas Paranormalists.” Master of Fine Arts (Documentary Production and Studies), December 2015, 52 pp., references, 12 titles. Texas Pararnormalists mixes participatory and observational styles in an effort to portray a small community of paranormal practitioners who live and work in and around North Texas. These practitioners include psychics, ghost investigators, and other enthusiasts and seekers of the spirit world. Through the documentation of their combined perspectives, Texas Paranormalists renders a portrait of a community of outsiders with a shared belief system and an unshakeable passion for reaching out into the unknown. ! ! ! ! ! ! ! Copyright!2015! By! David!Goodman! ! ! ! ! ! ! ! ! ! ! ii! ! Table!of!Contents! ! ! ! ! ! ! ! ! !!!! !!!!!!!!!!!!!!!!!!!!!Page! PROSPECTUS………………………………………………………………………………………………………!1! Introduction!and!Description……………………………………………………………………..1! ! Purpose…………………………………………………………………………………………….………3! ! Intended!Audience…………………………………………………………………………………….4! ! Preproduction!Research…….....................…………………………………………...…………..6! ! ! Feasibility……...……………...…………….………………………………………………6! ! ! Research!Summary…….…...…..……….………………………………………………7! Books………...………………………………………………………………………………..8! -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: O Lynn, Aidan Anthony Title: Ghosts of War and Spirits of Place Spectral Belief in Early Modern England and Protestant Germany General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ghosts of Place and Spirits of War: Spectral Belief in Early Modern England and Protestant Germany Aidan Anthony O’Lynn A dissertation submitted to the University of Bristol in accordance with the requirements for the award of the degree of Doctor of Philosophy in the Faculty of Arts School of History August 2018 Word Count: 79950 i Abstract This thesis focuses on themes of place and war in the development of ghostlore in Early Modern Protestant Germany and England. -
Tour Stops Section #11 Battle of Kennesaw Mountain
1 The Bandy Heritage Center for Northwest Georgia Atlanta Campaign Driving Tour Kennesaw Mountain Tour Stops Section #11 Battle of Kennesaw Mountain Heavy rain plagued both armies as they withdrew from their Dallas-New Hope-Pickett’s Mill lines during the first weeks of June 1864. Forced to return to the Western and Atlantic Railroad to supply his men, Sherman concentrated his forces in the Acworth-Big Shanty region. The lack of roads and the impassable conditions of the ones that existed prevented Sherman from continuing his strategy of moving around Johnston’s flanks in order to pry him from his strong defensive positions. A more direct approach to Atlanta would be needed. Johnston, having no choice but to shadow Sherman’s movements, established a new line south of Acworth. Taking advantage of several prominent heights in the area, Johnston’s line ran north from Lost Mountain to Gilgal Church, turned east at Pine Mountain, and extended past Brush Mountain to the Western and Atlantic Railroad. This line enabled Johnston to protect both his communications and supply lines as well as the approaches to Marietta. Taking advantage of the wild and broken terrain occupied by his army, Johnston turned the ridges and hills into an extended fortress of earthworks, rifle pits, and artillery firing positions that dominated all avenues of approach across his front. Reinforced by the arrival of Major General Francis Blair’s XVII Corps of McPherson’s Army of the Tennessee, Sherman began his advance to Marietta on June 10, 1864. McPherson, on the left, moved along the railroad toward Marietta. -
2020 H.C.Andersen Award Nominee from Japan
Yoko Tomiyasu 2020 H.C.Andersen Award Nominee from Japan 1 CONTENTS Biographical information .............................................................3 Statement ................................................................................4 Translation.............................................................................. 11 Bibliography and Awards .......................................................... 18 Five Important Titles with English text Mayu to Oni (Mayu & Ogree) ...................................................... 28 Bon maneki (Invitation to the Summer Festival of Bon) ......................... 46 Chiisana Suzuna hime (Suzuna the Little Mountain Godness) ................ 67 Nanoko sensei ga yatte kita (Nanako the Magical Teacher) ................. 74 Mujina tanteiktoku (The Mujina Ditective Agency) ........................... 100 2 © Yoko Tomiyasu © Kodansha Yoko Tomiyasu Born in Tokyo in 1959, Tomiyasu grew up listening to many stories filled with monsters and wonders, told by her grandmother and great aunts, who were all lovers of storytelling and mischief. At university she stud- ied the literature of the Heian period (the ancient Japanese era lasting from the 8th to 12 centuries AD). She was deeply attracted to stories of ghosts and ogres in Genji Monogatari (The Tale of Genji), and fell more and more into the world of traditional folklore. She currently lives in Osaka with her husband and two sons. There was a long era of writing stories that I wanted to read for myself. The origin of my creativity is the desire to write about a wonderous world that children can walk into from their everyday life. I want to write about the strange and mysterious world that I have loved since I was a child. 3 STATEMENT Recommendation of Yoko Tomiyasu for the Hans Christian Andersen Award Akira Nogami editor/critic Yoko Tomiyasu is one of Japan’s most popular Pond).” One hundred copies were printed. It authors and has published more than 120 was 1977 and Tomiyasu was 18.