Texas Paranormalists

Total Page:16

File Type:pdf, Size:1020Kb

Texas Paranormalists ! TEXAS PARANORMALISTS David!Goodman,!B.F.A,!M.A.! ! ! Thesis!Prepared!for!the!Degree!of! MASTER!OF!FINE!ARTS! ! ! UNIVERSITY!OF!NORTH!TEXAS! December!2015! ! APPROVED:!! Tania!Khalaf,!Major!Professor!!!!! ! Eugene!Martin,!Committee!Member!&!!!! ! Chair!for!the!Department!of!Media!Arts ! Marina!Levina,!Committee!Member!!!! ! Goodman, David. “Texas Paranormalists.” Master of Fine Arts (Documentary Production and Studies), December 2015, 52 pp., references, 12 titles. Texas Pararnormalists mixes participatory and observational styles in an effort to portray a small community of paranormal practitioners who live and work in and around North Texas. These practitioners include psychics, ghost investigators, and other enthusiasts and seekers of the spirit world. Through the documentation of their combined perspectives, Texas Paranormalists renders a portrait of a community of outsiders with a shared belief system and an unshakeable passion for reaching out into the unknown. ! ! ! ! ! ! ! Copyright!2015! By! David!Goodman! ! ! ! ! ! ! ! ! ! ! ii! ! Table!of!Contents! ! ! ! ! ! ! ! ! !!!! !!!!!!!!!!!!!!!!!!!!!Page! PROSPECTUS………………………………………………………………………………………………………!1! Introduction!and!Description……………………………………………………………………..1! ! Purpose…………………………………………………………………………………………….………3! ! Intended!Audience…………………………………………………………………………………….4! ! Preproduction!Research…….....................…………………………………………...…………..6! ! ! Feasibility……...……………...…………….………………………………………………6! ! ! Research!Summary…….…...…..……….………………………………………………7! Books………...………………………………………………………………………………..8! Visual!Media……………………….……………………………………………………….9! Podcasts……………………………………………………………………………………10! Interviewees……………………………………………………………………………..11! !Conferences!and!Festivals…….……………………………………………………12! ! ! Characters………..……………….…………….…………………………….…………..12! ! ! Style!and!Approach…..…………………….………………..….…………………….13! ! ! Treatment…………………………………………….…………………….……....…….14! ! ! Financing………………………………………………………………………………….18! ! ! Distribution!Possibilities…………………………………………………..……….18! ! ! Social!Media!Timeline………………..………………………………………………20! ! ! Schedule!for!Pre^Production,!Production,!Post^Production….………20! RE^CONCEPTUALIZATION!BEFORE!PRODUCTION……………………………………………....22! INTEGRATION!OF!THEORY!AND!PRACTICE…….…………………………………………………..24! ! ! Ethnographic!Cinema..…………………………………………………………….…24! ! ! Cinema^vérité!and!Direct!Cinema………………………………….……………26! ! ! Editorial!Connectivity!and!Structure………………………………..…………28! ! iii! ! ! Ethics………………………………………………………………………………..………31! ! ! Subject^Filmmaker!Relationship……………………………………..………….33! PRODUCTION……………….……………………………………………………………………………………35! ! ! Overview………….…………………………………………………….………………….35! ! ! Shooting!Schedule………….…………………………………………………..………35! ! ! Crew…………………….……………………………………………………………………38! ! ! Equipment…………………………………………………………………………………38! ! ! Experience..………………………………………………………………………………..39! ! ! Budget……………………………………………………………………………………….40! POST^PRODUCTION…………...………………………………………………………………………………41! ! ! Equipment……………………………………...…………………………………….….…41! ! ! Schedule………………………………………………………….……………………….…41! RECONCEPTUALIZATION!DURING!POST^PRODUCTION………………………...……….……43! EVALUATION!OF!COMPLETED!WORK…………………………………..…………………………….45! ! ! Pre^Production…….………………………………………………………………………45! ! ! Production…………………………………………………………………………………..45! ! ! Post^Production……...…………………………………………………………………...46! APPENDIX……………….…………………………………………………………………………………………47! ! ! Budget……….…………………….………..………………………………………………....48! ! ! Interview!Questions…………………………………………………………………..….49! ! ! Appearance!Release……………………………………………………………………...51! ! ! References…………….…………………………………………..………………………….52! ! ! iv! ! PROSPECTUS! This%is%the%proposal%submitted%and%approved%by%the%thesis%committee%in%April%2015.% TITLE:!Medium,!Texas! ! ! ! ! ! ! !!!!!!!!!! LENGTH:!20!minutes! ! ! ! ! ! ! !!!!!!!!! MEDIUM:!HD!Video! Introduction!and!Description! The! wideGspanning! field! of! paranormal! enthusiasm,! researCh,! and! praCtiCe! enCompasses! ghosts,! psyChiCs,! extraterrestrials,! and! Cryptids,! to! name! just! a! few! broad!foCal!points!of!interest.!Each!of!these!ClassifiCations!then!expands!further!into! a! dizzying! list! of! specialized! research! and! experience.! Whether! this! farGreaching! belief! system! inspires! exCitement! or! skeptiCism,! an! intense! fasCination! with! paranormal! work! has! remained! present! and! Continues! to! grow! within! modern! Culture.!While!paranormal!devotees!Can!be!found!all!over!the!world,!the!region!of! North! Texas! has! a! Community! of! paranormal! enthusiasts! and! praCtitioners! who! warrant! a! thorough! investigation.! Among! the! many! paranormallyGinclined! individuals!loCated!in!the!area!of!North!Texas!are!a!tranCe!medium!named!Dwanna! Paul,!a!ghostGhunting!equipment!manufaCturer!named!Jeromy!Jones,!and!a!married! Couple! named! Linda! and! Del! Hill,! who! rent! out! a! haunted! house! for! ghost! investigations.!! Dwanna! Paul! has! been! praCtiCing! tranCe! mediumship! for! over! thirtyGfive! years.!Mediums!have!the!ability!to!CommuniCate!with!the!dead.!This!is!done!when! the!medium!“Channels”!interaCtions!direCtly!from!the!deCeased!and!Conveys!them!to! a! living! individual! referred! to! as! a! “sitter.”! Dwanna’s! private! sessions! result! in! CommuniCations!with!lost!loved!ones,!spiritual!guidanCe,!and!emotional!healing.!In! ! 1!! ! addition!to!lectures,!Dwanna!also!conducts!“circles!of!light,”!séance!style!gatherings! that! take! place! in! total! darkness.! The! resulting! energy! field! from! these! circles! creates!an!experience!that!can!be!aural,!tactile,!aromatic,!and!even!involve!floating! visions!of!light.!By!way!of!this!circle,!participants!experience!a!meditative!state!akin! to!prayer!and!can!enter!into!a!communication!with!the!spirit!world.! Jeromy!Jones,!a!father!of!five,!is!an!electrical!engineer!based!in!Denton,!Texas.! After!working!in!the!corporate!world,!Jeromy!took!it!upon!himself!to!forge!a!path! into! his! true! field! of! interest,! the! paranormal.! ! He! now! fabricates! specialized,! paranormal! detection! equipment! fullGtime! for! his! company,! Paranologies.! He! also! works!twice!a!month!as!an!investigator!with!the!Texas!Ghost!Hunters.!During!his! investigations,! Jeromy! has! recorded! many! strange! and! unexplainable! phenomena.! Two!of!Jeromy’s!children!share!an!interest!in!ghosts!and!are!already!learning!their! father’s!craft.!! Linda! and! Del! Hill! married! five! years! ago! and! promptly! began! a! business! together!in!Gainesville,!Texas.!They!purchased!a!house!and!called!it!the!Hill!House! Manor.!Their!plan!was!to!renovate!it!and!rent!it!out!to!visitors.!However,!when!they! found!out!the!house!seemed!to!be!haunted!by!ghostly!presences,!their!plan!changed.! Now,!Linda!and!Del!rent!out!the!tumble!down!house!for!visitors!interested!in!the! paranormal,! who! spend! the! night! in! a! no! frills! environment! in! an! effort! to! experience! something! unusual.! Teams! of! paranormal! experts! and! weekend! thrillG seekers! keep! the! house! fully! booked! and! provide! a! valuable! source! of! income! for! ! 2!! ! Linda!and!Del.!In!addition!to!the!haunted!house,!Linda!gives!lectures!and!provides! healing!therapy!sessions!while!Del!plays!music!in!several!bands.!! The! documentary! Medium,% Texas!will!consider!the!practices!and!beliefs!of! Dwanna,!Jeromy,!Linda!and!Del!in!an!effort!to!shed!light!on!the!growing!fascination! with! the! paranormal,! while! also! seeking! to! understand! the! communities! and! individuals! who! function! within! this! subculture.! Dwanna! Paul! will! serve! as! the! central! character! who,! while! nearing! her! twilight! years,! continues! to! dedicate! herself!to!a!fully!active!trance!medium!practice.!Dwanna’s!history!and!mystical!roots! will!be!unearthed!while!her!style!and!approach!will!be!observed.!The!perspective!of! the!documentary!will!then!spread!outward!to!include!the!other!viewpoints!found!in! the!area!of!North!Texas!as!represented!by!Jeromy,!Linda,!and!Del,!all!of!whom!each! have!unique!viewpoints!on!the!experience!of!tapping!into!the!paranormal!realm.!! The!shared!fascination!with!ghosts!and!spirits!will!be!the!focus!of!Medium,% Texas.! The! communal! interest! in! the! paranormal! will! serve! to! unify! the! multiple! perspectives! that! will! arise! over! the! course! of! this! documentary! motion! picture.! With!these!various!perspectives!and!stories!taken!into!account,!Medium,%Texas!will! document!a!group!of!very!interesting!North!Texans!who!continually!reach!toward! the!borderlands!of!human!experience.!! Purpose! Medium,% Texas!will!depict!a!variety!of!North!Texas!perspectives!that! surround! the! mysteries! found! in! the! field! of! paranormal! practice! and! experience.! Within! the! broad! field! of! paranormal! topics,! the! specific! focus! will! be! on! ! 3!! ! practitioners!who!are!dedicated!to!relationships!with!the!spirit!world.!This!film!will! avoid! the! common! depiction! of! mediumship! and! spirit! phenomena! found! in! widespread! media! and! instead! focus! on! the! passionate! people! and! belief! systems! that!surround!and!support!this!subculture.!Grounding!the!paranormal!documentary! in! and! around! North! Texas! will! serve! to! focus! the! perspective! within! a! specific! region! of! the! United! States! in! an! effort! to! avoid! generalizations! that! might! arise! should!the!project!attempt!to!encompass!a!larger!area.!!! By! exploring! the! people! behind! this! mysterious! topic! in! a! respectful! and! ethically! considerate! way,! the! paranormal! experience! will! be! analyzed! not! as!
Recommended publications
  • Urban Myths Mythical Cryptids
    Ziptales Advanced Library Worksheet 2 Urban Myths Mythical Cryptids ‘What is a myth? It is a story that pretends to be real, but is in fact unbelievable. Like many urban myths it has been passed around (usually by word of mouth), acquiring variations and embellishments as it goes. It is a close cousin of the tall tale. There are mythical stories about almost any aspect of life’. What do we get when urban myths meet the animal kingdom? We find a branch of pseudoscience called cryptozoology. Cryptozoology refers to the study of and search for creatures whose existence has not been proven. These creatures (or crytpids as they are known) appear in myths and legends or alleged sightings. Some examples include: sea serpents, phantom cats, unicorns, bunyips, giant anacondas, yowies and thunderbirds. Some have even been given actual names you may have heard of – do Yeti, Owlman, Mothman, Cyclops, Bigfoot and the Loch Ness Monster sound familiar? Task 1: Choose one of the cryptids from the list above (or perhaps one that you may already know of) and write an informative text identifying the following aspects of this mythical creature: ◊ Description ◊ Features ◊ Location ◊ First Sighting ◊ Subsequent Sightings ◊ Interesting Facts (e.g. how is it used in popular culture? Has it been featured in written or visual texts?) Task 2: Cryptozoologists claim there have been cases where species now accepted by the scientific community were initially considered urban myths. Can you locate any examples of creatures whose existence has now been proven but formerly thought to be cryptids? Extension Activities: • Cryptozoology is called a ‘pseudoscience’ because it relies solely on anecdotes and reported sightings rather than actual evidence.
    [Show full text]
  • Research Article ANALYSIS INTEGRITY of the PATTERSON-GIMLIN FILM IMAGE
    The RELICT HOMINOID INQUIRY 2:41-80 (2013) Research Article ANALYSIS INTEGRITY OF THE PATTERSON-GIMLIN FILM IMAGE Bill Munns1*, Jeff Meldrum2 1Blue Jay, CA 92317 2Department of Biological Sciences, Idaho State University, 921 S. 8th Ave, Pocatello, ID 83209 ABSTRACT. The Patterson-Gimlin Film (PGF), which depicts a walking figure suggestive of a cryptid hominoid species known as sasquatch (or Bigfoot), has been studied and debated since its filming in 1967. One issue not analyzed conclusively is the suspicion that the film itself has been somehow tampered with or otherwise edited to hide data that may point to a hoax. The integrity and quality of the film image have also been challenged and characterized as unreliable. A comprehensive study of these issues of contention has determined that the film was not altered or otherwise tampered with for deceptive intent, and that the image quality is sufficient for factual analysis of the nature of the subject as depicted. KEY WORDS: Bigfoot, sasquatch, Bluff Creek, cinematography, photogrammetry INTRODUCTION 2. What is the resolution of the camera original film stock and what level of image Null Hypothesis: The original Patterson- detail can be relied upon? Gimlin Film (PGF) has either been altered, or 3. If copies are studied in the absence of the its image quality is insufficient for analysis, or camera original, how were the copies both, invalidating its evidentiary reliability for made and how does the copy process alter conclusively determining whether it depicts a the film image data? real and novel biological entity. 4. Is the film in focus? 5.
    [Show full text]
  • Ghost Hunting
    Haunted house in Toledo Ghost Hunting GHOST HUNTING 101 GHOST HUNTING 102 This course is designed to give you a deeper insight into the This course is an extended version of Ghost Hunting 101. While world of paranormal investigation. Essential characteristics of it is advised that Ghost hunting 101 be taken as a prerequisite, it a paranormal investigation require is not necessary. This class will expand on topics of paranormal a cautious approach backed up investigations covered in the first class. It will also cover a variety with scientific methodology. Learn of topics of interest to more experienced investigators, as well as, best practices for ghost hunting, exploring actual techniques for using equipment in ghost hunting, investigating, reviewing evidence and types of hauntings, case scenarios, identifying the more obscure presenting evidence to your client. Learn spirits and how to deal with them along with advanced self- from veteran paranormal investigator protection. Learn from veteran paranormal investigator, Harold Harold St. John, founder of Toledo Ohio St. John, founder of the Toledo Ohio Ghost Hunters Society. If you Ghost Hunters Society. We will study have taken Ghost Hunting 101 and have had an investigation, you the different types of haunting's, a might want to bring your documented evidence such as pictures, typical case study of a "Haunting", the EVP’s or video to share with your classmates. There will be three Harold St. John essential investigating equipment, the classes of lecture and discussions with the last session being a investigation process and how to deal field trip to hone the skills you have learned.
    [Show full text]
  • ANG 5012, Section 6423 Spring 2017 FANTASTIC ANTHROPOLOGY and FRINGE SCIENCE
    ANG 5012, section 6423 Spring 2017 FANTASTIC ANTHROPOLOGY AND FRINGE SCIENCE Time: Mondays, periods 7-9 (1:55 – 4:55) Place: TUR 2303 Instructor: David Daegling, Turlington B376 352-294-7603 [email protected] Office Hours: M 10:30 – 11:30 AM; W 1:00 – 3:00 PM. COURSE OBJECTIVES: This course examines the articulation and perpetuation of so-called paranormal and fringe scientific theories concerning the human condition. We will examine these unconventional claims with respect to 1) underlying belief systems, 2) empirical and logical foundations, 3) persistence in the face of refutation, 4) popular treatment by mass media and 5) institutional reaction. The course is divided into five parts. Part I explores forms of inquiry and considers the demarcation of science from pseudoscience. Part II concerns unconventional theories of human evolution. Part III investigates unorthodox ideas of human biology. Part IV examines claims of extraterrestrial and supernatural contact in the world today. Part V further scrutinizes institutional reaction to fringe science, popular coverage of science, and the culture of science in the contemporary United States. COURSE REQUIREMENTS: Attendance is mandatory. Unexcused absences (i.e., other than medical or family emergency) result in a half grade reduction of your final grade. Participation in group and class discussions is required (50% of your final grade). In addition, written work is required for each of the five parts of the course (50% of your grade). These will take the form of essays and short papers to be completed concurrently with our discussions of these topics. Late papers are subject to a full letter grade reduction.
    [Show full text]
  • The Aquatic Ape Hypothesis: Most Credible Theory of Human Evolution Free Download
    THE AQUATIC APE HYPOTHESIS: MOST CREDIBLE THEORY OF HUMAN EVOLUTION FREE DOWNLOAD Elaine Morgan | 208 pages | 01 Oct 2009 | Souvenir Press Ltd | 9780285635180 | English | London, United Kingdom Aquatic ape hypothesis In addition, the evidence cited by AAH The Aquatic Ape Hypothesis: Most Credible Theory of Human Evolution mostly concerned developments in soft tissue anatomy and physiology, whilst paleoanthropologists rarely speculated on evolutionary development of anatomy beyond the musculoskeletal system and brain size as revealed in fossils. His summary at the end was:. From Wikipedia, the free encyclopedia. Proceedings of the National Academy of Sciences. Thanks for your comment! List of individual apes non-human Apes in space non-human Almas Bigfoot Bushmeat Chimpanzee—human last common ancestor Gorilla—human last common ancestor Orangutan—human last common ancestor Gibbon —human last common ancestor List of fictional primates non-human Great apes Human evolution Monkey Day Mythic humanoids Sasquatch Yeren Yeti Yowie. Thomas Brenna, PhD". I think that we need to formulate a new overall-theory, a new anthropological paradigm, about the origin of man. This idea has been flourishing since Charles Darwin and I think that many scientists and laymen will have difficulties in accepting the Aquatic Ape Hypothesis — as they believe in our brain rather than in our physical characteristics. Last common ancestors Chimpanzee—human Gorilla—human Orangutan—human Gibbon—human. I can see two possible future scenarios for the Aquatic Ape Theory. University The Aquatic Ape Hypothesis: Most Credible Theory of Human Evolution Chicago Press. Human Origins Retrieved 16 January The AAH is generally ignored by anthropologists, although it has a following outside academia and has received celebrity endorsement, for example from David Attenborough.
    [Show full text]
  • Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
    Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10).
    [Show full text]
  • Sasquatch and the Law: the Implications of Bigfoot Preservation Laws in Washington State
    Ilacqua 1 Joan Ilacqua HGSA Conference Paper Sasquatch and the Law: The Implications of Bigfoot Preservation Laws in Washington State The American Pacific Northwest is characterized and recognized by its lush wilderness, mountain ranges, salmon, Starbucks coffee, and most recently, by “Portlandia”­esque hipsters. The Pacific Northwest is also the home of the elusive, and presumed bogus, Sasquatch. Although the Sasquatch has its roots in Native American lore, the word “Sasquatch” is an anglicized Salish word, the first Bigfoot story was published by pioneer missionary Elkanah Walker in 1840 and a long tradition of publishing Bigfoot stories has proliferated since. Bigfoot searches and stories culminated in the 1967 Patterson­Gimlin film of a supposed female Sasquatch, although the myth has found resurgence in modern Bigfoot hunting television shows. Whether or not the elusive Sasquatch exists, ultimately the stories serve as a cautionary tale to act pragmatically in the wilderness. The myth and subsequent stories have become a symbol of the Pacific Northwest region. Bigfoot fervor also resulted in two Sasquatch preservation laws: the 1969 Skamania County Ordinance no. 69­01, later amended in 1984, and the 1991 Whatcom County Resolution No. 92­043. Each law purports to protect a creature that, if it does exist, is obviously endangered. The laws have a secondary purpose of protecting unsuspecting wilderness seekers from Bigfoot hunters, on their own the laws seem superfluous but they fit into a larger narrative about wilderness conservation and preservation in Washington state. Skamania County is in southeastern Washington state, just south of Mount Rainier, Ilacqua 2 and includes Gifford Pinchot National Forest and Mount Saint Helens.
    [Show full text]
  • Spiritualism and Social Conflict in Late Imperial Russia
    Mysterious knocks, flying potatoes and rebellious servants: Spiritualism and social conflict in late Imperial Russia Julia Mannherz1 (Oriel College Oxford) Strange things occurred in the night of 13 December, 1884, in the city of Kazan on the river Volga. As Volzhskii vestnik (The Volga Herald) reported, unidentifiable raps were heard in the flat rented by the retired officer Florentsov on Srednaia Iamskaia Street. Before the newspaper described what had actually been observed, it made it clear that ‘all descriptions here are true facts, as has been ascertained by a member of our newspaper’s editorial board’. This assertion was deemed necessary because the phenomena were of a kind ‘regarded as “inexplicable”‘. On the evening of 13 December: Mr. Florentsov was just about to go to bed, when a loud rap on his apartment’s ceiling was heard, which caused worry even to the neighbours. At about the same time, potatoes and bricks began to fly out of the oven pipe and smashed the kitchen window. On the 14th the ‘phenomena’ continued all day long and were accompanied by many comical episodes. About 10 well-known officers came to Mr. Florentsov’s apartment. They put a heavy pole against the oven-door, but the shaft was not strong enough and it soon flew to one side. [After this] potatoes rolled out beneath the furniture, fell from the walls, rained down from the ceiling; sometimes a brick appeared at the scene of action. One officer was hit by a potato on his head, another one on his nose, some were hit by the bullets of this invisible foe at their backs, shoulders and so on.
    [Show full text]
  • The Friendly Yeti
    The University of Southern Mississippi The Aquila Digital Community Faculty Publications 2012 The Friendly Yeti Daniel S. Capper University of Southern Mississippi, [email protected] Follow this and additional works at: https://aquila.usm.edu/fac_pubs Part of the Animal Studies Commons, Buddhist Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Capper, D. S. (2012). The Friendly Yeti. Journal for the Study of Religion, Nature, and Culture, 6(1), 71-87. Available at: https://aquila.usm.edu/fac_pubs/14855 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Faculty Publications by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. This article appeared in the Journal for the Study of Religion, Nature, and Culture 6:1 (2012): 71-87. THE FRIENDLY YETI Daniel Capper, Ph.D. Associate Professor of Religion The University of Southern Mississippi 118 College Drive, #5015 Hattiesburg, MS 39406 USA 601-266-4522 [email protected] ABSTRACT Most images of yetis in Western popular culture and scholarly literature portray them as secular, predatory monsters. These representations overlook important religious dimensions of yetis that are hidden in the current literature so I take a new look at yetis in Tibetan religions in order to clarify our understanding of these legendary creatures. Following a phenomenological approach that sets aside the issue of the ontological existence of yetis I examine texts, art, ritual, and folklore in order to propose four yeti personal ideal types: the Buddhist practitioner, the human religious ally, the friendly yeti, and the mountain deity yeti.
    [Show full text]
  • Tracing Bigfoot
    Humboldt Geographic Volume 2 Article 17 2021 Tracing Bigfoot Leo R. Kepcke [email protected] Follow this and additional works at: https://digitalcommons.humboldt.edu/humboldtgeographic Part of the Environmental Studies Commons, and the Spatial Science Commons Recommended Citation Kepcke, Leo R. (2021) "Tracing Bigfoot," Humboldt Geographic: Vol. 2 , Article 17. Available at: https://digitalcommons.humboldt.edu/humboldtgeographic/vol2/iss1/17 This Article is brought to you for free and open access by the Journals at Digital Commons @ Humboldt State University. It has been accepted for inclusion in Humboldt Geographic by an authorized editor of Digital Commons @ Humboldt State University. For more information, please contact [email protected]. Kepcke: Tracing Bigfoot Feature Stories Tracing Bigfoot Leo Rossmassler Kepcke went searching for Bigfoot. More specifically, I I went to the mythical home of Bigfoot, searching for the effect that the legend has had on the local culture. After a picturesque drive into the Six Rivers National Forest, I arrived at Willow Creek, the gateway to Bigfoot Country. In 1963, Albert Hodgson made a cast of a “Bigfoot” footprint that he found near Bluff Creek on a little sandbar. Thus started the modern legend of Bigfoot in Humboldt County. Shortly after, in 1967, Roger Patterson and Bob Gimlin made their famous and contentious Bigfoot film close by. Today, tourists can purchase their own plaster cast of the original footprint just a few yards from a two- story redwood statue of the legend itself. Boasting thousands of footprints and many sightings, Willow Creek and its surrounding area make a convincing claim to the “Bigfoot Capital” title.
    [Show full text]
  • LEASK-DISSERTATION-2020.Pdf (1.565Mb)
    WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A.
    [Show full text]
  • Curse of the Haunted House Teacher's Guide
    Curse of the Haunted House COMBO TEACHER’S GUIDE Curse of the Haunted House COMBO Teacher’s Guide Luke’s parents heard the noise and hurried upstairs to see what had happened. They listened as Luke told them about the cat in the closet. A Glamorous Ghost “It’s been a long day, honey,” his mother said soothingly. Ashton Villa Mansion, Galveston, Texas “Get ready for bed. You need a good night’s sleep.” Many people believe that when a person’s spirit returns as a ghost, it appears as the person did at the time of his or her Beautiful Bettie Ashton Brown was born into a wealthy “We all do,” his dad added. death. The spirit is often even wearing the same clothes. family in 1855. She spent her pampered But that night, Luke had a hard time falling asleep. The That’s good news for Bettie Ashton Brown. She was always Villa, buying fancy fans and dresses. She had many dressed like a princess—so she looks great as a ghost. boyfriends but never married. Some claim life Bettie at Ashton loved old house seemed to groan and creak. Tree branches scraped the expensive items she collected more than any man. against the windows. The wind whistled through every crack in the After Bettie died in 1920, her beloved building and slammed the shutters against the side of the house. turned into a museum. Her ghost is said to still visit Luke burrowed under his blanket, listening to the unfamiliar often. A museum worker once came acrossmansion her arguing with a dark-haired ghost at the piano.
    [Show full text]