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Designing

By Gary K. Hebert 129th AES Convention San Francisco CA, November 2010 The Tutorial Overview

Section 1 Support Circuitry

Section 2 The

Microphone Design 2 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Simple Block Diagram

Microphone input Amplifier output

Microphone levels vary widely due to: • Microphone sensitivity • Source SPL • Proximity to source Line level outputs are somewhat more constrained: • “Standard” maximum operating levels include 24, 18, 15 dBu • A/D converter input levels are approximately 8 dBu or 2 Vrms differential

Microphone Preamplifier Design 3 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Typical Requirements

Gain • Up to 40 dB covers the majority of close-mic’d applications • Some situations require more than 70 dB • Variability of input levels requires adjustable over a very wide range Phantom Power • Required for many • Standardized in IEC EN 61938 48 Volts +/- 4V at up to 10 mA per microphone • On / off control Input Pad • Can allow higher input signal levels, at the expense of • May be required depending on minimum gain and supply rails • 20 dB is common Resistant to common mode noise and RFI Reliable

Microphone Preamplifier Design 4 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Preamplifier Technologies

Transformer-Coupled • Robust • Colorful • Costly Transformer-Coupled Solid State • Also Robust • Performance can be excellent • Cost can be high Transformerless Solid State • More vulnerable • Performance can be excellent • Cost ranges from very low to high Transformerless solid state designs are the focus today

Microphone Preamplifier Design 5 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Amplifier Input Bias Current

+ IN+

Rg1 G

Rg2 - IN-

R1 R2

Must provide a DC current path to supply the amplifier input bias current

Microphone Preamplifier Design 6 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Gain Control

+ IN+

Rg1 G Rg

Rg2 - IN-

R1 R2

The amplifier is often designed to vary gain using a single variable

(Rg) Manually controlled options • Potentiometer with continuous control over a defined range • Switched resistor network with a fixed number of steps and gain settings Digitally controlled options • Digitally switched resistor network with a predetermined number of steps • Switches are either relays or silicon devices • Both discrete and integrated circuit solutions are available

Microphone Preamplifier Design 7 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Phantom Power

Phantom Power +48V

6k81 6k81

C1 + + IN+

Rg 1 G Rg

Rg + 2 - IN- C2

R1 R2

– C1 and C2 required to block the 48 V from the amplifier inputs – 6.81k series are specified in the standards for 48V phantom power – On/Off is available via a • Simple mechanical switch in manual applications • Relay or silicon switch in digitally controlled systems

Microphone Preamplifier Design 8 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Input Pad

Phantom Power +48V

Input Pad

6k81 6k81

C1 R3 + + IN+

Rg1 G R5 Rg

Rg2 + - IN- R4 C2 R1 R2

• Input pad is simply a signal attenuator prior to the amplifier • This is a differential-only pad, it does not attenuate common- mode

Microphone Preamplifier Design 9 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation “Complete” Microphone Preamp

Phantom Power +48V

Input Pad

6k81 6k81

C1 R3 + + IN+

Rg1 G R5 Rg

Rg2 + - IN- R4 C2 R1 R2

Microphone Preamplifier Design 10 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation It would be nice to say “that’s all there is” but………

there are gremlins are in the details!!

Microphone Preamplifier Design 11 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation DC Offset Changes

Phantom Power +48V

Input Pad

6k81 6k81

C1 R3 + + IN+

Rg 1

G R5 Rg Cg

Rg + 2 - IN- R4 C2 R1 R2

• Changes in gain can result in the DC offset changes at the output of the amplifier

• 2 solutions are available – Adding a capacitor (Cg) sets the DC gain to a fixed value and avoids these offset changes – A servo-amplifier can also be effective, but we don’t have time to discuss them today

Microphone Preamplifier Design 12 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Trade-offs with Cg

Phantom Power +48V

Input Pad

6k81 6k81

C1 R3 + + IN+

Rg 1

G R5 Rg Cg

Rg + 2 - IN- R4 C2 R1 R2

• Rg and Cg create a high-pass filter in the signal path • Rg can vary from <5 to >10k ohms • Cg must have a very large capacitance to avoid low frequency audio attenuation – Worst at highest gain

Microphone Preamplifier Design 13 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Resistor Value Selection

Phantom Power +48V

6k81 6k81

C1 + IN+ + Rg1

Rg Cg

Rg2 - + IN-

C2 1k21 1k21

– Microphone are commonly specified for 2 to 3 kohm loads – Differential input impedance is (R1 ll 6.81k) + (R2 ll 6.81k) – Therefore, suitable values for R1 & R2 are between 1172 and 1924 ohms

Microphone Preamplifier Design 14 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Capacitor Value Selection

Phantom Power +48V

6k81 6k81

33 uF + IN+ + Rg1

Rg Cg

Rg2 - + IN-

33 uF 1k21 1k21

– High-pass filter corner frequency is set by the blocking capacitor and bias resistor and is equal to 1 / (2 x pi x R x C) – For a 5 Hz corner frequency, the minimum values for C1 & C2 are 26 uF – The next largest standard value is 33 uF – Results in a nominal corner frequency of about 4 Hz

Microphone Preamplifier Design 15 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Alternative Resistor-Capacitor Value Selection

Phantom Power +48V

6k81 6k81

C1 + IN+ + Rg1 Rt Rg Cg

Rg2 - + IN-

C2 10k 10k

– C1 and C2 can be made smaller if bias resistors are made larger – Rin is defined by Rt – However, C1 and C2 convert 1/f noise to 1/f^2 noise – 10k resistors contribute thermal noise and current noise*R

Microphone Preamplifier Design 16 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Common Mode Rejection (CMRR)

Phantom Power +48V

6k81 6k81

33 uF + IN+ + Rg1

Rg Cg

Rg2 - + IN-

33 uF 1k21 1k21

– Common-mode to differential conversion results from mismatches in: • 6.81 k resistors • 1.21 k resistors – Low frequency CMRR affected by capacitor mismatch

Microphone Preamplifier Design 17 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation U-Pad Attenuator

Phantom Power +48V

6k81 6k81

R3 + IN+

Rg1

G Input Pad R5 Rg Cg

Rg2 - IN- R4 1k21 1k21

• ZIN with and without pad can be closely matched • Can be designed for any attenuation – 20dB is typical • Noise performance is degraded • Better noise, less headroom with less attenuation

Microphone Preamplifier Design 18 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Example -20 dB Input Pad

Phantom Power +48V

20 dB Pad

6k81 6k81

33 uF + + IN+ 1k1

Rg1

G 267 Rg Cg

Rg2 1k1 + - IN-

33 uF 1k21 1k21

• ZIN with and without pad is approximately 2k • 20 dB Attenuation • Pad output impedance is approximately 240 ohms • See THAT Design Note DN-140 for details and alternatives

Microphone Preamplifier Design 19 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation RFI Protection Phantom Power +48V

Input Pad

6k81 6k81

33 uF + + IN+ 1k1 100 pf C1 Rg1

G 267 470 pf Rg Cg Rg 100 pf 1k1 C2 2 + - IN-

33 uF 1k21 1k21

RFI protection is required in any practical design 100 pf caps at the input connector attenuate differential and common-mode RFI 470 pf cap at amplifier input pins reduces differential high frequencies from both internal and external sources

Microphone Preamplifier Design 20 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Phantom Power Faults

• Shorting input pins to ground with phantom turned on – 33uF coupling caps C1 & C2 start charged to 48V – Positive end of C1, C2 connect to ground – Negative end of C1, C2 driven to -48V!

• The shorting sequence can vary – “Single-ended”: One input to ground – “Common-mode”: both inputs to ground simultaneously – “Differential”: One input to ground, then the other – Differential is worst

• Big currents flow as C1, C2 discharge – Currents over 3 amperes flow in the capacitors

Microphone Preamplifier Design 21 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Phantom Fault Protection

Phantom Power +48V VCC

VEE + -

+ + 20 dB Pad Protection Bridge 6k81 6k81 ~~

33 uF + 10R + IN+ 1k1 100 pf C1 Rg 1 Rg G 267 470 pf Cg C2 100 pf Rg 1k1 + 2 - IN- 10R 33 uF 1k21 1k21

• Limit the current with small value resistors • Direct fault currents away from the amplifier inputs – Input diodes provide a conduction path which bypasses the amplifier – This current varies with gain setting • Diode bridge directs fault current to rails – Consider impact on supply rails – Minimize supply transient with capacitance Microphone Preamplifier Design 22 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Complete Microphone Preamp

+48V Phantom Power VCC

VEE + - + + 20 dB Pad Protection Bridge 6k8 6k8 ~~

33 uF 10R 1k1 + + IN+

100pf Rg 1 Rg G 267 470 pf Cg

100pf Rg + 2 - IN- 1k1 10R 33 uF

1k21 1k21

Microphone Preamplifier Design 23 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation References and Additional Information

– THAT Corp “THAT 1510/1512” data sheet – THAT Corp “THAT 1570 & 5171” data sheets, – THAT Corp “Design Note 140” – THAT Corp “Design Note 138” – THAT Corp “Analog Secrets Your Mother Never Told You” – THAT Corp “More Analog Secrets Your Mother Never Told You” – “The 48 Volt Phantom Menace Returns” Audio Engineering Society Preprint from the 127th AES Convention, Oct 2009 – “The 48 Volt Phantom Menace” Audio Engineering Society Preprint from the 110th AES Convention, May 2001

All THAT Corp references are available at thatcorp.com

Microphone Preamplifier Design 24 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Amplifier Topologies

What’s inside the triangle?

Microphone Preamplifier Design 25 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Scope

• We will concentrate on topologies that allow a wide range of gain with a single control. • The goal is to balance the requirements for low distortion and low noise at both ends of the gain range.

Microphone Preamplifier Design 26 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Simple Mic Preamp Schematic

Microphone Preamplifier Design 27 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Simple Mic Preamp

• Ic = 1 mA per input

transistor, set by (|VEE| - VBE)/14.3k

• Diff Gain = 22k/(re + Rg/2||14.3k)

•where re = 1/gm = KT/qIC = 26 ohms

•But –“re” is current dependent! • Minimum gain = 22k/14.3k = 3.7 dB

Microphone Preamplifier Design 28 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Simple Mic Pre THD Performance

THD vs. Gain, 1 kHz, +20 dBu Out

THD vs. Gain, +20 dBu Out

1

0.1

Simple MP THD (%) THD

0.01

0.001 0 102030405060 Gain (dB)

Microphone Preamplifier Design 29 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation High-Gain Noise Sources of Simple Mic Preamp

• Input noise at high gains dominated by:

•Q1, Q2 IC Shot Noise 2 qI 4kTr (RTI) = C = e g m •Q1, Q2 rb Thermal 8kTr Noise = b

•R1, R2, Rg Thermal 4kT(R +R +R ) Noise = 1 2 g

Microphone Preamplifier Design 30 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Low-Gain Noise Sources of Simple Mic Preamp

• Input noise at low gains dominated by:

• Thermal Noise of R5 and R6 • Thermal Noise of: R (R +R ) g 3 4 •Q1,Q2 IB shot noise R (R + R ) across g 3 4 • EIN of U1 2

Microphone Preamplifier Design 31 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Noise Performance of Simple Mic Preamp

EIN (dBu, 20 Hz - 20 kHz, Rs = 150) vs. Gain(dB)

-90.0

-100.0

-110.0 Simple MP EIN (dBu) EIN

-120.0

-130.0 0 102030405060 Gain (dB)

Microphone Preamplifier Design 32 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CMRR Performance of Simple Mic Preamp

• CM to differential conversion can occur due to mismatches in:

•R3 and R4

•R5 and R6

•R7 and R8

•R9 and R10

•Q1 and Q2

Microphone Preamplifier Design 33 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Simple Mic Preamp

• 2 Transistors and 1 Opamp • Very Low Cost • Marginal Performance

Microphone Preamplifier Design 34 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Complementary Feedback Pair Mic Preamp

Microphone Preamplifier Design 35 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CFP Mic Preamp

• Input devices are each a compound transistor (Complementary Feedback Pair) • NPN Input Ic set by Vbe/750 ohms (1 mA each) • NPN Ic + PNP Ic set by (|Vee|-Vbe)/2k87 (5 mA per side) Microphone Preamplifier Design 36 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CFP Mic Preamp

• Output impedance at NPN emitters is 1 r = o R now: g (1+β • 11 ) m PNP r +R πPNP 11 • Still current dependent, but much lower

• Gain = 5k/(re/74 + Rg/2||2.87k) • Minimum Gain = 5k/2.87k = 4.8 dB

Microphone Preamplifier Design 37 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation THD Performance of CFP Mic Preamp THD vs. Gain, 1 kHz, +20 dBu Out

THD vs. Gain, 1 kHz, +20 dBu Out

1

0.1

Simple MP 0.01 CFP MP THD (%) THD

0.001

0.0001 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 38 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation High-Gain Noise Sources of CFP Mic Preamp

• Input noise at high gains dominated by:

•Q1, Q2 IC Shot Noise 2 qI 4kTr (RTI) = C = e g m •Q1, Q2 rb Thermal 8kTr Noise = b

•R1, R2, Rg Thermal 4kT(R +R +R ) Noise = 1 2 g

Microphone Preamplifier Design 39 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Low-Gain Noise Sources of CFP Mic Preamp

• Input noise at low gains dominated by:

• Thermal Noise of R5 and R6 • EIN of U1 • Thermal Noise of

Rg (R3 +R 4 )

•Q1,Q2 IB shot noise R (R + R ) across g 3 4 2

Microphone Preamplifier Design 40 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Noise Performance of CFP Mic Preamp

EIN (dBu, 20 Hz - 20 kHz, Rs = 150) vs. Gain (dB)

-90.0

-100.0

Simple MP -110.0 CFP MP EIN (dBu) EIN

-120.0

-130.0 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 41 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CMRR Performance of CFP Mic Preamp

• CM to Diff conversion can occur due to mismatches in:

•R3 and R4

•R5 and R6

•R7 and R8

•R9 and R10

•R11 and R12

Microphone Preamplifier Design 42 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CFP Mic Preamp

• Performance is improved over Simple Mic Preamp • Distortion performance still not terrific at high gains • Power consumption is high to get that performance • Cost is modest

Microphone Preamplifier Design 43 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Current Feedback Instrumentation Amp

• Topology used in most integrated mic preamp ICs including ADI - SSM2019, TI - INA103, INA163, INA217, THAT – 1510,1512, 1570 and possibly others • Scott Wurcer – AD524 IEEE Paper 12/82 • Graeme Cohen AES Paper – “Double Balanced Microphone Amplifier” 9/84

Microphone Preamplifier Design 44 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Basic CFIA Mic Preamp Schematic

Microphone Preamplifier Design 45 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Basic CFIA Mic Preamp

• Input Transistor Ic =

Vref/R5

• Current Sources I1 and I2 are for “bias current cancellation” only

• Gain = 1 + (2R7/Rg) • Min. gain = 0 dB

Microphone Preamplifier Design 46 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation What’s “Current Feedback”?

• Closed loop bandwidth stays substantially constant with closed

loop gain until re becomes a significant factor • Cc charging current is not limited

Microphone Preamplifier Design 47 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation “Half Circuit” of CFIA

R • A C ⎡r + (R R 2)⎤()R C S +1 V ⎢ e F G ⎥ C M A out = ⎣ ⎦ = V R • A R 1+ Aβ in 1+ C • G ⎡r + (R R 2)⎤()R C S +1 2R +R ⎣⎢ e F G ⎦⎥ C M F G Where C = C (A +1) , r = 1/gm M C e For r << (R R 2): e F G R • A C V (R R 2)()R C S +1 A out = F G C M = V R • A 1+ Aβ in 1+ C R ()R C S +1 F C M

Note that the loop transmission Aβ is independent of the closed loop gain if re is much less than the feedback network impedance

Microphone Preamplifier Design 48 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation High-Gain Noise Sources of CFIA Mic Preamp

• Input noise at high gains dominated by:

•Q1, Q2 IC Shot Noise 2 qI 4kTr (RTI) = C = e g m •Q1, Q2 rb Thermal 8kTr Noise = b

•R1, R2, Rg Thermal 4kT(R +R +R ) Noise = 1 2 g

Microphone Preamplifier Design 49 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Low-Gain Noise Sources of CFIA Mic Preamp

• Input noise at low gains dominated by:

• Thermal Noise of R5, R6

• Noise of I1, I2 • Thermal Noise of R (R +R ) g 7 8

•Q1,Q2 IB shot noise R (R + R ) g 7 8 across 2 • EIN of U1, U2

Microphone Preamplifier Design 50 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation CMRR Performance of CFIA Mic Preamp

• Unity CM Gain to OUT1 – OUT2 • CMRR = Differential Gain • CM to Diff conversion can occur due to mismatches in transistors

Microphone Preamplifier Design 51 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Refinements to the CFIA

• Early effect and Ccb mismatch in the current source transistors can also contribute to THD at low gains • Cascoding helps here at the expense of some input CM range • A Folded Cascode can minimize the noise contribution of the integrator stages and R5 and R6 while minimizing the impact on input CM range • At this level of complexity an IC makes sense and the good device matching helps performance

Microphone Preamplifier Design 52 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation A Real Example THAT’s 1570 CFIA

• An integrated circuit current-feedback instrumentation amplifier front end • Utilizes the techniques described on the previous slide.

• Compensated for RF values down to 2 kohm

Microphone Preamplifier Design 53 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation 1570 Bandwidth vs. Gain

1570 Bandwidth vs. Gain

1.00E+08

1.00E+07 Rf = 2.21k Rf = 4.02k -3dB BW (Hz)

1.00E+06

1.00E+05 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 54 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation THD Performance of 1570 Mic Preamp THD vs. Gain, +20 dBu Out, Rf = 2.21k

THD vs. Gain, +20 du Out

1

0.1

0.01 Simple MP CFP MP 1570 1 kHz THD (%) 0.001 1570 10 kHz

0.0001

0.00001 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 55 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Noise Performance of 1570

EIN (dBu, 20 Hz - 20 kHz, Rs = 150, Rf = 2.21k) vs. Gain (dB)

-90.0

-100.0

Simple Mic Pre

-110.0 CFP MP 1570 EIN (dBu) EIN

-120.0

-130.0 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 56 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Utilizing the Differential Output to Drive A/D Converters

• The cheap and simple way: • Rely on the A/D converter for CMRR at low gains • Converter CM input range might be an issue as the pad does not attenuate CM signals

Microphone Preamplifier Design 57 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Birt Circuit

• David Birt, 1990 • Provides CMRR

•Gain = R3/R1 • Provides a convenient input for a CM DC reference voltage • U2 input offset and noise appear as CM at OUT+ - OUT-

Microphone Preamplifier Design 58 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Birt Circuit Applied to 1570 and A/D Drive

• The resistor ratios provide 18 dB of attenuation before the A/D • The feedback networks enable capacitive load driving with low audio-band output impedance

Microphone Preamplifier Design 59 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Converting Differential Output to Single-Ended

• The traditional 4-resistor differential amplifier works fine • At low gains, the noise of this stage can become important • Resistor matching controls the CMRR

Microphone Preamplifier Design 60 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Differential to Single-Ended Conversion

• What should the gain of the diff amp be? • If G=1, we leave headroom on the table • If G=.5, we take advantage of all of the swing capability of the differential output • For the case of G=.5, the front end gain is always 6 db higher

Microphone Preamplifier Design 61 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation 1570 + Differential Amplifier Noise vs. Gain Performance

EIN (dBu, 20Hz - 20 kHz, Rs = 150) vs. Gain (dB)

-90

-100 ) Diff Amp Gain = 1, Rf = 2.21k -110 Diff Amp Gain = .5, Rf = 2.21k EIN (dBu

-120

-130 0 10203040506070 Gain (dB)

Microphone Preamplifier Design 62 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Conclusions

• Microphone preamplifiers with a wide gain range controlled by a single resistance involve tradeoffs between low-gain noise and high- gain distortion performance • The current-feedback instrumentation amplifier is capable of good performance at both extremes • An integrated approach can provide excellent performance in very small PCB area at moderate cost

Microphone Preamplifier Design 63 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Amplifier References

David Birt, “Electronically Balanced Analogue-Line Interfaces,” Proceedings of the Institute of Acoustics, Vol. 12, Part 8 (1990) Graeme John Cohen, “Double Balanced Microphone Amplifier”, 1984 Audio Engineering Society Australian Regional Convention, Preprint Number 2106, September 1984 Graeme John Cohen, “Microphone Amplifier History and Design”, presented at the Audio Engineering Society Adelaide Section, August, 2006 Fred Floru, “An Improved Microphone Preamplifier Integrated Circuit”, 2001 Audio Engineering Society 16th UK Conference on Silicon For Audio Scott Wurcer, “A Programmable Instrumentation Amplifier for 12-Bit Sources”, IEEE Journal of Solid-State Circuits, Volume SC-17, Number 6, December, 1982

Microphone Preamplifier Design 64 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Acknowledgements

Thanks to Steve Green for preparing the “Support Circuitry” section. Thanks to Greg Benulis, Rosalfonso Bortoni, Fred Floru, Bob Moses, and Les Tyler for their assistance in the preparation of this tutorial

Microphone Preamplifier Design 65 129th AES Convention, Nov 2010 Copyright ©2010, THAT Corporation Questions ?