AN-346 High-Performance Audio Applications of the LM833 (Rev. D)
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GML 2032 Microphone Preamplifier / Parametric Equalizer
G e o r g e M a s s e n b u r g L a b s GML 2032 Microphone Preamplifier / Parametric Equalizer The Model 2032 Microphone Preamplifier / Parametric Equalizer is a single-channel, multi-input device for high-resolution studio and remote applications. Incorporating the renowned 8300 preamplifier and reference-standard 8200 equalizer, the Model 2032 inherits over thirty years of GML engineering excellence. This transparent class-A discrete design with internal supply delivers reliability, musicality, and precision. Owner's Manual Version 1.0 August, 2004 All materials herein © George Massenburg Labs, LLC. GML, LLC. Franklin, TN USA 615.790.9946 (ph) www.massenburg.com INTRODUCTION Combining the features of the GML flagship 8200 Parametric Equalizer and 8300 Transformerless Microphone Preamplifier, the Model 2032 embodies the legendary detail and accuracy for which GML is renowned. The power and functionality of these revolutionary processors is further coupled with the addition of a front panel musical instrument input, two position high-pass filter, front panel phantom and phase switching, and flexible routing options while maintaining the GML standard of performance and transparency. These advanced circuits, envisioned by George Massenburg, have benefited from over 30 years of research, limited manufacturing, critical listening analysis, widespread usage by demanding industry professionals, and continuous evaluation by the GML Engineering Department. FEATURES The GML Model 2032 Microphone Preamplifier / Parametric Equalizer derives its -
Universal Audio 4-710D User Guide
Model 4-710d Four-Channel Tone-Blending Mic Preamplifier Universal Audio Part Number 65-00051 Revision A Universal Audio, Inc. Customer Service & Tech Support: +1-877-MY-UAUDIO Business, Sales & Marketing: +1-866-UAD-1176 www.uaudio.com Notices This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio Model 4-710d. Disclaimer The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2011 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks 4-710d, 710, Twin-Finity, 4110, 8110, SOLO/110, SOLO/610, 2-610, LA-610, LA-2A, 2-LA2, LA-3A, 6176, 1176LN, 2-1176, 2192, DCS Remote Preamp, UAD and the Universal Audio, Inc. logo are trademarks of Universal Audio, Inc. Other company and product names mentioned herein are trademarks of their respective companies FCC Compliance This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) the device must accept any interference received, including interference that may cause undesired operation. -
Loudspeakers and Headphones 21 –24 August 2013 Helsinki, Finland
CONFERENCE REPORT AES 51 st International Conference Loudspeakers and Headphones 21 –24 August 2013 Helsinki, Finland CONFERENCE REPORT elsinki, Finland is known for having two sea - An unexpectedly large turnout of 130 people almost sons: August and winter (adapted from Con - overwhelmed the organizers as over 75% of them Hnolly). However, despite some torrential rain in registered around the time of the “early bird” cut-off the previous week, the weather during the conference date. Twenty countries were represented with most of was excellent. The conference was held at the Helsinki the participants coming from Europe, but some came Congress Paasitorni, which was built in the first from as far away as Los Angeles, San Francisco, Lima, decades of the twentieth century. The recently restored Rio de Janeiro, Tokyo, and Guangzhou. Companies building is made of granite that was dug from the such Apple, Beats, Comsol, Bose, Genelec, Harman, ground where the building now stands. The location KEF, Neumann, Nokia, Samsung, Sennheiser, Skype, near the city center and right by the harbor proved to and Sony were represented by their employees. be an excellent location both for transportation and Universities represented included Aalto (in Helsinki), the social program. Aalborg, Budapest, and Kyushu. 790 J. Audio Eng. Soc., Vol. 61, No. 10, 2013 October CONFERENCE REPORT A packed House of Science and Letters for the Tutorial Day Sponsors Juha Backmann insists that “Reproduced audio WILL be better in the future.” J. Audio Eng. Soc., Vol. 61, No. 10, 2013 October 791 CONFERENCE REPORT low-frequency performance can still be designed using Thiele- Small parameters in a simulation, and the effect of individual parameters (such as voice coil length and pole piece size) on the system performance can be seen directly. -
Voip V2 Loudspeaker Amplifier (Wireless) Operations Guide
VoIP V2 Loudspeaker Amplifier (Wireless) Operations Guide Part #011096 Document Part #930361E for Firmware Version 6.0.0 CyberData Corporation 3 Justin Court Monterey, CA 93940 (831) 373-2601 VoIP V2 Paging Amplifier Operations Guide 930361E Part # 011096 COPYRIGHT NOTICE: © 2011, CyberData Corporation, ALL RIGHTS RESERVED. This manual and related materials are the copyrighted property of CyberData Corporation. No part of this manual or related materials may be reproduced or transmitted, in any form or by any means (except for internal use by licensed customers), without prior express written permission of CyberData Corporation. This manual, and the products, software, firmware, and/or hardware described in this manual are the property of CyberData Corporation, provided under the terms of an agreement between CyberData Corporation and recipient of this manual, and their use is subject to that agreement and its terms. DISCLAIMER: Except as expressly and specifically stated in a written agreement executed by CyberData Corporation, CyberData Corporation makes no representation or warranty, express or implied, including any warranty or merchantability or fitness for any purpose, with respect to this manual or the products, software, firmware, and/or hardware described herein, and CyberData Corporation assumes no liability for damages or claims resulting from any use of this manual or such products, software, firmware, and/or hardware. CyberData Corporation reserves the right to make changes, without notice, to this manual and to any such product, software, firmware, and/or hardware. OPEN SOURCE STATEMENT: Certain software components included in CyberData products are subject to the GNU General Public License (GPL) and Lesser GNU General Public License (LGPL) “open source” or “free software” licenses. -
Model ST-PH1 Phono Preamplifier
® STICK-ON SERIES Model ST-PH1 Phono Preamplifier ANYWHERE YOU NEED A... · Stereo or Mono Phono Preamplifier. · Preamplifier with Balanced or Unbalanced Output · Preamplifier with Hi or Low-Impedance Output · Accurate, Low Noise Preamplification You Need The ST-PH1! The ST-PH1 is part of a group of products in the STICK-ON series from Radio Design Labs. The durable bottom adhesive permits quick, permanent or removable mounting nearly anywhere or it may be used with RDL’s STR-19A or STR-19B racking adapter for rack mounting! The ST-PH1 gives you the advantages of a high quality, low-noise phono preamplifier with a big plus, you can put it where you need it! The ST-PH1 is a stereophonic phono preamplifier. Each of the channel circuits is identical. The ST-PH1 has standard 47 kW impedance unbalanced phono cartridge inputs. Each output drives either a balanced or unbalanced line. Equalization follows the RIAA curve. The output is capable of driving into either high or low impedance loads. The output may be connected either balanced or unbalanced. The ST-PH1 features superior circuitry, which produces the unsurpassed pure clarity for which Radio Design Labs products are known! Some features are: · Input matched to standard cartridges used in the industry. · Impeccable audio quality. · Ultra-low distortion and noise. · Output levels adjustable (Independent adjustment for left and right channels). · Ample headroom at operating level. · Outputs short circuit protected. · Positive connections via barrier block, no audio connectors to wire. Although some equipment has phono inputs, optimum system performance is obtained when phonographs are preamplified as close to the turntable as possible, and then the line level signals are fed to the next piece of equipment in the chain. -
V55 Di-Re-Preamplifier Loud Or Excessive Clicks Or Pops
AVALON V55 QUICK SET-UP OPERATING GUIDE PHASE (switch) BOOST (+dB) TONE (shape) HI (switch) Reverses the polarity of Trims input gain Ten postion Passive HIGH ALL (3) input sources Line : -2dB to +38dB Passive Tone Bank™ cut filter Instrument : +2dB to +42dB 1-6 for music contour -3dB @ 3.7kHz SIGNAL Mic HiZ : +20dB to +60dB High pass filters eliminates noise Mic LoZ : +26dB to +66dB HF lift ~ LF cut and fret buzz Peak capture (scale calibrated for Mic LoZ) (see graphs) Bi-color LED Blue = 0dB POWER Red = +20dB Bi-color LED Blue = AC ON Red = +48v ON PAD (switch) Resistive attenuator for ALL (3) inputs TONE (switch) Line : -13dB Activates the Instrument : -10dB Passive Tone Bank™ Microphone : -15dB INPUT MODE INSTRUMENT V55 Dual Channel DI-RE-PREAMPLIFIER Selects INPUT source 1/4” unbalanced Line : XLR~1/4” TRS jack RTS phone jack METER Instrument : 1/4” TRS jack (front) 10 meg.ohm high-Z Professional VU meter Microphone HiZ & LoZ : XLR ideal for keyboards, -30dB to +18dB wide scale Mic LoZ + 48v phantom power ON synthesizers, drum machines, 0VU = 0dB = 0.775v RMS passive & active acoustic, V55 WHEN SWITCHING FROM LO-Z MIC INPUT TO bass and electric guitars LO-Z +48V (PHANTOM POWER) INPUT, ALWAYS MAKE SURE THE BOOST CONTROL Note: For best sonic performance, IS SET TO THE MINIMUM GAIN POSITION allow thirty minutes for warm-up. AND REDUCE MONITOR LEVEL TO AVOID V55 DI-RE-PREAMPLIFIER LOUD OR EXCESSIVE CLICKS OR POPS. www.avalondesign.com Avalon Design is a division of Avalon Industries, Inc. -
Productcatalog
PRODUCTCATALOG We supply sound, not equipment. www.toaelectronics.com Life SafetyLife Intercom Life Safety 06 VM-3000 Series Integrated Voice Evacuation System 07 VM-3000 Series Integrated Voice Evacuation System Optional Accessories 10 SX-2000 Series Audio Management System 10 SX-2000 Series Audio Management System Optional Accessories 14 SX-2000 Series Audio Management System Modules 16 Mass Notification and Fire/Voice System Speaker Certifications Intercom 20 N-SP80 SIP Intercom Series 28 N-8000 Series Exchanges and Interface Units 22 N-8000 Series SIP Gateway 30 N-8000 Series 2-Core Shielded Cable Type 23 N-8000 Series IP Master Stations 32 N-8000 Series 4-Wire Cable Type 24 N-8000 Series IP Door Stations 33 N-8000 Series Optional Accessories 25 N-8000 Series 2-Wire Master Stations 34 N-8000 Series Station Selection Chart 27 N-8000 Series 2-Wire Type Stations 35 N-8000 Series System Overview Network Network Network Audio 38 Audio NX-300 System 40 NX-100 System 42 Digital Message Repeaters 44 Program Timer 44 Synthesized AM/FM Tuner Amplifiers SpeakersAmplifiers & DSP Mixers 46 A-5000 Series Digital Mixer Amplifiers 56 9000 Series Modular Digital Matrix Mixer Remote Control 74 A-2240 Mixer Power Amplifier 47 MA-725F Digital Matrix Mixer Amplifier Modules 75 BG-200 Series PA Amplifiers 48 BG-2240D Class D Mixer/Amplifier 58 9000 Series Modular Digital Matrix Mixer Speaker Selectors 76 BA-200 Series PA Amplifiers 49 Digital Power Amplifiers 60 900 Series Amplifiers 77 CA Series Mobile Mixer Amplifiers 50 Digital Micro Amplifiers 63 900 -
Twin-Servo™ Microphone Preamplifier
RADIAL 500 SERIES smart sheet TWIN-SERVO™ MICROPHONE PREAMPLIFIER Order No. R700 0111 10 The Jensen Twin-Servo™ utilizes Deane Jensen’s iconic 990 op-amp design to deliver the most exceptional mic preamp built in the 500 series format. The circuitry boasts two 100% discrete 990 op-amps cascaded in tandem to deliver 60dB of gain, with incredibly low noise and phase distortion, and an ultra-wide 0.2Hz-150kHz frequency response. Jensen input and output transformers provide massive amounts of headroom, with clean and transparent operation suitable for the most critical recording applications. A 21-detent gain control makes for easy session recalls, with a 10-segment LED meter for accurate signal management. 48V phantom power, a 180° polarity reverse, high-pass fi lter and -15dB pad are also provided, all with individual LED indicators to verify settings at a glance. When it comes to high performance mic preamps, nothing beats the Jensen Twin-Servo. OMNIPORT - When used with a Radial Workhorse power rack the omniport is assigned as a unbalanced 220K ohm instrument input. FEATURES 10 SEGMENT METER - Custom designed circuit for greater VU meter accuracy. • Ultra-low noise preamp with over 60dB of gain • Built in high-pass fi lter and 180° polarity reverse DUAL-GANG POT - Simultaneously controls the dual 990 op- amp topology for optimal gain at all levels. • Dual Jensen transformers for maximum head- room 180° - Inverts pins 2 and 3 at the output to help phase align microphones when two channels are in stereo use. APPLICATIONS HPF - Gentle high-pass fi lter may be inserted into the signal • Perfect for recording any source path to reduce excessive low frequency content and control • Transparent and detailed operation resonance. -
THE DYNAMIC RANGE POTENTIAL of the PHONOGRAPH by Ronald M
THE DYNAMIC RANGE POTENTIAL OF THE PHONOGRAPH By Ronald M. Bauman his article describes a new transmission standards of even lower added to the quietest passages by the approach for analyzing the quality than our current CD standards. cartridge-preamplifier combination dynamic range of the phono- Unless these standards are dramatical- should be essentially inaudible. graphic playback system, in which the ly upgraded (in terms of information Similarly, the cartridge-preamp sys- cartridge and preamplifier are treated content), we may never have a source tem should be able to clearly repro- as an integrated system. I analyzed of music for our homes that sounds ducd the loudest sounds on record the dynamic range potential of several better than the phonograph. without distortion, compression, or combinations of phono cartridges and Are analog records inherently better clipping. preamplifier amplifying devices and in some sense? Your ears may already The same should be true of CD compared the results to CDs. be telling you that analog can sound playback. The quietest passages Additionally, I speculate about the better than today's digital. I will should be reproduced without added drawbacks of frequency domain char- provide quantitative reasons this may noise or distortion of the rnusic acterizations of musical audio compo- be so. caused by amplitude steps, or sam- nents and suggest that the time pling intervals that are too coarse, or domain may be a more natural frame Qualitative Requirements by filter phase shifts and ringing. The of reference for audio instrumentation The subtlety of detail in the grooves of loudest peaks encoded, as for analog development. -
Chapter 186 NOISE
Chapter 186 NOISE §186-1. Loud and unnecessary noise §186-3. Permits for amplifying devices. prohibited. §186-4. Stationary noise limits; maximum §186-2. Loud and unnecessary noises permissible sound levels. enumerated. §186-5. Violations and penalties. [HISTORY: Adopted by the Village Board of the Village of Albany 5-11-1992 as Sec. 11-2- 7 of the 1992 Code. Amendments noted where applicable.] GENERAL REFERENCES Disorderly conduct -- See Ch. 110. Parks and navigable waters -- See Ch. 198, §198-1B(2). Peace and good order -- See Ch. 202. §186-1. Loud and unnecessary noise prohibited. It shall be unlawful for any person to make, continue or cause to be made or continued any loud and unnecessary noise. It shall be unlawful for any person knowingly or wantonly to use or operate, or to cause to be used or operated, any mechanical device, machine, apparatus or instrument for intensification or amplification of the human voice or any sound or noise in any public or private place in such manner that the peace and good order of the neighborhood is disturbed or that persons owning, using or occupying property in the neighborhood are disturbed or annoyed. §186-2. Loud and unnecessary noises enumerated. The following acts are declared to be loud, disturbing and unnecessary noises in violation of this chapter, but this enumeration shall not be deemed to be exclusive: A. Horns; signaling devices. The sounding of any horn or signaling device on any automobile, motorcycle or other vehicle on any street or public place in the village for longer than three seconds in any period of one minute or less, except as a danger warning; the creation of any unreasonable loud or harsh sound by means of any signaling device and the sounding of any plainly audible device for an unreasonable period of time; the use of any signaling device except one operated by hand or electricity; the use of any horn, whistle or other device operated by engine exhaust and the use of any signaling device when traffic is for any reason held up. -
An Improved Microphone Preamplifier Integrated Circuit
AN IMPROVED MICROPHONE PREAMPLIFIER INTEGRATED CIRCUIT FRED FLORU THAT Corporation, Milford, MA, USA The influence of the semiconductor process on the performance of a microphone preamplifier integrated circuit is described. Examples of active devices available in conventional junction isolated and newer complementary bipolar technologies are shown. The availability of such devices influences the electrical design and its complexity. The traditional microphone preamplifier topology is discussed. A new preamplifier gain structure, that extends the dynamic range by lowering the noise floor, is considered and its benefits are demonstrated. 0 INTRODUCTION 1 FABRICATION PROCESS The dynamic range required by audio professional The most common semiconductor processes for applications keeps getting larger and larger In order to professional audio ICs are Junction Isolated (JI) bipolar, keep up with the demand, the integrated circuits Dielectric Isolated (DI) bipolar and Complementary dedicated to such applications are manufactured in new Metal Oxide Silicon (CMOS). There are no high and improved semiconductor processes. The dynamic quality preamplifiers made in CMOS process. CMOS range definition is the ratio between the maximum is primarily used for ADCs, DACs and rail-to-rail signal level that can be handled by the device and the operational amplifiers intended for low voltage noise floor. The maximum signal level that can be applications. The technology of choice for microphone processed is for most designs a function of the preamplifiers has been JI bipolar. The microphone maximum power supply voltag~ allowed by the device. preamplifier described in this paper is developed in a Microphone preamplifiers, line receivers, line drivers, new complementary-bipolar DI process. -
Application Notes
Measurement of Loudspeaker and Microphone Performance using Dual Channel FFT-Analysis by Henrik Biering M.Sc, Briiel&Kjcer Introduction In general, the components of an audio system have well-defined — mostly electrical — inputs and out puts. This is a great advantage when it comes to objective measurements of the performance of such devices. Loudspeakers and microphones, how ever, being electro-acoustic transduc ers, are the major exceptions to the rule and present us with two impor tant problems to be considered before meaningful evaluation of these devices is possible. Firstly, since measuring instru ments are based on the processing of electrical signals, any measurement of acoustical performance involves the Fig. 1. General set-up for loudspeaker measurements. The Digital Cassette Recorder Type use of both a transmitter and a receiv- 7400 is used for storage of the measurement set-ups in addition to storage of the If we intend to measure the re- measured data. Graphics Recorder Type 2313 is used for reformatting data and for ., „ J, ,, „ plotting results sponse of one of these, the response ol the other must have a "flat" frequency response, or at least one that is known in advance. Secondly, neither the output of a loudspeaker nor the input to a micro phone are well-defined under practical circumstances where the interaction between the transducer and the room cannot be neglected if meaningful re sults — i.e. results correlating with subjective evaluations — are to be ob tained. See Fig. 2. For this reason a single specific measurement type for the character ization of a transducer cannot be de- r.- n T ,-,,-,■ -.