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GML 2032 Microphone Preamplifier / Parametric Equalizer
G e o r g e M a s s e n b u r g L a b s GML 2032 Microphone Preamplifier / Parametric Equalizer The Model 2032 Microphone Preamplifier / Parametric Equalizer is a single-channel, multi-input device for high-resolution studio and remote applications. Incorporating the renowned 8300 preamplifier and reference-standard 8200 equalizer, the Model 2032 inherits over thirty years of GML engineering excellence. This transparent class-A discrete design with internal supply delivers reliability, musicality, and precision. Owner's Manual Version 1.0 August, 2004 All materials herein © George Massenburg Labs, LLC. GML, LLC. Franklin, TN USA 615.790.9946 (ph) www.massenburg.com INTRODUCTION Combining the features of the GML flagship 8200 Parametric Equalizer and 8300 Transformerless Microphone Preamplifier, the Model 2032 embodies the legendary detail and accuracy for which GML is renowned. The power and functionality of these revolutionary processors is further coupled with the addition of a front panel musical instrument input, two position high-pass filter, front panel phantom and phase switching, and flexible routing options while maintaining the GML standard of performance and transparency. These advanced circuits, envisioned by George Massenburg, have benefited from over 30 years of research, limited manufacturing, critical listening analysis, widespread usage by demanding industry professionals, and continuous evaluation by the GML Engineering Department. FEATURES The GML Model 2032 Microphone Preamplifier / Parametric Equalizer derives its -
Universal Audio 4-710D User Guide
Model 4-710d Four-Channel Tone-Blending Mic Preamplifier Universal Audio Part Number 65-00051 Revision A Universal Audio, Inc. Customer Service & Tech Support: +1-877-MY-UAUDIO Business, Sales & Marketing: +1-866-UAD-1176 www.uaudio.com Notices This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio Model 4-710d. Disclaimer The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2011 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks 4-710d, 710, Twin-Finity, 4110, 8110, SOLO/110, SOLO/610, 2-610, LA-610, LA-2A, 2-LA2, LA-3A, 6176, 1176LN, 2-1176, 2192, DCS Remote Preamp, UAD and the Universal Audio, Inc. logo are trademarks of Universal Audio, Inc. Other company and product names mentioned herein are trademarks of their respective companies FCC Compliance This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) the device must accept any interference received, including interference that may cause undesired operation. -
Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier
Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier Universal Audio Part Number 65-0029 Revision 1.0 Universal Audio, Inc. Customer Service & Tech Support: 1-877-MY-AUDIO Business, Sales & Marketing: 1-866-UAD-1176 www.uaudio.com Notice This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio 710. The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2008 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks 710, Twin-Finity, 4110, 8110, SOLO/110, SOLO/610, 2-610, LA-610, LA-2A, 2-LA2, LA-3A, 6176, 1176LN, 2-1176, 2192, DCS Remote Preamp, UAD and the Universal Audio, Inc. logo are trademarks of Universal Audio, Inc. Other company and product names mentioned herein are trademarks of their respective companies Contents of This Box This package should contain: • One Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier • Rack mounting hardware • 710 Operating Instructions • IEC Power Cable • Registration card A Letter From Bill Putnam, Jr. -
Model ST-PH1 Phono Preamplifier
® STICK-ON SERIES Model ST-PH1 Phono Preamplifier ANYWHERE YOU NEED A... · Stereo or Mono Phono Preamplifier. · Preamplifier with Balanced or Unbalanced Output · Preamplifier with Hi or Low-Impedance Output · Accurate, Low Noise Preamplification You Need The ST-PH1! The ST-PH1 is part of a group of products in the STICK-ON series from Radio Design Labs. The durable bottom adhesive permits quick, permanent or removable mounting nearly anywhere or it may be used with RDL’s STR-19A or STR-19B racking adapter for rack mounting! The ST-PH1 gives you the advantages of a high quality, low-noise phono preamplifier with a big plus, you can put it where you need it! The ST-PH1 is a stereophonic phono preamplifier. Each of the channel circuits is identical. The ST-PH1 has standard 47 kW impedance unbalanced phono cartridge inputs. Each output drives either a balanced or unbalanced line. Equalization follows the RIAA curve. The output is capable of driving into either high or low impedance loads. The output may be connected either balanced or unbalanced. The ST-PH1 features superior circuitry, which produces the unsurpassed pure clarity for which Radio Design Labs products are known! Some features are: · Input matched to standard cartridges used in the industry. · Impeccable audio quality. · Ultra-low distortion and noise. · Output levels adjustable (Independent adjustment for left and right channels). · Ample headroom at operating level. · Outputs short circuit protected. · Positive connections via barrier block, no audio connectors to wire. Although some equipment has phono inputs, optimum system performance is obtained when phonographs are preamplified as close to the turntable as possible, and then the line level signals are fed to the next piece of equipment in the chain. -
V55 Di-Re-Preamplifier Loud Or Excessive Clicks Or Pops
AVALON V55 QUICK SET-UP OPERATING GUIDE PHASE (switch) BOOST (+dB) TONE (shape) HI (switch) Reverses the polarity of Trims input gain Ten postion Passive HIGH ALL (3) input sources Line : -2dB to +38dB Passive Tone Bank™ cut filter Instrument : +2dB to +42dB 1-6 for music contour -3dB @ 3.7kHz SIGNAL Mic HiZ : +20dB to +60dB High pass filters eliminates noise Mic LoZ : +26dB to +66dB HF lift ~ LF cut and fret buzz Peak capture (scale calibrated for Mic LoZ) (see graphs) Bi-color LED Blue = 0dB POWER Red = +20dB Bi-color LED Blue = AC ON Red = +48v ON PAD (switch) Resistive attenuator for ALL (3) inputs TONE (switch) Line : -13dB Activates the Instrument : -10dB Passive Tone Bank™ Microphone : -15dB INPUT MODE INSTRUMENT V55 Dual Channel DI-RE-PREAMPLIFIER Selects INPUT source 1/4” unbalanced Line : XLR~1/4” TRS jack RTS phone jack METER Instrument : 1/4” TRS jack (front) 10 meg.ohm high-Z Professional VU meter Microphone HiZ & LoZ : XLR ideal for keyboards, -30dB to +18dB wide scale Mic LoZ + 48v phantom power ON synthesizers, drum machines, 0VU = 0dB = 0.775v RMS passive & active acoustic, V55 WHEN SWITCHING FROM LO-Z MIC INPUT TO bass and electric guitars LO-Z +48V (PHANTOM POWER) INPUT, ALWAYS MAKE SURE THE BOOST CONTROL Note: For best sonic performance, IS SET TO THE MINIMUM GAIN POSITION allow thirty minutes for warm-up. AND REDUCE MONITOR LEVEL TO AVOID V55 DI-RE-PREAMPLIFIER LOUD OR EXCESSIVE CLICKS OR POPS. www.avalondesign.com Avalon Design is a division of Avalon Industries, Inc. -
Malcolm Chisholm: an Evaluation of Traditional Audio Engineering
Butler University Digital Commons @ Butler University Scholarship and Professional Work - Communication College of Communication 2013 Malcolm Chisholm: An Evaluation of Traditional Audio Engineering Paul Linden Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/ccom_papers Part of the Audio Arts and Acoustics Commons, and the Communication Technology and New Media Commons Recommended Citation Linden, Paul, "Malcolm Chisholm: An Evaluation of Traditional Audio Engineering" (2013). Scholarship and Professional Work - Communication. 137. https://digitalcommons.butler.edu/ccom_papers/137 This Article is brought to you for free and open access by the College of Communication at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - Communication by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Journal of the Music & Entertainment Industry Educators Association Volume 13, Number 1 (2013) Bruce Ronkin, Editor Northeastern University Published with Support from Malcolm Chisholm: An Evaluation of Traditional Audio Engineering Paul S. Linden University of Southern Mississippi Abstract The career of longtime Chicago area audio engineer and notable Chess Records session recorder Malcolm Chisholm (1929-2003) serves as a window for assessing the stakes of technological and cultural develop- ments around the birth of Rock & Roll. Chisholm stands within the tradi- tional art-versus-commerce debate as an example of the post-World War II craftsman ethos marginalized by an incoming, corporate-determined paradigm. Contextual maps locate Chisholm’s style and environment of audio production as well as his impact within the rebranding of electri- fied Blues music into mainstream genres like Rock music. -
Productcatalog
PRODUCTCATALOG We supply sound, not equipment. www.toaelectronics.com Life SafetyLife Intercom Life Safety 06 VM-3000 Series Integrated Voice Evacuation System 07 VM-3000 Series Integrated Voice Evacuation System Optional Accessories 10 SX-2000 Series Audio Management System 10 SX-2000 Series Audio Management System Optional Accessories 14 SX-2000 Series Audio Management System Modules 16 Mass Notification and Fire/Voice System Speaker Certifications Intercom 20 N-SP80 SIP Intercom Series 28 N-8000 Series Exchanges and Interface Units 22 N-8000 Series SIP Gateway 30 N-8000 Series 2-Core Shielded Cable Type 23 N-8000 Series IP Master Stations 32 N-8000 Series 4-Wire Cable Type 24 N-8000 Series IP Door Stations 33 N-8000 Series Optional Accessories 25 N-8000 Series 2-Wire Master Stations 34 N-8000 Series Station Selection Chart 27 N-8000 Series 2-Wire Type Stations 35 N-8000 Series System Overview Network Network Network Audio 38 Audio NX-300 System 40 NX-100 System 42 Digital Message Repeaters 44 Program Timer 44 Synthesized AM/FM Tuner Amplifiers SpeakersAmplifiers & DSP Mixers 46 A-5000 Series Digital Mixer Amplifiers 56 9000 Series Modular Digital Matrix Mixer Remote Control 74 A-2240 Mixer Power Amplifier 47 MA-725F Digital Matrix Mixer Amplifier Modules 75 BG-200 Series PA Amplifiers 48 BG-2240D Class D Mixer/Amplifier 58 9000 Series Modular Digital Matrix Mixer Speaker Selectors 76 BA-200 Series PA Amplifiers 49 Digital Power Amplifiers 60 900 Series Amplifiers 77 CA Series Mobile Mixer Amplifiers 50 Digital Micro Amplifiers 63 900 -
Twin-Servo™ Microphone Preamplifier
RADIAL 500 SERIES smart sheet TWIN-SERVO™ MICROPHONE PREAMPLIFIER Order No. R700 0111 10 The Jensen Twin-Servo™ utilizes Deane Jensen’s iconic 990 op-amp design to deliver the most exceptional mic preamp built in the 500 series format. The circuitry boasts two 100% discrete 990 op-amps cascaded in tandem to deliver 60dB of gain, with incredibly low noise and phase distortion, and an ultra-wide 0.2Hz-150kHz frequency response. Jensen input and output transformers provide massive amounts of headroom, with clean and transparent operation suitable for the most critical recording applications. A 21-detent gain control makes for easy session recalls, with a 10-segment LED meter for accurate signal management. 48V phantom power, a 180° polarity reverse, high-pass fi lter and -15dB pad are also provided, all with individual LED indicators to verify settings at a glance. When it comes to high performance mic preamps, nothing beats the Jensen Twin-Servo. OMNIPORT - When used with a Radial Workhorse power rack the omniport is assigned as a unbalanced 220K ohm instrument input. FEATURES 10 SEGMENT METER - Custom designed circuit for greater VU meter accuracy. • Ultra-low noise preamp with over 60dB of gain • Built in high-pass fi lter and 180° polarity reverse DUAL-GANG POT - Simultaneously controls the dual 990 op- amp topology for optimal gain at all levels. • Dual Jensen transformers for maximum head- room 180° - Inverts pins 2 and 3 at the output to help phase align microphones when two channels are in stereo use. APPLICATIONS HPF - Gentle high-pass fi lter may be inserted into the signal • Perfect for recording any source path to reduce excessive low frequency content and control • Transparent and detailed operation resonance. -
THE DYNAMIC RANGE POTENTIAL of the PHONOGRAPH by Ronald M
THE DYNAMIC RANGE POTENTIAL OF THE PHONOGRAPH By Ronald M. Bauman his article describes a new transmission standards of even lower added to the quietest passages by the approach for analyzing the quality than our current CD standards. cartridge-preamplifier combination dynamic range of the phono- Unless these standards are dramatical- should be essentially inaudible. graphic playback system, in which the ly upgraded (in terms of information Similarly, the cartridge-preamp sys- cartridge and preamplifier are treated content), we may never have a source tem should be able to clearly repro- as an integrated system. I analyzed of music for our homes that sounds ducd the loudest sounds on record the dynamic range potential of several better than the phonograph. without distortion, compression, or combinations of phono cartridges and Are analog records inherently better clipping. preamplifier amplifying devices and in some sense? Your ears may already The same should be true of CD compared the results to CDs. be telling you that analog can sound playback. The quietest passages Additionally, I speculate about the better than today's digital. I will should be reproduced without added drawbacks of frequency domain char- provide quantitative reasons this may noise or distortion of the rnusic acterizations of musical audio compo- be so. caused by amplitude steps, or sam- nents and suggest that the time pling intervals that are too coarse, or domain may be a more natural frame Qualitative Requirements by filter phase shifts and ringing. The of reference for audio instrumentation The subtlety of detail in the grooves of loudest peaks encoded, as for analog development. -
An Improved Microphone Preamplifier Integrated Circuit
AN IMPROVED MICROPHONE PREAMPLIFIER INTEGRATED CIRCUIT FRED FLORU THAT Corporation, Milford, MA, USA The influence of the semiconductor process on the performance of a microphone preamplifier integrated circuit is described. Examples of active devices available in conventional junction isolated and newer complementary bipolar technologies are shown. The availability of such devices influences the electrical design and its complexity. The traditional microphone preamplifier topology is discussed. A new preamplifier gain structure, that extends the dynamic range by lowering the noise floor, is considered and its benefits are demonstrated. 0 INTRODUCTION 1 FABRICATION PROCESS The dynamic range required by audio professional The most common semiconductor processes for applications keeps getting larger and larger In order to professional audio ICs are Junction Isolated (JI) bipolar, keep up with the demand, the integrated circuits Dielectric Isolated (DI) bipolar and Complementary dedicated to such applications are manufactured in new Metal Oxide Silicon (CMOS). There are no high and improved semiconductor processes. The dynamic quality preamplifiers made in CMOS process. CMOS range definition is the ratio between the maximum is primarily used for ADCs, DACs and rail-to-rail signal level that can be handled by the device and the operational amplifiers intended for low voltage noise floor. The maximum signal level that can be applications. The technology of choice for microphone processed is for most designs a function of the preamplifiers has been JI bipolar. The microphone maximum power supply voltag~ allowed by the device. preamplifier described in this paper is developed in a Microphone preamplifiers, line receivers, line drivers, new complementary-bipolar DI process. -
Manley Voxbox Owner’S Manual
MANLEY VOXBOX OWNER’S MANUAL TUBES RULE MANLEY LABORATORIES, INC. 13880 MAGNOLIA AVE. CHINO, CA 91710 USA TEL: +1 (909) 627-4256 FAX: +1 (909) 628-2482 www.manley.com REV. MVBXXAxxxx rev4/2015/zf CONTENTS SECTION PAGE INTRODUCTION 3 QUICK START 4 MAINS CONNECTIONS 5 FRONT PANEL MIC PRE 6 COMPRESSOR 7 EQ & DE-ESSER 8 REAR PANEL 9 GENERAL DISCUSSION OVERVIEW AND BLOCK DIAGRAM 12 MIC PREAMP & COMPRESSOR 13 EQ & DE-ESSER 15 ADDENDUM 18 TECHNICAL DETAILS TUBE, TRIMMER LOCATIONS 19 CALIBRATION 20 TROUBLESHOOTING 21 SPECIFICATIONS 23 CURVES 24 APPENDIX 1 - TEMPLATE FOR STORING SETTINGS 26 INTRODUCTION THANK YOU!... for choosing the Manley VOXBOX. This unit is the result of our customers asking us to make a vocal oriented combination from some favorite Manley designs. We combined the Manley Mic Preampli- fier, Electro-Optical Limiter, and Mid Pultec and then went further. Uniquely, we put a compressor before a minimalist mic preamplifier. This can substantially reduce distortion while having no more sonic imprint on the signal than the mic pre by itself because the compressor is just a passive light dependent clamping resistor. For those who want the shortest path to tape, but use compressors, this has to be the ideal solution. We added attack and release controls to the compressor with some “very special” settings such as one that simulates a LA-2A, another “tuned” for drums and a setting that works like a great engineer “riding” a fader. Then we extended the PULTEC MEQ down to 20 Hz and up to 20 kHz so its not just a mid EQ anymore. -
Universal Audio UAD Manual
UAD POWERED PLUG-INS USER MANUAL VERSION 5.1 MANUAL VERSION 080922 Universal Audio, Inc. 1700 Green Hills Road Scotts Valley, CA 95066-4926 Voice: +1-831-440-1176 Fax: +1-831-461-1550 www.uaudio.com Customer Support (USA): 1-877-MY-UAUDIO (877-698-2834) NOTICES Disclaimer Servicing This manual provides general information, preparation for use, installation and The user should not attempt to service the unit beyond that described in the operating instructions for the Universal Audio UAD Powered Plug-Ins. The operating instructions. All other servicing should be referred to qualified service information contained in this manual is subject to change without notice. personnel. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, or the product(s) it refers to, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the FCC Compliance furnishing, performance, or use of this material or the product(s). This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed Important Safety Instructions to provide reasonable protection against harmful interference in a residential installation. Before using this unit, be sure to carefully read the applicable items of these operating instructions and the safety suggestions. Afterwards keep them handy This equipment generates, uses and can radiate radio frequency energy and, if for future reference.