Danny Postel Analyzing Conflict

Total Page:16

File Type:pdf, Size:1020Kb

Danny Postel Analyzing Conflict St. Norbert Times Volume 90 Issue 4 Article 1 10-17-2018 Danny Postel Analyzing Conflict Follow this and additional works at: https://digitalcommons.snc.edu/snctimes Part of the Christianity Commons, Creative Writing Commons, Digital Humanities Commons, English Language and Literature Commons, History Commons, Journalism Studies Commons, Music Commons, Other Arts and Humanities Commons, Photography Commons, Reading and Language Commons, Religious Thought, Theology and Philosophy of Religion Commons, Technical and Professional Writing Commons, and the Television Commons Recommended Citation (2018) "Danny Postel Analyzing Conflict," St. Norbert Times: Vol. 90 : Iss. 4 , Article 1. Available at: https://digitalcommons.snc.edu/snctimes/vol90/iss4/1 This Full Issue is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in St. Norbert Times by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. October 17, 2018 Volume 90 | Issue 4 | Serving our Community without Fear or Favor since 1929 INDEX: NEWS: Follow Me Printing Danny Postel Analyzing Conflict SAMANTHA DYSON | NEWS EDITOR SEE PAGE 2 > OPINION: Alcohol in Green Bay SEE PAGE 6 > FEATURES: Title IX Demonstration SEE PAGE 8 > ENTERTAINMENT: Theories for Avengers 4 SEE PAGE 11 > SPORTS: Men’s Basketball Preview SEE PAGE 15 > Danny Postel speaks about Middle Eastern Conflict | Jack Zampino (’19) In times and places of Studies Program (MENA) in the Fort Howard Theatre. that they are an unending Use Your Voice! great turmoil, many peo- at Northwestern University, In addition, he was pres- problem that is impossible ple seek to understand the wishes to provide another ent in Dr. Robert Kramer’s to solve. He provided ex- The “Times” remains cause of lasting hostility explanation, especially for class on middle east history amples of conservative and committed to raising the and distress. The Middle recent rises in “sectarian” that afternoon. His lecture liberal ideologies that sup- voices of students and East is one such place that conflict. Danny Postel has "Why is Sectarian Conflict port this idea of unstoppa- faculty who are work- is often thought to be an in- worked for the MENA pro- on the Rise in the Middle ble driving forces between ing to improve safety creasingly and even unend- gram since 2016, and be- East?" provided another sects, and sought to show and transparency here ingly volatile area. Some fore that he worked at the perspective on fighting that this was not the only at St. Norbert College. would argue that this is due Center for Middle Eastern among religious sects and way to think about the is- to deep-rooted, nearly in- Studies at the University of political turmoil in the Mid- sues in these nations. Our committment to escapable hatred between Denver. He has written or dle East, one that he con- When talking about po- public dialogue in- religious sects, and contin- co-edited several publica- siders less familiar than the litical upheavals and revo- cludes accepting letters ues because these sects are tions regarding dilemmas media focus on described lutions, he described peri- to the editor. Know that driven to conflict by some- in the Middle East over the “ancient hatreds.” Postel ods in history, even recent your voice is improtant thing deeper and larger than past several years. described the sentiments history, in which sides were to us. Please submit let- themselves. However, Dan- At SNC, he presented a of this “New Conventional taken in conflict that had ters via email to times@ ny Postel, who serves as As- lecture on Wednesday, Oct. Wisdom” as a blanket state- nothing to do with religious snc.edu. sistant Director of the Mid- 10 on his views, hosted by ment on Middle Eastern SEE ANALYZING dle East and North African the Norman Miller Center conflicts, which suggests CONFLICT Page 2 > St.MADELEINE Norbert WENC | NEWS CORRESPONDENT Presents “Almost, Maine” The little town of Al- students and 16 dollars for thing but ordinary; in these of designers that are sure ditionally, Dr. John Hen- most, Maine is coming to general admission, and can little vignettes, people fall to do a fantastic job. The necken, Assistant Professor St. Norbert College’s Webb be purchased online or at in love, make big decisions group consists of Corey of Music here at St. Norbert Theater on Friday, Nov. 2 the box office located in or make a big discovery. At Pinchart, Technical Direc- College, is composing mu- at 7:30, Saturday, Nov. 3 the Abbot Pennings Hall of that already extraordinary tor and scene shop man- sic specifically for the St. at 7:30 and Sunday, Nov. Fine Arts. moment in time, the north- ager, Brittney Roffers, Norbert production. When 4 at 2:00 pm, then the fol- The play, which was ern lights appear in the sky, Assistant Technical Direc- asked about the design, Di- lowing week, Nov. 8-10 written by John Cariani which the director, Dr. Erin tor, James Viall (’19) and rector Erin Hunsader said, at 7:30. With an ensemble and is made up of nine Hunsader, describes as “a Nevena Prebiracevic (’19). “I don't want to give away cast of fifteen, design by vignettes about different character in the show” and Each of these roles fulfills what Brittney is planning four separate people, and people, takes place in the promises will be "breath- a specific purpose. Corey -instead I want people to lots of hard work by the fictional almost-town of taking." Pinchart is designing the come and see what she is St. Norbert Theatre Studies Almost, located in Maine. With the SNC theater set, Brittney Roffers is de- going to put up in the Webb program, “Almost, Maine” Each scene in the play takes program’s designer, Pro- signing the lights, Nevena Theatre to represent the will be almost impossible place at the same time on fessor April Beiswenger, Prebiracevic is designing Aurora Borealis.” to miss this November. a Friday night in January. gone on sabbatical, “Al- sound, and James Viall is SEE ALMOST, MAINE Tickets are five dollars for Each slice of time is any- most, Maine” has a team designing costumes. Ad- Page 2 > sntimes.wordpress.com facebook.com/stnorberttimes @sntimes Wednesday, October 17, 2018 NEWS sntimes.wordpress.com/news | 2 Editors in Eduardo > ANALYZING idea of truly unending con- ing foreign affairs has sup- people’s hearts and minds, Chief: Jose Padrino Elynor Gregorich Velasquez CONFLICT Page 1 flict in the Middle East. ported these organizations’ it’s very difficult for peo- Graeme Heidi Swanson Gallagher Madeleyn sects. Instead of old reli- Postel even described war crimes and has allowed ple to un-feel these things. Glosny gious opposition, he sug- the idea that some govern- them to maintain this use It isn’t impossible, but it Leadership Anna Vanseveren Team: gested that “the process of ment organizations in the of sectarianism through its seems like an uphill battle.” Elynor Gregorich Sports Team: Graeme Addy Bink sectarianization is shaped Middle East use sectarian- ideologies and sometimes Throughout his discus- Gallagher Andrew Gehring Nicole Fellrath Emma Hirt by authoritarian forces.” ization, or the violent op- through its support. sion, he contested the claim Erika Ditzman Kyra Kronberg Samantha Dyson Riley Haas While certain religious position between religious Finally, he asked, “Can that troubles in the Middle Caitlin groups have supported cer- sects, as a way to “demo- this process be reversed?” East are solely based in old McCauley Copy Editing: Cate O’Brien Erika Ditzman tain sides, several conflicts bilize” popular revolution. He stated that the ques- religious argument. Re- Andrew Shaut News Team: Anna Vanseveren have been initiated by those They may use old religious tion remains open-ended, gardless of belief, it brings Samantha Dyson Hannah Ashley Streeter Robinson in power. hatred to fuel political re- but impressed upon his to light a deeper complexity Madeleine Wenc Heidi Swanson Logan Stefl Kyra Vinz He also mentioned gimes and gain power. Fur- audience the difficulty in- regarding issues in that re- Emma Hirt Mercedes times of recent relative thermore, he suggested that volved. “Once these forces gion and a potentially larg- Jack Zampino Danforth Hernandez peace, which discredits the America’s actions regard- of hatred are released in er challenge in ending it. Features Team: Sarah Schepp Caitlin McCauley Photography: Alejandrina Ross Andrew Schaut Anna Denucci James Viall where everyone knows ev- dents need to go see the fictional town where things Kenneth Costa > ALMOST, MAINE Opinion Marybeth Koss eryone and neighbors help show “because it’s amaz- are simpler. People love Team: Page 1 Cate O’Brien Advisor: each other out. The ensem- ing! It’s a heartwarming their neighbors. They aren't Aldo Gonzales John Pennington The play does not have Emily ble feel lends itself to that.” series of tiny stories about afraid to laugh at them- Buellesbach Social Media a specifically designated Emilie Smith Team: She also hopes that this love and magic, an easy selves and with one anoth- Jared Gartzke Nicole Fellrath lead, as it is made up of Erika Ditzman Alyssa Brugger will serve as an opportunity escape for a couple hours. er. It will allow students a Danielle Lippert Emma Hirt an ensemble cast of fif- for students in the cast and At the very least, they need moment of pure joy that is Entertainment teen, with two professors crew to step outside of their to see the lights.” Director so needed today.” Team: and thirteen students play- Sam Sorenson comfort zone and try some- Erin Hunsader said, “Our Tickets can be bought Rebecca Jacques ing various roles.
Recommended publications
  • Post Pop Depression Late Show with Stephen Colbert
    IGGY POP POST POP DEPRESSION LIMITED RUN OF ONE-TIME-ONLY LIVE DATES ANNOUNCED TICKETS ON SALE TO THE PUBLIC JANUARY 29 ALBUM OUT MARCH 18 “BREAK INTO YOUR HEART” AND “GARDENIA” BOTH AVAILABLE INSTANTLY WITH PRE-ORDERS LATE SHOW WITH STEPHEN COLBERT WEB EXCLUSIVE PERFORMANCE HERE “Post Pop Depression... picks up where Lust for Life left off… The lyrics reflect on memories, hint at characters and offer advice and confessions; they can be hard-nosed, remorseful, flippant, combative or philosophical.”—THE NEW YORK TIMES “A slice of stratospheric punk-funk”—ROLLING STONE “‘Gardenia’ has the same sort of mean, skeletal, machinelike groove that so many of those great old Iggy songs had… over this sort of spartan groove, he sounds awesome.”—STEREOGUM “Iggy in finer form than ever and Homme’s distinctive driving guitar melodies firmly anchoring his florid vocals. Basically: it’s shit hot stuff and this album cannot come soon enough”—NOISEY “Pop gave the song a relatively restrained and poignant performance. The single, from his wonderfully titled new album Post Pop Depression,’ continues the bleak, grooving moods from his great David Bowie collaborations, and it's perhaps his catchiest new tune in a generation.”—THE LOS ANGELES TIMES “Glorious… ’Gardenia’ itself feels like a callback to the glory days of new wave, with Iggy’s trademark low voice channeling the spirit of his dearly departed friend David Bowie. Homme provides backing vocals and typically excellent guitar work.”—PASTE Its existence having been revealed to the world via a one-two punch of an appearance on The Late Show with Stephen Colbert and exclusive profile in The New York Times, it can now be announced that Iggy Pop’s new album Post Pop Depression (Rekords Rekords/Loma Vista/Caroline International) will be supported by a very limited run of one-time-only live performances in specially selected venues.
    [Show full text]
  • Uk Films for Sale Efm 2017
    UK FILMS FOR SALE EFM 2017 UK FILM CENTRE, STAND 39, EUROPEAN FILM MARKET, MARTIN-GROPIUS-BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN weareukfilm.com @weareukfilm 10X10 TAltitude Film Sales Cast: Luke Evans, Kelly Reilly Charlie Kemball +49 30 206033 401 Genre: Thriller [email protected] Director: Suzi Ewing Market Office: MGB # 132 Status: Production Home Office tel: +44 20 7478 7612 Synopsis: After meticulous planning and preparation, Lewis snatches Cathy off the busy streets and locks her away in a soundproofed room measuring 10 feet by 10 feet. His motive - to have Cathy confess to a dark secret that she is determined to keep hidden. But, Cathy has no intention of giving up so easily. 47 Meters Down TAltitude Film Sales Cast: Claire Holt, Mandy Moore, Matthew Modine Charlie Kemball +49 30 206033 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB # 132 Status: Completed Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun-loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean.
    [Show full text]
  • Autonomous Vehicles and AI-Chaperone Liability
    Catholic University Law Review Volume 69 Issue 2 Spring 2020 Article 9 10-19-2020 Where We’re Going, We Don’t Need Drivers: Autonomous Vehicles and AI-Chaperone Liability Peter Y. Kim Follow this and additional works at: https://scholarship.law.edu/lawreview Part of the International Law Commons, and the Torts Commons Recommended Citation Peter Y. Kim, Where We’re Going, We Don’t Need Drivers: Autonomous Vehicles and AI-Chaperone Liability, 69 Cath. U. L. Rev. 341 (2020). Available at: https://scholarship.law.edu/lawreview/vol69/iss2/9 This Comments is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact [email protected]. Where We’re Going, We Don’t Need Drivers: Autonomous Vehicles and AI- Chaperone Liability Cover Page Footnote J.D., The Catholic University of America, Columbus School of Law, 2020; B.A., Boston College, 2009. The author gives thanks to God for giving him purpose, his family and friends for their lovingkindness, Professor Kathryn Kelly for her mentorship and priceless guidance, and the Catholic University Law Review editors and staffers for their care and support in revising this Comment. This comments is available in Catholic University Law Review: https://scholarship.law.edu/lawreview/vol69/iss2/9 WHERE WE’RE GOING, WE DON’T NEED DRIVERS: AUTONOMOUS VEHICLES AND AI-CHAPERONE LIABILITY Peter Y. Kim+ Unwittingly, Iggy Pop’s “The Passenger”
    [Show full text]
  • Psaudio Copper
    Issue 95 OCTOBER 7TH, 2019 Welcome to Copper #95! This is being written on October 4th---or 10/4, in US notation. That made me recall one of my former lives, many years and many pounds ago: I was a UPS driver. One thing I learned from the over-the- road drivers was that the popular version of CB-speak, "10-4, good buddy" was not generally used by drivers, as it meant something other than just, "hi, my friend". The proper and socially-acceptable term was "10-4, good neighbor." See? You never know what you'll learn here. In #95, Professor Larry Schenbeck takes a look at the mysteries of timbre---and no, that's not pronounced like a lumberjack's call; Dan Schwartz returns to a serious subject --unfortunately; Richard Murison goes on a sea voyage; Roy Hall pays a bittersweet visit to Cuba; Anne E. Johnson’s Off the Charts looks at the long and mostly-wonderful career of Leon Russell; J.I. Agnew explains how machine screws brought us sound recording; Bob Wood continues wit his True-Life Radio Tales; Woody Woodward continues his series on Jeff Beck; Anne’s Trading Eights brings us classic cuts from Miles Davis; Tom Gibbs is back to batting .800 in his record reviews; and I get to the bottom of things in The Audio Cynic, and examine direct some off-the-wall turntables in Vintage Whine. Copper #95 wraps up with Charles Rodrigues on extreme room treatment, and a lovely Parting Shot from my globe-trotting son, Will Leebens.
    [Show full text]
  • DUR 19/03/2016 : CUERPO E : 3 : Página 1
    SÁBADO 19 DE MARZO DE 2016 3 TÍMPANO LO NUEVO EL ROCKERO LANZÓ SU ‘POST POP DEPRESSION’ Iggy Pop ysuladooscuro ■ Este material fue trabajado junto a Josh Homme, fundador del grupo de ■ El músico ya avisó que será la última producción de su extensa carrera rock Queen of the Stone Age, además de Matt Helders y Dean Fertita. profesional que abarca más de 50 años. EFE halagos los nueve temas que Londres componen la compilación decimoséptima de Pop, so- El rockero estadounidense bre la que el rockero ya avi- Iggy Pop publicó ayer su só que sería la última de su nuevo álbum ‘Post Pop De- extensa carrera profesional pression’, un trabajo que la de más de 50 años. crítica británica ha califica- La revista musical del do de “brillante”, con gran- Reino Unido NME le ha des toques de “oscuridad” y otorgado la máxima pun- en el que “se proyecta la tuación -cinco estrellas- al sombra de David Bowie”. reseñar que Pop y Homme El nuevo material es el han “creado algo brillante resultado de la colaboración de la nada”. entre James Newell Oster- ‘Post Pop Depression’ se berg, el hombre de 68 años erige como un álbum “desa- que se esconde tras Iggy fiante y heroico”, plagado Pop, y el fundador del grupo de “rock de garaje inteligen- de rock Queen of the Stone te”, que muestra “lo que Age, Josh Homme, que ejer- más preocupa” al estadou- ce esta vez de productor. nidense en estos momentos: A ellos se les han unido el sexo y la muerte.
    [Show full text]
  • WDR 3 Open Sounds
    Musikliste WDR 3 Open Sounds Iggy Pop 70 Zwischen Proto-Punk und Post-Chanson Eine Sendung von Thomas Mense Redaktion Markus Heuger 22.04.2017, 22:04 Uhr Webseite: www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.html // Email: akustische.kunst(at)wdr.de 1. Main Street Eyes K/T: Iggy Pop (James Osterberg Music/Bug Music BMI 1990) CD: Brick By Brick, 1990, Virgin Länge: 3.02 Minuten 2. 1969 K: James Osterberg (Iggy Pop)/ Ron Asheton, 1969 CD: The Stooges, 1988 Elektra/Asylum Records, LC 0192 Länge: 0.53 3. Search and Destroy K: Iggy Pop/ James Williamson, 1973 I: Iggy and The Stooges CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 0.42 5. I wanna live K: Iggy Pop/ Whitey Kirst CD: Iggy Pop: Naughty Little Doggie, 1996, Virgin 1996, LC 3098 Länge: 0.12 6. I wanna be your dog K/T: Pop/ Scott Asheton/ Ron Asheton/ Dave Alexander CD: The Stooges, 1969/1988 Elektra/Asylum LC 0192 Länge: 1.12 WDR 3 Open Sounds // Musikliste // 1 7. Penetration K/T: Iggy Pop/James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 2.30 8 . Dirt K/T: Iggy Pop/ Ron Asheton/ Scott Asheton CS. Funhouse, 1988 Elektra/ Asylum Records, LC 0192 Länge: 2.55 9. Gimme danger K:T. Iggy Pop/ James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge:2.35 10. Nightclubbing K/T: David Bowie/Iggy Pop James Osterberg Music/Bewlay Bros.s:A.R.L./Fleur Music CD: Iggy Pop-The Idiot, Virgin Records 1990,077778615224 Länge: 1.00 11.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Retro Goes Metro: a Track-By-Track Analysis of Villains by Queens Of
    Bennett 1 Lauren Bennett Dr. O’Donnell Advanced Composition 4 December 2017 Retro Goes Metro A Track-by-Track Analysis of Villains by Queens of the Stone Age Today I felt the first coolness of fall. It’s finally October and so far the year 2017 has failed to accomplish any ideas of a futuristic/utopian pleasure-garden. The current earthly climate (besides being unusually warm) is socially dissonant to say the least. Politically—the “leadership” situation is downright absurd. Furthermore, I can’t help but find myself obsessing over change and fretting profusely that things may be changing for the worse. I have found several ways to escape this anxiety, and music is one of the safer ones. And even though I have always been able to rely on finding some sense of mental reconciliation in music, the sounds that have defined my core of auditory enjoyment—my rock-n-roll roots—have now waned. When I stop to assess the contemporary happenings of rock, I am, typically, shocked and horrified to find that a frenzy of electronic influence has seemingly debased everything that I have ever known to be righteous and upstanding in a time- This is the album cover for Villains. It was designed by a graphic artist named Boneface. They also designed for the album …Like Clockwork (2013). Bennett 2 worn genre that, since the 1950s, has been just fine. Hell, I find myself departing, entirely jaded, from the decades of the 20th century in terms of rock-n-roll. I’ve reached the point where I’m just ready to move on to something new.
    [Show full text]
  • Leggi La Recensione Del Buscadero
    con un breve assolo di'piano di Wynans alternato alla solista; BONNIE RAITT versione di I Need You Tonight degli lnxs, è con Distant Lonesome Train che Dig In Deep una scelta inconsueta ma vincente, con il reintroduce di nuovo il tema Redwing RecordsjWarner basso funky di "Hutch" e la batteria groovy del viaggio in questo caso si va **** di Fataar a innestare un drive fantastico, se verso territori blues-rock, sempre aggiungiamo la voce rauca ed inconfondibile sottolineati dal preciso lavoro La rossa cantante e chitarrista della nostra amica, l'organo insinuante di dei musicisti, veramente bravi californiana è sulla breccia da Finnigan e le chitarre maliziose dei due solisti, a costrnire un perfetto groove oltre 45 anni: il suo esordio il risultato è irresistibile. Ottima anche la per le divagazioni della chitarra, discografico, l'omonimo Bonnie collaborazione autoraletra Marinelli e Raitt che, diciamocelo, in fondo sono Raitt, risale al 1971, eppure in lfYou Need Somebody, un ottimo esempio il motivo per cui si prendono questo Dig In Deep è solo il suo di funky blue eyed soul, con chitarrine i dischi di Bonamassa. How ventesimo album (17° in studio), ehoppate, tastiere avvolgenti, belle melodie Deep This River Runs di nuovo a quattro anni di distanza e l'immancabile slide cheè la firma unica rallenta i tempi, che rimangono daH'ottimo Slipstream del 2012, di questa grande musicista. Odi nuovo il comunque intensi e pronti che aveva interrotto una lunga funky-rock featiano delliniziale Unintented ·ad infiammarsi con vampate pausa nei primi anni 2000, Consequence Of Love, con piano elettrico e chitarristiche, mentre quasi alla dovuta alla morte, tra il 2004 la "solita' slide a guidare le danze, in un brano fine, in Livin' Easy, arrivano anche e il 2009, della madre, del padre, del frat,ello e di uno dei che è comunque un altro efficace esempio dello stile blues· i fiati per un blues di quelli duri suoi migliori amici.
    [Show full text]
  • BT DOP Credits Jan2019
    Brett Turnbull Director of Photography +44 7796 953 837 . [email protected] . www.brett-turnbull.com Selected Credits feature films Cirque du Soleil: Worlds Away (3D) Dir: Andrew Adamson, David Mallet Prod: James Cameron/Aron Warner (Paramount Pictures 2012) A journey through the magical world of Cirque du Soleil, seen through the eyes of fictional characters created by the director of Chronicles of Narnia & Shrek. Shot with state-of-the-art 3D camera systems provided by CAMERON/PACE. Roger Waters: THE WALL Dir: Roger Waters/Sean Evans Prod: Rue21 Films (Picturehouse / Universal 2015) Feature-film version of the legendary live concert, filmed in Athens, Buenos Aires & Quebec 2011/12, with additional narrative material filmed in UK/Europe 2013. Katy Perry – Part of Me (3D) Dir: Nick Wickham/Nanette Burstein Prod: Splinter/Insurge/Imagine/AEG/3ality (Paramount Pictures 2012) Live concert filmed in 3D/5K at Staples Centre, Los Angeles, intercut with documentary footage about the singer’s life (shot by additional unit). That Deadwood Feeling (aka ”Three Men in a Restaurant”) featuring: Dexter Fletcher, Jack Davenport, David Soul & Angus Deayton Dir: Simon Ubsdell Prod: Electric Picture Co. (2008) S16mm feature, better known for the bizarre intrigue surrounding the making of the movie, and a cameo performance by cult director Richard Stanley. IMAX Running With Bulls (3D) Dir: Aubrey Powell Prod: San Fermin Films (2010) Multi-camera documentary filmed at San Fermin Festival, Pamplona 2009 on Stereo-70mm system, RED4K & phantom65 with prototype 3D lenses TV drama Pen Talar (episodes 1 & 2) Director: Ed Thomas / Gareth Bryn Prod: Fiction Factory / S4C (2010) Epic period drama, told in 9x60min episodes and following the turbulent lives of a group of friends growing up in Wales over five decades, from the 1960’s until the present day.
    [Show full text]
  • Fachlexik in Artikeln Über Populäre Musik
    STAATLICHE UNIVERSITÄT SANKT PETERSBURG Philologische Fakultät Lehrstuhl für Deutsche Philologie Anastasia Andreeva Fachlexik in Artikeln über populäre Musik am Beispiel der deutschsprachigen Presse Функционирование специальной лексики в статьях о популярной музыке (на материале немецкоязычной прессы) MASTERARBEIT Fachrichtung: 45.04.02 LINGUISTIK Masterstudiengang: «Theorie und Praxis verbaler Kommunikation» Wissenschaftliche Betreuerin: Dr. Phil. Elena Kovtunova Sankt Petersburg 2017 Inhaltsverzeichnis Generating Table of Contents for Word Import ... Einleitung Die vorliegende Masterarbeit untersucht Fachlexik aus dem Fachdiskurs populärer Musik in aktuellen deutschsprachigen Medientexten. Den Forschungsgegenstand bilden Fachwörter im Text: die Funktionen des Fachwortes im Medientext, sprachliche Vorgänge, die die Fachlexik in Artikeln über populäre Musik betreffen, und diskursive Repräsentation der Fachlexik im Kontext. Aktuelle Fachsprachenforschung zeigt, dass Fachlexik ihren Gebrauch nicht auf Fachtexte beschränkt. Es lässt sich beobachten, dass Fachwörter in unterschiedlichen Texten auftreten. Wenn Begriffe in einem massenmedialen Kontext vorkommen, stellt sich die Frage, ob die Einheiten von semantischen Modifikationen betroffen werden können. Vermutlich können Fachwörter determinologisiert und metaphorisiert werden oder Synonymie bzw. Polysemie im Kontext entwickeln. In vorliegender Masterarbeit wird Fachlexik innerhalb des Diskurses populärer Musik betrachtet, d.h. am Beispiel von Artikeln, die eine offene Gesamtheit von Texten
    [Show full text]
  • Interview Iggy Pop En Josh Homme
    edereen gaat maar dood en Iggy Pop blijft leven. Dat is zo’n beetje de samenvatting die de godfather of punk zelf in petto heeft voor de huidige tijd. Hij wordt 69 komen- de maand – godverdomme een gevaarlijke leeftijd voor rockhelden. Wat Imoet hij met dat gegeven? Hoe is het om permanent in rouwstand te moeten leven? En hoe gaat het met zijn nieuwe bandmaat Josh Homme, zelf nog maar amper beko- men van ‘Parijs’? Vragen, vragen, vragen. Gelukkig kregen we de twee rockhelden ruim anderhalf uur te spreken. De week nadat Bowie was overleden reisde OOR naar New York. Er was ook tijd voor luchti- ge anekdotes, zoals die ene keer dat Josh Homme (in zijn onderbroek) een woestijn- konijn te lijf ging. En Iggy maar giechelen. DOOR THOMAS SNOEIJS FOTOGRAFIE ANDREAS NEUMANN EEN GRUIZIGE CROONERSTEM op de hal. Daar zal je ‘m hebben! Iedereen in de hotel- suite kijkt gespannen naar de deur. Behalve Josh Homme, die tokkelt rustig verder op zijn akoestische gitaar. Dat instrument heeft hij gis- teren in New York opgeduikeld (‘...and I kinda like it’). Hij heeft zijn bonkige lichaam in een leren jack gewurmd. Zijn rode haarlok staat strak overeind – übercool allemaal, alsof hij vroeger in een ketel met swag is gevallen en daar nog altijd plezier van heeft. Dit is zonder twijfel de stoerste kerel aanwezig in hotelkamer 203. Totdat die deur opengaat, natuurlijk. Het kan niet lang meer duren nu. We horen de stem al iets zeggen over het schema van vandaag: Dingen nog één interview gebeuren en dan gaat hij ‘iets alleen als gezonds’ doen.
    [Show full text]