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BREAKING ALL the RULES As Recorded by Ozzy Osbourne (From the 1988 Album "No Rest for the Wicked")
BREAKING ALL THE RULES As recorded by Ozzy Osbourne (from the 1988 Album "No Rest For The Wicked") Transcribed by /\X/\M Words by Ozzy Osbourne, Bob Daisley, Zakk Wylde, J.Sinclair & Randy Castillo Music by Ozzy Osbourne, Bob Daisley, Zakk Wylde, J.Sinclair & Randy Castillo All Guitars Tuned Down 1/2 Step A Intro P = 120 1 j k V V V R I J V V V } } V V } } V } } V V P V VgV f } V V V } } V V } } V } } V V V } V V V V V V V V V V V V V V V V V V V V V V Gtr I 1/2 P.M. P.M. P.M. P.M. P.M. P.M. M 0 0 0 T 0 0 0 9 9 0 4 2 4 0 A 7 9 9 x x 5 7 x x 5 x x 7 2 4 0 x B 7 7 7 x x 3 5 x x 3 x x 5 2 x 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 sl. 6 R I V } } V V } } V } } V V P V V gV f } V } } V V } } V } } V V V } V V V V V V V V V V V V V V V V V V V V 1/2 P.M. P.M. P.M. P.M. P.M. P.M. M T 4 2 4 0 A 2 x x 5 7 x x 5 x x 7 9 4 0 x B 2 x x 3 5 x x 3 x x 5 7 x 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 sl. -
Ebook I Am Ozzy Freeware "They've Said Some Crazy Things About Me Over the Years
Ebook I Am Ozzy Freeware "They've said some crazy things about me over the years. I mean, okay: 'He bit the head off a bat.' Yes. 'He bit the head off a dove.' Yes. But then you hear things like, 'Ozzy went to the show last night, but he wouldn't perform until he'd killed fifteen puppies . .' Now me, kill fifteen puppies? I love puppies. I've got eighteen of the f**king things at home. I've killed a few cows in my time, mind you. And the chickens. I shot the chickens in my house that night. It haunts me, all this crazy stuff. Every day of my life has been an event. I took lethal combinations of booze and drugs for thirty f**king years. I survived a direct hit by a plane, suicidal overdoses, STDs. I've been accused of attempted murder. Then I almost died while riding over a bump on a quad bike at f**king two miles per hour. People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, which one of us would end up with five kids and four grandkids and houses in Buckinghamshire and Beverly Hills, I wouldn't have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
SAVE the DATE Tv.Org/Overdose - a Panel of Experts Discuss the Drug Epidemic in the U.S., and Offer Solid, Timely Information About Prevention and Treatment
October, 2018 EDUCATION NEWS Sponsored Content: http://wxxi.org/opiods Do No Harm: The Opioid Epidemic: #101 – The Odyssey of Ignorance & Greed - Airs 10/15 at 9 p.m. (repeats 10/21 at 1 p.m.) #102 Ground Zero - Airs 10/21 at 2 p.m. #103 – Rocky Road to Recovery - Airs 10/21 at 3 p.m. Nova – Addiction - http://pbs.org/wgbh/nova/body/ addiction.html - Delve into America's opioid crisis - in a world in which many other diseases can be traced to addictive behavior, how do addictions work, and what can the science of addiction tell us about how we can resolve this dire social issue? Airs 10/17 at 9 p.m. Frontline—Chasing Heroin - https://pbs.org/wgbh/frontline/ film/chasing-heroin/ - Facing a heroin epidemic, America is experimenting with radical new approaches to the drug problem. More Information: https://www2.naz.edu/arts-center/school-shows/ Following four addicts in Seattle, examine U.S. drug policy and what happens when heroin is treated like a public health crisis, not a crime. Airs 10/18 at 9 p.m. (repeats 10/20 at 10 p.m.) Second Opinion Special: Inside the Epidemic - secondopinion- SAVE THE DATE tv.org/overdose - A panel of experts discuss the drug epidemic in the U.S., and offer solid, timely information about prevention and treatment. Airs 10/20 at 5 p.m. Opioids From Inside - There is a person’s story behind every opioid addiction. And each story of addiction has a ripple http://wxxi.org/indielens effect. Opioids from Inside, a WXXI, Blue Sky Project and PBS WORLD production, is a half-hour film that follows the journey of three women, all mothers, who have served time in New York State WXXI is proud to host a neighborhood screening series that jails for opioid-related crimes. -
Albuquerque Museum Oral History Project Johnny J. Armijo November 26, 2002 This Interview Was Conducted As Part of a Project By
Albuquerque Museum Oral History Project Johnny J. Armijo November 26, 2002 This interview was conducted as part of a project by the Albuquerque Museum to document the lives of people living in various city neighborhoods. Keywords and topics: Thee Chekkers, the South Valley, the Bosque, growing up in the South Valley, Ernie Pyle Middle School, Jack Ayala, Jerry Pacheco, Alfred Romero, David Nuñez, Nick Luchetti, Randy Castillo, Horn Oil, Atrisco Land Grant, Conrad Hilton, alcoholism, DWI Planning Council, Don Lesman’s Music Box, living in Salt Lake City, gang activity in the South Valley, Chicanismo, Sidro Garcia, Tom Barsanti, The Czars, Jim Burgett, Sloopy and the Red Barons, Fuller Brush and Rainbow Vacuum, Al Hurricane, Bennie Sanchez, meeting James Brown, Transmission Magazine, Los Padillas Community Center programming STEVENSON: This is Glen Stevenson with Johnny J. Armijo, November 25? ARMIJO: Sixth STEVENSON: Sixth. At the Los Padillas Community Center, in the South Valley. ARMIJO: Two thousand two. STEVENSON: Thanks, Johnny. ARMIJO: That was okay? [Interview starts at 00:22] ARMIJO: Part of what we were talking about is—or that I was talking about—is that, uh, I’m going to take you back, back, back. My dad was in a band—several bands, actually—he played with the Don Lesman Band, and he was in the 44th Army Band with the National Guard, J.J. Armijo, Johnny Jeremy. Anyway, from him and his band—he was a sax [saxophone] player: alto, tenor, and what’s the other one? Clarinet. [papers being shuffled in background] Played a little bit of piano. -
The Death Penalty
2 CASE STUDY 1 NARRATIVE SHIFT AND THE DEATH PENALTY In this case study, The Opportunity Agenda explores a narrative shift that transpired over a period of almost 50 years—from 1972, a time when the death penalty was widely supported by the American public, to the present, a time of growing concern about its application and a significant drop in support. It tells the story of how a small, under-resourced group of death penalty abolitionists came together and developed a communications strategy designed to raise doubts in people’s minds about the system’s fairness that would cause them to reconsider their views. In its early days, the abolition movement was composed of civil liberties and civil rights organizations, death pen- alty litigators, academics, and religious groups and individuals. Later, new and influential voices joined who were directly impacted by the death penalty, including family members of murder victims and death row exonerees. Key players used a combination of tactics, including coalition building—which brought together litigators and grass- roots organizers—protests and conferences, data collection, storage, and dissemination, original research fol- lowed by strategic media placements, and original public opinion research. This case study highlights the importance of several factors necessary in bringing about narrative shift. Key find- ings include: It can be a long haul. In the case of issues like the death penalty, with its heavy symbolic and racialized 1. associations, change happens incrementally, and patience and persistence on the part of advocates are critical. Research matters. Although limited to a few focus groups, the public opinion research undertaken in 2. -
DISCUSSION GUIDE Table of Contents Using This Guide 3
DISCUSSION GUIDE Table of Contents Using This Guide 3 Indie Lens Pop-Up We Are All Neighbors Theme 4 About the Film 5 From the Filmmakers 6 Artist Profiles 8 Background Information 13 What is Indigenous Music? 13 Exclusion and Expulsion 14 Music and Cultural Resilience 15 The Ghost Dance and Wounded Knee 16 Native and African American Alliances 17 Discussion 18 Conversation Starter 18 Post-Screening Discussion Questions 19 Engagement Ideas 20 Potential Partners and Speakers 20 Activities Beyond a Panel 21 Additional Resources 22 Credits 23 DISCUSSION GUIDE RUMBLE: THE INDIANS WHO ROCKED THE WORLD 2 USING THIS GUIDE This discussion guide is a resource to support organizations hosting Indie Lens Pop-Up events for the film RUMBLE: The Indians Who Rocked the World. Developed primarily for facilitators, this guide offers background information and engagement strategies designed to raise awareness and foster dialogue about the integral part Native Americans have played in the evolution of popular music. Viewers of the film can use this guide to think more deeply about the discussion started in RUMBLE and find ways to participate in the national conversation. RUMBLE: The Indians Who Rocked the World is an invitation to come together with neighbors and pay tribute to Native influences on America’s most celebrated music. The film makes its PBS broadcast premiere on the Independent Lens series on January 21, 2019. Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships. -
In the Court of Criminal Appeals of Texas and the 21St Judicial District Court Bastrop County, Texas
IN THE COURT OF CRIMINAL APPEALS OF TEXAS AND THE 21ST JUDICIAL DISTRICT COURT BASTROP COUNTY, TEXAS EX PARTE § Writ Cause No.____ § CCA No. 50,961-04 RODNEY REED, § § Trial Cause No. 8701 Applicant. _________________________________________________________ APPLICATION FOR WRIT OF HABEAS CORPUS _________________________________________________________ THIS IS A DEATH PENALTY CASE BRYCE BENJET State Bar No. 24006829 THE INNOCENCE PROJECT 40 Worth St. Suite. 701 New York, New York 10013 (212) 364-5340 (212) 364-5341 (fax) ANDREW F. MACRAE State Bar No. 00784510 LEVATINO|PACE LLP 1101 S. Capital of Texas Highway Building K, Suite 125 Austin, Texas 78746 (512) 637-8563 (512) 637-1583 (fax) Attorneys for Applicant Rodney Reed TABLE OF CONTENTS Table of Contents .............................................................................................................................i I. Introduction ..........................................................................................................................1 A. New Forensic Evidence Demonstrates that the State’s Theory of Mr. Reed’s Guilt Is Impossible ............................................................................ 1 B. New Witnesses Provide Further Support for Mr. Reed’s Account of His Relationship with Ms. Stites.. ............................................................................ 5 1. Alicia Slater .................................................................................................... 5 2. Lee Roy Ybarra……..………………………………………………………6 C. The -
Metallimusiikki Musiikkiyhtye & Musiikin Esittã¤J㤠Lista
Metallimusiikki Musiikkiyhtye & Musiikin esittäjä Lista Masterpiece https://fi.listvote.com/lists/music/artists/masterpiece-22967514/albums Mikko Härkin https://fi.listvote.com/lists/music/artists/mikko-h%C3%A4rkin-1079969/albums Blaze Bayley https://fi.listvote.com/lists/music/artists/blaze-bayley-1756800/albums Chainsaw https://fi.listvote.com/lists/music/artists/chainsaw-5395589/albums Brats https://fi.listvote.com/lists/music/artists/brats-4958082/albums Piet Sielck https://fi.listvote.com/lists/music/artists/piet-sielck-69837/albums Machine Men https://fi.listvote.com/lists/music/artists/machine-men-498636/albums Dan Nelson https://fi.listvote.com/lists/music/artists/dan-nelson-3298514/albums Gotham Road https://fi.listvote.com/lists/music/artists/gotham-road-3773639/albums Oliver/Dawson Saxon https://fi.listvote.com/lists/music/artists/oliver%2Fdawson-saxon-1092373/albums Stonegard https://fi.listvote.com/lists/music/artists/stonegard-12003345/albums Symbols https://fi.listvote.com/lists/music/artists/symbols-3507540/albums T & N https://fi.listvote.com/lists/music/artists/t-%26-n-2382920/albums Masterstroke https://fi.listvote.com/lists/music/artists/masterstroke-5479786/albums Kobus! https://fi.listvote.com/lists/music/artists/kobus%21-3643369/albums Saber Tiger https://fi.listvote.com/lists/music/artists/saber-tiger-11543506/albums Motör Militia https://fi.listvote.com/lists/music/artists/mot%C3%B6r-militia-1718843/albums Tribuzy https://fi.listvote.com/lists/music/artists/tribuzy-3998670/albums JonnyX and the Groadies https://fi.listvote.com/lists/music/artists/jonnyx-and-the-groadies-6275706/albums -
Judicial District Court Bastrop County, Texas
IN THE COURT OF CRIMINAL APPEALS OF TEXAS AND THE 21ST JUDICIAL DISTRICT COURT BASTROP COUNTY, TEXAS EX PARTE § Writ Cause No. 50, 961 § RODNEY REED, § § Trial Cause No. 8701 Applicant. § _________________________________________________________ MOTION FOR DEPOSITION OF CURTIS DAVIS _________________________________________________________ Applicant Rodney Reed files this Motion to take the deposition of Curtis Davis in order to fully develop the facts alleged in his Supplemental Application filed with this Court on June 8, 2016. Because Mr. Reed’s counsel was not provided with a copy of the CNN interview, and was only permitted to review limited portions of the interview, a Deposition is necessary to more fully develop the factual record regarding Officer Davis’s role in the investigation and his account of his conversations with Jimmy Fennell on April 23, 1996. A. Mr. Reed has been provided with only limited access to Officer Davis’s interview. As discussed in the Supplemental Application, Officer Davis sat for an interview with CNN in the spring of 2016 in which he discussed the April 23, 1996 conversation in which Mr. Fennell told him what happened on the night of April 22, 2016. A CNN producer later permitted undersigned counsel Bryce Benjet and his legal assistant to view the portion of the videotaped interview in which Officer Davis recounted his conversation with Mr. Fennell. The producer also allowed a brief review of the transcript of the entire interview. During this brief review, the producer held the transcript and paged through it in the presence of Mr. Benjet and his legal assistant. As the producer paged through the transcript, he described the subject matter of each page. -
Indigenous Musicians in American Popular Music Understanding This
Indigenous Musicians in American Popular Music Materials related to “Indigenous Musicians in American Popular Music” in the collections of the Center for Popular Music, Middle Tennessee State University Compiled by: Olivia Beaudry, June 2020 Understanding this research guide This research guide is to help you find more information and resources on musicians who are of Indigenous heritage. While the Center has items in the collection relating to the traditional musics of native tribes, as well as stereo-typed music of the American Indian, this guide focuses on American vernacular music created by those of Indigenous heritage. While this guide lists some artists, they are meant as starting points and is not a complete list of Indigenous heritage artists, musicians and bands. Please reach out to a member of the Center staff if you have questions relating to particular individual or band that you are looking to learn more about. A note about terminology: Please identify and respect each artist/band in the way they wish to be identified. Most likely the individual will prefer to be identified by their tribe. CPM staff chose to use Indigenous as the blanket term in reference to the broader community due to the fact that some listed here are of what is present day Canadian First Nation heritage, while others are of present day US Native American heritage. Also note that some individuals prefer identifiers of Native American, American Indian, Indian, or First Nation People. When referring and researching, please seek how the individual wishes to be identified. Tribes listed here are in their native language then the English translation.