fR?L01Ulll5 A Weekly Guide co African-American Culture
January 6-12,1992 • (212) 627-5241• Vol. I. No. 31 • $1.00
LISTINGS INSIDE: ART • CABARETS • CONCERTS • THEATER RESTAURANTS • FREE-FOR-ALL DR. JOHN HENRIK CLARKE'S MEMORIAL TO MALCOLM X
We would like to preface excerpts from Dr. Clarke's lecture with an explanolion: We think thot it is important to look at this renown historian. In light of the continuing public interest in Malcolm X, we have chosen excerpts of Dr. Clarke's as they relate to an historic figure like Malcolm X. And Dr. Clarke has firsthand knowledge of him. However. we are not endorsing his points of view nor his position. -Ed. f you did not know what Dr. John Henrik Clarke looks I like-then you would not have guessed that the man seated in the front row was the renown bisrorian. The slight octogenarian sat quietly, perhaps, indulging in an occasionai snooze. The sight cane was lying at his feet. On October 3 1, 1991, Dr. Clarke spoke at the Harlem Branch Library. On that evening. a young man guides him onto the stage and he, clicking his sight cane, takes a seat behind a bare fold ing table. For some minutes he remains motionless. Possibly he is tapping the well spring of knowledge and experience from which be recounts the legacy of Malcolm X. To appreciate the teachings and contributions of Dr. Clarke, first you ought to have an understanding of his past. "When I was 23 years old," remarked Dr. Clarke, "I wrote a story, part fiction, part fact, inquiring about the racial identity of Jesus Christ. It was called The Boy Who Painted Christ Block. That story has been anthologized and reprinted all over the world. l wrote it , upstairs in this library. "The library's played a major role in my life because I'm self· educated. Most people don't know that. I went to college on a high school equivalency and got thrown out of NYU because I criticized the way they were teaching while history. I didn't expect them to teach black history at all. Then I went to the New School for Social Research and instead of learning history, they let me teach it. In formal education, I almost finished the seventh grade. I finished the fi rst half, didn't finish the second half. Yet I've read more books than most men see in a lifetime. I have trained almost two generations of PbDs and my students are doing useful work around the world. "Someone asked me, 'Inasmuch as you don't believe in the western concept of heaven and hell, where do you think you're going 1 to go when you die?' I said, I ain't going no place. I'm going to stay right here. In the things that I have written and the lives that I have j known and the little good I have managed to do, I will stay right 1 here. You'll bury the man and continue his plan. That's the hereafter that I long for and about the only one I believe in .... Now, let's get to work. "I want to discuss not just Malcolm X, but his antecedents. We have not made the best use of our messengers. Malcolm X is just one of the many, we have neglected to heed. "In many ways we have seen his type before in our history .... Let's pick him up around 1360 BC in the presence of a sickly boy I call ed Amenhotep, before be came to power as Ikhnaton. "Ikhnaton did not crave power. He was empowered, so he assumed the responsibility. When he came to power, be did something that was revolutionary and radical. He outlawed war. He was a King of Peace, a radical King of Peace. He said that all the nations under Egyptian dominance wishing their freedom would not have 'to fight for it'. If they wanted to be free, he'd give it to them. "Many historians misunderstood him. He dissolved the Egyptian Empire of that day. Walter Wagdale in his book Great Personalities of Integrity, called his chapter on Ikbnaton, "The Adventures of a Nigger King" .... Ikhnaton and his wife, Nefertete, humanized the Egyptian mind. Many people would sculpture them showing affection with children on their knees. He was a man who wrote poetry. He's often being given credit for giving the world monotheism. That credit is wrong. Be fore corrupt priests, the world had a concept ofthe Oneness of God .... What Ikbnaton did was to , give them back what they bad before.
Volume 1, !'\umber 31. Published by OCR for Publishers, Inc. • 521 W. 23rd Street • l'iew York. NY 10011. Subscription rete U.S. S36. Send subscription to ROUTES. A Weekly Guide to African-American Culture. P.O. Uox 20103, Old Chelsea Station, l'\cw York. NY 10011. ROUTES is published 48 times per year. For advertising rates call (212) 627-5241. Publisher/Editor in Chief, Ronald Hunn, Associate Editor-E. 2-AOUT£5. :'Weekly Guide to Jlfrican-t,mP.rir:an Culture, }nnunry. 6-12. 19!12 "Now how does that relate to Malcolm? What Malcolm X did for us was to try to give us back what we bad before. He was trying to lead us back to a concept we had lost in slavery and colonialism. The concep t of nation. The concept of land. He was not trying to give us a new concept, but a new methodology to reclaim some old things that gave us strengths that we had stopped appreciating. Until a leader calls for the return of the land, he's misunderstanding nation .... Malcolm X taught us how to look at our enemy in a different way. He taught us how to at least identify him and know that you can't fight the slave master and sleep with him at the same lime. If you love the slave master's daughter, you have less Jove for your own. "When Malcolm's father, a Garveyite, was murdered and his body dumped onto the family's porch, it caused his mother to go mad. The mind of Malcolm, the man, was being prepared for what he would later be. "He would have no problem later on in identifying the people who killed his father as being 'the devil' because whosoever is in charge of the hell- in your life-is your devil. " Dr. Clarke paused and repeated "Whosoever is in charge of the bell in your life is your devil, and sometimes be is black. "In school, white teachers told him 'Don't lake your ambitions too far. Go to shop, be a good carpenter or a good mechanic.' In other words, be a servant of this society, but never be a master of this society. Be assistant to it, but never be it. Malcolm's mind was in revolt against their concept .... Growing up, going to Boston, getting into difficulties, coming to Harlem, becoming a taker of dope and a seller of dope and a hustler of while women. He continued hustling dope, going back to Boston ... then eventually going to jail. "One thing about jail is you are static. You are trapped. And the one person you cannot get away from is yourself. You do the one thing that people should do all the time, take a good look at yourself. Malcolm had lime to look at himself. He bad time to discipline himself. He had time to be concerned about the conditions in the prison .... He wrote to the warden about the conditions of other prisoners .... He was an influence in the prison. Self-discipline was the way Malcolm approached life. This discipline led to his reading. Not being good at words he began to study words .... He took the dictionary and started at A and went straight through to Z. And yet his speech had a simplicity that when he said something, it was so simple you could remember it years later. Wh en Dr. King spoke the one thing you could remember was he spoke so pretty, so eloquent. but what did he say? We still know exactly what Malcolm said, after (Continued on l'aec S) ROUTE:S, A Weekly Guide to African-American Culluro, January. 6-12. 19'12-.1 • Dizzy Gillespie with Ruby BraiT Quartet CLUBS AND Kenny Barron, Bob Jan 7-12 CABARETS Cranshaw, Slide Condon's Hampton, Jimmy 117 E. 15th St • 25 4-0960 Monty Croft Trio Heath, Elvin Jones, Through Jan 11 James Moody •Leah Sutton's Andiarnoi! • 1991 Jan 7-12 Wednesday Comedy hroadway • 362-3315 The Blue Note • 131 W. Explosion with Angela . 3rd St • 475-8592 Scott, MC & Mike •Frank Griffith Quintet Sweeney & Ron Smith Jan 6 •Jesse Davis with Jacky Jan 8, 8 pm • Lorenzo & her Terrason, Dwayne •Leah Sutton's Variety Gentlemen Burno, Erick Show with Jerry Dixon McPherson Jan 7 & Mario Cantone & Eric Jan 6-11 • F rankie Paris Kornfeld Bradley's • 70 University Jan 11, 10 & 11:30 pm Jan 8 PI/11th St • 228-6440 • Pat Cisarano Duplex • 61 Christopher St • 255-5438 Jan 9 • Lefty Di:zz & Shock • Lee Konitz & Treatment Peggy Stern Quartet George Coleman Quartet Jan 7-11 Jan 7-12 Jan 10 & 11 Chicago B.L.U.E.S. • 73 Fat Tuesdays • 190 Third Biidland • 2745 B'way 8th Ave/13 St • 255-7373 /105th St •749-2228 Ave/17th St • 533-7902 Saku Sillah & the Alcione Junior Mance, piano African Connei:tion Marty Rivera, !lass Jan 7-18 Jan 10 Jan 8-11 , Brazilian Songstress Open Wed-Sat Knickerbocker Bar & The Ballroom • 253 W. Club Hararnbee • 127 W. Grill • 33 University 28th St • 244-3005 43rd St • 819-1133 Place • 228-8490 (Continued on Page 6} Ch.t:z cf/-ntoin£ 'J~r.n.J.. ea..n;&wn. duwu. Reduced from {o-. 2Jw.u $60 to$40 Dpu. SPECIAL PRICES ~ rw~'Jf.u,~&~ FOR A UM!TED TIME 'p.m.. lD 10:30 j>.m- ALSO AVAILABLE ~~ &~.kr, p.m..~<>~~ .f!un ~ 011 rwuhu:J. lJoat IXJ!ack cfff! "'Dj<>'< cuJil. ca...d• ~ liranzeo-~ df~f.way • PJkin, ..£.on.g lf.fa,J IXJ!ack liranzeo- c:f?unvaiJDru. (,16) 223-9426 8~ CoME SEE OUR SELECTIONS OF Handbags Jewelry Accessories Black Ties & Gifts galore CATERING • CELEBRATION CAKES ICE SCULPTURE Celli's Grab Bag, Inc 169-27 137th Ave Can be personalized for your Holiday Jamaica, NY 11434 needs. (718} 723-1200 leisa Dent (516) 379-6878 4- ROUTES. A Weekly Guide to Africon·American Culture, january. 6·12. 1992 IILOn~nuea~om ogeJJ all these years. Always learning something he would teach others how not to do later, 'You do not survive at the expense of your brothers and your sisters'. "Maybe the greatest contribution of Elijah Muhammad and Malcolm X, 'cause you can't take one without the other, was that they didn't steal people from the little church or the big church to recruit them into the Nation of Islam. They took:. people out there who bad no allegiance. They took the neglected. They took people who'd lost confidence in themselves and made them whole. Malcolm found in Elijah Muhammad the father that he bad lost. He adopted Elijah Muhammad and Elijah Muhammad spiritually had adopted him. "Years later, after leaving the Nation of Islam under duress, Malcolm founded the Muslim Mosque, Inc. and the Organization of African American Unity (O.A.A.U.). He traveled to Africa to bring some unity to Africans in the U.S. and Africans in Africa. "He persuaded eight African nations to bring African-American problems before the UN as a Human Rights issue, opposed to a Civil Rights issue .... On his way home, Malcolm tried to stop in Paris, but was refused entry. He tried to stop in London, but was refused entry . . .. Malcolm then knew that an international force had been put in motion against him. The Nation of Islam couldn't keep him out of Paris or London. They didn't control anything there. "Within weeks, be was assassinated in the Audubon Ballroom, New York. "At the fi rst memorial for Malcolm, I talked about our final conversation. I had asked Malcolm, 'What can I do?' He said, 'Do your best work. The best thing you can do in memory of me is to do your best work.' "I realize that of all the things I wanted to do in life, thanks to an inspirational fifth grade teacher, was to be a great classroom teacher. And in the years since Malcolm's death, I have trained a generation to think better of themselves through an understanding of history. This is my memorial to him." "Malcolm X: The Man and His Times", the title of Dr. Clarke's book, recently reprinted was available for purchase. To purchase a copy of the book or obtain Dr. Clarke's public speaking schedule, contact Africa World Press, Inc., P.O. Box 1892, Trenton, N.J. 08607. Dr. Clarke will be the guest speaker at the Harlem School of Arts(see Museum&- Cultural Centers listings) on January 12 at 2 p.m. and he will speak on January 22, 1992, 7:00p.m., at The Slave Theatre in Brooklyn. A book signing party is scheduled for January 31, 1992, at the State Office Building in Harlem. -Perri Gaffney ROUTES. .-\ \'leckly Guide to Afn·can-Americon Culture, january. 6- l2, l992-5 Sun Ra & His Orchestra Visiones • 125 Jan 10& 11 MacDougal St • 673- RESTAURANTS The Knitting Factory • 5576 B. Smith's 47 East Houston St • Southern £r American 219-3055 Jazmyn cuisine Jan 10-11 Trendy Phoebe Snow West Side Storey • 700 771 Eighth Ave • 247- Jan 8, 10 & 11 Columbus Ave at 95th St 2222 Lone Star Roadhouse • • 749-1900 240 W 52nd St • 245- 2950 Copeland's Geoff Keezer Trio Southern cuisine Through Jan 11 A Harlem institution •John Simon Quintet Zinno • 126 W. 13th St an 7, 7 pm • 924-5182 547 W.145th St • 234· •Daphne Hellman, Jazz 2457 harpist with Hellman's •Queens• Angels Caribe Jan 8, 12:30 pm The Scene jamaican cuisine • Jazz Vespers: Fred 133-18 Guy Brewer Blvd Pleasant and informal. Simmons Trio • Jamajca • (718) 525- Cash only. Jan 12,5 pm 9256 117 Perry St/ Greenwich • Joel LaRue Smith Trio • Long Island • St • 255-9191 Jan 12,7 pm St. Peter's Qmrch • the Hugh (Happy) Porter Honeysuckle Living Room • Butler's Quarters • 736 Southern cuisine Lexington Ave/54th St • Fulton Ave • Hempst'd Trendy 688-6022 • (516) 483-9078 507 Columbus Ave 496-8095 Sugar Ray's •Sempre Brasil (Formerly Machines) Jan 11 Melanie Rose of WBLS, Jamaican "Hot Pol" •Max Roach & M'Boom Thmsday NiRhts Small res tamant of 7-8 Jan 8 & 9 2686 Hemps read Tplce • tables-but h as a large S.O.S.'s • 204 Varick Levittown • (516) 731 - reputati ~>n fo_r good food St/Houston • 243-4940 1010 at bargam pnces. •New Jersey• 2260 Adam Clayton • McCoy Tyner Powell, Jr., Blvd/133rd Jan 7-12 & 14-19 Houston Person & Etta St • 491-5270 Jones • Eddie Chamblee Jan 10 & 11 Quartet Vernon's Jerk Paradise Saturdays, 2-6 pm Trumpets • 6 Depot jamaican cuisine Square • Montclair • Jerk preparation of • Doc Cheatham {201) 746-6100 Sundays, 3-7 pm meats. 252 W. 29th St • 268- Sweet Basil • 8 7th Ave/ 7020 • Reviewed in 7129/91 Bleecker • 242-1785 issue. CONCERTS Billy Paul )an10&11 Island Spice • La IT Tuesdays Caribbean Sweetwaters • 170 •Amateur Night Amsterdam Ave/68th St Wednesdays 402 West 44th St/9tb Ave • 765-1737 • 873-4100 Apollo Theatre • 253 W. 125th St •864-0372 Continued on Page 7 Big Jay McNeely, tenor sax 3 MONTH TRIAL SUBSCRIPTION $9 Jan 10 & 11 Tramps • 45 West 21st St • 727-7788 ROUTES, A Weekly Guide to African-American Culture Danny Moore Quintet Jan 7- 12 Old Chelsea Station, P.O. BOX 20103 Village Vanguard • 178 NEW YORK, NY 10011 7th Ave South • 255- 4037 NAM E ______Tim Ries Quartet ADDRESS ______Jan 7 ______ST ATE CITY ZtP ------ ROUTES, A Weekly Guida to African-American Culture. january. 6-J 2. 1992-6 Sylvia's •Queens• Jezebel Southern cuisine Southern/American Relaxed and informal Carmichael's cuisine Southern cuisine 328 Lenox Ave • (126 & Informal Scarfs, swings and 127th Sts) • 996-0660 sophistication. 117-08 Guy Brewer Blvd 630 Ninth Ave/45th St • Jamaica • (718) 723- Third World Cafe 6908 582-1045 Third World cuisine(spices used are La Famille Restaurant from West Africa) La Detente Southern cuisine A very special little cafe. Continental and Caribbean cuisine Roomy and informal 700 W. 125th St /Wcst 2017 5th Ave/125th St Side Hway • 749-8199 •Gene Jefferson, sax & 534-9909 his International Combo Wilson's Restaurant & Every Thursday Le Sous Sol Restaurant Bakery French Creole cuisine Southern Cuisine 23-04 94th Sl • East Nightly entertainment A Harlem institution. Elmhurst • (718) 458- 2172 70 West 95th St • 865- 1980 Amsterdam Ave/ 8700/1 158th St • 923-9821 Manhattan Proper Cafe Livi's Restaurant •Brooklyn• Southern cuisine Caribbean & Southern Greene Avenue Grill 217-01 Linden Blvd/ • cuisine Grilled American & Sprinclield Blvd • (718) Informal Southern cuisine 341-C'AFE 29 E. 126th St/ Mad. & Relaxed and informal 5th Aves • 831-4931 Minnie Tee's 13 Greene Ave/Fulton St Southern home cooking • (718) 797-2099 MoBay Chicken & Waffles Jamaican & Southern specialty cuisine Keur n' Deye 200-05 Linden Blvd • St. Senegalese Cuisine Albans • (718) 341-2664 248 W. 14th St(Bel. 7th & 8th Aves) • 255-7735 Relaxed and informal 737 Fulton St (S. Elliot RTB's Kitchen Mr. Leo SL & S. Portland Ave • Gourmet Soul Food & Southern cuisine (718) 875-4937 The Crazy Crab Shack Authentic Southern Maryland Style cuisine McDonald's Dining Takeout Service Room 17 W. 27 Stl (Bway & 5th Coun try home cooking Brennen's Value Flea Ave) • 532-6673 Market • 137-07 Bedell Relaxed and informal St • Jamaica • (718) 276- Pan Pan 5th Avenue 327 Stuyvesant Ave • 5180 Restaurant/Cafe (718) 574-3728 • Tues Southern cuisine Sun • Long Island • Relaxed and informal Olez Antoine 1325 5th Ave/110th & Sheila's French Ca •. bbean 111th Sts • 996-1212. • Southern Cuisine cuisine Reviewed in 10/20/91 Relaxed and informal. Elegant issue. Intimate two level 590 Sunrise Highway • dining. Baldwin • (5161 223- Perle's Fine Cuisine Open Wed-Sun 9426 Fine cuisine 271 Adelphi St • (718) Elegant & trendy 935-0292 Nakisalci International 553 Manhattan Ave/ Restaurant 123rd St • 666-8500 • Two Steps Down Jamaican & Chinese Reviewed in 9/8/91 Southern and West cuisine issue. Indian Cuisine TakeoutSenricetoo Relaxed and informal. 276 Fulton Ave • Hemp The Shark Bar Intimate 2 level dining. stead • (516) 292-9200 Southern cuisine 240 Dekalb Ave • (718) Saturday Gospel Brunch 935-0292 12:30 & 2:30pm 307 Amsterdam Ave/74th & 75th Sts • 874-8500 Continued on Page 8 7-ROUTES, A Weekly Guide to Africon-Americon Culture, january. 6-12, 1992 often hilarious autobio- ART THEATER ~aphical play. It follows GALLERIES Five Very Live--An er life as she blazes her /loliday Prints, Evening of Five One-Act way from rebellious Drawings Plays young prostitute to PhD. Through Jan 20 Jan 6-16 Circle-ln·The-Square (Downtown) • 159 Robert Blackburn, Betty Five Very Live-A Bleecker St • 254 ·6330 Blayton, Edward Clark, parody of a local news Nanette Carter, Gregory show Coates, Nadine De T houghts of A Confused Lawrence, Alejandra Ron Butler among the Black Man cast of actors. Delfin, Melvin Edwards, Fridays & Saturdays, 8 Gilbert Fletcher, William pm Hutson, Gerald Jackson, The Acfv of Pie-A An African's experience James Little, AI Loving, come y that explores the in America increasingly common ~rone Mitchell, Jack Harlem School of The Arts bitten, Charles White, desire to seck help from • 64 5 St. Nicholas Ave • Frank Wimberley, others through 926-4100 extraordinary means. Richard Yarde The Cinque CallerS • 560 Sure ThinJ;Examines Six Degrees of the art of e pick-up Broadway/Prince t • Separation Room 504 • 560-2098 Call of the Wile E.-A Courtney B. Vance behind the scenes look at Set in Manhattan, about a Kazuko a famous coyote's true con artist at an elegant Through Jan 18 passions dinner party. Kenkeleba Gallery • 214 Wonderful Party-A Vivian Beaumont Theater East 2nd St • 674-3939 hilarious foray into the B'way/65th St • 239- bizarre of party giving. 6200 Atlantic Theater Company Victor Littlejohn • 336 W. 20th St • 645- Line paintings 8755 Don't Eh)lain Through an 11 La Mama La Galeria • 6 East 1st St • 505·24 76 Negro Ensemble Written by Samuel Company Ha:Js, djrected by Rome Nea Carl Van Vechten- Just a Ni~l Out American Portraits: A dramatic presentation Harlem Heroes Through ebruary with music about the late A musical love story in Through Jan 30 that takes stace dunng the Jazz trum£eter Lee Manhattan East Gallery of 1950s Chi in' circuit M~an. ecipient of 7 Fine Arts • 202 E. 76th St period. A ELCO awards At the Top of the Village Nuyorican Poets' Cafe • Marble & Granite Gate • 236 E. 3rd St(Bet. Aves B Gallery & C) • 465-3167 Bleecker/Thompson Sts Featurin\Zambian • 295-4694 or 307-4100 • Brooklyn• sculptor emmie Sichalwe, and a srwte From The Mississippi Lotto sculkture collection from Delta Through Jan 26, 1992 Zim bwe. Written by Endesha Ida The Benson family, a Marble & Granite Gallery Mae Holland, directed by typical famifi: 340 West 14th St (bet. 8th Jonathan Wilson. convinced. at winn.inJ & 9th Aves) • 741-3399 Endesha Ida Mae the lottery will solve a Holland's boldly of their problems. One inspirational, gutsy and d~ they actually hlt the ja pot for S20 million. Lotto is zany and funny. MUSEUMS & The Counci to< th& Arts In The Billie Holiday Theatre CULTURAL Westchester seeks 2· ond 3· • 1368 Fulton St • (718) dimensional works bV 636-0918/9 CENTERS Atricon·Americon ortsts oo the theme WO Free Estimates •Queens• There Was a Little Bov Jan 6. 7:30pm • (718) 338-7884 Arl intriguing mystery about a detective's search for a missing child. Written by Barbara Kay Davidson. The play is a dramatic study of prob ~(J#'~ Ptu, 1~. lems of communication between working parents Bakers of and their children. Exquisite Pies* Queens Borough Public library • Rosedale Branch • 144·20 243rd St For Information & • (i18) 528·8490 Orders Call Business Start-Up (212) 992·2521 A Four-session IVorkshop with Desiree •ft7tdi0on~l Apple Pi• w/Checkl.ar Cheese Crust • Cl3nbe-rry-Appt~ Prctlo Pie • Ginger.d Curr~nr-P~r Pie & R.upb.trry-Pe~r p;e • Chocol,. te Mondays. 6:30·1!:00 prn Bourbon P«.. n Pie • Bbckbe /IOL:ITS. A IVcckly Guide lU Africnn-1\merico n Culture. fon~ ~r•. ri-12. 1!1~12-!1 A !Youo/t o-/Wt!'~ Umousine and Luxury Car Service Sltadrack Buckner, the GraNd Daddy of the Luxury Car Service INdustry Airports. Out or Town. We Go Anywhere. 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Ia Afncon·Amcrir.nn Cull Uf'!. /anur.ry ,;.u. 1!1'12- Ill A Weekly Guide to African-American Culture TN ASSOCIATION WITH CLIFF STROBE PRODUCTIONS PROUDLY PRESENTS ROUTES' AFRICAN-AMERICAN CULTURE AWARDS RECOGNIZING UROUTES'" CHOICE RESTAURANTS AND CABARETS OF THE YEAR THURSDA~}ANUARY30,1992 6 PM-MIDN1GHT DOORS OPEN AT 5:30 PM THIS EXCLUSIVE EVENING WILL FEATURE AWARDS CEREMONY: AWARDS TO RESTAURANTS & CABARETS BUFFET: SAMPLINGS FROM FAVORITE RESTAURANTS LIVE SHOW: REGGrE Wooos QuA ~TET, FEATURING GREGoRY DE!'IARD DANCING: MUSIC PRODUCED BY THE FuSION SoUND SYSTEM MEMENTO: ROUTES CoLLECTOR'S EDITION MARC BALLROOM 27 UNION SQUARE WEST AT 16TH STREET, NYC ADVANCE TICKETS, $15 • AT DooR, $20 CALL Now FOR TICKETS & INFORMATION ROUTES- (212) 627-5241 CLIFF STROBE PRODUCI10NS- (212) 722-5190 OR SEND FOR TICK ETS ROUTES • P.O. Box 20103 • OLD CHELSEA STATION • NY, NY 1001 1 0 0 I