The Assassination of Malcolm X Last Feb
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João Pedro Valladão Pinheiro Improving the Quality of the User
João Pedro Valladão Pinheiro Improving the Quality of the User Experience by Query Answer Modification Dissertação de Mestrado Dissertation presented to the Programa de Pós–graduação em Informática of PUC-Rio in partial fulfillment of the requirements for the degree of Mestre em Informática. Advisor : Prof. Marco Antonio Casanova Co-advisor: Profa. Elisa Souza Menendez Rio de Janeiro April 2021 João Pedro Valladão Pinheiro Improving the Quality of the User Experience by Query Answer Modification Dissertation presented to the Programa de Pós–graduação em Informática of PUC-Rio in partial fulfillment of the requirements for the degree of Mestre em Informática. Approved by the Examination Committee: Prof. Marco Antonio Casanova Advisor Departamento de Informática – PUC-Rio Profa. Elisa Souza Menendez Co-Advisor Campus Xique-Xique – Instituto Federal de Educação, Ciência e Tecnologia Baiano Prof. Antonio Luz Furtado Departamento de Informática – PUC-Rio Prof. Luiz André Portes Paes Leme Departamento de Ciências da Computação – UFF Rio de Janeiro, April 30th, 2021 All rights reserved. João Pedro Valladão Pinheiro João Pedro Valladão Pinheiro holds a bachelor degree in Computer Engineering from Pontifical Catholic University of Rio de Janeiro (PUC-Rio). His main research topics are Semantic Web and Information Retrieval. Bibliographic data Pinheiro, João Pedro V. Improving the Quality of the User Experience by Query Answer Modification / João Pedro Valladão Pinheiro; advisor: Marco Antonio Casanova; co-advisor: Elisa Souza Menendez. – 2021. 55 f: il. color. ; 30 cm Dissertação (mestrado) - Pontifícia Universidade Católica do Rio de Janeiro, Departamento de Informática, 2021. Inclui bibliografia 1. Computer Science – Teses. 2. Informatics – Teses. 3. Pergunta e Resposta (QA). -
General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
The Theory of the Cuban Revolution
THE RISING NEGRO STRUGGLE New Weapons in Freedom Now Arsenal By George Breitman ment. Unemployed struggles are nothing new in our year. By direct action and by mass action, they sought DETROIT — Every genuine mass movement, like history, nor are demonstrations and picket lines. But this to stop construction in order to gain serious attention every revolution, produces new things — new relation was an unemployed struggle under the banner of racial to their demands (jobs, admission to the building trade ships, new ways of looking at life, new methods, new equality, and that combination gave it a unique char unions, end of discrimination in the apprentice pro institutions — or new ways of doing old things. This acter and a new dimension. grams) . article concerns recent developments testifying to the As a young man, I was active in the unemployed I hold that this was something new; that it is an im profoundly creative and radical character of the Negro movements of the big depression in the Thirties. We portant addition to the weapons of struggle in the movement for equality. staged marches on Washington, we once occupied the arsenal of the unemployed; and that it w ill be adopted I am not dealing here with new methods and ideas seats of the state legislators in m y native state fo r ten and adapted to their own needs by the big unemployed introduced between 1960 and 1962, about which much days, we picketed City Hall, staged sitdowns in the wel movement or movements of white as well as black already has been written, such as the sit-ins, filling of fare offices, struck and shut down WPA projects, etc. -
124-130 WEST 125TH STREET up to Between Adam Clayton Powell Jr and Malcolm X Blvds/Lenox Avenue 22,600 SF HARLEM Available for Lease NEW YORK | NY
STREET RETAIL/RESTAURANT/QSR/MEDICAL/FITNESS/COMMUNITY FACILITY 3,000 SF 124-130 WEST 125TH STREET Up To Between Adam Clayton Powell Jr and Malcolm X Blvds/Lenox Avenue 22,600 SF HARLEM Available for Lease NEW YORK | NY ARTIST’S RENDERING 201'-10" 2'-0" 1'-4" 19'-5" 1'-5" 3" SLAB 2'-4" 21'-0" 8" 16'-1" 15'-6" 39'-9" 4'-9" 46'-0" 5'-5" DISPLAY CLG 1'-3" 5'-8" 40'-5" OFFICE 12'-0" 47'-7" B.B. 7'-1" 72'-6" 13'-2" D2 4'-4" 4'-0" 10'-2" 74'-2" 11'-4" 42'-3" 11'-2" 4'-9" 8'-4" 1'-3" 17'-6" 11" 2'-4" 138'-11" 5'-11" 1'-11" 7'-1" 147'-1" GROUND FLOOR GROUND 34'-9" 35'-1" 1'-4" 34'-8" 2x4 33'-10" 2x4 CLG. PARAMOUNT CLG. 12'-3" 124 W. 125 ST 11'-10" 24'-6" 23'-6" DISPLAY CTR 22'-11" D.H. 10'-10" 16'-0" 8'-11" 1'-4" 2'-5" 4'-2" GAS MTR EP EP ELEC 1'-5" 2'-10" 4" 7" 1'-4" 6" 1'-6" 11" 7'-0" 52'-0" 12'-11" 1'-2" CLG. 1'-10"1'-0" 3'-2" D2 10'-3" 36'-10" UP7" DN 11" 4'-8" 2x4 2'-3" 5'-3" DISPLAY CTR 13'-8" 6'-3" 7'-0" CLG. 7'-0" 7'-3" 7'-11" UP 11" 11'-8" 9'-10" 9'-10" AJS GOLD & DIAMONDS 2'-9" 6" 2x4 4" 7'-4" 126 W. 125 ST 2'-4" 2'-8" 2'-4" CLG. -
Bio-Bibliographical Sketch of George Breitman
Lubitz' TrotskyanaNet George Breitman Bio-Bibliographical Sketch Contents: • Basic biographical data • Biographical sketch • Selective bibliography • Sidelines, notes on archives Basic biographical data Name: George Breitman Other names (by-names, pseud. etc.): Alberts ; G.B. ; Philip Blake ; Drake ; Chester Hofla ; Anthony Massini ; Albert Parker ; John F. Petrone ; Sloan ; G. Sloane Date and place of birth: February 28, 1916, Newark, NJ (USA) Date and place of death: April 19, 1986, New York, NY (USA) Nationality: USA Occupations, careers, etc.: Writer, editor, printer, historian, party organizer, political leader Time of activity in Trotskyist movement: 1935 - 1986 (lifelong Trotskyist) Biographical sketch Note: This biographical sketch is primarily based on A tribute to George Breitman : writer, organizer, revolutionary / ed. by Naomi Allen and Sarah Lovell, New York, NY, 1987 (containing obituaries, reminiscences and appraisals of G. Breitman by some 50 individuals and some 14 organizations) and on other items listed below under the heading Selective bibliography: books and articles about Breitman. George Breitman was born on February 28, 1916 at Newark, New Jersey, as son of Benjamin Breit man, an iceman, and his wife Pauline (b. Trattler), a houseworker. George Breitman grew up in a Ne wark working class neighbourhood together with his brother Samuel and his elder sister Celia, who soon joined the ranks of the Young Communist League (YCL), the Communist Party’s youth organiza tion, and who had a strong influence on George. He began to read voraciously, one of his favourite hangouts being the Newark Public Library. In 1932, in midst the Great Depression, he graduated from Newark Central High School and like most of his classmates had to join the ranks of the unemployed youth. -
JULIO PETERSON the Shubert Organization, Inc
JULIO PETERSON The Shubert Organization, Inc. Vice President of Real Estate Julio Peterson has been with The Shubert Organization since 2000. Mr. Peterson is responsible for overall management of the organization’s corporate real estate including the disposition of transferable development right, office & retail leasing transactions and the company’s outdoor signage business. He also oversaw the development of the Little Shubert Theatre on 42nd Street. Mr. Peterson is additionally responsible for corporate/public relations and governmental affairs. In this regard, he works with City agencies on zoning issues and quality of life matters impacting the Theatre District. He is Shubert’s liaison with City and State government and works closely with The Broadway League, Times Square Alliance, the Broadway Association, the Association for a Better New York and other civic organizations in New York City. Prior to joining Shubert, Mr. Peterson was a Senior Consultant in KPMG’s Real Estate Consulting Division. He was also Director of the Neighborhood Builder’s Program at the New York City Partnership where he oversaw the development of over $300 million in multi-family homes in distressed neighborhoods throughout the City. Mr. Peterson was a Senior Project Manager in the Manhattan Commercial Real Estate Division of The New York City Economic Development Corporation where he was responsible for managing projects such as the 125th Street Pathmark Supercenter, the Columbia University Biotechnology Research Park, The Malcolm X Memorial at the Audubon Ballroom and the Julia De Burgos Latino Cultural Center in East Harlem. Mr. Peterson is a native New Yorker raised on the Upper West Side. -
~ Marxism and the Negro Struggle
~ Marxism and The Negro struggle Harold Cruse George Breitman Clifton DeBerry Merit Publishers 873 Broadway New York, N. Y. 10003 First printing March, 1965 Second printing June, 1968 Printed in the United States of America ns Harold Cruse's two-part article, "Marxism and the Negro," appeared in the May and June 1964 issues of the monthly magazine Liberator and is reprinted here with its permission. A one-year subscription to Liberator costs $3 and may be ordered from Liberator, 244 East 46th Street, New York, N. Y. 10017. George Breitman's five-part series, "Marxism and the Negro Struggle," appeared during August and September 1964 in the weekly newspaper The Militant and is reprinted here with its permission. A one-year subscription to The Militant costs $3 and may be ordered from The Militant, 873 Broadway, New York, N. Y. 10003. Clifton DeBerry's article, "A Reply to Harold Cruse," is reprinted from the October 1964 issue of Liberator. Contents MARXISM AND THE NEGRO By Harold Cruse Part I 5 Part 11 11 MARXISM AND THE NEGRO STRUGGLE By George Breitman What Marxism Is and How It Develops 17 The Colonial Revolution in Today's World 23 The Role of the White Workers 29 The Need and Result of Independence 34 Relations Between White and Black Radicals 40 A REPLY TO HAROLD CRUSE By Clifton DeBerry 45 Marxism and the Negro By HAROLD CRUSE Part I When the Socialist Workers highest level of organizational Party (Trotskyist) announced in the scope and programmatic independ- New York Times, January 14, that ence in this century . -
Tone Parallels in Music for Film: the Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra By
TONE PARALLELS IN MUSIC FOR FILM: THE COMPOSITIONAL WORKS OF TERENCE BLANCHARD IN THE DIEGETIC UNIVERSE AND A NEW WORK FOR STUDIO ORCHESTRA BY BRIAN HORTON Johnathan B. Horton B.A., B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Richard DeRosa, Major Professor Eugene Corporon, Committee Member John Murphy, Committee Member and Chair of the Division of Jazz Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Horton, Johnathan B. Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton. Doctor of Musical Arts (Performance), August 2017, 46 pp., 1 figure, 24 musical examples, bibliography, 49 titles. This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non- diegetic tone parallel that musically narrates several authentic characteristics of African- American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen. -
The Autobiography of Malcolm X: As Told to Alex Haley
[PDF] The Autobiography Of Malcolm X: As Told To Alex Haley Malcolm X, Alex Haley, Attallah Shabazz - pdf download free book The Autobiography Of Malcolm X: As Told To Alex Haley PDF Download, Free Download The Autobiography Of Malcolm X: As Told To Alex Haley Ebooks Malcolm X, Alex Haley, Attallah Shabazz, The Autobiography Of Malcolm X: As Told To Alex Haley Full Collection, PDF The Autobiography Of Malcolm X: As Told To Alex Haley Free Download, Read Online The Autobiography Of Malcolm X: As Told To Alex Haley Ebook Popular, PDF The Autobiography Of Malcolm X: As Told To Alex Haley Full Collection, online free The Autobiography Of Malcolm X: As Told To Alex Haley, Download Online The Autobiography Of Malcolm X: As Told To Alex Haley Book, The Autobiography Of Malcolm X: As Told To Alex Haley Malcolm X, Alex Haley, Attallah Shabazz pdf, the book The Autobiography Of Malcolm X: As Told To Alex Haley, Download pdf The Autobiography Of Malcolm X: As Told To Alex Haley, Download The Autobiography Of Malcolm X: As Told To Alex Haley E-Books, Download The Autobiography Of Malcolm X: As Told To Alex Haley Online Free, Read Best Book The Autobiography Of Malcolm X: As Told To Alex Haley Online, Pdf Books The Autobiography Of Malcolm X: As Told To Alex Haley, Read The Autobiography Of Malcolm X: As Told To Alex Haley Full Collection, The Autobiography Of Malcolm X: As Told To Alex Haley Free Download, The Autobiography Of Malcolm X: As Told To Alex Haley Free PDF Online, The Autobiography Of Malcolm X: As Told To Alex Haley Ebook Download, The Autobiography Of Malcolm X: As Told To Alex Haley Book Download, CLICK HERE FOR DOWNLOAD Decades of first exposure tools and life touch quickly encourages some london 's understanding of the border in the context of anyone who has destroyed her life and through his status of fantastical wisdom. -
Goerge Lavan Weissman Papers
George Lavan Weissman Collection Papers, 1935-1985 3 linear feet 3 storage boxes Accession #1347 DALNET # OCLC # George Lavan Weissman was born in Chicago in 1916 and grew up in Boston, where he attended Boston Latin School and Harvard College. While at Harvard during the Great Depression, he became a Marxist, joined the Young People’s Socialist League and the Socialist Party and volunteered as an organizer for several labor unions in New England. Weissman followed the Trotskyists out of the SP after their expulsion in 1937 and helped found the Socialist Workers Party and the Fourth International in 1938. He married fellow SWP activist, Constance Fox Harding, in 1943. As a self-described “party functionary,” Weissman was a branch organizer in Boston (1939-41) and Youngstown (1946), director and editor of Pioneer Publishing and Pathfinder Press (1947-81), manager of Mountain Spring Camp (1948-62) and editor and writer for the Militant and other party publications, including the first English-language anthology of Che Guevara’s writings, Che Guevara Speaks and The War Correspondence of Leon Trotsky: The Balkan Wars, 1912-1913 (He had become United States literary representative of the Trotsky estate after Natalia Sedova Trotsky’s death in 1962). After his expulsion from the SWP in the great purge of 1983-1984, Weissman joined with others to form the Fourth Internationalist Tendency and became a member of the Bulletin in Defense of Marxism editorial board. He died on March 28, 1985. The George Lavan Weissman Collection consists of correspondence (both his and Connie Weissman’s), the manuscript for volume two of Trotsky’s war correspondence, on which Weissman was working at the time of his death, and numerous pamphlets and other publications put out by the SWP and a variety of civil rights and civil libertarian organizations to which he belonged. -
Joseph Hansen Papers
http://oac.cdlib.org/findaid/ark:/13030/tf78700585 No online items Register of the Joseph Hansen papers Finding aid prepared by Joseph Hansen Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 1998, 2006, 2012 Register of the Joseph Hansen 92035 1 papers Title: Joseph Hansen papers Date (inclusive): 1887-1980 Collection Number: 92035 Contributing Institution: Hoover Institution Archives Language of Material: English Physical Description: 109 manuscript boxes, 1 oversize box, 3 envelopes, 1 audio cassette(46.2 linear feet) Abstract: Speeches and writings, correspondence, notes, minutes, reports, internal bulletins, resolutions, theses, printed matter, sound recording, and photographs relating to Leon Trotsky, activities of the Socialist Workers Party in the United States, and activities of the Fourth International in Latin America, Western Europe and elsewhere. Physical Location: Hoover Institution Archives Creator: Hansen, Joseph, Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], Joseph Hansen papers, [Box no., Folder no. or title], Hoover Institution Archives. Acquisition Information Acquired by the Hoover Institution Archives in 1992. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at http://searchworks.stanford.edu . Materials have been added to the collection if the number of boxes listed in the online catalog is larger than the number of boxes listed in this finding aid.