JULIO PETERSON the Shubert Organization, Inc

Total Page:16

File Type:pdf, Size:1020Kb

JULIO PETERSON the Shubert Organization, Inc JULIO PETERSON The Shubert Organization, Inc. Vice President of Real Estate Julio Peterson has been with The Shubert Organization since 2000. Mr. Peterson is responsible for overall management of the organization’s corporate real estate including the disposition of transferable development right, office & retail leasing transactions and the company’s outdoor signage business. He also oversaw the development of the Little Shubert Theatre on 42nd Street. Mr. Peterson is additionally responsible for corporate/public relations and governmental affairs. In this regard, he works with City agencies on zoning issues and quality of life matters impacting the Theatre District. He is Shubert’s liaison with City and State government and works closely with The Broadway League, Times Square Alliance, the Broadway Association, the Association for a Better New York and other civic organizations in New York City. Prior to joining Shubert, Mr. Peterson was a Senior Consultant in KPMG’s Real Estate Consulting Division. He was also Director of the Neighborhood Builder’s Program at the New York City Partnership where he oversaw the development of over $300 million in multi-family homes in distressed neighborhoods throughout the City. Mr. Peterson was a Senior Project Manager in the Manhattan Commercial Real Estate Division of The New York City Economic Development Corporation where he was responsible for managing projects such as the 125th Street Pathmark Supercenter, the Columbia University Biotechnology Research Park, The Malcolm X Memorial at the Audubon Ballroom and the Julia De Burgos Latino Cultural Center in East Harlem. Mr. Peterson is a native New Yorker raised on the Upper West Side. He attended New York City public schools, Phillips Exeter Academy, Cornell University’s College of Architecture, Art & Planning and the Harvard University Graduate School of Design where he was awarded the John L. Loeb Fellowship. He serves on the Boards and Executive Committees of The Public Theater, Association for A Better New York (ABNY), The New 42nd Street, The Broadway Association, City Parks Foundation, Camp Ramapo for Children, Mr. Peterson is a member of Hunter College Theatre Advisory Board and The Repertorio Español Advisory Board. .
Recommended publications
  • General Info.Indd
    General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century.
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Edition 2 | 2018-2019
    WHAT’S INSIDE Anastasia | 13 Cast | 14 Musical Numbers | 16 Who’s Who | 17 Staff | 23 At A Glance | 26 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. peace center 3 peace center 11 STAGE ENTERTAINMENT BILL TAYLOR TOM KIRDAHY HUNTER ARNOLD 50 CHURCH STREET PRODUCTIONS THE SHUBERT ORGANIZATION ELIZABETH DEWBERRY & ALI AHMET KOCABIYIK CARL DAIKELER WARNER/CHAPPELL MUSIC 42ND.CLUB/PHIL KENNY JUDITH ANN ABRAMS PRODUCTIONS BROADWAY ASIA/UMEDA ARTS THEATER PETER MAY DAVID MIRVISH SANDI MORAN SEOUL BROADCASTING SYSTEM LD ENTERTAINMENT/SALLY CADE HOLMES SERIFF PRODUCTIONS VAN DEAN TAMAR CLIMAN in association with HARTFORD STAGE present Book By Music By Lyrics By TERRENCE McNALLY STEPHEN FLAHERTY LYNN AHRENS Inspired by the TWENTIETH CENTURY FOX MOTION PICTURES LILA COOGAN STEPHEN BROWER JASON MICHAEL EVANS JOY FRANZ TARI KELLY EDWARD STAUDENMAYER BRIANNA ABRUZZO VICTORIA BINGHAM RONNIE S. BOWMAN, JR. ALISON EWING PETER GARZA JEREMIAH GINN BRETT-MARCO GLAUSER LUCY HORTON MARY ILLES FRED INKLEY KOURTNEY KEITT BETH STAFFORD LAIRD MARK MacKILLOP KENNETH MICHAEL MURRAY TAYLOR QUICK CLAIRE RATHBUN MICHAEL McCORRY ROSE MATT ROSELL SAREEN TCHEKMEDYIAN ADDISON MACKYNZIE VALENTINO Scenic Design Costume Design Lighting Design Sound Design ALEXANDER DODGE LINDA CHO DONALD HOLDER PETER HYLENSKI Projection Design Hair/Wig Design Makeup Design Casting by AARON RHYNE CHARLES G.
    [Show full text]
  • For the First Time in Philadelphia Cirque Éloize's
    Tweet it! A classic western with an acrobatic twist, the Wild West comes to life in the newest @cirque_eloize production “Saloon” 1/13 & 14 #BWYPHL Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 FOR THE FIRST TIME IN PHILADELPHIA CIRQUE ÉLOIZE’S NEWEST PRODUCTION SALOON TAKES THE STAGE AT THE MERRIAM THEATER JANUARY 13–14, 2017 FOR IMMEDIATE RELEASE (Philadelphia, November 17, 2016) –– Presented collaboratively by the Kimmel Center and The Shubert Organization, Broadway Philadelphia presents the Philadelphia premiere of Saloon – A Musical Acrobatic Adventure, the 11th and newest production by Montreal- based contemporary circus troupe Cirque Éloize. The Wild West comes to life on stage in this new show, swinging into the Kimmel Center’s Merriam Theater January 13 and 14. “Cirque Éloize has a long history of transporting audiences to a specific place and time through their magical performances and this newest creation will not disappoint,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “Saloon is the perfect addition to our Broadway Philadelphia season, a theatrical fusion of music and tremendous acrobatic feats intertwined to tell an inspiring story.” Inspired by the rich legacy of the Wild West, Saloon transports audiences to a dusty gathering place. Swing open the Saloon doors and rustle up some fun for the entire family with this musical and acrobatic adventure. The stage fizzes and thrums with infectious energy and phenomenal physical feats as 11 top-level cast members perform for a music-packed theatrical thrill-ride! Prepare to be blown away by a chase worthy of the greatest Westerns.
    [Show full text]
  • The Shubert Organization Testimony
    STATEMENT OF GILBERT HOOVER TO THE SENATE COMMITTEE ON INVESTIGATIONS AND OPERATIONS REGARDING THE LIVE EVENT TICKET INDUSTRY IN NEW YORK STATE April 22, 2021 Hello, I am Gilbert Hoover, Vice President and General Counsel of The Shubert Organization (“Shubert”). I am pleased to participate in the New York State Senate Investigations and Government Operations Committee hearing on the live event ticket industry in New York State. In addition, both the Nederlander and Jujamcyn organizations join in my statement. By way of background, Shubert operates seventeen Broadway theatres, making it the largest Broadway venue operator. In addition, Shubert operates Telecharge, a leading provider of ticketing services for Broadway and off-Broadway shows and other events across the country. The Nederlander and Jujamcyn organizations collectively own and operate fourteen Broadway venues. We share the Committee’s interest in ensuring that live event ticket sales across New York State are fair and equitable to all parties, especially our patrons. The current State ticketing laws (ACAL Article 25) will sunset on July 1st of this year. For the reasons explained below, we believe the current law should be extended for another two-year period, without any further amendments. Broadway is in the midst of enduring the longest closure in its history, due to the illness known as COVID-19 caused by the global Coronavirus pandemic. Broadway venues were amongst the first businesses to close and last to re-open in accordance with New York State mandates and applicable laws. Commencing March 13, 2020 – more than one year ago -- all Broadway venues were shuttered by Executive Order (See, Executive Order 202.1 as extended).
    [Show full text]
  • 2017 Annual Report
    Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers.
    [Show full text]
  • Subscription Package Pricing
    2020 2021 SUBSCRIPTION PACKAGE PRICING Seven-show subscription package includes Pretty Woman The Musical, My Fair Lady, 1776, Ain’t Too Proud, Oklahoma!, The Lion King, and Hadestown. TUES (week 2) TUES (week 1) SAT (matinees) WED (matinee) WED (evenings) FRI SAT (evenings) SUN (evening) SUN (matinees) THURS PRICE LEVEL 1 $745 $862 $872 $927 $946 $956 PRICE LEVEL 2 $664 $737 $747 $800 $832 $852 PRICE LEVEL 3 $594 $667 $677 $720 $752 $772 PRICE LEVEL 4 $523 $581 $591 $634 $660 $690 PRICE LEVEL 5 $402 $450 $460 $503 $525 $535 PRICE LEVEL 6 $373 $407 $417 $433 $448 $458 PRICE LEVEL 7 $348 $331 $341 $357 $366 $366 PRICE LEVEL 8 $268 $258 $258 $284 $290 $300 PRICE LEVEL 1 PRICE LEVEL 5 Academy of Music: Parquet Center, Parquet and Academy of Music: Amphitheatre Rear and Side; Balcony Box, Balcony Loge Accessible 4 (Amphitheatre) Forrest Theatre: Orchestra, Mezzanine Forrest Theatre: Rear Mezzanine N–P PRICE LEVEL 2 PRICE LEVEL 6 Academy of Music: Parquet Side, Parquet Rear and Side, Academy of Music: Limited View Parquet Circle, Parquet Circle Center, Parquet Circle Rear & Side, Limited View Balcony Balcony Center, Balcony Rear and Side, Accessible 2 Forrest Theatre: Rear Mezzanine J–M (Parquet Circle), Balcony Loge Forrest Theatre: Orchestra, Mezzanine PRICE LEVEL 7 Academy of Music: Limited View Family Circle Side and Center PRICE LEVEL 3 Forrest Theatre: Rear Mezzanine J–M Academy of Music: Family Circle Center Forrest Theatre: Rear Mezzanine A–H PRICE LEVEL 8 Academy of Music: Limited View Amphitheatre Side and Center PRICE LEVEL 4 Forrest Theatre: Rear Mezzanine N–P Academy of Music: Family Circle Rear and Side; Amphitheatre Center, Accessible 3 (FCCIR) Forrest Theatre: Rear Mezzanine A–H Broadway Philadelphia is presented collaboratively by the Kimmel Center for the Performing Arts and The Shubert Organization 2020 2021 ADD-ON PRICING Prices listed below are inclusive of ticketing fees, excluding the $4 per order fee.
    [Show full text]
  • Theatre Management & Producing at Columbia University
    MFA in Theatre Management & Producing at Columbia University 2020 Online Q&A Steven Chaikelson Victoria Bailey Professor Adjunct Professor Theatre Management & Producing Theatre Management & Producing Concentration Director Concentration Advisor President Executive Director Snug Harbor Productions Theatre Development Fund Dodge Hall – 116th Street and Broadway • Film • Theatre • Writing • Visual Arts Theatre Program The Oscar Hammerstein II Center for Theatre Studies Offering MFA Degrees in: • Acting • Directing • Dramaturgy • Playwriting • Stage Management • Theatre Management & Producing • Joint JD/MFA with Columbia Law School Why an MFA? • The Big Picture and In-Depth Study • Expand Your Toolkit • Colleagues • Networking • Teaching • Inspiration Class of 2017 at the Shubert Archive Theatre Management & Producing Program Summary • 8-10 Students per year • 3 Year Program • 60 Credits over the first 2 years / 4 semesters • Producing/Management Requirement • 3 Internships • Collaboration Weekend • Crew Assignment • Free Tickets • Thesis Class of 2022 – Collaboration Weekend Faculty Working Professionals • Victoria Bailey (Theatre Development Fund) • Sue Frost (Come From Away) • Renee Blinkwolt (Ars Nova) • Barry Grove (Manhattan Theatre Club) • Jeremy Blocker (New York Theatre Workshop) • Justin Karr (Jujamcyn Theaters) • Gigi Bolt (Arts Consultant) • Karen Kowgios (Withum) • Chris Boneau (Boneau/Bryan-Brown) • Dessie Moynihan (Shubert Organization) • Chris Burney (New York Stage & Film) • Michael Naumann (Theatre Development Fund) • Carolyn
    [Show full text]
  • Broadway Theatre
    Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
    [Show full text]
  • The Historical Development and Culture of Times Square Relative to Our Buildings
    The Historical Development and Culture Of Times Square Relative to Our Buildings Ryan Richards Alejandro Colmenares Daley Holder Ryan Richards Alejandro Colmenares Daley Holder The Historical Development and Culture Of Times Square Relative to Our Buildings The research topic that our group covered, is how our specific buildings developed along with the development of Times Square in the 20th century. We take a deep look into Times Square as it was developing, as we take a look into specific developments of our theater buildings at the time. We chose these buildings not only because of their age, but because they show the most work being done, while still standing today. It is to show the massive changing of Times Square as these buildings changed whether in practices or image. We, not only as a group, but as a class can see the history of these areas in relation to each other being part of the entertainment scene. Ryan’s process researching his building and Times Square was mixture between difficult, interesting, and substantial. In the beginning of the class my initial research topic was sixth Avenue on the block that has multiple restaurants and hotels, I proposed the idea to both professors and that mixed responses which ultimately led to me developing an interest in the PlayStation theater/the Astor Plaza. Researching this block led to reaching a new level of depth in research. I was able to access databases that the average civilian doesn't have access to. I was taught how to access articles, journals, and historical text all accessed from the computer.
    [Show full text]
  • Onsolidation of Colleges to Begin Thursday Alone
    Eastern Illinois University The Keep February 1993 2-26-1993 Daily Eastern News: February 26, 1993 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1993_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 26, 1993" (1993). February. 19. http://thekeep.eiu.edu/den_1993_feb/19 This is brought to you for free and open access by the 1993 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. Classes to go on despite snowfall By JOHN FERAK Campus editor For the second time in less than two weeks. a powerful winter storm unloaded six inches of snow on Charleston Thursday, much of it in drifts, closing local schools and threatening motorists. Snow continued to fall into Thursday night wilh forecasts call­ ing for I.he precipitation to taper off sometime early Friday morning. Eastern President David Joms said classes will go on as scheduled Friday. Temperatures will hover around the 25-degree mark Friday and may rise into the 40s for the weekend. KEVIN IOLHOFFERIAsaoo. photo editor +'f'he storm will gradually ~ ndy Koch, a junior special education major, brushes the snow off her car Thursday morning in Stevenson Hall parking lot. The total snoMfall off around 2 a.m. Friday morning," expected to be between 6 and 12 inches. said Dalias Price, a longtime local weather observer. "It will continue its path to the northeast and will t. Governor backs BOG elimination eventually die out at sea." Price added be was not surprised ClilCAGO (AP) - Lt.
    [Show full text]
  • A New Deal for Broadway
    P R E S E N T S A NEW DEAL FOR BROADWAY EQUITY, DIVERSITY, INCLUSION, ACCESSIBILITY & BELONGING FOR THE THEATRICAL INDUSTRY BLACK THEATRE UNITED’S NEW DEAL FOR BROADWAY Equity, Diversity, Inclusion, Accessibility, and Belonging for tHe Theatrical Industry Developed in consultation with the Center for Diversity, Inclusion, and Belonging at NYU School of Law Contents Introduction 1 Glossary of key terms 2 Section 1: Core principles and joint commitments 3 Section 2: Joint commitments of theatre owners and producers 4 Section 3: Commitments of theatre owners 5 Section 4: Commitments of producers 6 Section 5: Commitments of unions 8 Section 6: Commitments of creatives (directors, choreographers, music teams, designers, casting directors, composers, and playwrights) 10 Section 7: Procedural commitments 13 Original signatories 14 Black Theatre United Founders 14 Organizational Signatories 14 Individual Signatories 15 Press contact 17 Introduction The Broadway that opens in September 2021 will not be the same Broadway that closed in March 2020. For far too long, Black artists, theatre makers and technicians in all areas of our industry have been subjected to systemic and interpersonal racism that has harmed their lives and careers and diminished us all. 1 From March 2021 through August 2021, we, leaders in the Broadway theatre industry, participated in a summit organized by Black Theatre United. In five working groups consisting of theatre owners, producers, unions, and two groups of creatives (one with directors, choreographers, music directors, and designers; and another with casting directors, composers, and playwrights), we discussed how to reform our industry across issues of equity, diversity, inclusion, accessibility, and belonging (EDIAB) with a focus on Black professionals.
    [Show full text]