October 1922) James Francis Cooke
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North Shore Music Festival
JANUARY 20, 1923 AND /AMERICAN ENDEAVOR. IN GRAND OPERA, SYMPHONY' ^ND CHAMBER. MUSIC AND CLASSIC DANCING By IZETTA MAY McHENRY BEETHOVEN ASSOCIATION NORTH SHORE MUSIC FESTIVAL American Operatic and Oratorio Sing Offer* Brilliant Program at Third Con er, Dies After Illness of Several cert of Series Months Thr third ronrrrt (iTro thla tpaion bj tfa* Plans Announced for Fifteenth Season—Several BoctboTPn A.wxiatlon pruTpd on* of thr moit At bis home In New York City, Oeorite J. PBjoyablp pTpDt, of the year In New York. American Artists To Be Soloists Hamlin, one of this country's beat-known The aMlatioit artUta were: Ilarold Bauer, tenors, parsed away on the afternoon of Janu¬ Pablo Caeala. Jaoquea Tfaibaud, Mme. C'barlea ary 11 after an lllnerr eitendinc over aereral Cahier and Albert Htoesael, and thla impo«lsK The datee for the fifteenth Music PeatWal Gates, eoprano; Mabel Garrison, soprano; months. Mr. Hamlin was tbe flrrt artist to array of aoloiata aenrpd to attract an audirore have beep announced by tbe Chicago North Giuseppe Danise, baritone; Beniamino Gigli, present a procram of the ronca of Rl(4iard which completely niled Aeotlan Hall on the Shore FestiTsl Aatociation as May 24 to May tenor; Margaret Matzenauer, merzo-«oprano; Btrauas In America, and be created aereral evenins of January 8. BertboTen'a Trio In 30. The feat'Tal will be held at Erankton, Edith Mason, soprano; Tito Srhipa. tenor; oratorio parts and ten oyiera rolet. Hla alnc- H Flat, Op. TO, No. 2. played by Meaara. Bauer, III., In tbe Patten tlymnaalum of Nortbweatern Bose Lutiger Gannon, contralto, and Theo. -
Effectiveness of Essential Oils from Citrus Sinensis and Calendula Officinalis and Organic
Cantaurus, Vol. 28, 20-24, May 2020 © McPherson College Department of Natural Science Effectiveness of essential oils from Citrus sinensis and Calendula officinalis and organic extract from fruits of Maclura pomifera as repellants against the wolf spider Rabidosa punctulata Garrett Owen ABSTRACT The essential oils (EO’s) of Citrus sinensis, Calendual officinalis, and Maclura pomifera were extracted via either steam distillation or organic extraction and tested for their repellency effect on the wolf spider, Rabidosa punculata. Essential oil repellency was tested in a Y-maze fumigation test and a filter paper contact test. The data collected was subjected to statistical analysis; the results from the binomial test of the fumigation trials data suggest no significant repellant activity of the fumes of any of the EO’s extracted. Although, Citrus sinensis EO’s presented hope for further studies. Results from the Wilcoxon rank sum test of the contact trials data showed Calendula officinalis as an effective deterrent against Rabidosa punctulata while the other two EO’s showed no significant effects. The isolated EOs from each plant were analyzed using GC/MS to identify the major compounds present. Results from the GC/MS showed d-Limonene to be the major component of Citrus sinensis at 92.56% while major components of Maclura pomifera were (1S)-2,6,6-Trimethylbicyclo[3.1.1]hept-2-ene at 18.96%, 3-Carene at 17.05%, Cedrol at 16.81%, and a-Terpinyl acetate at 5.52%. It was concluded that d- Limonene is a common ingredient in many insect repellants, but exists as a component of a mixture of several chemicals. -
A Comparative Study of French-Canadian and Mexican-American Contemporary Poetry
A COMPARATIVE STUDY OF FRENCH-CANADIAN AND MEXICAN-AMERICAN CONTEMPORARY POETRY by RODERICK JAMES MACINTOSH, B.A., M.A. A DISSERTATION IN SPANISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OP PHILOSOPHY Approved Accepted May, 1981 /V<9/J^ ACKNOWLEDGMENTS I am T«ry grateful to Dr. Edmundo Garcia-Giron for his direction of this dissertation and to the other mem bers of my committee, Dr. Norwood Andrews, Dr. Alfred Cismaru, Dr. Aldo Finco and Dr. Faye L. Bianpass, for their helpful criticism and advice. 11 ' V^-^'s;-^' CONTENTS ACKNOWI£DGMENTS n I. k BRIEF HISTORY OF QUE3EC 1 II• A BRIEF HISTORY OF MEXICAN-AMERICANS ^9 III. A LITERARY HISTORY OF QUEBEC 109 IV. A BRIEF OUTLINE OF ^MEXICAN LITERATURE 164 7» A LITERARY HISTORY OF HffiXICAN-AT/lERICANS 190 ' VI. A COMPARATIVE LOOK AT CANADZkll FRENCH AND MEXICAN-AMERICAN SPANISH 228 VII- CONTEMPORARY PRSNCK-CANADIAN POETRY 2^7 VIII. CONTEMPORARY TffiCICAN-AMERICAN POETRY 26? NOTES 330 BIBLIOGRAPHY 356 111 A BRIEF HISTORY OF QUEBEC In 153^ Jacques Cartier landed on the Gaspe Penin sula and established French sovereignty in North America. Nevertheless, the French did not take effective control of their foothold on this continent until 7^ years later when Samuel de Champlain founded the settlement of Quebec in 1608, at the foot of Cape Diamond on the St. Laurence River. At first, the settlement was conceived of as a trading post for the lucrative fur trade, but two difficul ties soon becam,e apparent—problems that have plagued French Canada to the present day—the difficulty of comirunication across trackless forests and m.ountainous terrain and the rigors of the Great Canadian Winter. -
The Bulletin of the American Society of Papyrologists 44 (2007)
THE BULLETIN OF THE AMERICAN SOCIETY OF PapYROLOGIsts Volume 44 2007 ISSN 0003-1186 The current editorial address for the Bulletin of the American Society of Papyrologists is: Peter van Minnen Department of Classics University of Cincinnati 410 Blegen Library Cincinnati, OH 45221-0226 USA [email protected] The editors invite submissions not only fromN orth-American and other members of the Society but also from non-members throughout the world; contributions may be written in English, French, German, or Italian. Manu- scripts submitted for publication should be sent to the editor at the address above. Submissions can be sent as an e-mail attachment (.doc and .pdf) with little or no formatting. A double-spaced paper version should also be sent to make sure “we see what you see.” We also ask contributors to provide a brief abstract of their article for inclusion in L’ Année philologique, and to secure permission for any illustration they submit for publication. The editors ask contributors to observe the following guidelines: • Abbreviations for editions of papyri, ostraca, and tablets should follow the Checklist of Editions of Greek, Latin, Demotic and Coptic Papyri, Ostraca and Tablets (http://scriptorium.lib.duke.edu/papyrus/texts/clist.html). The volume number of the edition should be included in Arabic numerals: e.g., P.Oxy. 41.2943.1-3; 2968.5; P.Lond. 2.293.9-10 (p.187). • Other abbreviations should follow those of the American Journal of Ar- chaeology and the Transactions of the American Philological Association. • For ancient and Byzantine authors, contributors should consult the third edition of the Oxford Classical Dictionary, xxix-liv, and A Patristic Greek Lexi- con, xi-xiv. -
Style in Singing
ri ht 1 9 1 1 C opy g , SC H IRMER By G . 22670 PREFA TO R! NO TE F m an . making y books there is no end Surely , the weary observation of the sage must have an especial application to the literature of Song . — One could not number the books anatomical , physio — on . logical , philosophical the Voice A spacious library “ could easily be furnished with Methods of Singing. Works treating of the laws governing the effective interpretation of instrumental music exist . Some of them , by acknowledged and competent authorities , have thrown valuable light on a most important element of l musical art . Had I not be ieved that a similar need existed in connection with singing , this addition to vocal literature would not have been written . “ In a succeeding volume on Lyric Declamation : Reci ” tative c , Song and B allad Singing , will be dis ussed the practical application of these basic principles of Style to a G F the voc l music of the erman , rench , Italian and other national schools . E . LA W . HAS M . 2 i , rue Malev lle , P P arc Monceau , aris , 1 1 1 July , 9 . IN TRO DU C TIO N . " N P ! a Paderewski I listening to a atti , a ubelik , , the reflective hearer is struck by the absolute surenes s with which such artists arouse certain sensations in their auditors . Moreover , subsequent hearings will reveal ' the fact that this sensation is aroused always in the same the place , and in same manner . The beauty of the f voice may be temporarily a fected in the case of a singer , or an instrument of less aesthetic tone - quality be used b y the instrumentalist , but the result is always the same . -
THE BALLET Corps De Ballet of Metropolitan, Chicago and San Francisco Draw up Schedules of Minimum Pay and Conditions of Employment
A~MA Official Organ of the AMERICAN GUILD OF MUSICAL ARTISTS, INC. 576 Fifth Avenue, New York, N. Y. Telephone: LOngacre 3-6223 Branch of the ASSOCIATED ACTORS AND ARTISTES OF AMERICA FEBRUARY~APRIL, 1939 VOLUME IV, Nos. 2, 3, 4 Representatives HolJywood Office: San Francisco: Chicago; ERNEST CHARLBS, Asst. Exec. Seq. VIC CONNORS-THBODOlUl HALE LEO CURLEY 6331 HollyWood Boulevard 220 Bush Street 162 East Ohio Street Officers: Board of Governors: ',LAWltBNCl!• TIBBETT • • ZLATKO BALOKOVIC ERNST LERT ': President WALTER DAMlt9sCH RUTH BRETON LAURITZ MELCHIOR RUDOLPH .GANZ JASCHA HEI~~ FlIANK CHAPMAN JAMES MELTON '1st Vice.PresMent RICHARD CROOKS EzlO PINZA HOWARD HANSON RICHARD BO'Nl'lLU MISCHA ELMAN ERNEST HUTCHESON 2nd Vi&e.~Jitlenl EVA GAUTHIER SERGE KOUSSllVIT?..KY' MARG CHARLES HACKETT Jrd esitli:nJ LEHMANN EDWARD HARRIs FlIAN" .SHERIDAN, ELISABtrR H()llPF'm ;;JOHN MCCORMACK 4th' Tliie"President JULIUS 'HUEHN DANIBL HARRIS EDWIN HUGHES Jth Vice·President JOS!; ITUIlDI Q MARro Fl!.EDERICK JAGBL MAlUIK WINDHBD( r ding Secretary EFlUIM ZrMBALIST PlIAnt( LA FoRGE TrealNl'er • LEO PtsCHBR Edited by L. T. CARR ExecNtitle Secretary Editorial Advisory Committee: .Hll'NlI!t JAl'l'E EDWARD HAl!.l!.IS, Chairman ~, CfIfI1Htil RICHARD BONELLI LEO PlSCHlIR GUILD • • • N THIS issue is reported the signing of agreements be I tween AGMA and NBC Artists Service and Columbia authority of an Artists' union in regula Concerts Corporation, the two largest managers of musical and the policies pursued in the concert a~ts in this country. The contracts are the full and final has implications of the grave~t importance, 'not ft)1~fthe symbol of the new order which began in American musical artists directly m~naged by the .~;chains, but £ot~al1milsicaf Hfe with the formation of AGMA and the beginning of its artists. -
Dungeon Solitaire LABYRINTH of SOULS
Dungeon Solitaire LABYRINTH OF SOULS Designer’s Notebook by Matthew Lowes Illustrated with Original Notes Including a History and Commentary on the Design and Aesthetics of the Game. ML matthewlowes.com 2016 Copyright © 2016 Matthew Lowes All rights reserved, including the right to reproduce this book, or portions thereof, in any form. Interior design and illustrations by Matthew Lowes. Typeset in Minion Pro by Robert Slimbach and IM FELL English Pro by Igino Marini. The Fell Types are digitally reproduced by Igino Marini, www.iginomarini.com. Visit matthewlowes.com/games to download print-ready game materials, follow future developments, and explore more fiction & games. TABLE OF CONTENTS Introduction . 5 Origins . 5 Tomb of Four Kings . 7 Into the Labyrinth . 10 At the Limit . 13 Playing a Role . 15 The Ticking Clock . 16 Encountering the World . 17 Monsters of the Id . 18 Traps of the Mind . 18 Doors of Perception . 19 Mazes of the Intellect . 19 Illusions of the Psyche . 21 Alternate Rules . 22 Tag-Team Delving . 22 On Dragon Slaying . 23 Scourge of the Undead . 24 The Tenth Level . 25 A Life of Adventuring . 26 It’s in the Cards . 28 Extra Stuff . 30 The House Rules . 31 B/X & A . 31 Game Balance . 32 Chance vs Choice . 33 Play-Testing . 34 Writing Rules . 35 Final Remarks . 37 4 INTRODUCTION In the following pages I’ll be discussing candidly my thoughts on the creation of the Dungeon Solitaire game, including its origins, my rationale for the aesthetics and structure of the game, and for its various mechanics. Along the way I’ll be talking about some of my ideas about game design, and what I find fun and engaging about different types of games. -
Mazes and Labyrinths
Mazes and Labyrinths Author: W. H. Matthews The Project Gutenberg EBook of Mazes and Labyrinths, by W. H. Matthews This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mazes and Labyrinths A General Account of their History and Development Author: W. H. Matthews Release Date: July 9, 2014 [EBook #46238] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MAZES AND LABYRINTHS *** Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net MAZES AND LABYRINTHS [Illustration: [_Photo: G. F. Green_ Fig. 86. Maze at Hatfield House, Herts. (_see page 115_)] MAZES AND LABYRINTHS A GENERAL ACCOUNT OF THEIR HISTORY AND DEVELOPMENTS BY W. H. MATTHEWS, B.Sc. _WITH ILLUSTRATIONS_ LONGMANS, GREEN AND CO. 39 PATERNOSTER ROW, LONDON, E.C. 4 NEW YORK, TORONTO BOMBAY, CALCUTTA AND MADRAS 1922 _All rights reserved_ _Made in Great Britain_ To ZETA whose innocent prattlings on the summer sands of Sussex inspired its conception this book is most affectionately dedicated PREFACE Advantages out of all proportion to the importance of the immediate aim in view are apt to accrue whenever an honest endeavour is made to find an answer to one of those awkward questions which are constantly arising from the natural working of a child's mind. It was an endeavour of this kind which formed the nucleus of the inquiries resulting in the following little essay. -
The Image of the Turk in Early Modern Board Games and Playing Cards
THE IMAGE OF THE TURK IN EARLY MODERN BOARD GAMES AND PLAYING CARDS ÖMER FATİH PARLAK PHD THESIS Directed by DR. MARÍA JOSÉ VEGA RAMOS and DR. LARA VILÀ TOMAS Literary Theory and Comparative Literature Department of Spanish Literature Faculty of PhiLosophy and Arts BarceLona 2019 In memory of my father, Adem Parlak (1949-2014) TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 TABLE OF FIGURES ........................................................................................................ 8 LIST OF TABLES ............................................................................................................... 9 ABSTRACT ....................................................................................................................... 10 RESUMEN ......................................................................................................................... 11 ACKNOWLEDGEMENTS .............................................................................................. 12 INTRODUCTION ............................................................................................................. 15 GAMES INDEX ................................................................................................................... 23 Germany ...................................................................................................................... 23 Italy ............................................................................................................................. -
Hoover to Help Farmers Hit by Drought
■ V .■ ■■■ , ..... '-.v ■: .'-vir5--.-y5-- ■'r.v«- n e t p b e s s b e n a v e r a g e d a i l y dBOELATION for to® Month of Jtdy> 1980 5 , 4 1 6 Members ot the Audit Bureau of ClTcvlatlona 1 V O L . X U V ., 1^0. 261. (Classifi^ Ach^erGtoig oh Page 10) GOLD RUSH ON Serves Congressional District as Liirge fTHREEMENDIE, IN AUSTRALIA SHIPS CRASH as New England HOOVER Thirty Ounce Gold Nugget ISMSTAKEN Found— Over 250 Prospec AT SEA, FOUR ONEINJURED IN FDRTiyORTH TO HELP FARMERS tors Already on the Field, EL R \ s o Bendigo, Austrsdia, Aug. 5— SAILORS DIE FDR»GGLER S T A im F I R E (AP)— Discovery of a 30 ounce gold nugget at TarnaguUa, Vic HIT BY DROUGHT toria, 40 miles from here, has Dry Officials Keep Details started a new gold rush. American Freighter Cute )$$ Estimated at M ore' than 250 prospectors, most of them driving American Secret— Two Boats Meet Stone WiD Be Left Un- cars, already have reached the Swedish Vessel in Two; LONDON WECOMES Exfdosion Starts Blaze; No field and pegged out claims. Australia today was in the in Darkness Off Ipswich; turned to Relieve Distress Hope Held Ont for Fonrth throes of the greatest gold fever Half of Ship Sinks; Other NOTED GIRL FLIER in many years. Seven expedi in Stricken Areas/’ He tions with full equipment Half Being Towed to P ort Taken for Runners. Victim of Acddent. including airplanes, trucks, and ANTONIO ______ . ' (I • - ^ camel caravans, the prospectors Writes — Situation Be backed by msmy thousands of Copenhagen, Denmark, Aug. -
June 17 - 23, 2019 Vol
June 17 - 23, 2019 Vol. 27 No. 24 $2 $1.10 goes to vendor profits J U N E S H I R T S O F T H E M O N T H Calendar GIVEASHIRT.NET 4 Chicago has something for everyone, find out what's happening! SportsWise 6 The world of golf. 7 The Playground Cover Story: Millennium Park 8 Chicago is known for the number of free events it hosts each summer, many of which happen downtown in Millennium Park, where there are so many residents and tourists. As with our Festival Guide, these summer events expose visitors to culture, new points of view and diverse people. Inside StreetWise 15 A Q&A (and some epic photos) with vendor Hozie Williams. Dave Hamilton, Creative Director/Publisher [email protected] Suzanne Hanney, Editor-In-Chief StreetWiseChicago [email protected] Julie Youngquist, Executive Director [email protected] @StreetWise_CHI Amanda Jones, Director of programs [email protected] LEARN MORE AT streetwise.org Ph: 773-334-6600 Office: 4554 N. Broadway, Suite 350, Chicago, IL, 60640 To make a donation to StreetWise, visit our website at www.streetwise.org/donate/ or cut out this form and mail it with your donation to StreetWise, Inc., 4554 N. Broadway, Suite 350, Chicago, IL, 60640. DONATE We appreciate your support! My donation is for the amount of $________________________________Billing Information: Check #_________________Credit Card Type:______________________Name:_________________________________________________________________________________ AVA I L A B L E I N U N I S E X A N D W O M E N ’ S C U T We accept :Visa, Mastercard, Discover or American Express Address:_______________________________________________________________________________ Account#:_____________________________________________________City:___________________________________State:_________________Zip:_______________________ H A N D S C R E E N P R I N T E D T S H I R T S D E S I G N E D B Y L O C A L A R T I S T S I N C H I C A G O , I L . -
The Hyechra Club
THE HYECHRA CLUB The narrator has had a lively interest in The Hyechka Club since its beginning and believes that its history merits recording and dmu- menting in The Chronicles of OkZuhoma, Members of the Club in the past have been interested and its members today are interested in building and supporting a city and a state as cultural centers in which to rear patriotic and Clod-fearing children worthy of the loftiest ideals. Instead of a brief history, this band of music lovers is entitled to a fdsized, two volume publication to report ad* quately all that they have given to the education of young people along cdtural lines and to the wealth of Tulsa and the State of Oklahoma as expressed in the leadership and influence of the known and unknown contributors. Looking over the names of world famous artists that have appeared on its early programs and in its annual Spring Festivals, the words of Warner Van Valkenburg are a fitting tribute and introduction even to this brief history of Tulsa's pioneer organization of music lovers :l "I AM MUSIC. "I am the hymns of the Christian Martyrs in the catacombs; I am the songs of thanksgiving of the kneeling Pilgrime; I am the fugues of Bach, and the oratorios of Handel and Haydn; I am the magic flute of Momrt; I am the immortal symphonies of Beethoven; I am the throbbing mee- sages of Schubert and Schumann; I am the nocturnes of Chopin and the folk melodies of Dvorak; I am the rhapsodies of Linzt and the music- dramas of Wagner; I am the voice of Peter Tchaikowski, crying in the wilderness; I am Brahms and Richard Straues, and Verdi, fulfilling the command of destiny; yea I have breathed upon the harps of MacDowell and Cadman, and have sung of a new world in the west.