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Birmingham Cover
Online Worcester Cover.qxp_Worcestershire 30/04/2015 09:35 Page 1 WORCESTERSHIRE WHAT’S WORCESTERSHIRE ON WHAT’S THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WORCESTERSHIRE ISSUE 353 MAY 2015 MAY www.whatsonlive.co.uk ISSUE 353 MAY 2015 MARK BENTON INTERVIEW INSIDE INSIDE PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART Vicky Entwistle leaves the cobbled stones of Coronation Street behind her... interview inside Joshua Jenkins on playing the lead in The Curious Incident of The Dog In The Night-Time interview inside INSIDE: @WHATSONWORCS WWW.WHATSONLIVE.CO.UK @WHATSONWORCS FILM COMEDY MARK THEATRE LIVE MUSIC VISUAL ARTS ROCK LEGEND AT GENTING ARENA EVENTS KNOPFLER FOOD & DRINK & MUCH MORE! The Drum F/P May 15.qxp_Layout 1 27/04/2015 20:45 Page 1 Contents May Region 1.qxp_Layout 1 27/04/2015 19:20 Page 1 May 2015 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Mark Benton Brian O’Faolain [email protected] talks crime on the French 01743 281701 Riviera p6 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Jamie Ryan [email protected] 01743 281720 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 The Rise And Fall Subscriptions: Adrian Parker Of Little Voice [email protected] 01743 281714 Vicky Entwistle and Chris Managing Director: Gascoyne in Brum p31 Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Joshua Jenkins talks about playing the lead in the National Theatre’s Chris Atherton The Curious Incident Of The Dog In The Night-Time. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Chart - History Singles All Chart-Entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S a Tom Jones
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S A Tom Jones No. of Titles Positions Sir Thomas John Woodward OBE (born 7 June Peak Tot. T10 #1 Tot. T10 #1 1940), known professionally as Tom Jones, is a 1 22 6 2 228 61 20 Welsh singer. His career has spanned six 1 44 20 3 431 92 9 decades, from his emergence as a vocalist in 2 28 5 -- 272 22 -- the mid-1960s with a string of top hits, regular touring, appearances in Las Vegas 1 49 23 5 931 175 29 (1967–2011), and career comebacks. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 It's Not Unusual 02/1965 1 1 22 7204/1965 10 12 2 Once Upon A Time 05/1965 32 4 3 Little Lonely One 05/1965 42 9 4 What's New Pussycat 08/1965 11 10 06/1965 3 12 5 5 With These Hands 07/1965 13 11 08/1965 27 8 6 Thunderball 01/1966 35 4 12/1965 25 9 7 Promise Her Anything 02/1966 74 4 8 Once There Was A Time / Not Responsible 05/1966 18 9 9 Not Responsible 06/1966 58 6 10 This And That 08/1966 44 3 11 Green Green Grass Of Home 01/1967 6 22 1111/1966 1 7 22 13 12/1966 11 12 12 Detroit City 04/1967 35 4 02/1967 8 10 1 03/1967 27 8 13 Funny Familiar Forgotten Feelings 06/1967 38 2 04/1967 7 15 3 05/1967 49 6 14 I'll Never Fall In Love Again 10/1967 31 4 07/1967 2 25 9409/1967 6 23 15 Sixteen Tons 08/1967 68 4 16 I'm Coming Home 02/1968 39 4 11/1967 2 16 7 12/1967 57 5 17 Delilah 04/1968 1 13 31 2002/1968 2 19 8 03/1968 15 15 18 Help Yourself 08/1968 1 7 24 1507/1968 5 26 6 08/1968 -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
M06 Ymateb Gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Diwydiant Cerddoriaeth yng Nghymru / Music Industry in Wales CWLC M06 Ymateb gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales How do local authority decisions such as business rates, licensing and planning decisions impact upon live music venues? 1. There is very little that Local authorities can do to promote live music venues unless the council has a live music strategy in place. Without the political directive to recognise and value the local music scene local authorities do not see either their social or economic value and therefore do not take measures to preserve them as part of the Authority’s Plan. 2. It’s possible for a local authority to be imaginative, use Planning Gain to require developers to support live music as a “public art”, make measurable provision of live music a condition of renewing and awarding licences but this needs leadership. 3. In our experience, a local authority’s staff, with one or two exceptions do not know how to recognise the value of a live music venue. The social benefits do not fit into their metrics. Very often a policy that seeks to attract inward investment discounts the value of small businesses. 4. Most live music in Wales does not happen in dedicated venues and theatres. It happens in bars & pubs, social clubs, meantime & pop-up spaces, fields, weddings, festivals. It is frequently a valuable part of a business for the retention of customers etc, but rarely forms the main part of a business’ revenue. -
Chloe Short Art Director CV
1/2 Chloe Short Art Director 67 Chula Lane, San Francisco, CA 94114, USA T: 415 431 4391 C: 415 244 5364 E: [email protected] CV Company Job type & title Director Position 2006 AMG Industrial – CISCO Systems Inc Paul Wood Art Director Mindshare Internet commercial – Shuttle Computers Jeremy Korn Art Director Quovera Industrial – CISCO Systems Inc Paul Wood Art Director 2005 Zenith Entertainment Ltd. TV Series for ITV - “Class of ‘76” Ashley Pearce Production Buyer 2004 Exposure Films Commercial - Clarks ‘Bootleg’ Jake & Jim Art Director Exposure Films Commercial - Weetabix ‘Changey’ Jake & Jim Art Director Hooligan Productions Feature film - “Hooligans” aka “Green Street” Lexi Alexander Production Buyer 2003 Paul Weiland Film Co. Commercial - Tesco ‘Roger Moore’ David Garfath Production Buyer Paul Weiland Film Co. Commercial - Homebase ‘Xmas ’ David Garfath Production Buyer Godman Ltd Commercial - Playstation / Pop Idol Tim Kirkby Art Director Exposure Films Commercial - WHSmith Jake & Jim Art Director Exposure Films Commercial - Golden Grahams Jake & Jim Art Director Exposure Films Music Video - Super Furry Animals “Golden” Jake & Jim Art Director Exposure Films Music Video - Grandaddy ‘It’s on’ Jake & Jim Art Director Exposure Films Commercial - Observer Crime Monthly Jake & Jim Art Director Adam Bartley Prod. TV Pilot - “Upforce 5” Adam Bartley Production Designer Harry Nash Commercial - Kelloggs “Special K” Jake Nava Art Director Godman Ltd Commercial - Coca-Cola Jake & Jim Art Director 2002 Loosemoose Ltd Commercial - Danka (U.S software) Ken Lidster Art Director Paul Weiland Film Co. Commercial - McCains ‘Oven Chips’ Trevor Melvin Production Buyer Paul Weiland Film Co. Commercial - Food Standards Authority David Garfath Production Buyer Godman Ltd Commercial - Sony Playstation Jake & Jim Art Director Paul Weiland Film Co. -
British Blues-Rock Star Joanne Shaw Taylor
JOANNE SHAW TAYLOR MOVES RELEASE DATE FOR "THE BLUES ALBUM" TO FRIDAY SEPTEMBER 24TH “THE BLUES ALBUM” SHOWCASES TAYLOR’S ELECTRIFYING GUITAR CHOPS AMPLIFIED BY HER MAGNIFICENT SULTRY VOCALS HIGHLY ANTICIPATED ALBUM PRODUCED BY GUITAR LEGENDS JOE BONAMASSA & JOSH SMITH, SET TO RELEASE WORLDWIDE ON BONAMASSA’S INDEPENDENT LABEL KTBA RECORDS WATCH “LET ME DOWN EASY” MUSIC VIDEO HERE PRE-ORDER ‘THE BLUES ALBUM’ ON VINYL, CD & DIGITAL FROM KTBARECORDS.COM “The Blues Album show’s why Joanne Shaw Taylor is one of the most respected names in modern blues guitar.” – Guitar.com "Joanne's Shaw Taylor's got a genuine feeling for the blues." – Blues Matters "Each song is a gem. The Blues Album further cements Joanne's reputation as one of the country's outstanding musicians." – Blues In Britain Critically acclaimed British guitarist and singer songwriter, Joanne Shaw Taylor, universally hailed as the UK’s premiere blues rock guitarist, has moved the release of her seventh studio full-length album The Blues Album from Friday September 17 to Friday September 24, 2021. Last week Joanne released her latest single Let Me Down Easy with a music video. The album will be released via Joe Bonamassa’s independent blues label KTBA Records. It was produced and recorded by Joe Bonamassa and Josh Smith at Ocean Way Studios in Nashville, Tennessee. The hotly tipped 11-track album features Joanne’s personalised covers of eleven rare blues classics originally recorded by Albert King, Peter Green, Little Richard, Magic Sam, Aretha Franklin, Little Milton, and many more. The Blues Album, the follow up to 2019’s critically acclaimed album Reckless Heart, features Josh Smith (guitar), Reese Wynans (keyboards), Greg Morrow (drums), Steve Mackey (bass), Steve Patrick (trumpet), Mark Douthit (sax), Barry Green (trombone). -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,