British Blues-Rock Star Joanne Shaw Taylor
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Queen of the Blues © Photos AP/Wideworld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105 ETF 46 56 2/13/03 2:15 PM Page 47
03-0105_ETF_46_56 2/13/03 2:15 PM Page 46 J Queen of the Blues © Photos AP/WideWorld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105_ETF_46_56 2/13/03 2:15 PM Page 47 thethe by Kent S. Markle RedRed HotHot BluesBlues AZZ MUSIC HAS OFTEN BEEN CALLED THE ONLY ART FORM J to originate in the United States, yet blues music arose right beside jazz. In fact, the two styles have many parallels. Both were created by African- Americans in the southern United States in the latter part of the 19th century and spread from there in the early decades of the 20th century; both contain the sad sounding “blue note,” which is the bending of a particular note a quar- ter or half tone; and both feature syncopation and improvisation. Blues and jazz have had huge influences on American popular music. In fact, many key elements we hear in pop, soul, rhythm and blues, and rock and roll (opposite) Dinah Washington have their beginnings in blues music. A careful study of the blues can contribute © AP/WideWorld Photos to a greater understanding of these other musical genres. Though never the Born in 1924 as Ruth Lee Jones, she took the stage name Dinah Washington and was later known leader in music sales, blues music has retained a significant presence, not only in as the “Queen of the Blues.” She began with singing gospel music concerts and festivals throughout the United States but also in our daily lives. in Chicago and was later famous for her ability to sing any style Nowadays, we can hear the sound of the blues in unexpected places, from the music with a brilliant sense of tim- ing and drama and perfect enun- warm warble of an amplified harmonica on a television commercial to the sad ciation. -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans. -
Has There Ever, in the History of 20Th Century Music, Ever Been a More Influential Organisation Than That of the American Folk Blues Festivals (AFBF)?
Muddy Waters John Lee Hooker Sonny Boy Williamson Willie Dixon, Buddy Guy Otis Spann a.m.m. ACT 6000-2 Release Date: 24. May 2004 Has there ever, in the history of 20th century music, ever been a more influential organisation than that of the American Folk Blues Festivals (AFBF)? Founded in 1962, this series has surely had a lasting effect on the European, American, and indeed interational, music scenes. Where would hip hop, jazz, funk, rock, heavy metal or world music be without the blues? Blues is the foundation of the popular music of the 20th century. Its intensity, rhythms and harmonies have affected many peoples and culture, up to and including the music of Africa, the alkand and Spanish flamenco. The blues captures the sentiments of the people in a nutshell. Of course, in the beginning it was just a feeling. But not just of the blues, but also of emptiness. The idea of tracking down and bringing surviving blues legends to Europe was that of jazz publicist Joachim Ernst Berendt at the end of the 1950s. The new style of rock 'n' roll was beginning to take a foothold, jazz was in the mean time beginning to be celebrated in Europe, but all too little was heard of the blues, despite itself being the musical foundation of jazz and rock 'n' roll. It was up to Horst Lippmann and his partner Fritz Rau to realise the idea of the AFBF and bring the best Afro- american blues performers to concert halls (!) for a European audience. First they contacted Willie Dixon. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Nebraska Blues Challenge Finals
VOLUME TWENTY-ONE, NUMBER ELEVEN • NOVEMBER 2016 2016 Saturday, December 3rd Two shows in Benson at the Waiting Room Lounge and Reverb NEBRASKA BLUES CHALLENGE FINALS Times and bands TBA $10 or a new unwrapped toy adm., Mark your calendars for Sunday November 6th for the NBC Finals or BOTH shows $15 or 2 new unwrapped toys. to see who represents the BSO in Memphis in 2017!! The three bands competing at the Finals will be Sunday, December 4th TIM BUDIG BAND, THE WORKINGMAN’S BAND The Annual Radio-Thon on KIWR, 89.7 the River on and THE ROADRUNNERS Rick Galusha’s Pacific Street Blues show from 9 to Noon. Finals at the 21st Saloon, 96th & L Street, Omaha Sunday, December 4th @ 3 p.m. Doors at 4 pm, Music at 5 pm THE 21ST SALOON – LITTLE JOE McCARTHY, LASH LARUE & THE HIRED GUNS, BIG DADDY CALEB & THE CHARGERS, AND THE HECTOR ANCHONDO BAND Admission: $10 or a new, unwrapped toy — The Paladins — The BSO will be having a Pot Luck Dinner, please bring a dish. $5 donation for the Pot Luck dinner with proceeds going to the Toy Drive. WEEKLY BLUES SERIES 4727 S 96th Plaza • 402-339-7170 Tuesdays - Pril’s Acoustic Jam at 6pm Wednesdays - Omaha Musicians Showcase Jam at 7pm Tuesday, Nov. 15th AND Thursday Nov. 17th Thurs. shows start at 6pm - Fri. shows start at 9pm Both shows @ 6 pm • Zoo Bar, Lincoln Saturday shows start at 8pm (Big Red and Blues Tailgate Party events feature music at halftime and after the game, check current TV listings) Nov. -
WHO's GUITAR Is That?
2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Who’s Guitar is That? -The Colorado-Alabama Connection Volume 26 No3 April/May2020 -An Amazing Story -Johnny Wheels Editor- Chick Cavallero -Blues Boosters Partners -CBS Lifetime Achievement WHO’s GUITAR is Award to Mark Sundermeier -CBS Lifetime Achievement That? Award to Sammy Mayfield By Chick Cavallero -CD Reviews –CBS Members Pages Guitar players and their guitar pet names what’s in a name, eh? Not every guitar player names his CONTRIBUTERS TO THIS ISSUE: guitars, heck be pretty hard since some of them have hundreds, and some big stars have Chick Cavallero, Jack Grace, Patti thousands. Still, there have been a few famous Cavallero, Gary Guesnier, Dr. Wayne ones in the Blues World. Most every blues fan Goins, Michael Mark, Ken Arias, Peter knows who Lucille was, B.B. King’s guitar, right? “Blewzzman” Lauro But why? Well, in 1949 BB was a young bluesman playing at a club in Twist, Arkansas that was heated by a half-filled barrel of kerosene in the middle of the dance floor to keep it warm. A fight broke out and the barrel got knocked over with flaming kerosene all over the wooden floor. “It looked like a river of fire, so I ran outside. But when I got on the outside, I realized I left my guitar inside.” B.B. Said he then raced back inside to save the cheap Gibson L-30 acoustic he was playing …and nearly lost his life! The next day he found out the 2 men who started the fight-and fire- had been fighting over a woman named Lucille who worked at that club. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
THE SOCIOLOGY of AMERICAN POPULAR MUSIC (SOAP) COURSE OUTLINE/GUIDELINES Unit 1 Part I: the 3 Theoretical Perspectives of Sociol
THE SOCIOLOGY OF AMERICAN POPULAR MUSIC (SOAP) COURSE OUTLINE/GUIDELINES Unit 1 Part I: The 3 Theoretical Perspectives of Sociology Part II: Origins of 20th Century American Popular Music: Roots of Anglo & African-American Music, Minstrelsy, the Blues & Ragtime Unit 2 Jazz: New Orleans, the Swing era, Bebop & Beyond (1920s-present) Unit 3 Rock & Roll (1950s-present) Unit 4 Country Music & The Urban Folk Revival (1920s-present) Unit 5 Soul, Motown & Funk (1950s-1970s) Unit 6 Hip-Hop & Rap (1970s-present) GRADING Grades will be based on the following: 1. tests/quizzes (50% of semester grade) 2. homework/classwork assignments (20% of semester grade) 3. Artist Spotlight Project (20% of semester grade) 4. class participation/behavior (10% of semester grade) Assignments must be turned in on time to earn full credit. You will receive half credit for assignments turned in one class period after the due date, and no credit will be given for assignments turned in after this point. If you know you are going to miss class, it is your responsibility to contact me regarding make-up assignments or tests. If you have any questions, please see me. STUDENTS WILL NOT BE PERMITTED TO TAKE MAKE-UP UNIT TESTS OR FINAL EXAMS IF THEIR ABSENCE ON THE ORIGINAL TEST DAY IS UNEXCUSED. Test/quiz dates are clearly posted on the board next to the agenda and on the online class calendar (see class website homepage). Therefore, THERE ARE NO EXCUSES FOR NOT KNOWING TEST/QUIZ DATES. IF YOU ARE PRESENT IN CLASS ON A TEST DAY, YOU MUST TAKE THE TEST. -
Read Book How to Play Electric Blues Guitar
HOW TO PLAY ELECTRIC BLUES GUITAR - U.K. PDF, EPUB, EBOOK Alan Warner | 64 pages | 01 Apr 2000 | Music Sales | 9780825617935 | English | United States How to Play Electric Blues Guitar - U.K. PDF Book Add to list. Play open A the IV chord for two measures, return to then E for two measures. If you are a beginner and you want to start playing around with this easy Blues you are more than welcome! Views Read Edit View history. You will also need an instrument cable to go with your new amp. As a busy professional with a career spanning over twenty years, she specialises in building websites for small and medium-sized businesses and has also worked on projects for numerous, globally recognised "A-list" brands. To get the full bar experience, try getting a friend who's more experienced at guitar to solo over your chords — with a little practice, you should soon get the hang of this simple but important blues progression. If you want to know how to make an electric guitar you need to be prepared for a serious undertaking. There are several guitar- centered websites that can offer help. You just have to either shim or sand the bridge saddle. Aside from that, it features a double cutaway body shape, laminated body material, and gloss body finish. Komara, Encyclopedia of the blues Routledge, , p. Blues rock British blues hard rock rock and roll. The Pentatonic scale is just 5 notes. Search thousands of teachers for local and live, online lessons. Newquist and Jon F. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.