Bombs R Us Crap Arrest of the Week
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Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist Biographies and Programme Notes
Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist biographies and programme notes Màiri Chaimbeul is a Boston, Massachusetts-based harp player and composer from the Isle of Skye. Described by Folk Radio UK as "astonishing", she is known for her versatile sound, which combines deep roots in Gaelic tradition with a distinctive improvising voice and honed classical technique. Màiri tours regularly throughout the UK, Europe and in North America. Recent highlights include performances at major festivals and events including the Cambridge Folk Festival, Fairport's Cropredy Convention, Hillside Festival (Canada), WGBH's St Patrick's Day Celtic Sojourn, Celtic Connections, and Encuentro Internacional Maestros del Arpa, Bogota, Colombia. Màiri can currently be heard regularly in duo with US fiddler Jenna Moynihan, progressive-folk Toronto group Aerialists, with her sister Brìghde Chaimbeul, and with legendary violinist Darol Anger & the Furies. She is featured in series 2 of Julie Fowlis and Muireann NicAmhlaoibh's BBC Alba/TG4 television show, Port. Màiri was twice- nominated for the BBC Radio 2 Young Folk Award, finalist in the BBC Young Traditional & Jazz Musicians of the year and twice participated in Savannah Music Festival's prestigious Acoustic Music Seminar. She is a graduate of the Berklee College of Music, where she attended with full scholarship, and was awarded the prestigious American Roots Award. Màiri joins the faculty at Berklee College of Music this year as their lever harp instructor. Riko Matsuoka was born in the Osaka prefecture of Japan and began playing the piano at the age of three. She started playing the harp at the age of fourteen. -
Bellowhead „Burlesque“ (Westpark Music 87132)
Bellowhead „Burlesque“ (Westpark Music 87132) “Astonishing. I mean, I’ve had a drink but this sounds to me like a landmark ... Bellowhead are taking the music forward with a flair and urgency rarely heard in these parts and I, for one, can’t wait for them to make a proper album.“ COLIN IRWIN – fRoots Magazine And - here it is. ‘Burlesque’ out via Westpark Music. Not so much a Big Band as a small independent country, Bellowhead is an 11 piece busy pushing the boundaries of English roots music into regions where few have previously dared to tread. Bellowhead’s debut gig took place at the first Oxford festival in April 2004, brought together by the acclaimed folk duo John Spiers & Jon Boden. They dreamt up the band while stuck in traffic somewhere on the M25. John & Jon phoned Paul Sartin, Benji Kirkpatrick and Giles Lewin who all agreed to form the core of the new band while the duo were still on said motorway. The idea was to have an English traditional folk band at the heart of the collective, also capable of switching between a big band sound, funk styles, and a string section. The first gig was an instant success de- spite the fact that Bellowhead had only managed to spend one afternoon, in a scout hut, rehearsing. Later that same summer, Bellowhead managed to inspire such enthusiasm, on a balmy night at Sidmouth Festival, that an invigorated crowd broke the dance floor. Interest in the band developed beyond the immediate fringes of the folk scene immediately after the independ- ent release of the ‘E.P.Onymous’, a 5 track demo which was initially produced to send to promoters and sell a few at gigs. -
Folk Music 1 Folk Music
Folk music 1 Folk music Folk music Béla Bartók recording Slovak peasant singers in 1908 Traditions List of folk music traditions Musicians List of folk musicians Instruments Folk instruments Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. This music is also referred to as traditional music and, in US, as "roots music". Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction.[1] This type of folk music also includes fusion genres such as folk rock, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. Traditional folk music Definitions A consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions. They are extensions of the term folk lore, which was coined -
The Second English Folk Revival, C. 1945-1970 Julia Yvonne Mitchell
Subterranean Bourgeois Blues: The Second English Folk Revival, c. 1945-1970 Julia Yvonne Mitchell UCL This thesis is submitted for the degree of PhD. 2 I, Julia Yvonne Mitchell, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis explores the folk revival phenomenon in England, through an original examination of its place in the social and political history of the country after the Second World War. Although its roots stretched back to the early twentieth century, the post- war English folk revival significantly occurred in the context of the nation’s de- industrialisation, and exposed tensions between, on the one hand, a nostalgic lament for a fast-disappearing working class life, and a ‘forward-looking’ socialist vision of working-class culture. The original contribution to knowledge of this project lies in its analytic approach to the English folk revival as an important part of the post-war political culture. It looks at the revival from the outside in, and contextualizes the movement in the social and political story of post-war England, while also placing it within a dynamic transnational framework, a complex cross-Atlantic cultural exchange with its more well-known American contemporary. In so doing, this thesis contributes to the existing historiographies of folk revivalism in England, as well as the social and political historiographical discourses of the postwar period: the continued salience of class in English society; the transformation of the nation’s economic infrastructures; the social and political influence of the Welfare State – the folk revival tapped into all of these overlapping strands, and helped to magnify them. -
Association of Independent Festivals Six-Year Report 2014
Association of Independent Festivals Six-Year Repor t 2014 Dr Emma Webster Live Music Exchange [email protected] Executive Summary ............................................................................................ 1 Introduction ...................................................................................................... 4 The festival ‘ecology’ ....................................................................................... 6 The Association of Independent Festivals ............................................................... 6 A brief history of festivals .................................................................................... 8 Risk factors for the festival sector and examples of cancelled festivals ...................... 11 The festival market in context ............................................................................ 12 Festivals and the state – austerity and secondary ticketing ....................................... 12 Consumer confidence ................................................................................... 13 Is PRS for Music getting tough on festival promoters? .............................................. 14 Festivals and the broader music industries .......................................................... 14 The ‘Glastonbury effect’ ............................................................................... 15 Competition in and outside of the UK ................................................................ 16 Technology – social media, RFID -
The Eleventh Leeds Gathering Festival Is a Celebration of Irish Music And
Please note: The eleventh Leeds Gathering All details are correct as of 1st October 2015. The Irish Arts Foundation reserves the right festival is a celebration of to amend any programme details. Irish music and arts, from the November 2015 November Saturday 7th to Sunday 29th 29th Sunday to 7th Saturday www.irisharts.org.uk 7th to 29th November 2015. Well... Well... We’ve tried our very best to bring you the finest examples kind stranger. kind of traditional and contemporary Irish arts, we’re sure you’ll enjoy it… You’re welcome here here welcome You’re Leeds Irish Arts Foundation Registered Charity No. 1101657 Company Limited by Guarantee in England and Wales No. 4927919 Preview Events Festival start Official Launch Friday 9th October Friday 30th October Saturday 7th November Tuesday 10th November ................................................................................................................. ................................................................................................................. .............................................................................................................. ................................................................................... 7.30pm 7.30pm 7.30pm 7.30pm Dervish in Concert Hothouse Flowers in Concert Talisk in Concert Official Launch Event plus support plus support from plus support from and Lecture from In association with Saltairelive Rainy Boy Sleep Ellie Coast The Irish Ambassador to ................................................................................................................ -
Welcome to the 41St Tønder Festival Last Year’S 40Th Jubilee Was a Huge, Warm Celebration of 4 Decades of International and Danish Folk Roots Music in Tønder
Welcome to the 41st Tønder Festival Last year’s 40th jubilee was a huge, warm celebration of 4 decades of international and Danish folk roots music in Tønder. It also marked the launch of the Tønder Festival of the future. Hand-made music with roots in folk, country, blues, cajun, world and the rest has seen yet ano- ther massive renaissance these past few years. Tønder Festival has been part of this all the way. The rebuilding of the festival is a process that began in 2012, and 2015 sees the topping out. This year’s music programme reflects today’s genre-crossing artists, the bearers of the strong traditions and new, young names. International giants in the veteran class side by side with the top musicians of the future. This year again, Tønder Festival’s audiences will find a festival site alive with many different mu- sic venues, special thematic zones and a wide selection of restaurants, cafés and sales booths. Four days’ immersion in a unique festival atmosphere with its well-defined identity and audiences who love the music and the vibe. 2014 was also the year when the conductor’s baton changed hands. Tønder Festival’s artistic director Carsten Panduro retired and the new management took over. The new management team inherited a festival that turned loss to profit in 2014, a festival with huge and growing local and regional backing and enormous media attention. There have been digital changes, too. Tønder Festival has a new website and an intensified pre- sence on social media. Tønder Festival has as its main priority, as always, and more than ever, active contact with old and new audience members, those who buy wrist bands to participate in our unique, close fellowship centred on acoustic music of the highest calibre. -
Cambridge Folk Festival
31 July & 1, 2, 3 August 2014 FIRST NAMES ANNOUNCED FOR THE 50th CAMBRIDGE FOLK FESTIVAL FESTIVAL HONOURED WITH THE GOOD TRADITION AWARD AT THE BBC RADIO 2 FOLK AWARDS The legendary Van Morrison will make his debut at Cambridge Folk Festival this year, as headliner for its 50th anniversary. With one of the most revered catalogues in music history and unparalleled talents as a composer, singer and performer, his Sunday set is sure to be a fitting finale to the celebrations. In another Festival first, internationally renowned singer- songwriter and activist Sinéad O’Connor, famed for her captivating stage presence and stunning vocal range, will be headlining Friday night. Other initial names announced to give a flavour of 2014’s line-up are: Ladysmith Black Mambazo (Sun), celebrating over fifty years of their uplifting South African gospel influenced a cappella music; folk-rock royalty Richard Thompson (Fri), one of the world’s most critically acclaimed guitarists and songwriters; US singer-songwriter Rosanne Cash (Sat), following the release of career defining album ‘The River & The Thread’; global beat pioneers Afro Celt Sound System (Fri), fusing West African rhythms, Irish traditional music, cutting-edge dance grooves, Indian bhangra, Arabic influences, dub reggae, and more; US singer-songwriter and Festival favourite Loudon Wainwright III (Sat); a rare festival appearance from The Full English (Sat), featuring Fay Hield, Seth Lakeman, Martin Simpson, Nancy Kerr, Sam Sweeney, Rob Harbron and Ben Nicholls performing seminal early 20th -
The Impact of British Music Festivals
An Arts and Humanities Research Council Funded Literature Review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF THE FESTIVALS: A SURVEY OF THE FIELD(S) 6 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND Festivals are at the heart of British music and at the heart TRANSFORMATION of the British music industry. They form an essential part 12 CREATIVITY: MUSIC of the worlds of classical, folk and jazz, forming regularly AND MUSICIANS occurring pivot points around which musicians, audiences, 14 PLACE-MAKING AND TOURISM and festival organisers plan their lives. 16 MEDIATION AND DISCOURSE 18 HEALTH AND WELL-BEING Funded by the Arts and Humanities Research Council, the 19 ENVIRONMENT: purpose of this report is to chart and critically examine LOCAL AND GLOBAL available writing about the impact of British music festivals, 20 THE IMPACT OF ACADEMIC drawing on both academic and ‘grey’/cultural policy RESEARCH ON MUSIC literature in the field. The review presents research findings FESTIVALS under the headings of: 21 RECOMMENDATIONS FOR FUTURE RESEARCH • economy and charity; 22 APPENDIX 1. NOTE ON • politics and power; METHODOLOGY • temporality and transformation; 23 APPENDIX 2. ECONOMIC • creativity: music and musicians; IMPACT ASSESSMENTS 26 APPENDIX 3. TABLE OF • place-making and tourism; ECONOMIC IMPACT OF • mediation and discourse; MUSIC FESTIVALS BY UK • health and well-being; and REGION IN 2014 • environment: local and global. 27 BIBLIOGRAPHY 31 ACKNOWLEDGEMENTS It concludes with a set of recommendations for future research. To accompany the review, a 170-entry, 63,000-word annotated bibliography has been produced, which is freely accessible online, via the project website (https://impactoffestivals.wordpress.com/project-outputs/). -
Wish You Were Here 3
THE CONTRIBUTION OF LIVE MUSIC TO THE UK ECONOMY IMAGE The national headline data in this report has been updated. Please refer here for the updated data. Corresponding updated regional and local figures for this report are not however available. UK MUSIC · WISH YOU WERE HERE 3 INTRODUCTION As the new chief executive of UK Music, Armed with this data, I hope that you I am delighted to introduce Wish You will join us in using the information Were Here 2017. to make the best possible case for IMAGE nurturing and supporting the continued By collating a huge amount of ticketing growth of live music in the UK. and other data, this report provides an unrivalled insight into live music in Because this is the deal: live music in MICHAEL DUGHER every UK region. Britain is a tremendous success story, UK Music director of operations Ele Hill at the Great CEO, UK Music but we cannot afford to take that fact I am passionate about music and Escape Festival, Brighton for granted. That’s why we must fight the way it can enrich people’s lives hard to preserve the venues that are and make a huge contribution to our the lifeblood of the industry. national culture. Think how many of our global stars This year’s report reveals more people and music legends owe their career than ever are enjoying live events and to the start to that a grassroots venue that music tourism is responsible for a was able to provide. With every venue record contribution to our economy. -
A Collection of Personal Reflections About Art, Artists and Climate Change
LONG HOR IZONS: AN EXPLORAT ION OF AR T+CLIMAT E CHANGE A collection of personal reflections about art, artists and climate change. Commissioned by the British Council and curated by Julie’s Bicycle featuring contributions from Antony Gormley, Jay Griffiths, Professor Tim Jackson, Professor Diana Liverman and KT Tunstall. a snapshot of artists and organisations currently addressing environmental impacts in their work Aardvark Records Aaron Wolf AC/DC Academy Music Group Adriane Colburn Aerosmith Aggelos Kovotsos Agnes Denes Aimee Mann Alan Boldon Alanis Morrisette Alessandro Marianantoni Alex Hartley Alex Uncapher Alice Cooper Alice Oswald Allen Fisher Allman Brothers Band Almeida Projects Alphonso Arambula Robles Ambassador Theatre Group American Association of Independent Music Aminatu Goumar Amir Berbic Amy Balkin Amy Sharrocks Ana Cecilia Gonzales Vigil Andrea Polli & Chuck Varga Andrej Zdravic Andrew Bird Andrew Dodds Andrew Merritt Andy Goldsworthy Andy Goodman Angela Palmer Ant Farm Anthony Santoro Anthony Utkin Antony Gormley Antti Laitinen Archie Randolph Ammons Architecture for Humanity Arcola Theatre Arnolfini Art Organic Art Smith Artists Project Earth (APE) Arts Admin Arts Northwest ASCAP - American Society of Composers, Authors & Publisher Ashden Trust Atlanta Jazz Festival Aurora Robson Avril Lavigne Ayreen Anastas B.H. Yael Bad Religion Band Shell Music Summit Banker White Barbican Theatre Barenaked Ladies Basement Jaxx Bash Beastie Boys Beattrice Bolleta Beck Beggars Ben Folds Ben Kweller Benicassim Bestival Beth Derbyshire