Nouveautés Février 2019
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Ferdi Candan.Pdf
T.C. ORDU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ SĠNEMA VE TELEVĠZYON ANABĠLĠM DALI 2010 SONRASI AMERĠKAN KORKU SĠNEMASINDA PSĠKANALĠTĠK ÖĞELER: TEKĠNSĠZ VE ĠĞRENÇ HAZIRLAYAN FERDĠ CANDAN DANIġMAN PROF. DR. MEHMET YILMAZ YÜKSEK LĠSANS ORDU 2019 ĠÇĠNDEKĠLER ĠÇĠNDEKĠLER ............................................................................................................... i ÖZET ........................................................................................................................... iii ABSTRACT ................................................................................................................. iv KISALTMALAR ............................................................................................................v GÖRSELLER DĠZĠNĠ................................................................................................... vi GĠRĠġ .............................................................................................................................1 1. BÖLÜM ......................................................................................................................3 1.1. PROBLEM .......................................................................................................3 1.2. AMAÇ .............................................................................................................3 1.3. ÖNEM ..............................................................................................................3 1.4. VARSAYIMLAR .............................................................................................4 -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
Du Journalisme Au Cinéma Sandrine Lévêque Et Denis Ruellan
Impression, projection Une histoire médiatique entre cinéma et journalisme Collection dirigée par François-Emmanuël Boucher et Maxime Prévost Prise dans son sens le plus large, la littérature constitue depuis ses origines le lieu de dépôt et d’archivage des mythes. Avec la moder- nité, elle devient aussi productrice de nouvelles mythologies, expres- sion des aspirations et des angoisses collectives qui constituent l’imaginaire contemporain. Cette collection vise à cartographier l’imaginaire actuel à travers l’analyse des œuvres de représentation qui le définissent par leur survie, leur dialogue avec la tradition ou, parfois, leur radicale nouveauté. Impression, projection Une histoire médiatique entre cinéma et journalisme Sous la direction de Richard BÉGIN, Thomas CARRIER-LAFLEUR et Mélodie SIMARD-HOUDE Nous remercions le Conseil des arts du Canada de son soutien. We acknowledge the support of the Canada Council for the Arts. Les Presses de l’Université Laval reçoivent chaque année de la Société de déve- loppement des entreprises culturelles du Québec une aide financière pour l’en- semble de leur programme de publication. Nous remercions le groupe de recherche Médias 19, le Laboratoire CinéMédias ainsi que le GRAFIM (Groupe de recherche sur l’avènement et la formation des identités médiatiques) dont le soutien a rendu possible la parution de cet ouvrage. Maquette de couverture : Laurie Patry Mise en pages : In Situ © Presses de l’Université Laval. Tous droits réservés. Dépôt légal 4e trimestre 2019 ISBN 978-2-7637-4578-7 PDF 97827637 45794 Les Presses de l’Université Laval www.pulaval.com Toute reproduction ou diffusion en tout ou en partie de ce livre par quelque moyen que ce soit est interdite sans l’autorisation écrite des Presses de l’Univer- sité Laval. -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
Archbishop: Living Wage Revelations Are ‘Embarrassing’
THE ORIGINAL CHURCH NEWSPAPER. ESTABLISHED IN 1828 Renewing THE Debating the the Church Green of England, Report: P8 CHURCHOF ENGLAND P9 Newspaper NOW AVAILABLE ON NEWSSTAND FRIDAY, FEBRUARY 27, 2015 No: 6268 Archbishop: Living Wage revelations are ‘embarrassing’ THE ARCHBISHOP of Canterbury, the Most Rev employers seeking to implement the pay level pro- Justin Welby, has distanced himself from the inner gressively. What is important is that those who can, workings of his church by calling reports that the do so, as soon as is practically possible. The vast Church of England is advertising jobs at less than majority of those employed by or sub-contracted to the Living Wage ‘embarrassing.’ the Church’s central institutions are already paid at The Sun on Sunday reported that both Canterbury least the Living Wage and all will be by April 2017. and Lichfield Dioceses have advertised jobs but “Each of our 12,000 parishes, dioceses and cathe- offering pay under the £7.85 Living Wage standard, drals is a separate legal entity with trustees and has supported as the minimum expected wage in the to act in the light of its own circumstances. House of Bishops’ Pastoral Letter. “As charities churches require time to increase Speaking to an audience on his four-day visit to giving levels prior to ensuring delivery of the living Birmingham, Archbishop Welby said: “We talked wage. about the need to move towards that, and Archbish- “We are grateful to The Sun and others for high- op of York John Sentamu carefully said that we need lighting the sound principles behind the living wage to move towards paying the Living Wage. -
Zkg2.Pdf (1.377Mb)
DARK YEARS, DARK FILMS, LONG SHADOWS: THE OCCUPATION, NOIR, AND NATIONAL IDENTITY IN FRENCH FILM AND CRITICISM A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Zachary Kendell Gooch January 2014 © 2014 Zachary Kendell Gooch DARK YEARS, DARK FILMS, LONG SHADOWS: THE OCCUPATION, NOIR, AND NATIONAL IDENTITY IN FRENCH FILM AND CRITICISM Zachary Kendell Gooch, Ph.D. Cornell University 2014 Although the term arises in French film criticism, “noir” has long been associated with American cinema and a certain, recognizable type of visual and thematic style. Through a return to the French critics of the late 1930s, 1940s, and 1950s this dissertation defamiliarizes and redefines noir’s value to film and French studies by demonstrating its negatively constitutive role in the negotiation of French national identity and the central place of the Occupation in any discussion of French noir. By locating noir within criticism and performing close readings of the critical archive, which includes figures as diverse as Georges Sadoul and André Bazin, Lucien Rebatet and François Truffaut, I argue that noir critical discourse is defined by a tension between the category’s ever-changing value and the efforts of those who deploy it to fix the meaning of the nation before, during, and after the Occupation through careful omissions of the historical, collective memory. Because noir is central to debates on how the nation should and, more precisely, should not be represented, I also resist conventional, generic approaches to advance that individual films noirs are secondary to noir critical discourse. -
It Follows Press Notes FINAL
Mongrel Media Presents IT FOLLOWS A Film by David Robert Mitchell Running Time: 97 minutes Genre: Thriller/Drama/Horror Country: USA Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/ SYNOPSIS For 19-year-old Jay (MaiKa Monroe), the fall should be about school, boys and weeKends at the laKe. Yet after a seemingly innocent sexual encounter she suddenly Uinds herself plagued by nightmarish visions; she can't shaKe the sensation that someone, or something, is following her. As the threat closes in, Jay and her friends must somehow escape the horrors that are only a few steps behind. With a riveting central performance from Monroe and a striKingly ominous electronic score by Disasterpeace, It Follows is an artful psychosexual thriller from David Robert Mitchell (whose The Myth of the American Sleepover premiered at Critics' WeeK in 2010). The Uilm also stars Keir Gilchrist, Daniel Zovatto, JaKe Weary, Olivia Luccardi, and Lili Sepe. ABOUT THE FILM The Genesis of It Follows David Robert Mitchell had an auspicious debut in 2010 when his irst feature The Myth Of The American Sleepover, which he wrote and directed, premiered at SXSW and then went on to play Cannes Critics’ WeeK. Set in a seemingly timeless world, neither past nor present, Myth resonated with critics and audiences as a poetic depiction of teenage existence, in all its confusions and yearnings. -
Festival Internacional De Cine De Mar Del Plata 2014
DEL 22 AL 30 / NOVIEMBRE 2014 NOVIEMBRE / 30 AL 22 DEL FESTIVAL INTERNACIONAL DE CINE DE MAR DEL PLATA MAR DEL PLATA INTERNATIONAL FILM FESTIVAL DEL 22 AL 30 / NOVIEMBRE 2014 MAR DEL PLATA, ARGEntINA Autoridades AUTORIDADES NACIONALES: PRESIDENTA VICEPRESIDENTE MINISTRA DE CULTURA Dra. Cristina Fernández Lic. Amado Boudou Sra. Teresa Parodi INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES PRESIDENCIA GERENCIA DE ADMINISTRACIÓN GERENCIA DE FOMENTO A LA Sra. Lucrecia Cardoso Dr. Raúl A. Seguí PRODUCCIÓN DE CONTENIDOS PARA TELEVISIÓN, INTERNET Y VICEPRESIDENCIA GERENCIA DE ASUNTOS VIDEOJUEGOS Lic. Juan Esteban Buono Repetto INTERNACIONALES Ing. Germán Calvi Sr. Bernardo Bergeret AUDITORÍA INTERNA GERENCIA DE ACCION FEDERAL Dr. Rolando Oreiro GERENCIA DE ASUNTOS Sr. Félix Fiore JURÍDICOS GERENCIA GENERAL Dr. Orlando Pulvirenti DIRECTORA INCAA TV Sr. Rómulo Pullol Sra. Vanessa Ragone GERENCIA DE FOMENTO GERENCIA DE FISCALIZACIÓN Lic. Alberto Urthiague RECTOR ENERC Tec. Verónica Graciela Sr. Pablo Rovito Sanchez Gelós GOBIERNO DE LA PROVINCIA DE BUENOS AIRES GOBERNADOR PRESIDENTE DEL INSTITUTO DIRECTOR DEL CENTRO Daniel Osvaldo Scioli CULTURAL DE LA PROVINCIA PROVINCIAL TEATRO DE BUENOS AIRES AUDITORIUM DE VICEGOBERNADOR Jorge Alberto Telerman MAR DEL PLATA Lic. Juan Gabriel Mariotto Pablo Martínez del Bosque MUNICIPALIDAD DEL PARTIDO DE GENERAL PUEYRREDÓN INTENDENTE MUNICIPAL ENTE MUNICIPAL DE TURISMO VICEPRESIDENTE Cr. Gustavo Arnaldo Pulti PRESIDENTE Lic. Valeria Méndez Sr. Pablo Fernández SECRETARIO DE CULTURA Dr. Leandro Laserna 3 Staff -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience. -
<I>It Follows</I>: Precarity, Thanatopolitics, and the Ambient
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in Communication Studies Communication Studies, Department of 2017 It Follows: Precarity, Thanatopolitics, and the Ambient Horror Film Casey Ryan Kelly Butler University, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/commstudiespapers Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Other Communication Commons Kelly, Casey Ryan, "It Follows: Precarity, Thanatopolitics, and the Ambient Horror Film" (2017). Papers in Communication Studies. 198. http://digitalcommons.unl.edu/commstudiespapers/198 This Article is brought to you for free and open access by the Communication Studies, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in Communication Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Critical Studies in Media Communication 34:3 (2017), pp. 234–249; doi: 10.1080/15295036.2016.1268699 Copyright © 2017 National Communication Association; published by Routledge/Taylor & Francis. Used by permission. Submitted May 24, 2016; accepted November 29, 2016; published online January 9, 2017. It Follows: Precarity, Thanatopolitics, and the Ambient Horror Film Casey Ryan Kelly Department of Critical Communication and Media Studies, Butler University, Indianapolis, Indiana, USA Corresponding author – Casey Ryan Kelly, Department of Critical Communication and Media Studies, Butler University, 4600 Sunset Ave., Fairbanks 258, Indianapolis, IN 46208 USA, email [email protected] Abstract In the 2014 horror film It Follows, a teenage woman is terrorized by a fatal curse that passes from victim to victim via sexual intercourse. The subject of the curse is relentlessly pursued by vacant- minded assassins that take the form of friends, loved ones, and strangers. -
Program Guide Opening Night Taking Place at the Historic Lemon Texas Theatre, Bishop Arts Theatre
PROGRAM GUIDE OPENING NIGHT TAKING PLACE AT THE HISTORIC LEMON TEXAS THEATRE, BISHOP ARTS THEATRE welcome to the CENTER, KESSLER THEATER, AND (USA, 90 MINS) 7:30 PM - THUR JUNE 8 TEXAS THEATRE NUMEROUS OTHER VENUES AROUND Dir. Janicza Bravo SIXTH JEFFERSON BOULEVARD AND THE R.I.Y.L - Arrested Development, Te Jerk Drama teacher Isaac Lachmann (Brett Gelman), a ANNUAL BISHOP ARTS DISTRICT JUNE 8-11, 2017. tall, balding man of extreme moods, is argumentative with everyone except for one student, Alex (Michael Cera). Willing to debase himself to get any kind of job Led by the Aviation Cinemas team, who in TV commercials, Isaac lets his relationship with longtime girlfriend, Ramona (Judy Greer), a blind took over operations at the Texas Teatre woman, fall to pieces. In her directorial debut, Janicza in December of 2010, and backed by the Bravo displays an impressive sense of composition, timing, and humor wrapped in absurdist comedy. 501 3(c) Oak Cliff Foundation, the Oak Cliff DFW PREMIERE Film Festival features the very best of Oak FILMMAKER JANICZA BRAVO AND Cliff’s theater venues, highlights the popular WRITER/STAR BRETT GELMAN IN ATTENDANCE restaurants and bars of the area, and seeks to showcase the best of independent and brave filmmaking of all stripes from Texas, CLOSING the rest of the country, and the world. NIGHT Tis year’s theme was inspired by minimalist artwork and Te Golden Ratio, A GHOST STORY a mathematical idea that proposes artistic (USA, 87 MINS) 8:00 PM - SUN composition of all types adheres to an JUNE 11 TEXAS THEATRE unspoken natural order. -
Nouveautés Novembre 2018
Nouveautés novembre 2018 Comédie Mommy is coming Fiction / Comédie / Erotique Durée : 70mn Allemagne / 2012 Scénario : Cheryl Dunye, Sarah Schulman Interdit aux moins de 16 ans Langue originale : Anglais De : Cheryl Dunye Avec : Papi Coxx, Lil Harlow, Wieland Speck, Maggie Tapert Résumé : Dylan s'envoie en l'air avec Claudia. Pourtant il n'est pas question de s'enfermer dans une relation lesbienne monogame classique quand on vit à Berlin ! Dans ce jeu vient s'immiscer la mère de Dylan Langue : Anglais qui, délaissée par son mari, s'invite en ville en mal d'aventure. Comme elle pose ses valises dans Sous-titres : Français l'hôtel où travaille Claudia, cette dernière la séduit en se faisant passer pour un homme... Écran : 16/9 compatible 4/3 Son : Dolby Digital 2.0 Support : DVD Cauchemars et superstitions - When the clouds roll by (When the Clouds Roll by) Fiction / Comédie Durée : 84mn Etats-Unis / 1919 Scénario : Thomas J. Geraghty Producteur : Douglas Fairbanks De : Victor Fleming Directeur photo : William C. McGann, Harris Avec : Kathleen Clifford, Douglas Fairbanks, Thorpe Albert McQuarrie Compositeur : Eric Le Guen Langue originale : Anglais Résumé : Daniel Brown, jeune bourgeois hypocondriaque superstitieux, est soumis à son insu aux expériences Langue : Muet Sous-titres : Français machiavéliques d'un savant fou qui tente de démontrer ses théories psychanalytiques les plus saugrenues en poussant ses victimes au désespoir. Mais une rencontre avec une jeune fille va ruiner Écran : 4/3 ses plans... Son : Dolby Digital 2.0 Bonus : Présentation