2018 Schedule
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Ferdi Candan.Pdf
T.C. ORDU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ SĠNEMA VE TELEVĠZYON ANABĠLĠM DALI 2010 SONRASI AMERĠKAN KORKU SĠNEMASINDA PSĠKANALĠTĠK ÖĞELER: TEKĠNSĠZ VE ĠĞRENÇ HAZIRLAYAN FERDĠ CANDAN DANIġMAN PROF. DR. MEHMET YILMAZ YÜKSEK LĠSANS ORDU 2019 ĠÇĠNDEKĠLER ĠÇĠNDEKĠLER ............................................................................................................... i ÖZET ........................................................................................................................... iii ABSTRACT ................................................................................................................. iv KISALTMALAR ............................................................................................................v GÖRSELLER DĠZĠNĠ................................................................................................... vi GĠRĠġ .............................................................................................................................1 1. BÖLÜM ......................................................................................................................3 1.1. PROBLEM .......................................................................................................3 1.2. AMAÇ .............................................................................................................3 1.3. ÖNEM ..............................................................................................................3 1.4. VARSAYIMLAR .............................................................................................4 -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
CNTV 457 Fall 2021 Syllabus.Docx
CNTV 457 The Entertainment Entrepreneur: Getting your First Project Made Units: 2 Term: Fall 2021 Day—Time: Tuesdays, 7-10pm Location: SCA 110 Professors Sam Canter CEO/Partner, Psycho Films E-mail: [email protected] Office: (303)956-0609 Christian Sutton Partner/Director, Psycho Films E-mail: [email protected] Course Description This course will cover the practical aspects of why it is essential to be entrepreneurial within the changing landscape of the entertainment industry. Whether you strive to be a content creator, producer, writer, director, executive, or form your own business/creative venture, this course will help you identify how and why you should be creating your own projects. The content of this course will cover the benefits and pitfalls of developing your own content, companies, and/or partnerships. We will also explore the practical and real obstacles and opportunities you face as you leave USC SCA and begin to work in the entertainment industry. Where should I work? How do I make my projects? How do I start my own company or brand? In addition, key aspects of the producing process from both a creative and business executive side will be covered in the Film, TV, VR, and digital media spaces. The class will be broken down into 3 sections, “The Creative Process,” “Development and Production,” and “Marketing and Selling your Project.” Each class will feature panels or select speakers of industry professionals. Including top talent, producers, directors, studio executives, heads of production companies, lawyers, agents, managers, etc. In addition to seasoned veterans of the entertainment industry, this course will also include a series of guest speakers, all who began forging their own path in the industry during or immediately after college. -
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Live Nation Revenue Wiped out by COVID; CEO Michael Rapino Sees Live Events in Full Swing Next Summer by Jill Goldsmith August 5, 2020 5:05Pm
6/8/2020 Live Nation Revenue Wiped Out By COVID – Deadline TIP US HOME / BUSINESS / BREAKING NEWS Live Nation Revenue Wiped Out By COVID; CEO Michael Rapino Sees Live Events In Full Swing Next Summer By Jill Goldsmith August 5, 2020 5:05pm Courtesy Paramount Pictures https://deadline.com/2020/08/live-nation-revenue-wiped-out-by-covid-ceo-michael-rapino-sees-live-events-in-full-swing-next-summer-1203005595/ 1/10 6/8/2020 Live Nation Revenue Wiped Out By COVID – Deadline Let’s get this over with. Live Nation, which makes a living on live events, saw revenue plunge 98% last TIP US quarter to $74 million and swung to a loss of $588 million from a profit of $176 million the year before. It was the first full COVID-19 quarter and the company was expected to bleed red ink. CEO Michael Rapino can only look ahead. And he did as the company reported financial results for the three months ended in June. He said he expects live events to “return at scale in the summer of 2021,” with ticket sales ramping up in the quarters leading up to summer shows. He noted that 86% of fans opted to keep tickets for rescheduled shows and that two-thirds of fans are keeping tickets for canceled festivals so they can go to next year’s show. The company cited strong early ticket sales for festivals in the U.K. next summer, for example, with Download and Isle of Wight pacing well ahead of last year. ADVERTISEMENT RELATED STORY AMC Entertainment Q2 Revenues Plunge, Swings To The Red In "Most Challenging Quarter In 100-Year History" - CEO Adam Aron Between tickets held by fans for rescheduled shows and festival sales, the company, which owns Ticketmaster, said it’s already sold 19 million tickets to more than four thousand concerts and festivals scheduled for 2021, “creating a strong baseload of demand that is pacing well ahead of this point last year.” Can Live Nation last that long? Rapino says yes. -
(2 Credits) TECHNOLOGY's IMPACT on ENTERTAINMENT and MEDIA
BEMT DRAFT SYLLABUS COURSE IS UNDER REVISION TO GO DEEPER ON FEWER SUBJECT AREAS MKTG–UB.0023.04 (2 credits) TECHNOLOGY’S IMPACT ON ENTERTAINMENT AND MEDIA Spring 2018 |Wednesdays 6:30p -7:45pm Classroom: UC24 Professor: Scott Schiller Office Hours : By Appointment Phone: 917-513-7469 Email: [email protected] TF: Charlie Walters Email [email protected] COURSE BACKGROUND From the eyes of most consumers, media is very simple today: You want your content, your searches, your clicks, your social media comments. Whatever. Whenever. Wherever. Everyone’s a media publisher; everyone’s a media company. Technology has changed consumer behavior and expectations forever and is forcing dramatic evolutions of all forms of media and entertainment. How did this happen? Why did this happen? What will happen next? This course is designed to provide you with a r eal-world perspective for understanding the entertainment and media industry through the eyes of the technology -driven disruption that it is currently experiencing. By the end of this class, we hope that you will be conversant in the major issues, challenges, and opportunities that currently consume the management teams and investors/boards of media entities – both large and small. Through group work, class discussions and the investigation of real -life examples, you will further develop the skills/currency needed to succeed in any fast -moving business today. Having been fortunate to work at some of the most esteemed companies in media, I have experienced the dramatic changes that have consumed the media ecosystem. Today, with more content than ever, the proliferation of social media to distribute it, on- demand content like Netflix and Amazon, technology such as gaming computers and consoles, smartphones, and hardware like Roku and Amazon Fire, media players are all fighting for market share and revenues like never before. -
Expand the Story. Change the World. Reframe: Advancing Gender Parity in Hollywood
™ Expand the story. Change the world. ReFrame: Advancing Gender Parity in Hollywood We believe inclusive representation in media can transform the world by allowing us to better understand and connect with one another. Our mission is to catalyze a culture shift, with a peer-to-peer approach, engaging decision makers from the top to ensure lasting gender parity at every level in Hollywood. REFRAME EXECUTIVE SUMMARY 1 Who We Are ReFrame™ is an influential and dedicated group of active entertainment industry leaders —more than 50 male and female Ambassadors—that includes studio heads, agency partners, senior network executives, directors, writers, actors, and guild leaders committed to increasing the number of women of all backgrounds working in film, TV, and media. Together, we have developed a research-based action plan to further gender parity in the media industry. Our unique, industry-wide collaboration invites company leadership peers to adopt measurable actions to shift a complex system in which women have been consistently underrepresented. ReFrame™ Partners—film, TV, and media companies—will commit to participating in programs that will result in more diverse storytelling for expanded audiences around the globe. Founded and led by Women In Film and Sundance Institute, ReFrame™ is a non-profit organization intended to be additive to other diversity initiatives and allies making change. Foundational to the program is the core belief that gender parity is intersectional with equity for all underrepresented groups, and ReFrame™ welcomes -
Magazine Specialization and Market Niches
Successful magazines you never knew existed and more to come… Literacy as a Social Justice Issue More than 30 million adults in the United States cannot read, write, or do basic math above a third-grade level. 10x higher H.S. drop out rate Only 30% of American Adults have a College degree. Lower income lifetime Lower-quality jobs Unemployment: The unemployment rate is 2–4 times higher for those with low or no literacy Reduced access to lifelong learning and professional development Intergenerational transmission of illiteracy Paid Circulation of Daily Newspapers in the United States from 1985 to 2017 Paid circulation of daily newspapers in the U.S. 1985-2017 67,760.2 62,760.2 57,760.2 52,760.2 47,760.2 42,760.2 Circulation in thousandsin Circulation 37,760.2 32,760.2 27,760.2 '85 '86 '87 '88 '89 '90 '91 '92 '93 '94 '95 '96 '97 '98 '99 '00 '01 '02 '03 '04 '05 '06 '07 '08 '09 '11 '12 '13 '14 '15 '16 '17 3 Year Source(s): Pew Research Center; Editor & Publisher; AAM; Daily Time Spent Reading Newspapers per capita in the United States from 2010 to 2018 (in minutes) U.S. media use: time spent reading newspapers 2010-2018 26.7 25 24.7 23 22.7 21 21 20.7 19 18.7 17 Time in minutesTime 16.7 15 14.7 14 12.7 12 10.7 2010 2011 2012 2013 2014 2015 2016* 2017* 2018* Source(s): Zenith; Various sources (Media Dynamics); 6 Leading daily newspapers in the United States as of September 2017, by circulation Leading newspapers in the U.S. -
Youtube, Multichannel Networks and the Accelerated Evolution of the New Screen Ecology
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart, Craig, David, & Silver, Jon (2016) YouTube, multichannel networks and the accelerated evolution of the new screen ecology. Convergence, 22(4), pp. 376-391. This file was downloaded from: https://eprints.qut.edu.au/98716/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1177/1354856516641620 YouTube, Multichannel Networks and the accelerated evolution of the new screen ecology The concept of ‘connected viewing’ encapsulates deep changes in consumer habit and expectation relating ‘to a larger trend across the media industries to integrate digital technology and socially networked communication with traditional screen media practices’ (Holt & Sanson, 2013: 1). -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
'Brainwashed', Maria Giese and Summer Xinlei Yang Join As Co-Producers
10/11/2020 Nina Menkes Sets #MeToo Documentary ‘Brainwashed’ – Deadline TIP US Save an average of $536* when you switch to State Farm Auto Insurance. *Average annual per household savings based on a 2019 national survey by State Farm of new policyholders who reported savings by switching to State Farm. BREAKING NEWS 'Cleopatra' Teams Gal Gadot & Patty Jenkins For Paramount Win HOME / FILM / BREAKING NEWS Nina Menkes Sets #MeToo Documentary ‘Brainwashed’, Maria Giese And Summer Xinlei Yang Join As Co-Producers By Dino-Ray Ramos October 9, 2020 10:00am OFFICIAL BRAINWASHED TEASER As the #MeToo movement continues to resonate, filmmaker Nina Menkes has unveiled details about her forthcoming documentary Brainwashed and the all-female team behind it. The feature docu exposes common cinematic techniques that disempower women and girls. Produced, conceived and directed by Menkes, the film is slated for completion in mid-2021 and will be entered for festival consideration. https://deadline.com/2020/10/nina-menkes-metoo-documentary-brainwashed-maria-giese-summer-xinlei-yang-1234594229/ 1/13 10/11/2020 Nina Menkes Sets #MeToo Documentary ‘Brainwashed’ – Deadline The docu gives incisive commentary on films from the 1940s through the present. Using key scenesTIP US from A-list directors, Menkes spotlights how filmmakers employ framing, lighting, visual effects and camera angles to disempower women while appearing to glamorize them. These cinematic techniques for disempowerment have been dubbed “The Menkes List.” ADVERTISEMENT Maria Giese and Summer Xinlei Yang have boarded the project as co-producers. Giese is the DGA member who instigated the groundbreaking 2015 industry-wide federal investigation of sex discrimination in Hollywood. -
Archbishop: Living Wage Revelations Are ‘Embarrassing’
THE ORIGINAL CHURCH NEWSPAPER. ESTABLISHED IN 1828 Renewing THE Debating the the Church Green of England, Report: P8 CHURCHOF ENGLAND P9 Newspaper NOW AVAILABLE ON NEWSSTAND FRIDAY, FEBRUARY 27, 2015 No: 6268 Archbishop: Living Wage revelations are ‘embarrassing’ THE ARCHBISHOP of Canterbury, the Most Rev employers seeking to implement the pay level pro- Justin Welby, has distanced himself from the inner gressively. What is important is that those who can, workings of his church by calling reports that the do so, as soon as is practically possible. The vast Church of England is advertising jobs at less than majority of those employed by or sub-contracted to the Living Wage ‘embarrassing.’ the Church’s central institutions are already paid at The Sun on Sunday reported that both Canterbury least the Living Wage and all will be by April 2017. and Lichfield Dioceses have advertised jobs but “Each of our 12,000 parishes, dioceses and cathe- offering pay under the £7.85 Living Wage standard, drals is a separate legal entity with trustees and has supported as the minimum expected wage in the to act in the light of its own circumstances. House of Bishops’ Pastoral Letter. “As charities churches require time to increase Speaking to an audience on his four-day visit to giving levels prior to ensuring delivery of the living Birmingham, Archbishop Welby said: “We talked wage. about the need to move towards that, and Archbish- “We are grateful to The Sun and others for high- op of York John Sentamu carefully said that we need lighting the sound principles behind the living wage to move towards paying the Living Wage.