Kabuki brain puzzles : station-character motif patterns in the actor Tokaido series of Utagawa Kunisada (1786-1865) Marks, A.

Citation Marks, A. (2010, July 1). Kabuki brain puzzles : station-character motif patterns in the actor Tokaido series of Utagawa Kunisada (1786-1865). Retrieved from https://hdl.handle.net/1887/15755

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9.1 Reference works in Japanese Buy meisaku jiten [Encyclopedia of Dance Masterpieces. Reissued and Revised Edition]. Engeki Shuppansha, ed. Tokyo: Engeki Shuppansha, 1994.  Ãκ̞ŕüÃø 1994܃ιɠझɴ̎ʀž ŒٍćŕüÃø̞ Buy tech [Dance Handbook]. Furuido Hideo. Tokyo: Shinshokan. First published in 1990 by Shinshind. Page references to the 2000 edition. ɖʇ̥ŊƆιɠझ̳UκዄྫྷΰÔ 1990 ዅŒȰཊ 2000  Engeki hyakka daijiten [Encyclopedia of Theater]. 6 vols. Waseda Daigaku Engeki Hakubutsukan, ed. Tokyo: Heibonsha, 1960–62. Page references are to the new edition of 1990. ι̞ŕ͖ŔƂʀžκ6 ¨ Œèø 1960–62 ዄŒٍūĈ 1990ŷƏɰƂʧ̞ŕǻÛཊ ዅ Genshoku ukiyoe daihyakka jiten [Illustrated Ukiyoe Encyclopedia]. 11 vols. Genshoku Ukiyoe Daihyakka Jiten Hensh Iinkai, ed. Tokyo: Taishkan Shoten, 1980–82. ȢʑȳȾίƂ͖Ŕʀž෨Ǵ˴ˣιȢʑȳȾίƂ͖Ŕʀžκ11 ¨ ƂͳཊȰ£ 1980–82  Kabuki ezukushi nenpy [Chronological Table of Illustrated Kabuki Collections]. Tsuchida Mamo- ru, and Suyama Akinobu, ed. Tokyo: fusha, 1988.  κ̙δø 1988؛ιôɠ˚ί͇ȀͮάOɰؑͪື Kabuki haiy myseki benran. Dai ni ji shtei ban [Guidebook of Kabuki Actors Family Names. Second Revised Edition]. Hattori Yukio, ed. Tokyo: Nihon Geijutsu Bunka Shinkkai, 1972. Page numbers refer to the revised edition from 1998.  Ãκųɔ˃؊ĵǃμɍˣ 1998܃ȿૡ෦Ιͳιôɠ˚ͷeɴऄ͒ۙ ȱ 2 Üͳ Kabuki jinmei jiten. Shintei zho [Dictionary of Kabuki Names. New Revised and Expanded Edi- tion]. Nojima Jusabur, ed. Tokyo: Nichigai Associates, 2002.  ħٜÃκųŶE`ZKŸg 2002܃ιôɠ˚ʡɴʀž ŒୱΩ̜ȳ૒ Kabuki jiten. Shintei zho [Kabuki Encyclopedia. New Revised and Expanded Edition]. Hattori Yukio, Tomita Tetsunosuke, and Hirosue Tamotsu, eds. Tokyo: Heibonsha, 2000.  ħٜÃκŒèø 2000܃ιôɠ˚ʀž Œȿૡ෦ά˵ɰ௅ɟŭάÕɓͫ Kabuki jruri gedai jiten [Dictionary of Kabuki Titles]. Nojima Jusabur, ed. Tokyo: Nichigai As- sociates, 1991. ୱΩ̜ȳ૒ιôɠ˚ȢDzȇŶ໤ʀžκųŶE`ZKŸg 1991  Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Engeki Shuppansha, ed. Tokyo: Engeki Shuppansha, 1983. ̞ŕüÃøιôɠ˚ɴ̎ʀžκ̞ŕüÃø 1983  Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Kanazawa Yasutaka. Tokyo: Seiabo, 1959. Page references are to the 1976 edition. ୴ǃµඹιôɠ˚ɴ̎ʀžκ฽Ԧ̩ 1959  Kabuki nenpy [Kabuki Calendar]. 8 vols. Ihara Seiseien (Toshir) et al., eds. Tokyo: Iwanami Shoten, 1956–63. Page references are to the 2nd ed., 1973.  κ8 ¨ ΄ǬȰ£ዄ1956–1963 ዅ1973؛˚ιôɠȢĕ૒ʱ˖

235 Kabuki saiken [Kabuki Appreciation]. Iizuka Tomoichir. Tokyo: Daiichi Shob, 1926.  κȱȫȰ̩ 1926ۇ;˚༥ĆɁȫ૒ιôɠ Kabuki tj jinbutsu jiten [Encyclopedia of Kabuki Characters]. Furuido Hideo, ed. Tokyo: Haku- suisha, 2006. ɖʇ̥ŊƆιôɠ˚͓ðʡÛʀžκ͕Żø 2006  Meisaku kabuki zensh [Complete Collection of Kabuki Masterpieces]. 25 vols. Toita Yasuji et al., eds. Tokyo: Tky Sgensha, 1968–71. ̥ʌµʁʱιɴ̎ôɠ˚“෨κ25 ¨ ʂʙŋxŒø 1968–71  Nihon bijutsu zukai jiten [Illustrated Encyclopedia of Japanese Art]. Moriya Masahiko, et al., eds. Tokyo: Tky Bijutsu, 2004.  ʾ͐ĄĶʱΙͳιųɔÔ؊1۳ʀžκʂʙÔ؊ 2004 Nihon buy zensh [Complete Collection of Japanese Dances]. 8 vols. Nihon Buysha, ed. Tokyo: Nihon Buysha, 1977–88. ųɔɠझøιųɔɠझ“෨κ8 ¨ ųɔɠझø 1977–88  Nihon denki densetsu daijiten [Dictionary of Japanese Romance Literature and Legends]. Inui Kat- sumi, et al. Tokyo: Kadokawa Shoten, 1986.  Ƃʀžκ۪1Ȱ£ 1986ށ˥ɷ€>ʱιųɔ˥Ƙ Nihon gikyoku zensh [Complete Collection of Japanese Dramas]. 50 vols. Ihara Seiseien (Toshir) et al., eds. Tokyo: Shun’yd, 1928–33. ˖Ȣ฽ΰFʱιųɔ̠ȫ“෨κ50 ¨ ƠනÔ 1928–33  Nihon shsetsu nenpy. Tsuketari smokuroku [Chronological Tables of Japanese Literary Works. Additional Index]. Kokumin Tosho Kabushiki Gaisha, eds. Tokyo: Kokumin Tosho, 1929. ΡౣκዄਝʽųɔĵʧƂ͕ ȱ 25 Fዅ6ū1Ȱ žඍ؛ށιųɔ̪6ū1Ȱ˳ôˣø 1929  N, kygen jiten. Shintei zho [No and Kygen Encyclopedia. New Revised and Expanded Edi- tion]. Nishino Haruo & Hata Hisashi, eds. Tokyo: Heibonsha, 1999.  ħٜÃκŒèø 1999܃ʀž Œ܂ιƫžąୱƠ෦άðɰưڿ Shoga kott jinmei daijiten [Dictionary of Artists of Antique Paintings and Calligraphy]. Tsune’ishi Hideaki, ed. Tokyo: Kin’ensha, 1975. Page references are to the 1994 edition. iQ˧ƏιȰɹ࿭γʡɴƂ৹žκ୴Fø 1975  Sg Nihon gikyoku jiten [Comprehensive Encyclopedia of Japanese Drama]. Kawatake Shigetoshi, ed. Tokyo: Heibonsha, 1964. ljȓU͜ι ɯųɔ̠ȫʀžκŒèø 1964  Ukiyoe jiten [Ukiyoe Encyclopedia]. 3 vols. Yoshida Teruji, ed. Tokyo: Gabund, 1971. Page ref- erences are to the 3rd ed., 1994. ɰɰDzʁιȳȾίʀžκ3 ¨ ɹĵÔዄ1971 ዅ1994  Ukiyo-e Masterpieces in European Collections. 13 vols. Narazaki Muneshige et al. Tokyo: Kodansha, 1988–91.  ø 19881991ޓπβˌ୰ʱιřЯȳȾίƂ۠κߐ Zoku kabuki nendaiki [Sequel to the Chronological Record of Kabuki]. Ishizuka Hkaishi, ed. Tokyo: Hirotani Kokusho Kankkai, 1925.  κÕࠡAȰĈ؅ȹ 1925ܕι†ôɠ˚ʽQĆ࠮ʲʖ

236 Zoku zoku kabuki nendaiki [Second Sequel to the Chronological Record of Kabuki]. Tamura Na- riyoshi, ed. Tokyo: Ichimuraza, 1922. ɰɫ̉åι†ΰôɠ˚ʽܕκJɫ« 1922 

9.2 Reference works in other languages Baird, Merrily C. 2001. Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli International Publications. Brandon, James R. & Samuel L. Leiter, eds. 2002a. Kabuki Plays on Stage: Brilliance and Bravado, 1697–1766. (Kabuki Plays on Stage, Volume 1). Honolulu: University of Hawai’i Press. Brandon, James R. & Samuel L. Leiter, eds. 2002b. Kabuki Plays on Stage: Villainy and Vengeance, 1773–1799. (Kabuki Plays on Stage, Volume 2). Honolulu: University of Hawai’i Press. Brandon, James R. & Samuel L. Leiter, eds. 2002c. Kabuki Plays on Stage: Darkness and Desire, 1804–1864. (Kabuki Plays on Stage, Volume 3). Honolulu: University of Hawai’i Press. Edmunds, Will. H. 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art. London: Sampson Low, Marston & Co., Ltd. Reprint, Chicago: Art Media Resources, 2001. Page ref- erences are to the 2001 edition. Gobbi, Pietro. 1989. Hon: Firme, Sigilli, Stemmi: Filologia dell’Ukiyo-e / Signatures, Seals, Crests: Phi- lology of the Ukiyoe Prints. Turin: L’Angolo Manzoni Editrice. Halford, Aubrey S. and Giovanna M. 1956. The Kabuki Handbook; a Guide to Understanding and Appreciation, with Summaries of Favourite Plays, Explanatory Notes, and Illustrations. Tokyo and Rutland: Tuttle. Herwig, Arendie and Henk. 2004. Heroes of the Kabuki Stage: An Introduction to Kabuki with Retel- lings of Famous Plays Illustrated by Woodblock Prints. Amsterdam: Hotei. Joly, Henri L. 1967. Legend in Japanese Art. Rutland: Tuttle. Page references are to the 4th ed., 1973. Koop, Albert J. and Inada Hogitar. 1923. Japanese Names and How to Read Them: Manual for Art Collectors and Students. London: Eastern Press. Lane, Richard. 1978. Images from the Floating World: The Japanese Print. Oxford: Oxford University Press. Leiter, Samuel L. 1997. New Kabuki Encyclopedia: A Revised Adaptation of Kabuki Jiten. Westport, Conn.: Greenwood. Marks, Andreas. 2010. Japanese Woodblock Prints: Artists, Publishers and Masterpieces 1680–1900. Rutland: Tuttle. Merritt, Helen and Yamada Nanako. 1992. Guide to Modern Japanese Woodblock Prints 1900–1975. Honolulu: University of Hawai’i Press. Newland, Amy Reigle, ed. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei Publishing. Papinot, Edmond, ed. 1910. Historical and Geographical Dictionary of Japan. Yokohama: Kelly & Walsh. Reprint, Tokyo: Tuttle, 1986. Roberts, Laurance P. 1976. A Dictionary of Japanese Artists. Tokyo, and New York: Weaterhill, 1990. Page references are to the 1990 edition.

237 Schwan, Friedrich B. 2003. Handbuch Japanischer Holzschnitt. Hintergründe, Techniken, Themen und Motive. München: iudicium. Self, James, and Nobuko Hirose. 1987. Japanese Art Signatures: A Handbook and Practical Guide. Bamboo Publishing Ltd., and Floating World Editions, 2003.

9.3 Books and articles on Kunisada Akama Ry. 2006. “Sandai Utagawa Toyokuni ga ‘Odori keiyo gedai zukushi’ ni tsuite” [About ‘Odori keiyo gedai zukushi’ by Utagawa Toyokuni III].” Ronky Nihon bungaku vol. 85: 23– 36. ࣂശʛηȳʽô1࠮6ɹγझij˨Ŷ໤͇δϗθιޠƽųɔĵʧκȱ 85 ɨ ȳȾίɳ ǂˣ 2006  Akiyoshi Zentar, ed. 1918. Hiroshige Toyokuni meiga hyakush daimy dch [One-hundred Mas- terpieces of a Daimyo’s Journey by Hiroshige and Toyokuni]. Tokyo: Tken. Œɰ͈ƅ૒ιÕ୰࠮Aɴɹ͖ƋƂɴ੿ɋκʂ~F 1918  Asano Shg. 1986. Ukiyoe ni miru Edo bunka: Kasei ki no Eisen, Kunisada o chshin ni [Edo Culture Seen in Ukiyoe: Focussing on Eisen and Kunisada ]. Chiba: Chiba Shiritsu Kydo Hakubut- sukan. ȣୱŊĸιȳȾί*6Ɨ̥ĵǃዖǃčɌ˧ǘž6ࡥ=ɋŻκǪ΢JDZ૩OǻÛཊ 1986  Berglund, Lars. 1995. “Recapturing Utagawa Kunisada.” Arts of Asia vol. 25 no. 1: 59–73. Bergmann, Annegret. 1990. “Theaterholzschnitte des Utagawa Kunisada I. (1786-1864).“ Japan- Magazin Juli 1990: 40–42. Bickford, Lawrence R. 1982. “Will the Real Toyokuni II Please Stand Up?” Andon 6: 10–19. Bickford, Lawrence R. 1986. “Toyokuni II Revisited.” Andon 22: 37–48. Bickford, Lawrence R. 1986. “A Reply to Mr Tinios.” Andon 24: 83–85. Bickford, Lawrence R. 1996. “The Toyokuni Signature Confusion.” Andon 53: 15–22. Bickford, Lawrence R. 1997. “Reply.” Andon 56: 19f. Bruijn, Rob de. 1997. “A Remarkable Tkaid Set.” Andon 57: 13–20. Carpenter, John T. 1993a. “Popular Fiction in the Age of Kunisada.” In Kunisada’s World, edited by S. Izzard, 9–14. Carpenter, John T. 1993b. “Kunisada and the Art of Comic Poetry.” In Kunisada’s World, edited by S. Izzard, 15–18. Clark, Timothy T. 1992. “Kunisada and Decadence: the Critical Reception of Nineteenth-century Japanese Figure Prints in the West.” In Nihon kindai bijutsu to Seiy: kokusai shinpojumu [Modern Japanese Art and the West: International Symposium], edited by Meiji Bijutsu Gakkai. Tokyo: Meiji Bijutsu Gakkai, 89–100.  ǿዖ6෉Z–€[IƒκƏǎÔ؊ʧˣ 1992ڿιųɔਝʽÔ؊ƏǎÔ؊ʧˣ Daihkaku Shob, ed. 1931b. Ukiyoe taika shsei 17: Kunisada, Kuniyoshi [Ukiyoe expert Compila- tion 17: Kunisada, Kuniyoshi]. Tokyo: Daihkaku Shob. ƂᄵുȰ̩ι6ࡥž6ˀκዄȳȾίƂ˥෨̉ ȱ 17 FዅƂᄵുȰ̩ 1931  Doesburg, Jan van. 1990. What about Kunisada? Dodewaard: Huys den Esch.

238 Engeki Hakubutsukan Yakushae Kenkykai, ed. 1998. Zho kokon yakusha nigao daizen. Yakushae kenky shiry 1 [Expanded Anthology of Actor Likenesses Past and Present (Materials of the Actor Prints Research Group 1)]. Tokyo: Waseda Daigaku Engeki Hakubutsukan. {ιħٜɖʩͷe˳໫Ƃ“κዄņĚί_ƽˣࢇŁ 1ዅŷƏɰƂʧŕǻÛཊņĚί_ƽˣ̞ ¥ǻśܕƠ̞ŕǻÛཊ 1998  Enomoto Ysai. 1967. “Recollections of Toyokuni III.” Ukiyoe geijutsu [Ukiyoe Art] 15: 18–24. English summary: 13.  ϡɔ෦ĺηȳʽ࠮6਺ːθιȳȾί˃؊κȱ 15 ɨ 6෉ȳȾίʧˣ 1967 “Fug no kararisuto Kunisada de yuku Kiskaid [With the Misfortunate Colorist Kunisada Along the Kiskaid].” 1997. Geijutsu shinch 48/6: 98–101.  ੿θι˃؊Œ͏κȱ 48(6)ɨ Œ͏ø 1997؍ηȷੴNŒ\k6ࡥ1Ϣɑȵ Fujii Yasuo. 1939. “Kunisada ga Toyokuni shmei no nishikie [Nishikie of Kunisada’s Succes- sion to Toyokuni].” Ukiyoe kai vol. 4 no. 9: 1–3.  ɴౚίθιȳȾίʇκȱ 4 F 9 ɨ ȳȾίɳǂˣ 1939ڵҞʇµƆη6ࡥϟ࠮6 Fujisawa Akane. 2003. “Utagawa Kunisada to kyka: Surimono o chshin ni [Utagawa Kunisada and Comic Verses: Focussing on Surimono].” Gakushin Daigaku Bungakubu kenky nenp 50: 103–18. ҞͰ̂ηô16ࡥąôዉ‘Û=ɋŻθιʧüඞƂʧĵʧૡ_ƽîκȱ 50 ɨ ʧüඞ Ƃʧĵʧૡ 2003  Fukuda Kazuhiko. 1975. Hihan Kunisada [Secretly Published Kunisada]. Sshibon ukiyoe mei- hinsen. Tokyo: Haga Shoten. Ĭɰ˂ĶιřÃ6ࡥκዄ̢ͭɔȳȾίɴ˨જዅˀࢀȰ£ 1975  Fukuda Kazuhiko. 2001. Tkaid gojsan tsugi shgun Iemochi k gojraku zu: E. Kiyosne Ty Bi- jutsukan z [The Fifty-three Stations Along the Tkaid, Pictures About the Procession of the Shogun Iemochi in the Museo d’Arte Orientale Edoardo Chiossone]. Tokyo: Kawade Shob Shinsha. Ĭɰ˂Ķιʂȷ੿ʆǨȳÜ̡঑˥˳—Ŧȴȉ1ዖEžP‹`ŸpʂǿÔ؊ཊЯκljüȰ̩Œ ø 2001  Fzoku emaki shuppan kykai, ed. 1933. Tkaid gojsan tsugi: Hiroshige, Toyokuni, Kuniyoshi gassaku koji taish [The Fifty-three Stations Along the Tkaid: Comparison of the Origin of Hiroshige’s, Toyokuni’s, and Kuniyoshi’s Joint Work]. Tokyo: Fzoku Emaki Shuppan Kykai. ༁ͦίFüÃǷˣιʂȷ੿ʆǨȳÜዖš୰ž࠮6ž6ˀɯ̎ďʀ̛Vκ༁ͦίFüÃǷ ˣ 1933  Gifu Prefectural Museum, ed. 2001. Shichidaime Danjr to Kunisada, Kuniyoshi: Shibai, nishikie, nakasend [Danjr VII and Kunisada, Kuniyoshi. Theater, Nishikie, and Nakasend]. Seki: Gifu Prefectural Museum. ͸൲εǻÛཊιȮʽΡ%Ǩ૒6ࡥጞ6ˀʬ͌žౚߞɋͪ੿κ͸൲εǻÛཊ 2001  Hardie, Peter. 1986. Kunisada ga. Bristol: City of Bristol Museum & Art Gallery. Hashimoto Osamu. 2003. “Hiragana Nihon bijutsushi (sono 94): Fushigi ni gaman o shiteiru mono—Gototei Kunisada, Keisai Eisen no nishikie [ABC of Japan’s Art History 94: Miracu- lously Tolerated Things—Gototei Kunisada and Keisai Eisen’s Nishikie].” Geijutsu shinch 54/3: 136–43. 4ϟųɔÔ؊ɤዄ 94ዅȷƹ߿̊ʗ=ϗ6-ʆʘʚ6ࡥάʏĺmɔǎη  ǘౚίθι˃؊Œ͏κȱ 54 F 3 ɨ Œ͏ø 2003˧ 239 Hayashi Yoshikazu. 1967. “Kunisada and Kuniyoshi.” Ukiyoe geijutsu [Ukiyoe Art] 13: 26–29.  ʛÔȫη6ࡥ6ˀϗθιȳȾί˃؊κȱ 13 ɨ 6෉ȳȾίʧˣ 1967 Hayashi Yoshikazu. 1978. “Kunisada no shunga mokuroku nenpu [Chronological Index of Ku- nisada’s Shunga].” Kikan ukiyoe 75: 84–95. ʛÔȫη6ࡥƠɹΡౣ߶θιʤĈȳȾίκȱ 75 ɨ ɹĵÔ 1978  Hayashi Yoshikazu. 1989. Edo makurae shi shsei: Utagawa Kunisada [Compilation of Makers of Edo Pillow Pictures: Utagawa Kunisada]. Tokyo: Kawade Shob Shinsha. ʛÔȫιƗ̥ʙί_෨̉ô16ࡥκljüȰ̩Œø 1989  Hayashi Yoshikazu, and Richard Lane. 1996a. Ukiyoe shunga meihin shsei 6: Utagawa Kunisada: Koi no yatsu Fuji [The Complete Ukiyoe Shunga 6: Utagawa Kunisada’s Koi no yatsu Fuji]. Tokyo: Kawade Shob Shinsha. ʛÔȫ܍d†ŸlžG–ιô16ࡥ˾/ κዄȳȾίƠɹɴ˨෨̉ 6ዅljüȰ ̩Œø 1996  Hayashi Yoshikazu, and Richard Lane. 1996b. Ukiyoe shunga meihin shsei 8: Utagawa Kunisada: Shunshoku hatsune no musume [The Complete Ukiyoe Shunga 8: Utagawa Kunisada’s Shun- shoku hatsune no musume]. Tokyo: Kawade Shob Shinsha. ʛÔȫ܍d†ŸlžG–ιô16ࡥƠʑēຨɟ˜ƺκዄȳȾίƠɹɴ˨෨̉ 8ዅljü Ȱ̩Œø 1996  Hayashi Yoshikazu, and Richard Lane. 1996c. Ukiyoe shunga meihin shsei 10: Utagawa Kunisada: Kaidan yoru no tono [The Complete Ukiyoe Shunga 10: Utagawa Kunisada’s Kaidan yoru no tono]. Tokyo: Kawade Shob Shinsha. ʛÔȫ܍d†ŸlžG–ιô16ࡥയޓŻɟłκዄȳȾίƠɹɴ˨෨̉ 10ዅljüȰ ̩Œø 1996  Hayashi Yoshikazu, and Richard Lane. 1997. Ukiyoe shunga meihin shsei 19: Utagawa Kunisada: Sh utsushi aioi Genji [The Complete Ukiyoe Shunga 19: Utagawa Kunisada’s Sh utsuhi aioi Genji]. Tokyo: Kawade Shob Shinsha. ʛÔȫ܍d†ŸlžG–ιô16ࡥĄ̎Χɢ˖ũκዄȳȾίƠɹɴ˨෨̉ 19ዅljü Ȱ̩Œø 1997  Herwig, Henk J. & Joshua S. Mostow. 2007. The Hundred Poets Compared: A Print Series by Kuniyo- shi, Hiroshige, and Kunisada. Leiden & Boston: Hotei, Brill. Higashiji Taku. 1981. “Utagawa Kunisada nikuhitsu [Paintings by Utagawa Kunisada].” Kikan ukiyoe 85: 16–18. ʂƂऍ೷ηô16ࡥŪɁθιʤĈȳȾίκȱ 85 ɨ ɹĵÔ 1981  Higashiji Taku. 1984b. “Kunisada ga Tenp hachinen: Hatsu gasumi [Kunisada from Tenp 8: Hatsu gasumi].” Kikan ukiyoe 98: 57–80. ʂƂऍ೷η6ࡥɹγƄͫ–δǬ૪ࢀ̜ÔθιʤĈȳȾίκȱ 98 ɨ ɹĵÔ 1984  Hinohara Kenji. 2008. “Research on Hanabusa Ikkei: Searching for the relation between Utagawa Kunisada and the Hanabusa School.” ta Memorial Museum of Art—The Miscellanea on Ukiyo-e 3: 51–72. ųୱȢόɩη˧ȫƯ_ƽዉô16ࡥ˧ȟϟ5= 6͓ɕθιޠ෨κȱ 3 ɨ  ƠÔ؊ཊ 2008ܕƅɰ

240 Hiraki Ukiyoe Zaidan, and Rikka Bijutsukan, ed. 1974. Bijinga-ten: Edo meisho hyakunin bijo— Bijinga 2 [Exhibition of Bijin Pictures: One Hundred Beautiful Women With Famous Sights of Edo—Bijin Pictures 2]. Tokyo: Hiraki Ukiyoe Zaidan. ιÔʡɹ͗ዖƗ̥ɴ̪͖ʡÔƺ Ôʡɹ 2κŒɑȳȾίɑȳȾίࡧ%܍fNŸÔ؊ཊŒ ࡧ% 1974  Hiraki Ukiyoe Zaidan, and Rikka Bijutsukan, ed. 1977. Konjaku kabuki meiy-ten [Exhibition of Celebrated Kabuki Actors Past and Present]. Tokyo: Hiraki Ukiyoe Zaidan.  ιʩƔôɠ˚ɴe͗κŒɑȳȾίࡧ% 1977ɑȳȾίࡧ%܍fNŸÔ؊ཊŒ Hiraki Ukiyoe Zaidan, and Rikka Bijutsukan, ed. 1978. Sandai Utagawa Toyokuni ni yoru yakusha mitate tkaid gojsan tsugi [On Utagawa Toyokuni III’s Fifty-three Stations Along the Tkaid With Visual Parodies of Actors]. Tokyo: Hiraki Ukiyoe Zaidan. DZʂȷ੿ʆǨȳྎκŒɑۇιȳʽô1࠮636ņĚɑȳȾίࡧ%܍fNŸÔ؊ཊŒ ȳȾίࡧ% 1978  Hiraki Ukiyoe Zaidan, and Rikka Bijutsukan, ed. 1989. Gototei Kunisada yakushae ten [Gototei Kunisada—His Prints of Kabuki Actors]. Tokyo: Hiraki Ukiyoe Zaidan.  ιʆʘʚ6ࡥņĚί͗κŒɑȳȾίࡧ% 1989ɑȳȾίࡧ%܍fNŸÔ؊ཊŒ Hiraki Ukiyoe Zaidan, and Rikka Bijutsukan, ed. 1997. Meiy de tsuzuru Kisokaid—Sandai Toyo- kuni no yakusha mitate rokujky tsugi [Celebrated Actors Bound to the Kisokaid—Toyokuni III’s Sixty-nine Stations with Visual Parodies of Actors]. Yokohama: Hiraki Ukiyoe Mu- seum. DZ˜Ǩɫۇ੿ȳʽ࠮6ņĚ؍ιɴe6ɑȶɑȳȾίࡧ%܍fNŸÔ؊ཊŒ ÜκŒɑȳȾίࡧ% 1997  Hokkaidritsu Obihiro Bijutsukan, ed. 1995. Utagawa Kunisada: maboroshi no korekushon—Jruri zukushi to hyakunin bijo [Special Exhibition: A Perishable Kunisada Collection of a Jruri Col- lection and One Hundred Beautiful Women]. Obihiro: Hokkaidritsu Obihiro Bijutsukan. ιäĖ͗ξô16ࡥዖ“VRZŠ–ዉηȢDzȇϢθη͖DŽȷ੿DZbšÔ؊ཊ  ʡÔƺθκDŽȷ੿DZbšÔ؊ཊ 1995 Honcoopová, Helena. 1979. Kunisada: pozdní styl Japonského devoezu. Praha: Národní Galerie v Praze. Honcoopová, Helena. 2005. Kunisada, mistr pozdního japonského devoezu [Kunisada, Master of the Late Japanese Woodblock Print]. Praha: Národní Galerie v Praze. Hotta Takeshi. 1998. “Kono ippin: Kunisada gaku yonsei Tsuruya Nanboku no sakuhin kara [An Example for a Kunisada Image of Tsuruya Nanboku IV’s Work].” Ukiyoe geijutsu [Ukiyoe Art] 127: 24–25. Ⱦᆜ͐ǸDŽ̎˨Ϟ4θιȳȾί˃؊κȱ 127 ɨ 6෉ȳÓɰņηϦȫ˨6ࡥɹϢ Ⱦίʧˣ 1998  Hotta Takeshi. 2006. Ukiyoe—Edo kabuki no sekai ten: Kunisada o chshin ni [Ukiyoe—Exhibition on the World of Edo Kabuki: Focussing on Kunisada]. Tokyo: Edo nishikie Katsuhara. ÓɰņιȳȾίƗ̥ôɠ˚Ⱦʇ͗Aࡥ=ɋŻκƗ̥ౚίཱུȌȢ 2006  Ichihara Ichir. 1916a. “Sandai Toyokuni no ga ni tsuite: 1 [Toyokuni III’s Pictures 1].” Ukiyoe 10: 15–17. JȢȫɆηȳʽ࠮6ɹʭϗዄȫዅθιȳȾίκȱ 10 ɨ ȳȾίø 1916  Ichihara Ichir. 1916b. “Sandai Toyokuni no ga ni tsuite: 2 [Toyokuni III’s Pictures 2].” Ukiyoe 15: 16–18. JȢȫɆηȳʽ࠮6ɹʭϗዄʁዅθιȳȾίκȱ 15 ɨ ȳȾίø 1916  241 Ichihara Ichir. 1916c. “Sandai Toyokuni no ga ni tsuite: 3 [Toyokuni III’s Pictures 3].” Ukiyoe 17: 14–16. JȢȫɆηȳʽ࠮6ɹʭϗዄȳዅθιȳȾίκȱ 17 ɨ ȳȾίø 1916  Ine Kazuo. 1917. “Shinie ni arawaretaru Sandai Toyokuni no shz [Portraits of Toyokuni III in Memorial Prints].” Ukiyoe 28: 24–27. ʇȴ˂෦ηēίƻ7 6ȳʽ࠮6ů%θιȳȾίκȱ 28 ɨ ȳȾίø 1917  Iwakiri Yuriko. 2006. “Kaidai 2: Ukiyoe kankei shiry [Explanatory Notes 2: Data Relating to the Ukiyoe].” In Aru shka no kiseki: Kinokuniya Midani ke shiry chsa hkoku [Traces of a Mer- chant’s Family: Report on the Examination of the Materials From the Midani Family of the Kinokuniya Shop], edited by Chiyoda-ku Kyiku Iinkai. Tokyo: Chiyoda-ku Kyiku Iinkai, 80–92. î˟ގĆɁ୯ʖη۳໤ዄ2ዅȳȾίീ͕ࢇŁθιϕ6̩˥ঐऄዖ͗˖6͐ȳࠡ˥ࢇŁ΄ ʜκዄĵǃࡧގ˟îʜȰ 16ዅǪʽɰǡĞƂǴ˴ˣ 2006  Izawa Keiji. 1984. “Kunisada ga Tenp roku nen: Sue shiraga meotogusa [Kunisada From Tenp 6: Sue shiraga meotogusa].” Kikan ukiyoe 98: 5–29. ˖ǃʦǎη6ࡥɹγƄͫ˜δ̜˥͕လƺƆ̢θιʤĈȳȾίκȱ 98 ɨ ɹĵÔ 1984  Izzard, Sebastian. 1978. “Kunisada’s Journey to saka.” Ukiyoe geijutsu [Ukiyoe Art] 59: i–iii. s\d†–žGYŸlηô16ࡥȴൻθιȳȾί˃؊κȱ 59 ɨ 6෉ȳȾίʧˣ^ 1978  Izzard, Sebastian. 1979. “Surimono by Utagawa Kunisada (1786–1864).” Ukiyoe geijutsu [Ukiyoe Art] 61: i–vi. Japanese Summary, 28–30. s\d†–žGYŸlηô16ࡥ‘ÛθιȳȾί˃؊κȱ 61 ɨ 6෉ȳȾίʧˣ^ 1979  Izzard, Sebastian. 1980. “The half-length portraits of Utagawa Kunisada (1786–1864).” Ph.D. diss., University of London. Izzard, Sebastian. 1993. Kunisada’s World. New York: Japan Society and Ukiyo-e Society of Amer- ica. Izzard, Sebastian. 1997. “Courtesan Emerging from a Mosquito Net: A Late Painting by Kunisa- da.” Impressions 19: 68–71. Kamij Knosuke. 2003. “’Ukiyoe shi Kunisada—Sono mon’y shiteki ksatsu’ jotoshite [Ukiyoe Master Kunisada: Historical Enquiry of his Patterns].” Fzoku shigaku [Historical Review on Manners and Customs] 23: 40–45. ȴ̿ŅɟʪηηȳȾί_6ࡥĵ%ɤ͛Ę̄θ θι༁ͦɤʧκȱ 23 ɨ ųɔ ༁ͦɤʧˣ 2003  Kaneko Ban’u. 1918. “Kchr no shtaij [Written Invitation of Kchr].” Ukiyoe 33: 22–24. Ÿʖ˫෾ηཱུքϘΏőāθιȳȾίκȱ 33 ɨ ȳȾίø 1918  Kat Mitsuo. 1998. “Hiroshige, Toyokuni ga Kannon Reigenki ni tsuite [About Hiroshige, Toyo- kuni’s Kannon Reigenki].” Saitama kenritsu rekishi shirykan kenky kiy 20: 76–112. κȱ 20 ɨۀϗθιÏŹεDZďɤࢇŁཊ_ƽ͗ܕŧҞ~ɵηš୰ž࠮6ɹ۠ຨด྾ ÏŹεDZďɤࢇŁཊ 1998 

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246 Takahashi Hakushin. 1980. Ukiyoe sanmai: Kunisada to Eisen [Ukiyoe Concentration: Kunisada and Eisen]. Obihiro: Arita Shob. ဎmǻͮιȳȾίȳƢዖ6ࡥ˧ǘκȽɰȰ̩ 1980  Takahashi Hakushin. 1991. Ukiyoe wa zokubutsu no uta: Kunisada bijinga jruri zukushi ron [Ukiyoe Are the Song of Worldly-minded Persons: Essay on Kunisada’s ‘Jruri Collection’ Bijin Prints]. Tokyo: Nihon Ukiyoe Kykai. ဎmǻͮιȳȾίͦÛϙ ዖ6ࡥÔʡɹηȢDzȇϢθޠκųɔȳȾίǷˣ 1991  Takashima Kazuo. 1919. “Sansei Toyokuni no kubi yakushae [Large Head Actor Portraits of Toyokuni III].” Ukiyoe 50: 20–22. ဎΩ˂෦ηȳȾ࠮6ƂིņĚίθιȳȾίκȱ 50 ɨ ȳȾίø 1919  Takuji. 1918. “Gassaku Tkaid meisho fkei [Collaborative Famous Landscape Sights Along the Tkaid].” Ukiyoe 34: 26. Ƕºηɯ̎ʂȷ੿ɴ̪༁ǚθιȳȾίκȱ 34 ɨ ȳȾίø 1918  Terada Tru. 1972. “Ranjuku to tait—Kuniyoshi, Kunisada ni miru Edo no shun [Overmaturity and Calmness—Edo’s Spring Seen by Kuniyoshi, Kunisada].” Bijutsu tech 353: 49–70. ɰੈη¥k྘ё—6ˀž6ࡥ*6Ɨ̥ƠθιÔ؊̳Uκȱ 353 ɨ Ô؊üÃø̙ 1972  Tinios, Ellis. 1985. “The Three Ages of Ichikawa Danjr VII: Kunisada’s Depiction of Danjr VII in Youth, Maturity and Old Age.” Andon 18: 30–34. Tinios, Ellis. 1986. “A response to Dr. Bickford.” Andon 24: 81–82. Tinios, Ellis. 1987. “The Art of the Onnagata in the Prints of Utagawa Kunisada.” Andon 26: 31– 42. Tinios, Ellis. 1988. “Kabuki and the Actor Prints of Kunisada.” Apollo 311: 3–8. Tinios, Ellis. 1990. “The Kunisada-signature Half-length Actor Portraits of Utagawa Kunisada.” Andon 40: 110–26. Tinios, Ellis. 1991. “Kunisada and the Last Flowering of Ukiyoe Prints.” Print Quarterly vol. VIII no. 4: 342–62. Tinios, Ellis. 1994. “Three Early Uchiwa Prints by Kunisada.” Andon 47: 88–93. Tinios, Ellis. 1996. Mirror of the Stage: The Actor Prints of Kunisada. Leeds: The University Gallery Leeds. Tkaid Hiroshige Bijutsukan [Tkaid Hiroshige Art Museum], ed. 1995. Yakusha mitate Tkaid gojsan tsugi [Fifty-three Stations Along the Tkaid With Visual Parodies of Actors]. Yuich: Tkaid Hiroshige Bijutsukan.  DZʂȷ੿ʆǨȳྎκʂȷ੿š୰Ô؊ཊ 1995ۇιņĚʂȷ੿š୰Ô؊ཊ Tsubuchi Shy. 1919a. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ichi) [About Different Questions on the Relation Between Toyokuni I, II, and III, 1].” Nishikie 11: 1–6. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄȫዅθιౚίκȱ 11 ɨ ω˃Ȱඞ 1919 

247 Tsubuchi Shy. 1919b. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ni) [About Different Questions on the Relation Between Toyokuni I, II, and III, 2].” Nishikie 12: 1–6. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄʁዅθιౚίκȱ 12 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919c. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (San) [About Different Questions on the Relation Between Toyokuni I, II, and III, 3].” Nishikie 13: 1–8. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄȳዅθιౚίκȱ 13 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919d. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Shi) [About Different Questions on the y Toyokuni I, II, and III, 4].” Nishikie 14: 1–7. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄዅθιౚίκȱ 14 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919e. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Go) [About Different Questions on the Relation Between Toyokuni I, II, and III, 5].” Nishikie 15: 1–5. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄʆዅθιౚίκȱ 15 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919f. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Roku) [About Different Questions on the Relation Between Toyokuni I, II, and III, 6].” Nishikie 16: 1–6. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄ˜ዅθιౚίκȱ 16 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919g. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Nana) [About Different Questions on the Relation Between Toyokuni I, II, and III, 7].” Nishikie 17: 1–7. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄȮዅθιౚίκȱ 17 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919h. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Hachi) [About Different Questions on the Relation Between Toyokuni I, II, and III, 8].” Nishikie 18: 1–7. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄ–ዅθιౚίκȱ 18 ɨ ω˃Ȱඞ 1919  Tsubuchi Shy. 1919i. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ky) [About Different Questions on the Relation Between Toyokuni I, II, and III, 9].” Nishikie 19: 1–7. }¥੆ઍηēʽʁʽȳʽ࠮6ŗീ6Ƌΰʼ̯̾ϗዄɫዅθιౚίκȱ 19 ɨ ω˃Ȱඞ 1919  Ujida Skichi. 1977. “Kunisada egaku onna no shiki [Kunisada’s Images of Women in Four Sea- sons].” Kikan ukiyoe 68: 62–63. ũɰˌɰη6ࡥϛϟϢƺʤθιʤĈȳȾίκȱ 68 ɨ ɹĵÔ 1977 

248 Ushiyama Mitsuru. 1928a. Kunisada fzoku hyakusen gash [Album with a Selection of One Hun- dred Works of Kunisada’s Customs and Manners]. Tokyo: Gahsha. Ðͪzι6ࡥ༁͖ͦજʠ෨κʠîø 1928  Ushiyama Mitsuru. 1928b. Gototei Kunisada hyakusen gash—Zokuhen [Album With a Selection of One Hundred Works by Kunisada—Continuation]. Tokyo: Gahsha. Ðͪzιʆʘʚ6ࡥ͖જʠ෨χκʠîø 1928  Wagai Hiroo. 1985a. “Style of Kunisada, Its Change Along with the Times I.” Ukiyoe geijutsu [Ukiyoe Art] 84: 16–21. ࢀʇ˅Ɔη6ࡥ̎༁ŬǃȾȩዄȴዅθιȳȾί˃؊κȱ 84 ɨ 6෉ȳȾίʧˣ˂ 1985  Wagai Hiroo. 1985b. “Style of Kunisada, Its Change Along with the Times II.” Ukiyoe geijutsu [Ukiyoe Art] 85: 11–13. ࢀʇ˅Ɔη6ࡥ̎༁ŬǃȾȩዄȵዅθιȳȾί˃؊κȱ 85 ɨ 6෉ȳȾίʧˣ˂ 1985  Watanabe Akira. 2002. “Bunkaki ni okeru Utagawaha yakushae no gaf henka ni tsuite: Toyo- kuni, Kunisada o chshin toshite [Change of Painting Style in Utagawa Tradition Actor Por- traits from the Bunka Period: Focussing on Toyokuni and Kunisada].” In Studies in Japanese Art History 2: 57–79. ʘપƹηĵǃɌϝϤ6ô1ȟņĚίɹ༁Ŭǃϗዉ࠮6ž6ࡥ=ɋŻθι ųɔÔ؊_ƽκȱ 2 ɨ ɋǬƂʧ˃؊ʧ͕ųɔÔ؊ɤ_ƽ˖ / ɋǬƂʧ˃؊ʧ͕ųɔÔ؊ɤ _ƽ˖ 2002  Watanabe Akira. 2004. “Study on Yakusya-e by Utagawa school in the Bunka period—Focussing on Toyokuni and Kunisada.” Geijutsugaku kenky [Tsukuba Studies in Art and Design] 8: 181–90. ʘપƹηĵǃɌô1ȟņĚίϗ࠮6ž6ࡥ=ɋŻθι˃؊ʧ_ƽκȱ 8 ɨ  ɯŔʧ_ƽŔ 2004 ŷ˃؊ʧ_ƽŔžʡശކɋǬƂʧƂʧඞǻś Watanabe Akira. 2008. “Drawings and sketches by Utagawa Toyokuni III in his later life: Focus- ing on ‘Kamurogiku’ from the collection of the Ota Memorial Museum of Art.” ta Memori- al Museum of Art—The Miscellanea on Ukiyo-e 3: 73–111. ƠÔ؊ཊ̪Яη΍5ऍ͙ɝθ=ɋŻܕʘપƹηȳʽ࠮6ǕɹƚžÃȵϗዉƅɰ  ƠÔ؊ཊ 2008ܕ෨κȱ 3 ɨ ƅɰޠθι Wilmes, Helmut. 1998. “A Remarkable Tkaid Set (2)—Some further Remarks.” Andon 60: 35– 38. Yasuda Gz. 1977. “Utagawa yakushae no tapp—Toyokuni kara Kunisada e no henka [Uta- gawa Actor Prints Style: The Change from Toyokuni to Kunisada].” Kikan ukiyoe 68: 26–29. ʿɰĸЯηô1ņĚί઀༁ž࠮6Ϟ46ࡥ#ŬǃθιʤĈȳȾίκȱ 68 ɨ ɹĵÔ 1977  Yoshida Kichi. 2002. Ukiyoe nazorae hyakunin isshu [Ukiyoe Allusions of One Hundred Poets, One Poem Each]. Tokyo: Kasama Shoin. ɰɰȫιȳȾίÖ͖ʡȫིκȨശȰඞ 2002  Yoshida Susugu. 1977a. “Bakumatsu no aruchizan—Kunisada ron to nishikie smokuroku [Ba- kumatsu Artisan: Essay and List of Nishikie by Kunisada].” Kikan ukiyoe 68: 30–51. ɰɰ̯ηxɓ7Ǎ዆6ࡥޠౚί ΡౣθιʤĈȳȾίκȱ 68 ɨ ɹĵÔ 1977 

249 Yoshida Susugu. 1977b. “Utagawaha—shish no keifu: Toyokuni rokudaime made [Utagawa Tradition: Teacher Instructions Lineage Until Toyokuni VI].” Kikan ukiyoe 68: 52–57. ɰɰ̯ηô1ȟ዆_͕͒߶ž࠮6˜ʽΡ)θιʤĈȳȾίκȱ 68 ɨ ɹĵÔ 1977  Yoshida Susugu. 1977c. “Kunisada nishikie smokuroku: mi-teik hosei 1 [List of Kunisada’s Nishikie: Final Revised Manuscript 1].” Kikan ukiyoe 70: 58–64.  Ρౣ ɓˏƚٜĄ 1θιʤĈȳȾίκȱ 70 ɨ ɹĵÔ 1977 ɰɰ̯η6ࡥౚί Yoshida Teruji. 1954. Hizhan Kunisada Kuniyoshi [Treasured Impressions of Kunisada and Ku- niyoshi]. Tokyo: Miwa Shoin. ɰɰDzʁιřЯÃ6ࡥ6ˀκÔ˂Ȱඞ 1954 

9.4 Books and articles on the Tkaid Addiss, Stephen, ed. 1980. Tkaid. Adventures on the Road in Old Japan. Lawrence, KS: Helen Fo- resman Spencer Museum of Art. Addiss, Stephen, ed. 1982. Tkaid. On the Road: Pilgrimage, Travel and Culture. Lawrence, KS: Helen Foresman Spencer Museum of Art. Austin, James B. 1964. “A Little-known Set of Comic Tokaido Prints by Ikku.” Ukiyoe geijutsu [Ukiyoe Art] 8: 13–16.  ιȳȾί˃؊κȱ 8 ɨ 6෉ȳȾίʧˣ 1964 Band Mitsugor. 1972. Tkaid kabuki hanashi [Tkaid Kabuki Stories]. Tokyo: Nihon Kts Ksha.  hʂȳȌʆ૒ιʂȷ੿ôɠ˚ݔκųɔʔ੒—ø 1972 Boles, Pamela, and Stephan Addiss. 1980. “Hiroshige’s Tkaid Prints in the Context of Yamato- e, the Traditional Painting of Japan.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 74–89. Carey, Patrick. 2000. Rediscovering the Old Tokaido: In the Footsteps of Hiroshige. Folkestone: Global Oriental. Cotton, Patricia. 1980. “The Tkaid Prints and Hiroshige’s Artistic Vision.” In Tkaid. Adven- tures on the Road in Old Japan, edited by S. Addiss, 90–102. Ehmcke, Franziska. 2001. „Die Tkaid-Bilder als Beispiel für Intertextualität in der bildenden Kunst.“ In 11. Deutschsprachiger Japanologentag, edited by H. Gössmann, 321–37. Published in English under the title “The Tkaid Woodblock Print Series as an Example of Intertextuali- ty in the Fine Arts,” in Susanne Formaneck and Sepp Linhart, ed., Written Texts – Visual Texts: Woodblock-printed Media in Early Modern Japan, Amsterdam: Hotei Publishing, 2005, 109–39. Ehmcke, Franziska. 2003. „Faszinierende Ein-Blicke in das frühmoderne Japan – Die Tkaid- Holzschnittserien.“ OAG-Notizen 6: 10–31. Ehmcke, Franziska. 2004. „Methodologische Überlegungen zur kulturwissenschaftlichen Erforschung der Tkaid-Holzschnittserien.“ In Sünden des Worts: Festschrift für Roland Schneider zum 65. Geburtstag, edited by J. Árokay, and K. Vollmer, 231–49. Hamburg: Gesellschaft für Natur und Völkerkunde Ostasiens. Fister, Patricia. 1980. “Pleasures and Dangers of the Tkaid.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 20–41.

250 Fujiedashi Kydo Hakubutsukan, ed. 1995. Tkaid no meisho to meibutsu: Sunsh Kanbara—Ensh Kakegawa [Famous Sights and Specialties from the Tkaid: Sunsh Kanbara—Ensh Kake- gawa]. Fujieda: Fujiedashi Kydo Hakubutsukan. ҞʡJ૩OǻÛཊιʂȷ੿ɴ̪ɴÛዖྱ2ϡȢጚઉ21κҞʡJ૩OǻÛཊ 1995  Fujii Junsh, ed. 1952. Keich hizasurige [Slippery Thighs in the Bedroom]. Tokyo: Yoshiei Shob. Ҟʇͨ੆ιെɋȂÌœκˀ Ȱ̩ 1952  Fujisawa Natsuo. 1996. “Meisaku butai kakueki teisha: Shnan densha tabi nikki [Stopping at Every Station with Famous Dramas: Shnan Train Travel Diary].” Engekikai 8: 76–96. ҞͰŰɢηɴ̎ɠɢɮྎχ঎ዖʽǸช঎şųܕθι̞ŕʇκ8 ɨ ̞ŕüÃø 1996  Fujisawa Natsuo. 1998. “Sunpu (Shizuokashi) kara Kunzan e [From Sunpu (Shizuoka City) to Mount Kun].” Engekikai 5: 88–92. ҞͰŰɢηྱ¥ዄโͿJዅϞ4ɝƫͪ#θι̞ŕʇκ5 ɨ ̞ŕüÃø 1998  Fujita Hiroshi. 1992. “Gojsan tsugi tsurezuregusa—Shibai de aruku Tkaid [Essays in Idleness About the Fifty-three Stations—Along the Tkaid with Theater Plays].” In Ichikawa Enno- suke kabuki ken: Hitori tabi gojsan tsugi, edited by Kokuritsu Gekij. ҞɰǿηʆǨȳ࿤77̢žʬ͌ĈϢʂȷ੿θ6DZŕðιJ1Ŏɟŭôɠ˚—̞ š੿ɋʆǨȳ࿤κ Graham, Patricia J. 1980. “The Political and Economic Importance of the Tkaid.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 2–19. Hayashi Yoshikazu, ed. 1986. Enpon kik Tkaid gojsan tsugi [Erotic Travel Notes of the Fifty- three Stations Along the Tkaid]. Tokyo: Kawade Shob Shinsha, 2001.  ʛÔȫΪιʓɔ͗؅ʂȷ੿ʆǨȳÜκljüȰ̩Œø 2001 Higashiji Taku, ed. 1984a. Hizasuri nikki: Tkaid gojsan erochikku kaid [Diary of Slippery Thighs: Erotic Fifty-three Stations Along the Tkaid]. Tokyo: Gabund.  ੿κɹĵÔ 1984؍ዖʂȷ੿ʆǨȳÜKdfRܕιȂ5ųʂƂऍ೷ Hori Teruaki. 1997. Hiroshige no Tkaid gojsan tsugi tabi keshiki [Travel Scenes from Hiroshige’s Fifty-three Stations Along the Tkaid]. Tokyo: Jinbunsha, 2003. Page references are to the 2nd ed., 2003. ÓƹƏιš୰ʂȷ੿ʆ΢ȳÜşǚʑκʡĵøዄ1997 ዅ2003  It Megumi. 1994. “About the relation between a surimono, Shunky Gojsanda No Uchi and kyka-ehon by Hokusai in the first stage.” Hokusai kenky [Hokusai Study and Research] 17: 7–53. ˖Ҟ,ϣ*η‘ÛηƠɍʆǨȳྍɟ¥θDŽĺİɌąôίɔീਗ਼ϗθή༬DŽĺ  ιDŽĺ_ƽκȱ 17 ɨ ʂǿȰඞ 1994Ô؊ཊ Jippensha Ikku. Shank’s Mare. 1960. Translated by Thomas Satchell. Rutland: Tuttle, 2001. Page references are to the 2001 edition. Jackson Arts Ltd., ed. 2001. Along the Tkaid with Hiroshige and Friends. Toronto: Jackson Arts Ltd. Kanagawa Kenritsu Rekishi Hakubutsukan [Kanagawa Prefectural Museum of Cultural Histo- ry], ed. 2001. Tokubetsu ten: Edo jidai no Tkaid [Special Exhibition: The Tkaid in the Edo Period]. Kanagawa: Kanagawa Kenritsu Rekishi Hakubutsukan. đƙ1εDZďɤǻÛཊιäĖ͗žƗ̥Ƹʽʂȷ੿κđƙ1εDZďɤǻÛཊ 2001 

251 Kanagawa Tkaid Runessansu Suishinky Gikai, ed. 2000. Kanagawa no Tkaid: haruka na jidai no michi no nigiwai [The Tkaid in Kanagawa: Activity on the Road in a Far-away Time]. Vol. 2. Yokohama: Kanagawa Tkaid Runessansu Suishinky Gikai. đƙ1ʂȷ੿ŽpfX–\%੤Ƿ߿ˣιđƙ1ʂȷ੿ዖઍϞƸʽ੿࢏:ϗ ȵκđƙ1ʂȷ੿ŽpfX–\%੤Ƿ߿ˣ 2000  Kasuya Hiroki, ed. 2001. Shintei Tkaid meisho zue [New Revised Tkaid meisho zue]. 3 vols. Tokyo: Perikansha. ̒ࠡ˅͗ιŒ܃ʂȷ੿ɴ̪1ˣκዄŒ܃ųɔɴ̪1ˣ෨ 1–3ዅ3 ¨ %5Ϟ>ø 2001  Keyes, Roger. 1982a. “Hiroshige’s Tkaid Prints.” In Tkaid. On the Road: Pilgrimage, Travel and Culture, edited by S. Addiss, 47–68. Keyes, Roger. 1982b. “Catalogue of Sets of Prints and Illustrated Books Designed by Hiroshige.” In Tkaid. On the Road: Pilgrimage, Travel and Culture, edited by S. Addiss, 69–83. Kimura Yaeko. 2004. “Hanmoto Takenouchi Magohachi no jiseki [Achievements of the Publish- er Takenouchi Magohachi].” In Hiroshige Tkaid gojsan tsugi: Heid ban [Hiroshige’s Fifty- three Stations Along the Tkaid: The Heid Edition], Suzuki Jz et al., 191–202. ɑɫ–୰ʖηÃxȓ¥ʪ–ʀSθιš୰ʂȷ੿ʆ΢ȳÜ:ͫſÔÃκ΄ǬȰ£ 2004  Kitazono Kkichi. 1972. Tkaid shukuba monogatari [Tales of Tkaid Post Stations]. Tokyo: Yzankaku Shuppan.  DŽFʡɰιʂȷ੿˫ðÛݶκ෦ͪുüà 1972 Kodama Kta. 1977. Edo jidai zushi 15: Tkaid II [Pictorial Records of the Edo Period]. Tokyo: Chikuma Shob.  ŹŹιʂȷ੿žʁFκዄƗ̥Ƹʽ1ݩ 15ዅɋŠȰ̩ 1977 Kodama Makoto. 2001. Burari Tokaid gojsan tsugi gein banashi [Theater Stories Along the Fifty- three Stations of the Tkaid]. Tokyo: Art Digest. Źͮι!45ʂȷ੿ʆǨȳÜ˃ƫκዄϙʧނɔ 4ዅEŸkcG[J\k 2001  Lane, Richard. 1982. “Hiroshige: Variations on ‘Kambara’.” In Essays on Japanese Art Presented to Jack Hillier, edited by M. Forrer, 98–117. Machida Shiritsu Kokusai Hanga Bijutsukan [Machida City Museum of Graphic Arts], ed. 1990. Tkaid gojsan tsugi: Utagawa Hiroshige Heid ban Tkaid gojsan tsugi, Hiroshige Sandai Toyokuni Shitsu gojsan tsugi [The Fifty-three Stations Along the Tkaid: Utagawa Hiro- shige’s Heid Edition of the Fifty-three Stations Along the Tkaid, Hiroshige and Toyo- kuni III’s Fifty-three Stations by Two Brushes]. Tokyo: Machida Shiritsu Kokusai Hanga Bi- jutsukan. šιʂȷ੿ʆǨȳÜዖô1š୰ͫſÔÃʂȷ੿ʆǨȳÜ, ô1ɸɰJDZ6෉ÃɹÔ؊ཊ  ୰žȳʽ࠮6ɂɁʆǨȳÜκɸɰJDZ6෉ÃɹÔ؊ཊ 1990 May, Ekkehard. 1973. Das Tkaid meishoki von Asai Ryi: Ein Beitrag zu einem neuen Literaturgenre der frühen Edo-Zeit. Wiesbaden: Harrassowitz Verlag. Nagata Seiji. 1994. Katsushika Hokusai Tkaid gojsan tsugi [Katsushika Hokusai’s Fifty-three Stations Along the Tkaid]. Tokyo: Iwazaki bijutsusha.  ſɰɢʇιή༬DŽĺʂȷ੿ʆǨȳÜκ΄βÔ؊ø 1994 Nagawa Shsuke, ed. 1993. Hitori tabi gojsan tsugi: Shsuke ban [Traveling Alone Along the Fif- ty-three Stations: Shsuke’s Edition]. Nara: Nakagawa Yoshiz. ƙljľশΪιě੿ɋʆǨȳྎዖľশÃκɋ1ˀȳ 1993 

252 Narazaki Muneshige. 1969. Masterworks of ukiyo-e: Hiroshige—The 53 Stations of the Tkaid. Tokyo, New York, San Francisco: Kodansha International Ltd. Narazaki Muneshige. 1989. “Shunsai Eish hitsu ‘Kaih ichiran hana no miyakoji’ [Kaih ichiran hana no miyakoji Drawn by Shunsai Eish].” Ukiyoe geijutsu [Ukiyoe Art] 97: 16–22. πβˌ୰ηƠĺ˧ȡɁηˤ˒ȫۙʾÔ/ɖऍθθιȳȾί˃؊κȱ 97 ɨ 6෉ȳȾίʧ ˣ 1989  no Kazuhiko. 1998. Ukiyoe—Daitkaid [Ukiyoe: The Great Tkaid]. 2 vols. Kyoto: Kyto Shoin. Ƃୱ˂ĶιȳȾߞƂʂȷ੿κʙ૪Ȱඞ 1998  to Yoshifuru, and Yamaguchi Osamu. 1976. Edo jidai zushi 14: Tkaid I [Pictorial Records of the Edo Period 14: Tkaid I]. Tokyo: Chikuma Shob.  Ƃ̥ɰɖάͪɕͳιʂȷ੿žȫFκዄƗ̥Ƹʽ1ݩ 14ዅɋŠȰ̩ 1976 Poster, Amy. 1977. Along the Tokaido: Twelve Views by Kuniyoshi. New York: The Brooklyn Mu- seum. Putzar, Edward. 1961. “Chikusai Monogatari: A Partial Translation.” Monumenta Nipponica 16 1/2 (1960–61): 161–95. Tokyo: Sophia University. Robinson, Basil William. 1999. “Kuniyoshi’s Tkaid cats’ tryptich.” Andon 61: 19–25. Sakai, Gankow N., ed. 1997. Hiroshige to Tkaid ’97 [Hiroshige and the Tkaid in 1997]. Mat- sumoto: Japan Ukiyo-e Academy. ଜʇ෥ဎιš୰ʂȷ੿‘97κųɔȳȾίʧˣ 1997  Schönbein, Martina. 2005. „Von kulinarischen Reisefreuden, Karikaturen eines Katzenliebhabers und Heimatkundeerziehung. Zur Funktionalisierung von Ortsnamen der Tkaid in Text und Bild.“ In Facetten der Populär- und Medienkultur 1, edited by S. Köhn, and M. Schönbein, 73–91. Wiesbaden: Harrassowitz. Shimada Nobuhiko. 1998a. “Abegawa no watashi kara igawa no watashi e [From the River Abe Crossing to the River i Crossing].” Engekikai 5: 93–96. ɰΩ˕Ķηʿૡ1ʘϞ4Ƃʇ1ʘ#θι̞ŕʇκ5 ɨ ̞ŕüÃø 1998  Shimada Nobuhiko. 1998b. “Fujishi kara Shimizushi e [From Fuji to Shimizu].” Engekikai 5: 82– 87. ɰΩ˕Ķη˵śJϞ4ʉŻJ#θι̞ŕʇκ5 ɨ ̞ŕüÃø 1998  Shimada Nobuhiko. 1999. “Ttmi kara Mikawa Owari michi e [The Road from Ttmi to Mi- kawa Owari].” Engekikai 10: 75–88. ɰΩ˕ĶηઉƗϞ4ȳlj͈ēऍ#θι̞ŕʇκ10 ɨ ̞ŕüÃø 1999  Shimada Nobuhiko. 2000. “Kaid kik [Highway Traveller’s Journey].” Engekikai 12: 62–76.  ੿͗؅θι̞ŕʇκ12 ɨ ̞ŕüÃø 2000؍ɰΩ˕Ķη Shiraishi Tsutomu, ed. 1988. Hiroshige Tkaid gojsan tsugi: Hassh yonhyakujhakkei [Hiroshige’s Fifty-three Stations Along the Tkaid: 8 Varieties, 418 Views]. Tokyo: Shogakukan. ͕Q€ιš୰ʂȷ੿ʆǨȳÜዖ–Ƌ͖Ǩ–ǚκ̪ʧཊ 1988  Spinks, Charles Nelson. 1954. “The Tkaid in Popular Literature and Art.” Transactions of the Asiatic Society of Japan, 3: 1–26.

253 Suzuki Jz, Kimura Yaeko, and kubo Jun’ichi. 2004a. Hiroshige Tkaid gojsan tsugi: Heid ban [Hiroshige’s Fifty-three Stations Along the Tkaid: The Heid Edition]. Tokyo: Iwa- nami Shoten. ஸɑ୰ȳάɑɫ–୰ʖάƂɝͫͨȫιš୰ʂȷ੿ʆ΢ȳÜ:ͫſÔÃκ΄ǬȰ£ 2004  Suzuki Jz. 2004b. “Hiroshige ‘Tkaide’ no tenkai [Development of Hiroshige’s Tkaid Pic- tures].” In Hiroshige Tkaid gojsan tsugi: Heid ban [Hiroshige’s Fifty-three Stations Along the Tkaid: The Heid Edition], Suzuki Jz et al., 203–11. ஸɑ୰ȳηš୰ηʂȷ੿ίθ͗യθιš୰ʂȷ੿ʆ΢ȳÜ:ͫſÔÃκ΄ǬȰ£ 2004  Tainaka Joun. 1996. Shiba Kkan “Tkaid gojsan tsugi gaj”—Hiroshige “Gojsan tsugi” ni wa moto e ga atta [Shiba Kkan’s “The Fifty-three Stations Along the Tkaid Album.” Early Images of Hiroshige’s “Fifty-three Stations” Existed]. Tokyo: Waizu Shuppan. ̨ɋDŽฅιɩཽƗ̥ηʂȷ੿ʆǨȳÜɹUθš୰ηʆǨȳÜθxίϟϕ κ’G ]üà 1996  Takeda Tetsutar. 1987. “Hiroshige’s ‘Tkaid’ by Aritaya Blocks.” Ukiyoe geijutsu [Ukiyoe Art] 89: 13–22.  Ćɰ௅ƅ૒ηš୰Ƚɰ͐ʌʂȷ੿θιȳȾί˃؊κȱ 89 ɨ 6෉ȳȾίʧˣ 1987 Takeda Tetsutar. 1990. “Hiroshige’s harimaze-e Published by Yamaguchi-ya, ‘Picture of Tkaid Fifty-three Stations’.” Ukiyoe geijutsu [Ukiyoe Art] 99: 23–26. Ćɰ௅ƅ૒ηš୰ͪɕʌēʔίηʂȷ੿ʆǨȳÜ1ˣθϗθιȳȾί˃؊κȱ 99 ɨ 6෉ȳȾίʧˣ 1990  Tanba Tsuneo. 1963. Ukiyoe: Edo kara Hakone made [Ukiyoe: From Edo to Hakone]. Tokyo: Asahi Shinbun. ɔǬǙƆιȳȾί Ɨ̥Ϟ4ʃ˾)κɊųŒŎ 1963  Tokuriki Tomikichiro. 1968. Tkaid Hiroshige. 5th ed. saka: Hoikusha. Tominaga Takeko. 2003. “An Analysis of the Everlasting Appeal of Tokaido Yotsuya Kaidan.” Ph.D. diss., California State University at Dominguez Hills. Toyohashishi Bijutsu Hakubutsukan, ed. 2001. Rekishi no michi: Tkaid [Historic Roads: The Tkaid]. Toyohashi: Toyohashishi Bijutsu Hakubutsukan.  ιďɤ੿ ʂȷ੿κ࠮mJÔ؊ǻÛཊ 2001࠮mJÔ؊ǻÛཊ Traganou, Jilly. 1997. “The Tokaido: Scenes from Edo to Meiji Eras.” Japan Railway & Transport Review (September 1997): 17–27. Traganou, Jilly. 2004. The Tkaid Road: Travelling and Representation in Edo and Meiji Japan. Lon- don: Routledge. Yamamoto, Akira Y. and Marie Adams. 1980. “Japanese Folk Beliefs in Tkaid Prints.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 42–57. Yamamoto Fumiko Y. 1980. “Hiroshige’s Smile: Humor along the Tkaid.” In Tkaid. Adven- tures on the Road in Old Japan, edited by S. Addiss, 58–73. Yamamoto Masakatsu. 2006. “Sugoroku Prints.“ Daruma 51 (Vol. 13 No. 3): 12–33. Yokota Yasuyuki. 1996. “’Tkaid meisho fkei’ no naka no Kawanabe Kysai sakuhin ni tsuite [About the Works of Kawanabe Kysai in “Tokaid meisho fkei”].” Ukiyoe geijutsu [Ukiyoe Art] 120: 33–34. VɰǷɟηιʂȷ੿ɴ̪༁ǚκɋlj౯ȗĺ̎˨ϗθιȳȾί˃؊κȱ 120 ɨ 6෉ȳȾίʧˣ 1996 

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