Christie's Online-Only Sale of Japanese Prints Now Open

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PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE | Thursday, 24 July, 2014 CHRISTIE’S ONLINE-ONLY SALE OF JAPANESE PRINTS NOW OPEN FOR BIDDING 2 4 J u l y - 7 August 2014 Lot 60 Lot 86 Lot 69 Utagawa Hiroshige (1797-1858) Kitagawa Utamaro (1753?-1806) Utagawa Hiroshige (1797 - 1858) Plum Estate, Kameido, from the series Hairdresser, from the series Fujin Meguro Drum Bridge and Sunset Hill, One Hundred Views of Famous Places Twelve Types of Women's Handicraft, from the series One Hundred Views of of Edo, 11th month 1857 circa 1798–99 Famous Places of Edo, 4th month 1857 Estimate: £8,000 - 12,000 Estimate: £7,000 - 9,000 Estimate: £1,800 - 2,200 Online-only - Christie’s is pleased to announce an online-only auction of Japanese woodblock prints, including a private English collection of prints by the ingenious artist Utagawa Kuniyoshi (1797-1861), which opens for bids on 24 July and runs until 7 August. Comprising 146 lots, with estimates starting at £600, this sale provides new and established collectors and enthusiasts with a rare opportunity to not only acquire some of Kuniyoshi’s best and rarest designs but also to choose from an array of dynamic works by many of the other most famous Japanese printmakers including Kitagawa Utamaro (1753-1806), Utagawa Hiroshige (1797-1848) and Kawase Hasui (1883-1957). To see the full array of works featured and to start to bid please visit the department page http://www.christies.com/auctions/japanese-art FURTHER HIGHLIGHTS Lot 53 Lot 23 Utagawa Hiroshige (1797 - 1858) Utagawa Kuniyoshi (1797-1861) Sudden Shower over Shin-Ohashi Bridge and Atake, from the series One Saito Oniwakamaru Hundred Views of Famous Places of Edo, 9th month 1857 Woodblock print, signed Ichiyusai Kuniyoshi ga Estimate: £8,000 - 10,000 circa 1825-30 Estimate: £600-800 Lot 10 Lot 2 Utagawa Kuniyoshi (1797-1861) Utagawa Kuniyoshi (1797-1861) Biography of Yoshitsune: Gojo Bridge The Last Stand of the Kusunoki Heroes at Shijo-Nawate circa 1839 circa 1851 Estimate: £4,000 - 6,000 Estimate: £1,800 - 2,200 Lot 16 Lot 20 Utagawa Kuniyoshi (1797-1861) Utagawa Kuniyoshi (1797-1861) Horyu Tower from the Hakkenden Grand sumo tournament on Mount Akazawa, 4th month 1858 ('Tale of the Eight Dogs') Estimate: £3,000 - 5,000 circa 1840 Estimate: £5,000 - 7,000 # # # Images available on request Visit Christie’s Website at www.christies.com PRESS CONTACT: Hannah Schweiger| +44 (0)207 389 2964 | [email protected] .

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Mountains and Rivers: Scenic Views of Japan, July 10, 2009-November 1, 2009 The landscape has long been an important part of Japanese art and literature. It was first celebrated in poetry, where invoking the name of a famous location, or meisho, was meant to summon a certain feeling. Later, paintings of these same locations would bring to mind their well-known poetic and literary history. Together, the poems and imagery comprised a canon of place and sentiment, as the same meisho were rendered again and again. During the Edo period (1603–1868) the landscape genre, initially available only to the elite, spread to the medium of woodblock printing, the art of commoner culture. In the 19th century, when most of the works in this exhibition were made, several factors led to the rise of the landscape genre in woodblock prints. Up to this time, the staples of the woodblock print medium had been images of beautiful courtesans and handsome kabuki theater actors. First among these factors was the rising popularity of domestic travel. The development of a system of major roads allowed many people to travel for both business and pleasure. Woodblock prints of locations along these travel routes could function as souvenirs for those who made the trip or as fantasy for those who could not. Rather than evoking a poetic past, these images of meisho were meant to tantalize viewers into imagining romantic far-off places. Another factor in the growth of the genre was the skill of two particular woodblock print artists— Katsushika Hokusai (1760–1849) and Utagawa Hiroshige (1797–1858) (whose works are heavily represented here).
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