DOCSLIB.ORG

Recepcija Fantastike U Jugoslovenskim Književnostima (1945–1990)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Recepcija Fantastike U Jugoslovenskim Književnostima (1945–1990) UNIVERZITET U NOVOM SADU FILOZOFSKI FAKULTET INTERDISCIPLINARNE DOKTORSKE STUDIJE U POLJU DRUŠTVENO- HUMANISTIČKIH NAUKA RECEPCIJA FANTASTIKE U JUGOSLOVENSKIM KNJIŽEVNOSTIMA (1945–1990) DOKTORSKA DISERTACIJA Mentor: Prof. dr Sava Damjanov Kandidat: Marijana Terić Novi Sad, 2020. UNIVERZITET U NOVOM SADU FILOZOFSKI FAKULTET KLJUČNA DOKUMENTACIJSKA INFORMACIJA Redni broj: RBR Identifikacioni broj: IBR Tip dokumentacije: Monografska dokumentacija TD Tip zapisa: Tekstualni štampani materijal TZ Vrsta rada (dipl., mag., dokt.): Doktorska disertacija VR Ime i prezime autora: Marijana Terić AU Mentor (titula, ime, prezime, Prof. dr Sava Damjanov zvanje): MN Naslov rada: Recepcija fantastike u jugoslovenskim NR književnostima (1945‒1990) Jezik publikacije: Crnogorski jezik JP Jezik izvoda: cg. / eng. JI Zemlja publikovanja: Srbija ZP Uže geografsko područje: Vojvodina UGP Godina: GO Izdavač: autorski reprint IZ Mesto i adresa: MA Fizički opis rada: (broj poglavlja / stranica / slika / grafikona / FO referenci / priloga) Doktorska disertacija sadrži četrnaest poglavlja, 239 strana i 280 referenci. Naučna oblast: Južnoslovenske književnosti sa teorijom NO književnosti / Fantastička književnost Naučna disciplina: Teorija recepcije i književna kritika ND Predmetna odrednica, ključne reči: horizont očekivanja, fantastički diskurs, PO implicitni čitalac, postmodernizam, ars combinatoria, metanarativnost UDK 821.163-312.9"1945/1990"(043.3) Čuva se: FILOZOFSKI FAKULTET, Centralna ČU Biblioteka Važna napomena: VN Izvod: Komparativnim izučavanjem fantastičke IZ književnosti na jugoslovenskim prostorima bavio se veoma mali broj autora, tako da ne postoji dovoljno istraženo polje fantastike u savremenoj jugoslovenskoj fantastičkoj književnosti. Iz tog razloga, potrebe našeg istraživanja počivaju na temeljnom sagledavanju ovog fenomena u djelima reprezentativnih stvaralaca, čija djela predstavljaju revolucionarni iskorak u odnosu na vladajuće književne paradigme. Kako bi svako djelo moglo pronaći svoje mjesto u okviru savremenih naučnih teorija, neophodno je ukazati na značaj djelovanja književnog teksta i njegov odjek u empirijskom svijetu čitalaca. Ispitaćemo način na koji jedni pisci utiču na druge, pronaći analogije među različitim tekstovima, odnos pisaca prema književnom nasljeđu i dijalog s djelima iz savremene literature fantastičkog usmjerenja. Oslanjajući se na relevantne kritičke rasprave cilj nam je predstaviti korpus fantastičkih tekstova i zbirki pripovjedaka odabranih autora, ukazati na njihov odnos s istovremenim književnim pojavama u susjednim državama. Jedan od ciljeva koji se nameće tokom istraživačkog procesa jeste osvrt na fantastiku u svjetskoj književnosti 20. vijeka čiji su stvaraoci izvršili uticaj na domaću generaciju pisaca. Istraživanje obuhvata autore fantastičke književnosti koji stvaraju u periodu od 1945. do 1990. godine (Pavao Pavličić, Goran Tribuson, Milorad Pavić, Sava Damjanov, Miodrag Bulatović, Vlada Urošević i Irfan Horozović), a koji su djelovali u okviru hrvatske, srpske, crnogorske, makedonske i bosanskohercegovačke literarne produkcije. Na temelju navedenih tvrdnji dolazimo do zaključka da su fantastičari na prostoru bivše Jugoslavije odigrali važnu ulogu kao književnoistorijska pojava, otvorili put (post)modernističkim strujanjima, zbog čega se njihova fantastička kratka proza smatra pretečom postmodernističkih književnih koncepcija. Datum prihvatanja teme od strane NN veća: DP Datum odbrane: DO Članovi komisije: predsednik: (ime i prezime / titula / zvanje / član: naziv organizacije / status) član: KO University of Novi Sad Key word documentation Accession number: ANO Identification number: INO Document type: Monograph documentation DT Type of record: Textual printed material TR Contents code: The doctoral dissertation CC Author: Marijana Terić AU Mentor: Prof. dr Sava Damjanov MN Title: The reception of Fantasy in Yugoslav literature TI types (1945‒1990) Language of text: Montenegrin language LT Language of abstract: eng. / mn. LA Country of publication: Serbia CP Locality of publication: Vojvodina LP Publication year: PY Publisher: Reprint of author PU Publication place: PP Physical description: The doctoral dissertation contains 14 chapters, PD 239 pages and 280 references. Scientific field Yugoslav literature types with the theory of SF literature / Fantasy literature Scientific discipline The theory of reception and literary criticism SD Subject, Key words horizon of expectation, fantasy discourse, SKW implicit reader, postmodernism, ars combinatoria, meta-narrativity UC 821.163-312.9"1945/1990"(043.3) Holding data: HD Note: N Abstract: Very few authors have dealt with comparative AB studies of fantasy literature in the area of Yugoslavia, so in modern Yugoslav fantasy literature there does not exist a sufficiently researched field of fantasy. For that reason, the needs of our research are based on a fundamental consideration of this phenomenon in the works of representative writers, whose works represent a revolutionary step in terms of the prevailing literary paradigms. In order for every work to find its place within modern scientific theory, it is necessary to emphasise the significance of the action of a literary text and its repercussions in the empirical world of the readers. We will examine the way in which certain writers influence other ones, find analogies between different texts, the attitude writers have towards literary heritage and the dialogue with works from modern literature of a fantasy orientation. Relying on relevant critical texts, our goal is to present a corpus of fantasy texts and of collections of short stories by selected authors, to highlight how they are related with concurrent literary phenomena and neighbouring countries. One of the goals, which arose during the research process, is a review of fantasy in world literature of the 20th century, whose authors exerted an influence on a generation of writers from Yugoslavia. The research covers authors of fantasy literature who were writing in the period 1945–1990 (Pavao Pavličić, Goran Tribuson, Milorad Pavić, Sava Damjanov, Miodrag Bulatović, Vlada Urošević and Irfan Horozović), and who were active within literary production in Croatia, Serbia, Montenegro, Macedonia and Bosnia and Herzegovina. On the basis of the stated assertion, we come to the conclusion that fantasy writers in the area of the former Yugoslavia played an important role as a phenomenon of literary history, opening up the way for postmodernist trends, and for this reason their fantasy short prose is considered a forerunner of postmodernist literary concepts. Accepted on Scientific Board on: AS Defended: DE Thesis Defend Board: president: DB member: member: SADRŽAJ 1. UVODNE NAPOMENE ........................................................................................................ 3 2. ULOGA I ZNAČAJ TEORIJE RECEPCIJE U NAUCI O KNJIŽEVNOSTI ...................... 7 3. JUGOSLOVENSKA KNJIŽEVNOST (INTERLITERARNA SAGLEDAVANJA) ......... 15 4. PREGLED KNJIŽEVNO-KRITIČKIH PUBLIKACIJA .................................................... 19 4. 1. Recepcija fantastike u hrvatskoj književnosti .............................................................. 19 4. 2. Srpska fantastika u književnoj kritici ........................................................................... 30 4. 2. 1. Naučna fantastika ................................................................................................. 41 4. 2. 2. Fantastična biografija „pionira naučne fantastike“ .............................................. 45 4. 3. Fantastika u bosanskohercegovačkoj književnosti ....................................................... 47 4. 4. Makedonska književnost u kritičkom ogledalu ........................................................... 51 4. 5. Crnogorska književno-kritička sagledavanja fantastike ............................................... 56 5. FANTASTIČKA KNJIŽEVNOST ‒ KNJIŽEVNOTEORIJSKA SAGLEDAVANJA ...... 62 5. 1. Pristupi proučavanju fantastike .................................................................................... 62 5. 2. Kratak pregled tipova fantastike .................................................................................. 70 5. 3. Postmoderna fantastika ................................................................................................ 73 6. HISPANOAMERIČKA FANTASTIČKA LITERATURA ................................................ 76 6. 1. Horhe Luis Borhes kao model umjetničkoga stvaranja ............................................... 76 6. 2. Svijet Borhesovog djela .............................................................................................. 79 6. 3. Sistem simbola u Borhesovoj prozi .............................................................................. 86 7. KRATKA PROZA HRVATSKIH FANTASTIČARA ........................................................ 94 7. 1. Poetička obilježja hrvatskih stvaralaca i recepcija njihovih djela ............................... 94 7. 2. Lađa od vode Pavla Pavličića ....................................................................................... 97 7. 2. 1. „Lađa od vode“ kao programski tekst fantastičara ............................................. 103 7. 3. Proza Gorana Tribusona ............................................................................................ 107 7. 3. 1. Fantastička komponenta Tribusonove „Praške smrti“ ....................................... 112 7. 4. Zaključna razmatranja ...............................................................................................
Load more

Recommended publications
  • Montenegro Old and New: History, Politics, Culture, and the People
    60 ZuZana Poláčková; Pieter van Duin Montenegro Old and New: History, Politics, Culture, and the People The authors are focusing on how Montenegro today is coming to terms with the task of becoming a modern European nation, which implies recognition not only of democracy, the rule of law, and so forth, but also of a degree of ‘multiculturalism’, that is recognition of the existence of cultural, ethnic, linguistic and religious minorities in a society that is dominated by a Slavic Orthodox majority. In his context they are analyzing the history of the struggle of the Montenegrin people against a host of foreign invaders – after they had ceased to be invaders themselves – and especially their apparently consistent refusal to accept Ottoman sovereignty over their homeland seemed to make them the most remarkable freedom fighters imaginable and led to the creation of a special Montenegrin image in Europe. This im- age of heroic stubbornness and unique martial bravery was even consciously cultivated in Western and Central Europe from the early nineteenth century onwards, as the Greeks, the Serbs, the Montenegrins and other Balkan peoples began to resist the Ottoman Empire in a more effective way and the force of Romantic nationalism began to influence the whole of Europe, from German historians to British politi- cians, and also including Montenegrin and Serbian poets themselves. And what about the present situa- tion? The authors of this essay carried out an improvised piece of investigation into current conditions, attitudes, and feelings on both the Albanian and the Slavic-Montenegrin side (in September 2012). key words: Montenegro; history; multiculturalism; identity; nationalism; Muslim; Orthodox Montenegro (Crna Gora, Tsrna Gora, Tsernagora) is a small country in the Western Balkans region with some 625,000 inhabitants,1 which became an independent nation in 2006 and a can- didate-member of the EU in 2010.
    [Show full text]
  • The Memory of the Avant- Garde and the New Wave in the Contemporary
    The Memory of the Avant- Garde and the New Wave in the Contemporary Serbian Novel Marko Avramović Institute for Literature and Arts, 2 Kralja Milana St, 11000 Belgrade, Serbia https://orcid.org/0000-0001-5878-5777 [email protected] This article is dealing with the topic of two past twentieth-century epochs in a few representative Serbian novels at the turn from the twentieth to the twenty-first century. These are the 1980s and the New Wave era in Yugoslavia, an epoch close to the past that can still be written about from the perspective of an immediate witness, and the avant-garde era, that is, the period between the two world wars marked in art by different movements of the historical avant-garde. The novels Milenijum u Beogradu (Millennium in Belgrade, 2000) by Vladimir Pištalo, Vrt u Veneciji (The Garden in Venice, 2002) by Mileta Prodanović, and Kiša i hartija (Rain and Paper, 2004) by Vladimir Tasić are being interpreted. In these novels, it is particularly noteworthy that the two aforementioned epochs are most commonly linked as part of the same creative and intellectual currents in the twentieth century. Keywords: Serbian literature / contemporary Serbian novel / literary avant-garde / New Wave / Zenitism / rock and roll / Pištalo, Vladimir / Prodanović, Mileta / Tasić, Vladimir In Vladimir Tasić’s Farewell Gift (2001), one of the key contemporary Serbian novels, the narrator at some points expresses a high apprecia- tion of the two epochs. One is personally experienced, while the other has long been placed in historical niches
    [Show full text]
  • Language Policy and Linguistic Reality in Former Yugoslavia and Its Successor States
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Tsukuba Repository Language Policy and Linguistic Reality in Former Yugoslavia and its Successor States 著者 POZGAJ HADZ Vesna journal or Inter Faculty publication title volume 5 page range 49-91 year 2014 URL http://doi.org/10.15068/00143222 Language Policy and Linguistic Reality in Former Yugoslavia and its Successor States Vesna POŽGAJ HADŽI Department of Slavistics Faculty of Arts University of Ljubljana Abstract Turbulent social and political circumstances in the Middle South Slavic language area caused the disintegration of Yugoslavia and the formation of new countries in the 1990s, and this of course was reflected in the demise of the prestigious Serbo-Croatian language and the emergence of new standard languages based on the Štokavian dialect (Bosnian, Croatian, Serbian and Montenegrin). The Yugoslav language policy advocated a polycentric model of linguistic unity that strived for equal representation of the languages of the peoples (Serbo-Croatian, Macedonian and Slovenian), ethnicities (ethnic minorities) and ethnic groups, as well as both scripts (Latin and Cyrillic). Serbo-Croatian, spoken by 73% of people in Yugoslavia, was divided into the eastern and the western variety and two standard language expressions: Bosnian and Montenegrin. One linguistic system had sociolinguistic subsystems or varieties which functioned and developed in different socio-political, historical, religious and other circumstances. With the disintegration of Yugoslavia, the aforementioned sociolinguistic subsystems became standard languages (one linguistic system brought forth four political languages). We will describe the linguistic circumstances of the newly formed countries after 1991 in Croatia, Serbia, Bosnia and Herzegovina, and Montenegro.
    [Show full text]
  • Eight Fragments Serbian, Croatian, Bosnian
    EIGHT FRAGMENTS FROM THE WORLD OF MONTENEGRIN LANGUAGES AND SERBIAN, CROATIAN, SERBIAN, CROATIAN, BOSNIAN SERBIAN, CROATIAN, BOSNIAN AND FROM THE WORLD OF MONTENEGRIN EIGHT FRAGMENTS LANGUAGES Pavel Krejčí PAVEL KREJČÍ PAVEL Masaryk University Brno 2018 EIGHT FRAGMENTS FROM THE WORLD OF SERBIAN, CROATIAN, BOSNIAN AND MONTENEGRIN LANGUAGES Selected South Slavonic Studies 1 Pavel Krejčí Masaryk University Brno 2018 All rights reserved. No part of this e-book may be reproduced or transmitted in any form or by any means without prior written permission of copyright administrator which can be contacted at Masaryk University Press, Žerotínovo náměstí 9, 601 77 Brno. Scientific reviewers: Ass. Prof. Boryan Yanev, Ph.D. (Plovdiv University “Paisii Hilendarski”) Roman Madecki, Ph.D. (Masaryk University, Brno) This book was written at Masaryk University as part of the project “Slavistika mezi generacemi: doktorská dílna” number MUNI/A/0956/2017 with the support of the Specific University Research Grant, as provided by the Ministry of Education, Youth and Sports of the Czech Republic in the year 2018. © 2018 Masarykova univerzita ISBN 978-80-210-8992-1 ISBN 978-80-210-8991-4 (paperback) CONTENT ABBREVIATIONS ................................................................................................. 5 INTRODUCTION ................................................................................................. 7 CHAPTER 1 SOUTH SLAVONIC LANGUAGES (GENERAL OVERVIEW) ............................... 9 CHAPTER 2 SELECTED CZECH HANDBOOKS OF SERBO-CROATIAN
    [Show full text]
  • Ћирилица Из Нот Дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia
    1 Ћирилица из нот дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia Aleksandra Salamurović (Jena)1 1. Introduction During 2012 and 2013 the question of script use in Serbia, specifically, the fact that Latin script prevails in public use, moved into the spotlight of public discussion, especially in multicultural Novi Sad (Salamurović 2015). After several months-long debates over scripts used on the building of the Center for Culture in Novi Sad, on bus displays and other public facilities, one creative citizen was obviously motivated to express their revolt by posting the following graffiti: Ћирилица из нот дед (“Cyrillics is not dead”), transcribing parts of English text into Serbian using the Cyrillic alphabet. On the other hand, in his current typological study on biscriptality in Slavic and non-Slavic languages, Slavist Daniel Bunčić proclaims in aphoristic form: “Monoscriptality can be cured - learn Cyrillic!” (Bunčić 2016a:16)2 emphasizing an additional value of learning and using the Cyrillic script. Besides both statements relating to Cyrillic script, they also have the common trait that they assign particular attitudes and values to the script. Those socio-cultural attributions are one of the most important features of the script and are of primary importance in selecting the script within biscriptal situations. Moreover, they are of particular interest for language policy and sociolinguistics of script. This paper will examine the current status of Cyrillic script in three South-Slavic countries: Serbia, Montenegro and Macedonia3, the first two being biscriptal in the sense of what Bunčić typologically describes as bigraphism (one language using two scripts, Bunčić 2016c:54), and the last, Macedonia, being typologically monoscriptal but still dealing with two different scripts.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Cinematic Representations of Nationalist-Religious Ideology in Serbian Films during the 1990s Milja Radovic Doctor of Philosophy The University of Edinburgh March 2009 THESIS DECLARATION FORM This thesis is being submitted for the degree of PhD, at the University of Edinburgh. I hereby certify that this PhD thesis is my own work and I am responsible for its contents. I confirm that this work has not previously been submitted for any other degree. This thesis is the result of my own independent research, except where stated. Other sources used are properly acknowledged. Milja Radovic March 2009, Edinburgh Abstract of the Thesis This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic.
    [Show full text]
  • Prenesi Datoteko Prenesi
    ISSN 0351-1189 PRIMERJALNA KNJIŽEVNOST ISSN (tiskana izdaja/printed edition): 0351-1189 TEMATSKI SKLOP / THEMATIC SECTION Comparative literature, Ljubljana ISSN (spletna izdaja/online edition): 2591-1805 Literatura v postsocialističnih kontekstih PKn (Ljubljana) 43.2 (2020) PKn (Ljubljana) PKn (Ljubljana) 43.2 (2020) 43.2 (2020) PKn (Ljubljana) Literature in Postsocialist Contexts Izdaja Slovensko društvo za primerjalno književnost Published by the Slovene Comparative Literature Association Uredil / Edited by: Alen Širca https://ojs.zrc-sazu.si/primerjalna_knjizevnost/index Glavni in odgovorni urednik Editor: Marijan Dović Marija Mitrović: Predgovor / Introduction Tehnični urednik Technical Editor: Andraž Jež Uredniški odbor Editorial Board: Boris A. Novak: Listanje Sarajevskih zvezkov v spominskem zrcalu Marko Juvan, Alenka Koron, Dejan Kos, Vanesa Matajc, Darja Pavlič, Vid Snoj, Alen Širca, Jola Škulj Vladimir Gvozden: The Serbian Novel After the End of Utopia Marko Avramović: The Memory of the Avant-Garde and the New Wave in Uredniški svet Advisory Board: Ziva Ben-Porat (Tel Aviv), Vladimir Biti (Dunaj/Wien), Lucia Boldrini, Zoran Milutinović, the Contemporary Serbian Novel Katia Pizzi, Galin Tihanov (London), Darko Dolinar, Janko Kos, Aleksander Skaza, Neva Igor Žunkovič: Kognitivistična interpretacija družbene funkcije Šlibar, Tomo Virk (Ljubljana), César Domínguez (Santiago de Compostela), Péter Hajdu empatije v drami Kasandra Borisa A. Novaka (Budimpešta/Budapest), Jón Karl Helgason (Reykjavík), Bart Keunen (Gent), Sowon Park (Santa Barbara), Ivan Verč (Trst/Trieste), Peter V. Zima (Celovec/Klagenfurt) Alen Širca: Neodločljivost v poeziji Tomaža Šalamuna Varja Balžalorsky Antić: Dialoškost v sodobni slovenski poeziji © avtorji © Authors PKn izhaja trikrat na leto. PKn is published three times a year. Prispevke in naročila pošiljajte na naslov Send manuscripts and orders to: RAZPRAVE / ARTICLES Revija Primerjalna književnost, Novi trg 2, 1000 Ljubljana, Slovenia.
    [Show full text]
  • Preuzmite Publikaciju
    Institute for Political Studies UDC 811.163.41:323.1(=163.41) Serbian Political Thought Manuscript received: 19.05.2011. No. 2/2011, Accepted for publishing: 02.08.2011. Year III, Vol. 4 Scientific polemics pp. 121-141 Momčilo Subotić1 Institute for Political Studies, Belgrade The Renewal of Serbistics Introduction It is known, from the researches conducted by many public opinion agencies, that most Serbs and other citizens of Serbia are inclined to- wards Serbia’s accession to the European Union. However, things have gone a step backwards today compared to the nineties; no one in the Serbian politics, or in the key national institutions, such as the SANU (Serbian Academy of Sciences and Arts), Matica srpska and others, is even trying to conduct the analyses of Serbian defeats, to face the wrong ideas of Yugoslavism and Yugoslav politics and state. Without scientifically based and critical analyses of the status of Serbian nation and its state’s state constituencies, no further European integrations are possible. In other words, until the time when the Serbian political and intellectual leadership is finished with the Yugoslav era of its history, and realize and correct all the historical forgeries and counterfeits it was based on, the European integrations on an equal basis and by Eu- ropean standards will not happen. It is likely that the Serbian leader- ship, for the umpteenth time in the recent history, cannot overcome the excess history which, in the Balkan’s „barrel of gun-powder“ has always been too much. The Serbs have to answer the question of what happened to the Ser- bian national identity in the Yugoslav state to themselves first; do the European standards for entering „the family“ of the European nations, based on the linguistic definition of a nation, also stand for the Serbian people, being multi-confessional such as some other European nations (Germans, Hungarians, Аlbanians etc.).
    [Show full text]
  • The Development Path of the Serbian Language and Script Matica Srpska – Members’ Society of Montenegro Department of Serbian Language and Literature
    Jelica Stojanović THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT MATICA SRPSKA – MEMBERS’ SOCIETY OF MONTENEGRO DEPARTMENT OF SERBIAN LANGUAGE AND LITERATURE Title of the original Serbian Edition: Jelica Stojanović, Put srpskog jezika i pisma, Belgrade, Srpska književna zadruga, 2017, The Blue Edition series For the publisher JELICA STOJANOVIĆ Editor DRAGO PEROVIĆ Translation NOVICA PETROVIĆ ©Матица српска – Друштво чланова у Црној Гори, Подгорица, 2020. Jelica Stojanović THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT Podgorica 2020 MILOš KOVAčEVIć THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT, MADE UP OF STRAY PATHS Only two years have passed from the two hundredth anni- versary of the beginning of Vuk Karadžić’s struggle for “intro- ducing the folk language in literature”, that is to say, from the introduction of the Serbian folk language in the Serbian literary language, or to put it in the more modern phrasing of today: the standard language. The beginning of that struggle is connected to the year 1814, when, in the royal city of Vienna, Vuk’s first grammar book came out: The Orthography of the Serbian Lan- guage Based on the Speech of the Common Folk, which dealt with resolving the three most important standard-related issues: a) the issue of the Serbian orthography, b) the issue of the morpho- logical structure of the Serbian language, and c) the issue of the name of the language and its national boundaries. Rare are the languages, if, indeed, there are any, which have had such a turbulent history of two hundred years. The histor- ical development of a language can be followed at two histor- ical levels: that of its internal and that of its external history.
    [Show full text]
  • S Francuskog Prevela Zorica Miškovid. - Sarajevo : Izdavačko Preduzede "Svjetlost", 1967 (Sarajevo: NP "Oslobpđenje")
    02001 821.133.1 82-822 SAGAN, Fransoa Čudesni oblaci / Fransoa Sagan; s francuskog prevela Zorica Miškovid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1967 (Sarajevo: NP "Oslobpđenje"). - 148 str.; 17 cm. - (Biblioteka "Džepna knjiga" 403) POD/004016 POD/021257 02002 821.163.41 82-822 ANDRID, Ivo Mustafa Madžar i druge priče / Ivo Andrid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1965 (Sarajevo: NP "Oslobođenje"). - 223 str.; 17 cm. - (Biblioteka "Džepna knjiga" 341) POD/004017 POD/004018 02003 821.111(73)-31 82-822 LUIS, Sinkler Bebit : knjiga prva / Sinkler Luis; preveo s engleskog Borivoje Nedid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1966 (Beograd: Grafičko preduzede "Novi dani"). - 237 str.; 17 cm. - (Džepna biblioteka Izabranih djela) POD/004019 PO/005067 POD/004020 POD/004021 POD/007371 02004 821.111-31 82-822 SINKLER, Luis Bebit : druga knjiga / Sinkler Luis; s engleskog preveo Borivoje Nedid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1966 (Beograd: Grafičko preduzede "Novi dani"). - 222 str.; 17 cm. - (Džepna biblioteka Izabranih djela) POD/004022 POD/004023 PO/005065 POD/005066 POD/013715 POD/021401 02005 821.163.41-32 82-822 PETROVID, Veljko Pesma u podne / Veljko Petrovid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1966 (Beograd: Grafičko preduzede "Novi dani"). - 263 str.; 17 cm. - (Džepna biblioteka Izabranih djela) PO/004024 POD/020507 02006 821.112.2 82-822 MAJER, Konrad Ferdinand Peskarino iskušenje - Anđela Borđija / Konrad Ferdinand Majer; s njemačkog preveo Konstantin Petrovid. - Sarajevo : Izdavačko preduzede "Svjetlost", 1966 (Beograd: Grafičko preduzede "Novi dani"). - 277 str.; 17 cm. - (Džepna biblioteka izabranih djela) PO/004026 POD/004027 POD/004762 POD/019270 POD/004025 02007 821.111-31 82-822 TEKERI, Viliem Mekpis Vašar taštine : III knjiga / Viliem Mekpis Tekeri; s engleskog preveo Mihailo Đorđevid.
    [Show full text]
  • The Media in Dark Times a View of the Media in Serbia Filip David It Is
    The Media in Dark Times A View of the Media in Serbia Filip David It is the opinion of many that the disintegration of Yugoslavia and the present bloody war would not have been possible without the propaganda role of the state media, particularly radio and television. A monopoly of information already existed in its fullest form in Tito's Yugoslavia. Then too there were 'black lists' of banned personalities and an index of prohibited subjects. No criticism was allowed of Tito himself or his actions, the Yugoslav national army, the communist system, self-management or brotherly unity. It is true that in some of its features, Yugoslav communism was more liberal than that of Eastern Europe or the Soviet Union and that there was an occasional relaxation of censorship and party control, but there was never a moment when the media was free to act without ideological pressure. Having lost its ideological basis after the collapse of the Great Eastern Empire of communism, the ruling oligarchy took on nationalism as its new ideology. In Serbia, this conversion took place through what was known as 'the anti-bureaucratic revolution', which represented an introduction to the disintegration of Yugoslavia, but about the same time prefaced a gory venture into war. All the worst features of the old regime were passed on: demagogy, manipulation of people and ideas, the use of force against the truth, an Orwellian twisting of the meaning of words. People spoke of peace when they meant war, cited justice while setting up a system of gross injustice. Truth became another name for lies and life was praised by glorifying death.
    [Show full text]
  • Slavica Bruxellensia, 5 | 2010 La Littérature Serbe Avant Et Après La Chute Du Mur De Berlin 2
    Slavica bruxellensia Revue polyphonique de littérature, culture et histoire slaves 5 | 2010 Après 1989 La littérature serbe avant et après la chute du mur de Berlin Milivoj Srebro Édition électronique URL : http://journals.openedition.org/slavica/295 DOI : 10.4000/slavica.295 ISSN : 2034-6395 Éditeur Université libre de Bruxelles - ULB Édition imprimée Pagination : 7-20 ISSN : 2031-7654 Référence électronique Milivoj Srebro, « La littérature serbe avant et après la chute du mur de Berlin », Slavica bruxellensia [En ligne], 5 | 2010, mis en ligne le 15 février 2010, consulté le 03 mai 2019. URL : http:// journals.openedition.org/slavica/295 ; DOI : 10.4000/slavica.295 Ce document a été généré automatiquement le 3 mai 2019. Les contenus de Slavica bruxellensia sont mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Pas de Modification 3.0 France. La littérature serbe avant et après la chute du mur de Berlin 1 La littérature serbe avant et après la chute du mur de Berlin Milivoj Srebro Introduction 1 La chute du Mur de Berlin, qui a sonné le glas du communisme en Europe n’a pas eu le même impact sur la vie intellectuelle et littéraire dans tous les anciens pays communistes. Si cet important événement historique a effectivement ouvert une nouvelle ère dans l’espace culturel de l’ex-bloc soviétique – une ère où les écrivains pouvaient enfin espérer jouir pleinement de la liberté d’expression –, il s’est inscrit dans un contexte socioculturel différent en ex-Yougoslavie, pays qui se trouvait alors déjà au bout du gouffre.
    [Show full text]