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Clover Honey
-^—^^^^^^—^^^^^^^^^~^^^— CiTTRR 101 .9 tfm radiradioo — march 1999 free watch me grbvr.1 ir-TT^^ __*-+• fourth annual women's issue •jade bladotckivor honey add n to (x)# sarah dougher* patti schmidUst pedro by thea y§y| See them on fhe SlIO J HITS March llth Vancouver, BC Croatian Cultural Center 15fh Calgary, AB Macewan Ballroom 16th Edmonton; AB Scona Bus Barns 17th Regina, SAS University Centre 20th Timmins, ONT Northern College 21st Collingwood ONT Blue Mountain Ski Resort 22nd Toronto, ONT Opera House 23rd Ottawa, ONT Parish Hail 24th Montreal, QUE Le Medley/Metropolis 26th Quebec City, QUE IKEA NEW RECORD AVAILABLE NOW: BACK ON THE STREETS MELODIC HARDCORE 4T IT'S FINEST FROM CHICAGO, THIRD FULL LENGTH. PO BOX 7495 VAN NUYS CA 91409 WWW.H0PELESSREC0RDS.COM PRICES: CD-S10 LP CS-S7 . ALI mm mmi PUD in m us, m m m RWHGN ORDERS ^ ciie^K OUT THeSe supeR New ReLeaSeS ON EpftaPH a^D HeLLc^T. euaRaNTeep TO PUT So Me "SPRING " IN YOUR STep. .Km i fijpt •A folm I Catch Bouncing Souls LIVE (onSnojamand lookout for IBS iAfl'der their brand new album "Hopeless Romantic" TEN FOOT POLE out May 4th! PULLEY insider SA out now March 23rd DROPKICKMURPHYS The Gang's AU Here March 16th •UE 193 • MARCH 99 • THAT MAGAZINE FEATURES ST PEDRO • LOCAL FICTION ABOUT A NOT SO LOCAL PLACE SARAH DOUGHER • NORTHWEST WOMAN DOES IT ALL CLOVER HONEY • 1998 SHINDIG WINNERS! ADD N TO (X) • BRITISH "AVANT-HARDISTS" JADE BLADE • PUNK ROCK STAR TURNED ACADEMIC PATTI SCHMIDT • BIG CELEBRITY, BIG FEATURE COLUMNS GRUMPY OLD DOG 4 VANCOUVER SPECIAL 5 SEVEN INCH 16 DEMO DERBY 16 PRINTED MATTERS 17 REAL LIVE ACTION 1 8 UNDER REVIEW 20 CHARTS 23 ON THE DIAL 24 MARCH DATEBOOK 26 DOROTHY PARKER, WRITER, POET, JOURNALIST COMICS BOTCHED AMPALLANG 4 editrix: miko hoffman GOOD TASTY COMIC 23 art director: ken paul ad rep: maren hancock OUR APOLOGIES: TO THE VANCOUVER NEW MUSIC EN production manager: SEMBLE FOR NOT CREDITING THEM IN OUR REVIEW OF THEIR tristan winch FINE PERFORMANCE OF SOLO 2 TRIO IN LAST MONTH'S graphic design/layout: ISSUE. -
Theguardian and NUS: Campaign DidnT Organise a Moves to Parliament Piss-Up in a Brewery
Issue 949 - Weekly Thursday 19th November 1998 Tuition Fees TheGuardian and NUS: Campaign Didnt organise a Moves to Parliament piss-up in a brewery he Guardian / NUS London”. Student Media Awards Tare the highlight of the The following academic year for all involved morning, back at in producing student media, the Media be it newspapers, magazines, Conference, NUS radio or television. President Andrew Pakes released a Last Saturday saw the 20th statement from Anniversary event, part of the the NUS which Student Media Conference, claimed that The take place at the Truman Guardian were Breweries building in East responsible for the London. Unfortunately around arrangements for Union Officers campaigning at Westminster 200 of the conference dele- the awards cere- n Thursday 12th November, students from gates were unable to get into mony and that it across the country converged on the awards ceremony due to was The Guardian OWestminster to take the Student Rights the ceremony taking place in a who had refused Charter to the Government. After the successful venue that could not cater for entry to confer- Day of Action held in the Unions on 30th October, the required number of peo- ence delegates, Some of the entries for the media awards with Pluto winning the coveted ple. who have in the campaign was taken to MPs in the Houses of Newspaper of the Year Award - full list of winners on page 2. Parliament. It was also a chance for Union officials previous years to gather more information about why the battle is As the situation developed the attended the the problem, but look forward workshops presented by so important to all students. -
Exploiting Prior Knowledge During Automatic Key and Chord Estimation from Musical Audio
Exploitatie van voorkennis bij het automatisch afleiden van toonaarden en akkoorden uit muzikale audio Exploiting Prior Knowledge during Automatic Key and Chord Estimation from Musical Audio Johan Pauwels Promotoren: prof. dr. ir. J.-P. Martens, prof. dr. M. Leman Proefschrift ingediend tot het behalen van de graad van Doctor in de Ingenieurswetenschappen Vakgroep Elektronica en Informatiesystemen Voorzitter: prof. dr. ir. R. Van de Walle Faculteit Ingenieurswetenschappen en Architectuur Academiejaar 2015 - 2016 ISBN 978-90-8578-883-6 NUR 962, 965 Wettelijk depot: D/2016/10.500/15 Abstract Chords and keys are two ways of describing music. They are exemplary of a general class of symbolic notations that musicians use to exchange in- formation about a music piece. This information can range from simple tempo indications such as “allegro” to precise instructions for a performer of the music. Concretely, both keys and chords are timed labels that de- scribe the harmony during certain time intervals, where harmony refers to the way music notes sound together. Chords describe the local harmony, whereas keys offer a more global overview and consequently cover a se- quence of multiple chords. Common to all music notations is that certain characteristics of the mu- sic are described while others are ignored. The adopted level of detail de- pends on the purpose of the intended information exchange. A simple de- scription such as “menuet”, for example, only serves to roughly describe the character of a music piece. Sheet music on the other hand contains precise information about the pitch, discretised information pertaining to timing and limited information about the timbre. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Quentin Couldn't
The Arts and Entertainment Supplement to the Daily Nexus, for April 13th through April 19th. 1995 Quentin couldn't: make it, but we got the inside scoop» on Destiny- Turns on tJie Ftedio from his co-stars Dylan McDermott and Nancy Travis, along with director Jack Bar an. See pages 4A-5A. 2A Thursday, April 13,1993 Daily Nexus bars of cage / you see scars, much ease — thus “Strug results of my rage.” That’s glin’,” tire soul food, hip- another thing about this hop blues, demi-epic of debut album. In Tricky’s the album. (The “epic” Massive and Unparalleled world, everything is a cage, track would probably be without any hope of re the seven-minute exten prieve. Even love is a sti sion of their first single, T ricky posedly one of 'fricky’s landic woman named any of them out from the fling, repressive activity “Aftermath.”) Amid creak M axinquaye nonsense words, sort of Ragga (again, no last scrapyard beats, hip-hop and sex is the violent ing doors, screeching 4th S t Broadway/I gland based around the name of name) and Alison Gold- breaks, soul slides and means of expressing one’s saxes, cocking rifles and his mother. frapp, who was most re thick, dark atm osphere anger. ambulance wails, Tricky This is almost too dense While we’re on names, cently heard on Orbital’s that just oozes out all over Witness “Abbaon Fat mutters like a junkie com a record for one head to Tricky’s real one is Adrian last album. -
Butlletí De Novetats Discogràfiques Abril-Juny
BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES ABRIL-JUNY 2008 CJCMJPUFDB QÞCMJDBBMJDBOUF ÍNDICE 1. MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 3-8 2. JAZZ 9-12 3. ROCK, POP, MÚSICA LIGERA 13-21 4. MÚSICA CLÁSICA 22-26 5. MÚSICA NEW AGE 27-28 6. MÚSICA FUNCIONAL. BANDAS SONORAS VARIAS 29-32 ÍNDICES 33-37 1 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 1 BRANCO, Cristina Abril [Grabación sonora] / Cristina Branco ; [canciones de José Alfonso]. -- [S.l.] : Universal Music, p 2007. -- 1 disco compacto (65 min., 04 seg.) : digital ; 12 cm + 1 folleto Letras de las canciones en el folleto Contiene : 1. Menino Doiro ; 2. Senhor Arcanjo ; 3. Maio maduro Maio ; 4. Canto Moço ; 5. Avenida de Angola ; 6. No comboio descendente ; 7. Ronda das Mafarricas ; 8. Cancao de Embalar ; 9. Era um Redondo Vocabulo ; 10. A morte saiu à Rua ; 11. Cantigas do Maio ; 12. Venham mais cinco ; 13. Carta a Miguel Djeje ; 14. Os Indios da Meia-Praia ; 15. Coro da Primavera ; 16. Chamaram-me cigano 1. Música popular portuguesa I. Alfonso, José (1929-1987) II. Título 071.4 BRA 1038258 ALI R.C.D. 5723 2 BUSTAMANTE, Julio (1951-) Lluvia cascabel [Grabación sonora] / Julio Bustamante. -- Valencia : Comboi Records, p 2008. -- 1 disco compacto (ca. 38 min.) : digital ; 12 cm + 1 folleto Letras de las canciones en el folleto Contiene: 01. Rosa de los vientos ; 02. John Huston ; 03. La selva ; 04. Lluvia cascabel ; 05. La especie de Tom Sawyer ; 06. El secundario ; 07. Albert y la mar ; 08. Gatitos pequeños ; 09. Llena de gracia ; 10. Estiu estrany D.L. V 5054-2007 1. -
Round 15.Pdf
TRASHionals 12 Round 15 Toss-Ups 1. Though at first it sold poorly, it did get favorable reviews, appearing on Car and Driver's 10 Best lists in 1996 and 1997. The replacement model for the Spirit, it represented a move away from extended K-car platform in the mid '90s as it aspired to compete for sales with the Lumina, Taurus, and Accord, though it would be replaced by the Avenger after the 2007 model year, as the market moved towards larger and more powerful sedans such as the Intrepid and Charger. The last of the so-called "cloud cars" to be produced, it became a running joke as a symbol of phony middle-class luxury and white-collar middle managers. This is for ten points, what Chrysler-made vehicle, immortalized by angry father on Saturday Night Live played by Will Ferrell demanding deference from his wife and surly daughter, noting that "he is a division manager" and that "people are scared of him" in part because he drives one of these. Answer: Dodge Stratus 2. Their final album, M6, was released in only in Europe, and their leader pronounced them defunct as of 2007. Many fans consider 1995's Beggar On A Beach Of Gold to be their best album, though they scored bigger hits with their first two albums. They recorded a version of the Beatles' "Revolution" for the film Rude Awakening and their first single was featured in the film Choke Canyon, which overseas was retitled On Dangerous Ground. Featuring twin vocalists Paul Young and Paul Carrack, the man for whom the band was named wrote most songs and played guitar. -
A Modest Proposal, Vol. 4, No. 6
Office of Student Affairs 2008-4-01 A Modest Proposal, vol. 4, no. 6 Jonathan Coker, et al. © 2008 A Modest Proposal Find more information about this article here. This document has been made available for free and open access by the Eugene McDermott Library. Contact [email protected] for further information. T H E ~- ALTE RN ATIVE UTD STUDENT PUBLICATION As Article 2 ofth e Bill ofRights remains open to interpretation, we debate the pros and cons ofgun ownership page 12 w 0 No Butts About It Ihe J:Misnomer ofDarwinism Best of the Coen Brothers Vl z Why UTD should reject Evolutionary biology Their top five 0 a proposed camp1.1s-wide Vl isn't Darwinism! page 9 movies page 16 ..J smoking ban page 3 ·· < A P R I L 2 0 0 8 • V 0 L U M E 4 • I S .s. U E 6 • A M P . ~ T.Q. -"\ L L A S • E D U 2 CoNTENTs • APRI L 2008 • VoLuME 4 • I ssue 6 In Ibis Issue. J 2 Handguns in Society Point-Counterpoint BY CHRIS KRAILO AND CAMPUS L I FE LISSETTE VILLARRUEL No Butts About It A RTS & LEISURE 3 UTD should reject campus-wide smoking ban. BY GRACE BIELAWSKI 14 The Spin Cycle AND DINA. SHAHROHKI April brings showeC$ of new records Art Apart BY JORDAN YOUNGBLOOD 4 UTD offers a variety of high-quality art; The Menu now it needs the audience. This month, Cappuccino Bistro BY ALEX GARCIA TOPETE BY BRADY SPENRATH Viewing Water in Waterview Best Movies Ever: The Coens s· to Waterview should improve landscaping deal A look back at these brothers' best work with torrential rains. -
Authority Attacks M40 Format Switch by Emmanuel Legrand Intended to Play an Active Role Proposals to Increase CLT's In- in M40 As a Shareholder
NEWS RADIO MUSIC AIRPLAY CHARTS SALESCHARTS SPECIAL REPORTS Cranberries Reap Hot 100 Sales Breakers Awards VOLUME 11. ISSUE 5 . FEBRUARY 4, 1995 £2.95 DM8 FFR25 US$5 Authority Attacks M40 Format Switch by Emmanuel Legrand intended to play an active role proposals to increase CLT's in- in M40 as a shareholder. vestment in M40 were re- PARIS - A decision by CLT to Thegroup'ssubsequent jected, the CSA "cannot autho- suddenly change the name and decision to alter the name and rise the change in the net's format of FM network M40 format ofM40 without name," a move which requires has resulted in a violent clash informing the CSA has exact- the authority's approval. with the French broadcasting eda prompt-and stern- Sources at the CSA explain authority CSA. response from the Authority. the name switch implies CLT Spanish national classical station Sinfo Radio has namedone of On January 18, the format The CSA has urged CLT has become owner of the net. its studios after the country's most important living classical com- of M40 changed from EHR to "tobroadcast programming Atpresstime,CLT had poser Rodriguez. During the opening ceremony, Cadena SER ACE/news and the network's similar to that agreed by the failedtocomply withthe directorgeneralAugustoDelkaderthanked94 -year -old name was switched to RTL1 licensing convention" instead CSA's request to revert to the Rodriguez, who was in attendance. In its first six monthson air, without any notice. ofthenew -formatRTL1 old M40 format and name. Sinfo Radio has notched up a daily average of 116.000 listeners. -
SNICK - Round 10
SNICK - Round 10 1. A stuffed animal from this man's childhood inspired a supposedly super-cool character that he voiced in the short-lived Fox Kids cartoon C-Bear and Jamal. A banker named Biderman utterly baffles a criminal played by this man by telling him things like "the horse is in the barn" and "the chicken is in the pot" in the film Blank Check; that character is named Juice. This man voiced a goanna lizard who sings "If I'm Gonna Eat Somebody (It Might As Well Be You)" in (*) FernGully two years before he played Emilio, a Miami cop who assists the title character of Ace Ventura: Pet Detective. For 10 points, name this raspy-voiced man who also rapped the hits "Wild Thing" and "Funky Cold Medina." ANSWER: Tone Lōc (loke) (or Anthony (Terrell) Smith) <Vopava, Trends/Miscellany> 2. One song on this album was re-recorded with vocals by William S. Burroughs for an X-Files soundtrack. Initial printings of this album unusually had a translucent yellow disc tray. A song on this album quickly repeats the phrase "call me when you try to wake her" and is based on (*) "The Lion Sleeps Tonight." This album's original name, Star, referenced an ornament that appears on its cover, though it was ultimately named for the slogan of Weaver D's, a restaurant in Athens, Georgia. A single from this album describes "when the day is long, and the night is yours alone," while another poses numerous questions to Andy Kaufmann. "Man on the Moon" and "Everybody Hurts" appear on, for 10 points, what 1992 album by R.E.M.? ANSWER: Automatic for the People <Nelson, Music> 3. -
The Arts and Entertainment Supplement to the Daily Nexus, For
4 The Arts and Entertainment Supplement to the Daily Nexus, for December 1st through December 7th, 1994 1 Textures. Rhythms. nute due to pressure from Beats. These three things the police department. are important attributes to Are you used to that kind any song. But how are of thing? Discuss the cur these characteristics coal rent state of dance culture esced? In the world of in England. dance music, hardly any Paul Hartnoll: Oh, one does this as well as Or there’s loads of rubbish bital. Their recent show at going on in England, isn’t the Shrine Auditorium there.... Unless you do ev proved that not only are erything well above board, they the premiere house/ you’re really setting your techno group, but further self up for trouble, and if proved that die emergence you get away with it, it’s of underground dance lucky, with underground music is a force steadily be parties where it’s not coming impossible to ig strictly organized.... Even nore as we approach the if you hire the place off of next century, coupled with someone, you might have the imminent death of a license to have that many rock music. Artsweek'% people in it. You’ve got to Monty Luke cornered Phil be lucky to get away with and Paul Hartnoll of Orbi it. tal in Los Angeles to dis Especially now with the cuss music, politics and criminal justice bill gone spiders. through, if you get caught Artsweek: 1 under doing something like that, stand the venue for Satur day[ night's'.