The Arts and Entertainment Supplement to the Daily Nexus, For

Total Page:16

File Type:pdf, Size:1020Kb

The Arts and Entertainment Supplement to the Daily Nexus, For 4 The Arts and Entertainment Supplement to the Daily Nexus, for December 1st through December 7th, 1994 1 Textures. Rhythms. nute due to pressure from Beats. These three things the police department. are important attributes to Are you used to that kind any song. But how are of thing? Discuss the cur­ these characteristics coal­ rent state of dance culture esced? In the world of in England. dance music, hardly any­ Paul Hartnoll: Oh, one does this as well as Or­ there’s loads of rubbish bital. Their recent show at going on in England, isn’t the Shrine Auditorium there.... Unless you do ev­ proved that not only are erything well above board, they the premiere house/ you’re really setting your­ techno group, but further self up for trouble, and if proved that die emergence you get away with it, it’s of underground dance lucky, with underground music is a force steadily be­ parties where it’s not coming impossible to ig­ strictly organized.... Even nore as we approach the if you hire the place off of next century, coupled with someone, you might have the imminent death of a license to have that many rock music. Artsweek'% people in it. You’ve got to Monty Luke cornered Phil be lucky to get away with and Paul Hartnoll of Orbi­ it. tal in Los Angeles to dis­ Especially now with the cuss music, politics and criminal justice bill gone spiders. through, if you get caught Artsweek: 1 under­ doing something like that, stand the venue for Satur­ day[ night's'. show was changed at the last mi-, 2A Thursday, December 1,1994 Daily Nexus ^ MEME CACOM James right to release an experi­ purchasing this album: a present themselves upon Wah Wah mental, aberrant album, colorful, well-textured as­ listening to any other new Mercury following such alternative sortment of pop songs, alternative release. This pop successes as Gold finely produced lullabies, one’s different, my friends. James, a seven-member Mother, Seven and Laid. thought-provoking politi­ My suggestion is to spin rock clan, has been mak­ The new release is called cal lyrics and MTV-esque the disc in an elegantly lit ing music for well over a Wah Wah, out on Mer­ song structures. room, with the sole agenda decade now. These Man­ cury in the United States. However, one may ex­ of listening to the sounds cunian (from Manchester, Let me issue a warning perience a variety of senti­ and voices of Wah Wah, England) veterans have to the James audience, of ments, reactions and mind and the mere pleasure of earned their fame and the what not to expect when revelations which do not meditating to Tim Booth’s soothing voice. Let the un­ pop music take you under to experience how open LUSCIOUS your mind can get to ac­ cepting unique melodies and rhythms. Just as Wah Wah is raw, intentionally Luscious Jackson unfinished and uncut, it In Search of Manny leaps into flames of inse­ Grand Royal parable intimacy, concent­ ration and potency. Luscious Jackson’s It is impossible to write music has a flavor all its a review on particular own, a flavor that songs because the album screams of their native blends its tracks into each New York, a flavor uns­ other, and rightly so. Some ducer Brian Eno recorded wayed by the tired rap Laid. The bold production tracks may pose you with Wah Wah raw, and so did and rock standards. strategies have Eno writ­ an unhurdlable disso­ not rerecord any of the 1992’s In Search of ten all over them. And nance. There is a high tracks. It was compiled M anny brought Lu­ Wah Wah has 23 tracks — quality of cacophony to from a set of spontaneous scious Jackson consider­ over 68 minutes full of some of the tracks. In the recordings which were able respect as a versatile mind-blistering, ear­ same light, it is important done in an adjacent studio band with a unique blanketing music. to note that James and pro- during the recording of knack for songwriting. —Radha Patel In Search of Manny boasted a bass-heavy sampling of obscure '70s funk records, along with RESH live drums, singing, gui­ tar, bass, keyboards and, player, emotionally im­ album’s first single, of course, MC’s. mature and unable to “Citysong,” is strictly a As the firsthand with a face responsibility. Ag­ hip-hop record with pri­ ONCERT W orld release on Beastie Boy gressively feminist, Lu­ marily rapping, scream­ Something real is hap­ — the place has the feel of songs on blue marbled M ike D ’s infam ous scious Jackson takes a ing horns and a rolling pening in Goleta. Since a collective. While the club vinyl. Phooey, Schlong, Grand Royal Records — serious approach to their bassline. “Citysong,” the middle of last year, exists as a substance-free Crack and a fourth band even before Check Your music with topics like along with Luscious there’s been a local con­ entertainment alternative will be playing Anarchy Head — Luscious Jack- physical abuse, sexual Jackson’s overall feel, cert venue that’s heartfelt, for the local high schools, Under the Sea, the cross­ son endures countless pride and fighting male pays tribute to New exciting and honest. Not it’s been snowballing as dressing prom, on Dec. 17. comparisons to the Beas­ apathy. Their lyrics don’t York’s rich culture and surprisingly, UCSB can’t the only place in this area tie Boys and have even shy away from being dangerous streets. The Living Room has take the credit. Located at where you’re going to see a shows pretty much every been referred to as the tough or abrasive: “I’m What’s best about Lu­ 7190 Hollister, if used to certain niche of indepen­ “girl Beastie Boys.” the cold reminder of de­ scious Jackson is that weekend. And they’re a lot be a union hall. It used to dent live music. of fun. For details, call the However, Luscious Jack- feat, I’ll be there when they’re playing at UCSB be called the UFCW. I Bands on tour play son definitely has its own you wake up next week, in the UCen tomorrow hotline at 564-0130. Real­ think they’re now calling it there, like Shove, Catfood, ity Control’s address is sound, which runs the I’ll be there when you night. The second, or the Living Room. Hush Harbor, Witchypoo, 5970 Birch, #2, Carpin- border halfway between freak the next freak.” possibly third, best thing The club’s atmosphere Heavens to Betsy and an hip-hop and indie rock With their new album, about them is that the teria, CA 93013. is very distinctive and un­ unadvertised Canadian —Kevin Carhart (even though they’re Natural Ingredients, show is only $5 for stu­ ique. All ages are admitted. pop group called Gob, to now on Capitol/Grand Luscious Jackson re­ dents, a bargain if there No alcohol is served or name just a few. Royal). turns with a deep, heavy ever was one. I’ll see you permitted. There’s a defi­ There’s also a layer of 4 Manny refers to the sound, recalling vintage there. nite politics in the air. The relatively “local” bands o jirchet^ge^of^^he^male st^lesfroniti^TOs/Tlie —Noah Blumberg admission prices are low that come and go and in­ terchange members and o return in new incarna­ FREE MEMBERSHIP tions. Sparker, Young EMERALD VIDEO présents... with major credit card Pioneers and the late, 6545 Pardall Rd. CALVIN & H O B B E S great Vulvalution have $1.00 OFF ANY RENTAL gone by the wayside. But > isla VÎSta, CA 968-6059 By Bill Watterson with this comic (void with other offer) Ventura’s Phooey is thriv­ ing (and Dan Silver too). Phooey has a new seven-inch single out on Reality Control? Records. The packaging and tweaked layouts are amaz­ ing — they seem to have cut up their old Booster Gold comic books to stick inside the sleeves. Herve Villechaize, cartoons, Da­ vid Letterman and random pop art are all inside in a massive book, along with four strange, appealing Créât Classics And Today's Best New Rock 'n Roll Daily Nexus Thursday, December 1,1994 3 A Associated Students PROGRAM BOARD Digable Planets Blowout Comb presents Pendulum/EMI Blowout comb. The blowout comb was an essential tool of the African-American community in years gone by — used to pick out and shape our naturals, in celeb­ ration of the unique kinkiness of the locks which grow on our heads. And in defiance to the limiting definition of beauty and style prescribed to us from above by chauvinistic Western culture, it was these picks, whether with a raised clenched Black fist on the top, or with the extra-long “cake cutter” handle which thing from women’s reproductive rights hung out the back of your pocket, which to Marxist theoiy were expounded upon became a living symbol of the African re­ beneath the backdrop of urban New naissance in America. Physically as well York. On Blowout Comb, the intellec­ as culturally and politically, the dominant tual discussions of today’s society are still American/European culture took a back there, with the primary focus on the liber­ seat to the very real motto of “Black is ation of Black Folk from the clutches of Beautiful.” American capitalist greed. This is why I feel that the image of the blowout comb is regaining its past signifi­ Throughout the 13 tracks on the al­ cance in the midst of our current cultural bum, this central theme is manifested as renaissance, which can be seen in the re­ the trio lyrically pays homage to various placement of styles such as the Jheri curl heroes and martyrs dedicated to African with the natural beauty of dreads and liberation within America, as on “Jettin,” fros, where the political conservatism and and stresses the necessity for unity and racial hypocrisy from the powers-that-be social cooperation among Black people is being met with open physical and men­ in order to achieve liberation, on “Dial 7” tal rebellion, and where the artistic musi­ and “Black Ego.” They pay homage to cal expression of hip-hop continues to Black music, culture and especially their thrive with social relevance despite unre­ home of Brooklyn, NYC, on “Borough lenting external and internal threats to its Check,” featuring Guru; “Graffiti,” with survival.
Recommended publications
  • Ford Talks on Preside.Ntial Disability Paper Deems Bv MATIHEW Coleman Paired
    Cinematic SOcieties "CaVER·s:THE cAMPus un: THE MAGNaUAs." THuRsDAY, NOVEMBER 16,1995 Rat invaSion worries students, officials say it's not unusual '·' ' ·BY DANIEL JoHNsoN proceeded to lunge at Geppert. the east entrance to Reynolda Hall, outside of them before they capture us," Charlton said. length of eight inches, excluding the tail, and Cormueumm RFroRmR "l was coming home when a rat jumped at the Benson University Center and in the bu~hes He said he is particularly concerned about the weigh approximately one pound. me. So I just ran," Geppert said. He said he that surround Kitchin and Davis houses. large number of rats that he has seen between ''The students may be noticing a population Freshman Andy Oeppeit returned to his particularly feared that the rat would bite one 'Junior P.J. Charlton said-he has noticed an Davis and Benson. _ · bulge but it is not an abnormal occurrence," room in Kitchin House after a long njght of of his Birkenstock-exposed toes. increase in the amount of rats on campus The presence of rats on campus is not a new Weigl said. studying. Along his route from_ the library Geppert's experience is not unique." Over since h~ came t_o the university two years ago. problem. "There have always been rats on A surge in reproductio~ rates, more access back to Kitchin, Geppert encountered on~ of the past month, many students have noticed Charltonsaidhefeelsthatiftheratpopulation campus," said Peter Weigl, a professor of to food and shelter or movement to the cam­ the university rulers of the night: a-rat.
    [Show full text]
  • Mister Spliffy Pass the Dutchie Mp3, Flac, Wma
    Mister Spliffy Pass The Dutchie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Pass The Dutchie Country: UK Released: 1995 Style: Euro House MP3 version RAR size: 1601 mb FLAC version RAR size: 1155 mb WMA version RAR size: 1864 mb Rating: 4.1 Votes: 531 Other Formats: DXD AIFF AUD AC3 ASF AU APE Tracklist A Pass The Dutchie (Extended Club Mix) B Pass The Dutchie (Radio Mix) Other versions Category Artist Title (Format) Label Category Country Year Mr. Spliffy* Mr. Spliffy* Featuring CD CHASEX Chase CD CHASEX UK & Featuring Plan Plan B - Pass The 1996 3 Records 3 Europe B Dutchie (CD, Maxi) Sniper Mr. Spliffy* Mr. Spliffy* Featuring Records , 3017242 Featuring Plan Plan B - Pass The 3017242 France 1996 Ramdam B Dutchie (CD, Maxi) Factory Mr. Spliffy* Mr. Spliffy* Featuring 12 CHASEX Chase 12 CHASEX Featuring Plan Plan B - Pass The UK 1996 3 Records 3 B Dutchie (12") Mr. Spliffy* Feat. Plan Mr. Spliffy* 3017246 B - Pass The Dutchie CNR Music 3017246 Europe 1996 Feat. Plan B (12") 12 CHASE Pass The Dutchie Chase 12 CHASE Mister Spliffy UK 1995 X3DJ (Remix) (12", Promo) Records X3DJ Related Music albums to Pass The Dutchie by Mister Spliffy Miss E - Pass That Dutch Balli & The Fat Daddy Featuring Fresh Kid Ice - Master Plan Bob Citrus - Boot The Alarm / Boot The Dutchie Pass Pass - Street Bounce Decemay - Pass The Dutchie Juno & The Dismemberment Plan - Juno & The Dismemberment Plan Molella 's Musical Youth - Pass The Dutchie (Remix) Chase & Status - End Credits VIP / Is It Worth It VIP Deeyah - Sampler From The Forthcoming Album Plan Of My Own Tony Dutchie - Longi Li Li La La.
    [Show full text]
  • United States Court of Appeals for the Ninth Circuit
    FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT JAMES W. NEWTON, JR., dba Janew Music, Plaintiff-Appellant, v. MICHAEL DIAMOND; ADAM HOROWITZ; ADAM YAUCH, dba Beastie Boys; CAPITOL RECORDS, INC., a Delaware Corporation; GRAND ROYAL RECORDS, INC., a California Corporation; UNIVERSAL POLYGRAM INTERNATIONAL PUBLISHING, INC., a Delaware No. 02-55983 Corporation; BROOKLYN DUST D.C. No. MUSIC, an entity of unknown CV-00-04909-NM origin; MARIO CALDATO, JR., an individual; JANUS FILMS, LLC, a OPINION New York Limited Liability Company; CRITERION COLLECTION, a California Partnership; VOYAGER PUBLISHING COMPANY, INC., a Delaware Corporation; SONY MUSIC ENTERTAINMENT GROUP, a Delaware Corporation; BMG DIRECT MARKETING, INC., a Delaware Corporation; THE COLUMBIA HOUSE COMPANY, an entity of unknown origin, Defendants-Appellees. Appeal from the United States District Court for the Central District of California Nora M. Manella, District Judge, Presiding 15765 15766 NEWTON v. DIAMOND Argued and Submitted April 7, 2003—Pasadena, California Filed November 4, 2003 Before: Mary M. Schroeder, Chief Judge, David R. Thompson, and Susan P. Graber, Circuit Judges. Opinion by Chief Judge Schroeder; Dissent by Judge Graber 15768 NEWTON v. DIAMOND COUNSEL Alan Korn, Law Offices of Alan Korn, Berkeley, California, for the plaintiff-appellant. Adam F. Streisand and David C. Nelson, Loeb & Loeb, LLP, and Barry E. Mallen, Manatt, Phelps & Phillips, LLP, Los Angeles, California, for the defendants-appellees. Todd M. Gascon, Law Offices of Todd M. Gascon, and Sarah Sevier Farnbach, Phillips & Erlewin, LLP, San Francisco, California, for the amici curiae. OPINION SCHROEDER, Chief Judge: This appeal raises the difficult and important issue of whether the incorporation of a short segment of a musical recording into a new musical recording, i.e., the practice of “sampling,” requires a license to use both the performance and the composition of the original recording.
    [Show full text]
  • Exploiting Prior Knowledge During Automatic Key and Chord Estimation from Musical Audio
    Exploitatie van voorkennis bij het automatisch afleiden van toonaarden en akkoorden uit muzikale audio Exploiting Prior Knowledge during Automatic Key and Chord Estimation from Musical Audio Johan Pauwels Promotoren: prof. dr. ir. J.-P. Martens, prof. dr. M. Leman Proefschrift ingediend tot het behalen van de graad van Doctor in de Ingenieurswetenschappen Vakgroep Elektronica en Informatiesystemen Voorzitter: prof. dr. ir. R. Van de Walle Faculteit Ingenieurswetenschappen en Architectuur Academiejaar 2015 - 2016 ISBN 978-90-8578-883-6 NUR 962, 965 Wettelijk depot: D/2016/10.500/15 Abstract Chords and keys are two ways of describing music. They are exemplary of a general class of symbolic notations that musicians use to exchange in- formation about a music piece. This information can range from simple tempo indications such as “allegro” to precise instructions for a performer of the music. Concretely, both keys and chords are timed labels that de- scribe the harmony during certain time intervals, where harmony refers to the way music notes sound together. Chords describe the local harmony, whereas keys offer a more global overview and consequently cover a se- quence of multiple chords. Common to all music notations is that certain characteristics of the mu- sic are described while others are ignored. The adopted level of detail de- pends on the purpose of the intended information exchange. A simple de- scription such as “menuet”, for example, only serves to roughly describe the character of a music piece. Sheet music on the other hand contains precise information about the pitch, discretised information pertaining to timing and limited information about the timbre.
    [Show full text]
  • The Winonan - 1990S
    Winona State University OpenRiver The inonW an - 1990s The inonW an – Student Newspaper 11-6-1996 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1990s Recommended Citation Winona State University, "The inonW an" (1996). The Winonan - 1990s. 167. https://openriver.winona.edu/thewinonan1990s/167 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1990s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. What's Going On? Sexual assault and Did WSU students BoDeans and Goo Warriors of the Week: robbery in Winona, exercise their right to Goo Dolls rock WSU's Sister Act and Pre-registration vote? WSU continues See Page 2 See Page 5 See Page 7 See Pa e 10 The Iw 11A1111U1IVERIIT11)1RAI VI 3 0106 00362 4706 inonan Wednesday, November 6, 1996 Vol. 75 Issue/ '1 Winona State's First Student Paper Established 1922 WSU in the BODEANS AND GOO GOO DOLLS ROCK STUDENTS dark over lighting bill By ARIEL M. BLAHA The parking lot, located between News Reporter Sheehan and the cafeteria, is IRHC' s top concern, according to Hoff. Winona State University students Five other IRHC members were have seen the light—at least they will involved as well as one student senate when the University installs new se- officer. curity lighting totaling $88,000. During the walk-through, Ferden Spring of 1997 is the installation explained the preliminary plan and date for the lighting, which will focus the concerns, then asked if the stu- on areas around Kryzsko Commons dents wanted to add anything.
    [Show full text]
  • Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
    Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms.
    [Show full text]
  • NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
    NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing.
    [Show full text]
  • English Song Booklet
    English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.
    [Show full text]
  • Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers.
    [Show full text]
  • Music 10378 Songs, 32.6 Days, 109.89 GB
    Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…
    [Show full text]
  • Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
    Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator
    [Show full text]
  • CB-1994-12-24.Pdf
    0 82791 19359 VOL. LV III, NO. 17 DECEMBER 24, 1994 STAFF GEORGE ALBERT President and Publisher KEITH ALBERT Exec. V.PJQeneral Manager MARK WAGNER Director, Nashville Operations RICH NIECIECKI Managng Edtor EDITORIAL Los Angeles MICHAEL MARTINEZ JOHN GOFF INSIDE THE BOX STEVE BALTIN HECTOR RESENDEZ. Latin Edtor Nashville Cover Story RICHARD McVEY New York TED WLLIAMS CHART RESEARCH Luscious Jackson's Winter Of Contentment Los Angeles NICK! RAE RONCO The all-girl group Luscious Jackson may have gotten their break by their association with Grand Royal labelmates BRIAN PARMELLY the Beastie Boys, but they've generated their own critical raves with the full-length effort Natural Ingredients which ZIV , MARKETING/ADVERTISING followed the buzz-making e.p. In Search OfManny. Luscious Jackson’s Kate Schellenbach spoke to Cash Box before New York STAN LEWS their appearance at L.A. radio station KROQ's annual Christmas benefit concert. Los Angeles DAWN HARRIS —see page 5 CIRCULATION NINA TREGUB, Manager PASHA SANTOSO PRODUCTION Sky Cries Mary: Seattle's Dawning Of A New Age SHARON CHAMBUSS-TRAYLOR PUBLICATION OFFICES The first group ever to perform on the Internet, preceding the Rolling Stones by a week. World Domination’s Sky ‘ ” NEW YORK Cries Mary may not be as famous yet but they’re making a name for themselves and ‘ambient- improv. — — 345 W 58th Street Sute 15W New York, NY 10019 see page 5 — Phone: (212)245-4224 Fax: (212) 245-4226 22nd Annual Poll Nominations HOLLYWOOD AMA Blvd. 6464 Sin set (Sute 605) Hollywood, CA 90028 ’ Nominees for the 22nd annual “American Music Awards’ have been announced and, not surprisingly, Boyz II Men Phone (213)464-8241 (213)464-3235 lead the way.
    [Show full text]