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Les "Musiques Émergentes"
Direction des bibliothèques AVIS Ce document a été numérisé par la Division de la gestion des documents et des archives de l’Université de Montréal. L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE This document was digitized by the Records Management & Archives Division of Université de Montréal. The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. Neither the whole thesis or dissertation, nor substantial extracts from it, may be printed or otherwise reproduced without the author’s permission. -
Youthandeducation at Canada's National Artscentre
40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page a ANNUAL REPORT 2006—2007 Youth and Education at Canada’s National Arts Centre INSPIRING YOUNG CANADIANS THROUGH THE PERFORMING ARTS 40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page b ROLE The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today, the NAC works with thousands of artists from across Canada and around the world, and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works – classical music, English theatre, French theatre, dance, variety and community programming. It is also at the forefront of youth and education activities; supporting programmes for young and emerging artists, presenting programs for young audiences, and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America, and one of the largest in the world. ACCOUNTABILITY AND FUNDING The NAC reports to Parliament through the Minister of Canadian Heritage. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue – box office sales, the NAC Foundation, NAC catering, Le Café (restaurant), commercial parking and facility rentals. Each year, the NAC tables an annual report before Parliament. The Auditor General of Canada is the NAC’s external auditor. -
Your One-Stop Guide to Music • Film • Tv • Reviews
YOUR ONE-STOP GUIDE TO MUSIC • FILM • TV • REVIEWS 27 FEBRUARY 2019 CHARLIE COX FROM DAREDEVIL TO DIAMOND GEEZERS TYLER HENRY MEDIUM TO THE STARS GOES LARGE LEIGH PAATSCH BEST OLD CROOKS MOVIES TO STREAM Home TRUTHS How Shaynna Blaze and the Selling Houses Australia team found the bright side of the inside YOUR WEEKLY real estate slump 7-DAY TV GUIDE V1 - MHSE01Z02MA HERALDSUN.COM.AU WEDNESDAY, FEBRUARY 27, 2019 HIT 35 COVER STORY HOT HUGH JACKMAN: ARENA MAN The boy from Oz brings The Greatest Showman to life HARRY POTTER & THE CURSED CHILD Some things are worth paying for. PS: Keep the secrets SHAYNNA BLAZE AND LEAVING HER SELLING NEVERLAND HOUSES Could change how AUSTRALIA CO-HOSTS you view Michael ANDREW Jackson the man. WINTER AND On Channel 10 CHARLIE next week ALBONE (like Selling Houses Australia with large scale rooms.” experts) comes in and sees it Selling Houses Australia has through fresh eyes and says it is been one of Foxtel’s most a bit rundown the homeowners popular shows across its entire almost get offended. run. Last year, Winter was “When we do the initial nominated for a Gold Logie. walk-through we have to be a “Andrew, Charlie and I Selling little brutal. We spend three never auditioned together — days side-by-side with them. we met each other the first day We have to be open to their on set,” Blaze says. feelings and emotions. “We’re really lucky that “You almost feel like a we’ve got this friendship on counsellor because you’ve got screen where we can pick on to guide them through it.” each other and no one gets NOT Blaze’s career has been on offended. -
Comedian.Com.Au: Rodney Marks
Shows by characters Client Rating Fee Topic Venue A Neil Fisher 1 10/08/2007 The Gut Foundation B 6 Why surgery can be a pain in the Bankstown Sports Club ass 29/08/2014 The Gut Foundation B 6 Getting to the bottom of the Bankstown Sports Club matter 16/08/2019 The Gut Foundation C 3 The pelvic floor Club Liverpool Aaron Orticle 1 19/09/1997 Australian Federation of Travel Agents (AFTA) A 2 Who Owns My Loyalty? Ashok Hotel 16/05/1994 Federal Airports Corporation - National Finance C 1 Change Management at O'Hare Swiss-Grand Hotel and Atlanta International Airports 24/11/1995 Federal Airports Corporation - Sydney Retail C 1 Privatisation of Airports AMP Tower/Centrepoint Awards worldwide 20/02/1997 Federal Airports Corporation - Brisbane C 1 Some thoughts on the sort of Wanganui River Gardens, Yeronga, Brisba changes that might occur after airport privatisation in Australia 29/11/1997 National World Travel B 1 AFTERNOON PANEL QUESTION: Reef Hotel Casino Professor Orticle, I hope that you are used to answering tough questions when you’re jet- lagged. As someone involved in training the travel, tourism and hospitality leaders of the future, what do you believe are the core competen 7/02/1998 Cathay Pacific Airways E 6 Rosehill Gardens Racecourse Sunday, 11 July 2021 Page 1 of 182 Client Rating Fee Topic Venue 30/06/2000 AGSM (as artist-in-residence) B 5 Customer Relationship AGSM Management as a corporture culture driver: how acting on customers' demands changes organizations and optimizes profitability 28/11/2003 Heliflite C 4 A few words -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Australian Multicultural Policy and Television Drama in Comparative Contexts
Australian multicultural policy and television drama in comparative contexts Harvey May BA (Comm), BA, B Bus (Hons)(Comm), Post Grad Dip Ed A thesis submitted in 2003 for the award of Doctor of Philosophy Creative Industries Research and Applications Centre Creative Industries Faculty Queensland University of Technology Key Words Multiculturalism, Cultural Diversity, Television, Drama, Casting, Minorities, Australia, United Kingdom, New Zealand, United States. Abstract This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia’s multicultural population. The way in which these actors are portrayed on- screen has also shifted from one of a ‘performed’ ethnicity, to an ‘everyday’ portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming. -
DOSSIER DE PRESSE Octobre 2006
Un vocal intransigeant, un propos corrosif sur un son pourtant mélodique, où se relancent guitares et saxophone… voici DOSSIER DE PRESSE octobre 2006 www.slamdisques.com • 110-A, rue Young • Montréal • Québec • H3C 2E7 • Téléphone: 514.504.7791 • Télécopieur: 514.504.7792 • [email protected] B IOGRAPHIE C’est toutefois à l’aube du nouveau mil- En 2005, après avoir fêté ses 10 ans lénaire que MAP prend un essor significatif d’existence, MAP voit un de ses membres fonda- Au milieu des années ’90, alors que déferle avec la sortie du revendicateur Injustice for All teurs quitter le groupe. Néanmoins, les membres sur le Québec une vague punk rock sans précé- (1999), un album ska-punk voulant reproduire qui demeurent décident de continuer l’aventure dent et que la scène alternative québécoise se le paradoxal esprit divertissant et conscientisant mapienne en prenant une année de recul pour consolide avec ses Banlieue Rouge, Grim Skunk qui fait la renommée de MAP en spectacle. Mul- préparer leur prochain album. Ainsi, après avoir et Groovy Aardvark, un jeune groupe punk tipliant alors les premières parties des Satanic réchauffé les sièges de plusieurs studios en intransigeant commence à brasser les entrailles Surfers, Randy, Suicide Machines et autres 2005, MAP compte revenir en force en 2006 de la Vieille Capitale : Mort Aux Pourris, alias BigWig, MAP voit les rangs de ses fans gonflés en brûlant les planches des scènes du Québec MAP. Se commettant autant devant les punks se davantage. À travers une série interminable de dès l’automne. Repose -
2012 Report on Antisemitism in Australia
2012 REPORT ON ANTISEMITISM IN AUSTRALIA THIS REPORT WAS WHOLLY RESEARCHED AND WRITTEN BY JEREMY JONES AM, TO ASSIST UNDERSTANDING OF ANTI-JEWISH VIOLENCE, VANDALISM, HARASSMENT AND PREJUDICE IN CONTEMPORARY AUSTRALIA. IT COVERS THE PERIOD OCTOBER 1 2011 TO SEPTEMBER 30 2012. Jeremy Jones AM is Director of International and Community Affairs, Australia/Israel & Jewish Affairs Council and Honorary Life Member, Executive Council of Australian Jewry This document should not be reproduced or distributed, and the original work not quoted, without the express permission of the author. i With thanks to Louise de Mesquita, Julie Nathan and Anthony Orkin for invaluable input 140 William Street, East Sydney NSW 2011, AUSTRALIA Telephone: +61 2 9360 5415 Facsimile: +61 2 9360 5416 Email: [email protected] November 2012 ii CONTENTS 1.0 INTRODUCTION ..................................................................................................... 5 1.1 The Year in Review ............................................................................................ 5 1.2 Racism in Australia and Antisemitism ................................................................. 7 1.3 Forms of Antisemitism ........................................................................................ 9 2.1 Introduction ...................................................................................................... 13 2.2 Reports for the Year 1 October 2011 to 30 September 2012 .............................. 13 2.3 Serious/Violent Incidents ................................................................................. -
Appendix a Manly Vale Hotel Chief Health and Building Surveyor's Recommendations Regarding Renewal of Licence, Based Upon Board
Appendix A Manly Vale Hotel Chief Health and Building Surveyor's recommendations regarding renewal of licence, based upon Board of Fire Commissioners Report. Source: Warringah Council File 1075/240-252 - G 1984. 1. Install hose reels and hydrants throughout the entire building as specified by the provisions of Parts 27.3 and 27.4 of Ordinance 70. 2. Provide emergency lighting and illuminated exit signs throughout the entire building as specified by the provisions of Clauses 24.29, 55.12 and 55.13 of Ordinance 70. 3. Remove all barrel bolts, deadlocks, chains and padlocks to all exit doors and doors leading to an exit door and replace with a latch that complies with Clause 24.20(7) of Ordinance 70. 4. Install a one hour fire rated shelter and a one hour fire rated door and jamb and self-closer to the kitchen servery, adjacent to the Peninsula bar room. 5. Install a fire blanket in the kitchen located in the first floor. 6. Install two kilogram C02 fire extinguishers in the kitchen located on the first floor. 7. Install an approved alarm device in the coolrooms located in the kitchen on the first floor and the coolroom located on the ground floor as specified by the provisions of Clause 53.2(l)(b) of Ord 70. 8. Construct a two hour fire rated wall around the dumb waiters service hoist located in the kitchen and in the cellar on the ground floor specified by Clause 16.8 of Ordinance 70. 9. Install a one hour fire rated door to both dumb waiter and service hoist, the doors to be so designed that they only open at the level at which the dumb waiter is parked. -
Out of the Blue Pantone’S Colour of the Year May Be Classic but It Is Also Full of Personality – and Forever Contemporary
with SHAYNNA BLAZE // living TEMPLE & WEBSTER rug, from $34.95 (120 x 170cm), templeandwebster. com.au GLOBEWEST chair, $1605, globewest.com.au “This hue instils calm and peace, both necessary traits given the tumultuous start to the new decade” Out of the blue Pantone’s colour of the year may be classic but it is also full of personality – and forever contemporary BEHR & CO. brass tray, lue is a constant – the colour of the experts say, it is more than just a trend. $175, behrandco.com.au sky, the ocean and, if you’re lucky, Here are a few ideas for making it last Bperhaps a pair of arresting eyes in your own home. you can call your own. It’s also the most • This colour is a beautiful complement popular colour in the world, and one that to gleaming whites – whether in paint, is always in style, even when other shades linens or soft furnishings – and a hint of seem to be taking centre stage. (Remember oak gives the freshness of a breezy beach WEST ELM vase, $49, westelm.com.au when coffee, latte and mocha were interior. Semi-opaque sheers cascading everywhere during the ’90s and on a timber floor paired with an early 2000s? Thanks, Friends!) occasional chair or couch in It has been part of my the shade finishes the look palette since I started in with a dash of romance. design, so it is little surprise • Classic blue is a staple that the Pantone Colour of of floor rug selections. the Year for 2020 is Classic Add a white coffee table Blue. -
La Chanson Québécoise D'expression Francophone
La chanson québécoise d’expression francophone Le paysage sonore en 1998 Étude réalisée pour le Groupe de travail sur la chanson par Alain Brunet Août 1998 TABLE DES MATIÈRES 1. INTRODUCTION.....................................................................................................................................4 2. LA FRAGMENTATION DE LA POP ET SES ÉMANATIONS QUÉBÉCOISES..............................6 2.1 Une mouvance mondiale...................................................................................................................6 2.2 Mouvance québécoise : l’étroitesse du couloir ..............................................................................12 3. LA POP FRANCOPHONE SELON LE « Top 20 » DU PALMARÈS QUÉBÉCOIS .......................17 À partir de chaque position de palmarès échelonnée entre septembre 1997 et janvier 1998, dégager les tendances importantes qui ont un impact commercial au Québec. Dégager aussi ces mêmes tendances « au pouvoir » en observant de près la liste des meilleurs vendeurs au Québec en 1997. 3.1 Les incontournables de la chanson québécoise francophone moderne .........................................17 3.2 Première génération rock ................................................................................................................19 3.3 La musique traditionnelle : seule la Bottine et Faubert .................................................................21 3.4 L’équation à quatre variables : blues, rock, country, folk..............................................................21 -
Towards More Energy Efficient Home Renovations. an Exploration of Social Media Networks
RP 3028: Towards more energy efficient home renovations. An exploration of social media networks Authors Aneta Podkalicka Title Towards more energy efficient home renovations: an exploration of social media networks ISBN Date 2017 Keywords Publisher Preferred citation Report Template 1 Acknowledgements This research is funded by the CRC for Low Carbon Living Ltd supported by the Cooperative Research Centres program, an Australian Government initiative. Many thanks to the colleagues involved in the 3028 project: Magnus Moglia (CSIRO), James McGregor, Charles Xu (NSW OEH), Leorey Marquez (CSIRO), PhD candidate Sarah Fiess, and especially Kath Hulse (Swinburne), who contributed to an interim report that I’m drawing on for the context/approach sections. I’m also grateful to Michael Niemann for his invaluable assistance with the social media research. My acknowledgments go to the research team from a related CRC project on media and home renovations: Kath Hulse, Esther Milne, Tomi Winfree, and Gavin Melles, as well as PhD candidates Shae Hunter and Aggeliki Aggeli (all Swinburne University). And finally to Stephen White, CRC LCL Program III Leader for his support. Disclaimer Any opinions expressed in this document are those of the authors. They do not purport to reflect the opinions or views of the CRCLCL or its partners, agents or employees. The CRCLCL gives no warranty or assurance, and makes no representation as to the accuracy or reliability of any information or advice contained in this document, or that it is suitable for any intended use. The CRCLCL, its partners, agents and employees, disclaim any and all liability for any errors or omissions or in respect of anything or the consequences of anything done or omitted to be done in reliance upon the whole or any part of this document.