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EC71-475 Relining Coats and Jackets Jane Speece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska- Extension Lincoln Extension 1971 EC71-475 Relining Coats and Jackets Jane Speece Follow this and additional works at: http://digitalcommons.unl.edu/extensionhist Speece, Jane, "EC71-475 Relining Coats and Jackets" (1971). Historical Materials from University of Nebraska-Lincoln Extension. 4065. http://digitalcommons.unl.edu/extensionhist/4065 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. E. C. 71·475 I ~ I ~ 0-t I ~: I I I RELINING -+- __ _I . I I I I COATS and JACKETS I I I _I __ _ ~W:(ClEKW\ElD) \~ DGT 11 1971 COLLt.GE OF P.GRICUUURE UBRP.RY EXTENSION SERVI CE f \ UNI VERS ITY OF NEBRASKA COLLEGE OF AGR ICULTURE ' ' COOPERATI NG W ITH THE U .S. DEPARTMENT OF AGR ICULTURE • AND THE COLLEGE OF HOME ECONOMI CS. '•·····•" E. F. FROLI K, DEAN; .J. L. ADAMS, D I RECTOR 1elininR COATS and JACKETS By Jane Speece Extension Specialist (Clothing) establish The fabric of a coat or jacket usually is good long after straight the lining begins to wear. Relining the garment, which is not of grain difficult to do once the procedures are known, could put a favorite garment back into your wardrobe to give you many more years of wear. The first step is to rip out the old lining. -
1, 2, 3 Sew: Build Your Skills with 33 Simple Sewing Projects
Text copyright © 2011 by Ellen Luckett Baker. Photographs copyright © 2011 by Laura Malek. Illustrations copyright © 2011 by Ellen Luckett Baker. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher. ISBN 978-1-4521-0481-2 The Library of Congress has previously cataloged this title under ISBN 978-0-8118-7649-0 Designed by Vivien Sung Typesetting by Melinda Macfadden Photo styling by Ellen Luckett Baker Chronicle Books LLC 680 Second Street San Francisco, CA 94107 www.chroniclebooks.com Contents Introduction Getting Started Choosing Fabric 15 Essential Tools CHAPTER 1: DINING AND DISHES Fruit Tea Towels Hooked on Napkins Set the Table Runner CHAPTER 2: PILLOWS Skyline Pillow Concentric Squares Pillow Circles Floor Pillow CHAPTER 3: ORGANIZERS Pencil Holder Storage Cube Craft Caddy CHAPTER 4: QUILTED KITCHEN Ticking Stripe Hot Pad Plaid Coasters Rippled Place Mats CHAPTER 5: TOTES Market Tote Doodle Bag Lunch Sack CHAPTER 6: POUCHES Grid Glasses Case Polka Dot Pouch Lawn Cosmetic Bag CHAPTER 7: HANDBAGS Pintuck Clutch Tiered Bag Pleated Satchel CHAPTER 8: ACCESSORIES Eyelet Headband Tea Towel Apron Yo-yo Scarf CHAPTER 9: REVERSIBLE FOR KIDS Play Your Way Cape Change Your Mind Skirt Mix It Up Smock CHAPTER 10: FOR BABY Sampler Burp Cloths Initial Blanket Sunshine Bib CHAPTER 11: BLOCKHEAD ANIMALS Mouse Pincushion Blockhead Puppets Bunny Softie Basic Embroidery Stitches Patterns Sewing Glossary Resources Acknowledgments Index SPECIAL BONUS PROJECT Available online! Visit www.chroniclebooks.com/123Sew for the instructions INTRODUCTION I started sewing eight years ago. Before then I never considered myself a crafty person, though I always had an interest in art and design. -
Hemmer Foot (ESG-HF) Instructions
Baby Lock Sewing Accessories Hemmer Foot (ESG-HF) Instructions This foot is designed to curl under a 3mm double hem while stitching with either a straight stitch or a decorative Parisian hemstitch. Works best on lightweight fabrics. 4. Position the fabric (reverse side facing up) under the presser This presser foot can be used on a sewing machine with a foot. Lower the needle 3 mm from the edges of the fabric, zigzag stitch width up to 7 mm. lower the presser foot, then sew 2 or 3 stitches. 1. Remove presser foot and attach snap-on narrow hemmer foot. 5. Raise the needle and the presser foot, and then hold the ends of the upper thread and lower thread to prevent them from being pulled out of the fabric and pull the fabric out from the front of the presser foot. 2. Select the straight stitch (center needle position). 3. Connect the foot controller so that both hands are free to guide the fabric. 6. Holding both threads, pass them through the curled part HINTS: If too little fabric is wrapped around the curl and a of the presser foot and pull them toward the back of the threefold seam is not being sewn: pull the fabric held in your presser foot. Wrap the fabric around the curled part of the right hand to the left in order to increase the amount of fabric presser foot in the same way. Position the edge of the fabric wrapped in the presser foot curl. At the same time, carefully just behind the needle and lower the presser foot. -
Stitches and Seam Techniques
Stitches and Seam Techniques Seen on Dark Age / Medieval Garments in Various Museum Collections The following notes have been gathered while attempting to learn stitches and construction techniques in use during the Dark Ages / Medieval period. The following is in no way a complete report, but only an indication of some techniques observed on extant Dark Ages / Medieval garments. Hopefully, others who are researching “actual” garments of the period in question will also report on their findings, so that comparisons can be made and a better total understanding achieved. Jennifer Baker –New Varangian Guard – Hodegon Branch – 2009 Contents VIKING AND SAXON STITCHES 1. RUNNING STITCH 2. OVERSEWING 3. HERRINGBONE 4. BLANKET STITCH SEAMS 1. SEAMS 2. BUTTED SEAMS 3. STAND-UP SEAM 4. SEAMS SPREAD OPEN AFTER JOIN IS MADE 5. “LAPPED” FELL SEAM 6. FELL SEAM WORKED ON WRONG SIDE OF GARMENT FINISHES ON RAW EDGES OF SEAMS SEWING ON TABLET WOVEN BRAID HEMS OTHER STITCHES FOUND IN ARCHEOLOGICAL FINDS REFERENCES 1 Stitches and Seam Techniques VIKING AND SAXON STITCHES There are only four basic stitches to master: 1. RUNNING STITCH , 2. OVERSEWING, ALSO KNOWN AS OVERCAST STITCH OR WHIP STITCH 3. HERRINGBONE , ALSO KNOWN AS CATCH STITCH 4. AND BLANKET STITCH. ALSO KNOWN AS BUTTONHOLE STITCH Running stitch is probably the easiest to start with followed by oversewing. With these two stitches you can make clothing. The other two are for decorative edging. These directions are for a right handed person, if you are left handed remember to reverse all directions. 2 Stitches and Seam Techniques RUNNING STITCH A running stitch is done through one or more layers of fabric (but normally two or more), with the needle going down and up, down and up, in an essentially straight line. -
2000 Proceedings Cincinnati, OH
Cincinnati, OH USA 2000 Proceedings DOGWOOD IN GREEN AND GOLD Tammy Abbey Central Washington University, Ellensburg, WA 98926 The purpose in creating this piece is to design an elegant garment through the combination of two very different techniques, metalsmithing and sewing. This design was inspired by extensive study in both metalworking and sewing and by blooming dogwood. The garment can be described as a dark green, fully lined dress in a polyester crepe satin. It is designed with princess lines and a gold charmeuse godet in the back. The dress is strapless and supported by the metal "lace." The "lace" is formed with brass blossoms and leaves that wrap the shoulders and overlap the front and the back of the dress. Brass blossoms also accent the godet. Construction began with an original pattern which was hand drafted. A muslin test garment was sewn, fitted and used to adjust the pattern. The main body of the dress was sewn and an invisible zipper was installed. A godet was sewn into the back. A polyester lining was sewn and then added to the dress. After the body of the dress was completed, the metal work began. Blossoms and leaves were cut from sheet brass. Then each was individually chased (hand shaped with the use of hammers and tools.) The pieces were given a copper patina (coloring) and brass brushed to a matte golden color. A dress form was used to assemble a base web of brass chain onto which the blossoms were sewn into place with thread and wire. Two blossoms and chain were added in the back to accent the godet and to contain it. -
Application No. 126: the Super-Fast Car Tent
Application No. 126: The super-fast car tent www.supermagnete.de/eng/project126 Application No. 126: The super-fast car tent Author: Stefan Troitzsch, Stuttgart, Germany Sleep comfortably in the car thanks to the flexible tent When you sleep in the car (here: a Renault Kangoo), it can get a little stuffy, especially in warm weather. You want to open the hatch, but you would be sleeping out in the open. Awkward. The solution: A tent over the open hatch. That sounds great, but how do you attach a car tent? With strong magnets of course! Required materials • 26 block magnets Q-20-10-05-N (www.supermagnete.de/eng/ Q-20-10-05-N) • 9 m fabric at 3 euros each • 4 m continuous zipper • lots and lots of sewing thread (there are almost 100 m of seams to sew!) • sewing machine View from the side • pins • scissors The materials for this car tent only cost 50 Euros. Instructions for a magnetic car tent 1. Buy some fabric that is not too heavy. In my case the fabric weighs 275 g per running metre at a width of 1,40 m) 2. Measure the hatch and the height of the car, then plan the size of your tent 3. Sew some zippers onto the back 4. Sew a fly-screen onto the inside 5. Add hemstitch seams 6. Insert magnets 7. Secure the magnets by closing the seams at the appropriate spots. Details on attaching the magnets Add a protruding hemline to the hemstitch seam, making it easier to pull the fabric and the magnets away from the car. -
ED 105 127 AUTHOR "Sew"
DOCUMENT RESUME ED 105 127 CE 003 387 AUTHOR Kemp, Louie E., Comp. TITLE "Sew" You're an Alterationist. Student Manual and Teacher Manual. INSTITUTION Mississippi Research Coordinating Unit for Vocational-Technical Education, State College.; Mississippi State Dept. of Education, Jackson. Div. of Vocational and Technical Education. PUB DATE 74 NOTE 124p. EDRS PRICE MF-$0.76 HC-$5.70 PLUS POSTAGE DESCRIPTORS Behavioral Obje'-tives; *Guides; Home Economics Education; Instructional Materials; Learning Activities; *Needle Trades; *Occupational Home Economics; Seamstresses; *Sewing Instruction; Sewing Machine Operators; *Skill Development; Study Guides; Teaching Guides IDENTIFIERS *Alterationists ABSTRACT The Home Economics Related Occupation Student Learning Packet on sewing instruction is designed to give an understanding of the duties and responsibilities of an alteration worker to learn the skills needed to perform the job of an alteration worker. Upon completion of this training, the student should have developed sewing instruction skills based on 14 specified behavioral objectives. The learning packet consists of 14 lessons: the sewing machine, alteration tools and safety pretest and post-test, basic markings and symbols, alteration tags and tickets, terms used by alterationists, hand stitching, hems and hem finishes, types of fasteners, fitting customers, work records, dart alterations, skirt and dress alterations, cuffing, and working relationships. Each lesson contains an introduction, specific concepts and objectives, instructions, and learning experiences. The student manual is accompanied by a teacher's manual which contains instructions for the teacher, a statement of purpose, detailed instructional objectives for each lesson, pre- and post-tests, and related work sheets and materials for each of the lessons. Appended are supplemental materials. -
Hemming Skills 4-H Clothing
a^o^f Rtn^J: >a.oV5 suif cf:s^/ Hemming Skills 4-H Clothing. Skill Level 2 A hem finishes the bottom edge of a garment such as a shirt, blouse, pants, or skirt. It usually is the last construction step. There are many ways of hemming a garment. You'll need to think about the garment, the fabric, and the skills you have DATE.when you choose a way of hemming. After a garment is hemmed it should hang as smoothly as possible. The hem should be levelOF with the floor. It should not show through to the right side of the garment unless it is meant to be decorative. On the inside, a hem should be even in width and smooth—without lumps or tucks. You OUTmay need to make a test hem on a scrap of fabric to help you decide which way to hem your garment. BE Marking the hemline If you're making a new garment, it must be fitted and com- pletely finished before you mark the hemline fold. Hang the garment on a hanger for 1 whole day before you mark the hem. If you're MAYworking with an old garment, remove the old hem and press out the crease information:as much as possible. The best way to mark the hemline fold is to have someone else mark it for you while you're wearing the garment. Wear the same shoes as you will wear with the garment if you're marking the hemline of a skirt, dress, or pants. If the garment will be wom with a belt, wear the belt while the hem is being marked. -
Dressmaking up to Date
PRICE, 25 CENTS or Is. PUBLISHED BY THE BUTTERICK PUBLISHING COMPANY, Limited AT THE BUTTERICK BUILDING, NEW YORK PARIS LONDON NEW YORK TORONTO Copyright, /QOj, by The Butter ick Publishing Co., Limited. Entered at Stationers’ Hall. A ll rights reserved. ■r o: ; < A Dressmaking, TUp to Date h.-K'ARV,^ rorS^BiS1 f'flsi $cp»es jits,wiYW( { . > i SfcP Hi ; « Ooiwngns umt J-^/ o2 &. I c/C61 / a 1X733! COPY f;s> . 3 FRONTISPIECE —THE SEWING CIRCLE HAND-SEWING STITCHES IMPORTANT POINTS AND AIDS IN DRESSMAKING THE CORRECT METHOD OF ALTERING PATTERNS SHIRT-BLOUSES DRAPED WAISTS SKIRTS NOVEL, ARTISTIC SEAMS WEDDING AND EVENING GOWNS THE TAILOR-MADE GOWN COATS AND JACKETS PRACTICAL AND ORNAMENTAL STITCHES BIAS BANDS AND FOLDS—TURNING CORNERS AN EMPIRE TEA-GOWN DESIRABLE GARMENTS FOR MATERNITY WEAR MAKING /ND FINISHING UNDERWEAR THE BATH-ROBE. CHILDREN’S CLOTHES BOYS’ SUITS XTlp to 5>ate inning (EirrU SDressmahtrtg, TUp to Date SIMPLE SEWING STITCE1ES AKING A KNOT.—Holding the threaded needle in the right hand, twist the end of the thread once and a half, around the forefinger of the left hand; press, roll downward on the ball of the thumb, twisting once or twice; slip off and draw down M with the middle finger of the left hand. BASTING.—There are two kinds of basting; even and uneven. In even basting the stitches; and spaces are the same length; in uneven basting, as its name implies, the stitches are so formed that they are not of equal length. EVEN BASTING STITCH.—Start with a knot in basting and always have it on the right side; it is more easily removed. -
2018 Sewing and Stitchery Expo
WSU Conference Management 2606 West Pioneer Puyallup, WA 98371-4998 Shop Learn Experience The Expo features more Top industry teachers & Free style shows daily. than 400 unique vendors innovative newcomers Hands-on demos. across two massive sales present fun new techniques, Expo-only deals and fl oors. Get hands-on with fabulous time savers, new product launches. fabric, notions and the and personal instruction Fun sewing-themed Join Us! newest machines from on projects you can entertainment Friday Washington State Fair top manufacturers. fi nish at the show! & Saturday nights. Events Center 110 Ninth Avenue Southwest Puyallup, Washington 98371 Tickets & Information 866-554-8559 www.sewexpo.com PUYALLUPMarch FAIR & EVENT CENTER 1 – 4, PUYALLUP, 2018 WA Classes Begin Wednesday* Thursday – Saturday Sunday February 28*Classes Only 8:00 am to 6:00 pm 8:00 am to 4:00 pm Inside-Front Inside-Back Fold Out Easy Thread Lace and Yarn Michelle Umlauf Sulky Expo Vendors FRI 3:30 PM 1 Source Publications, Inc Fine French Laces Quiltmania Inc. Fri. March 2 If you thought Sulky’s threads were just for ma- A1 Quilting Machines Flair Designs Quilts In The Attic chine embroidery, hand sewing, or decorative AllAboutBlanks.com Flower Box Quilts Reets Rags to Stitches stitches, then you will want to attend this stage American Sewing Guild French European, Inc. Renaissance Flowers presentation. Michelle is a Sulky of America $ Andrew’s Gammill G & P Trading Robin Ruth Designs National Educator, and will inspire you with Northwest LLC Glitz & Glamour Rochelle’s Fine Fabric.com 25 thread lace techniques using a sewing machine Anne Whalley Pattern Great Yarns Rusty Crow and a serger. -
Table of Contents
HOW TO START SEWING : ASSEMBIL Table of Contents About Assembil 1 Basic Fabric 20 Introduction 3 Thread 20 Different Ways to Learn 4 Needle Threader 21 How To Use This Book 4 Small Sewing Scissors or Thread Snips 22 Key Methods and Details for Professional Results 5 Fabric Shears 23 The How and Why of Sewing 5 When to Buy New Shears 23 Pins 24 Part 1 Chapter 4 Basic Hand Sewing Exercises 25 Getting Started 7 Exercise 4.01 : Hand Sewing Preparation 26 Exercise 4.02 : Basting (with Large Backstitches) 33 Exercise 4.03 : Running Stitch (with Thread Knots) 38 Chapter 1 An Introduction to Sewing Clothing 9 Chapter 5 The Basic Process 10 Seams and Seam Allowance 43 Design, Pattern, Cut and Sew 10 Joining Fabric to Make Garments 44 What Is a Seam? 44 What Is Seam Allowance (SA)? 44 Chapter 2 What Is a Seam Finish? 44 The Basic Process of Hand Sewing 11 How Much Space is Provided as Seam Allowance? 46 What Is Sewing? 12 Concentrate on Stitching Line 46 The Anatomy of a Needle 12 Seam Allowance Value 46 The Basic Process of Hand Sewing 13 What Is a Stitch? 14 What Are Stitching Lines? 14 Chapter 6 : Equipment and Materials List Elements of Neat Stitching 14 Measure, Mark and Press 47 Correct Fabric / Thread / Needle Combination 14 Tape Measure 48 Correct Support for the Fabric 14 Ruler 48 Securing the Thread in the Fabric 15 Tailor’s Chalk 48 Trimming the Excess Thread 15 Chalk Pencils 49 What Is Tension? 16 Iron and Ironing Board 49 Chapter 3 : Equipment and Materials List Chapter 7 Hand Sewing 17 Hand Sewing a Seam 51 Buying Sewing Equipment -
Radio Mirror
, RADIO JlIVJD TELEVISION MIRROR NOVEMBER • 25c HSU Blondie—My Favorite Mother—page 40 Dagwood's House of Happiness—page 42 Come and visit ART LINK LET lE R YOUNG WIDDER BROWN n pictures A Lovelier Skin is yours with your First Cake of Camay! You're as lovely as your complexion! And your skin can grow in loveliness with your first cake of Camay. Do this! Give up careless cleansing— go on the Camay Mild-Soap Diet. Doctors tested Camay care on scores of women — found most complexions grew softer and smoother with just one cake of Camay! Follow the directions on the wrapper for a really lovelier skin! MEET MR. AND MRS. GAVERT! Paul proposed in a tiny New York restau- rant. No wonder! Christine's lovely com- plexion calls for love! "My very first cake of Camay led to a lovelier skin," says she. The Gaverts have lots of mutual interests be- sides music. And Paul takes a special in- terest in Christine's complexion. She'll stay on the Camay Mild-Soap Diet! MRS. PAUL A. GAVERT the former Chrittine Lindseth of Grand Rapids, Mich, bridal portrait painted by THE SOAP OF BEAUTIFUL WOMEN Heepcjour hmxk ei/etv'ng-soft all cku Ioiip'/a ~]his- fabulous lotion if double-beaatu mdPie here ... as well ^ as here. §f t tard-at-work and "on display, your all your lotion needs—a joy to use any Smoothed on your hands before doing •*- * hands lead a double life. So- -pamper time. Every fragrant, peach-colored drop dishes or light laundry, Trushay protects them with the double-beauty magic of is so rich, your hands feel softer and them even in hot, soapy water.