Important Safety Instructions
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2021 Virtual Sewing & Stitchery Expo Schedule Checklist
Virtual Expo Schedule Use this checklist to plan your Virtual Expo experience. Don’t forget to buy your class tickets online beginning Jan. 12! All times listed are Pacific Standard Time (PST). Registration for Three & Four Needle classes that require a kit will end Feb. 2 to allow time for shipping. Wednesday 8:00 AM - 12:00 PM 4104 The Victorian Sewing Box 1:00 PM - 1:45 PM FS Lighting your Sewing Room 8:00 AM - 12:00 PM 4106 Beyond the Basics in Free Motion Quilting 1:00 PM - 2:00 PM Cutting Line Designs 8:00 AM - 12:00 PM 4107 Cadence Top Sew-A-Long 1:00 PM - 2:00 PM Fit for Art Patterns 8:00 AM - 12:00 PM 4110 A TempLee Quilted Medallion 1:00 PM - 2:00 PM The Rain Shed 8:00 AM - 12:00 PM 4111 From Thread to Lace 1:00 PM - 5:00 PM 4101 Flowermania English Paper Piecing 8:00 AM - 12:00 PM 4114 Scrappy Wonky Quilt Blocks 1:00 PM - 5:00 PM 4103 The Caprice Organizer 8:00 AM - 12:00 PM 4119 Temari—Japanese Thread Balls 1:00 PM - 5:00 PM 4105 Featherweight Spa Day 8:00 AM - 12:00 PM 4121 Easy Fit and Sew Yoga Pants 1:00 PM - 5:00 PM 4109 Enchantress Bracelet 8:00 AM - 12:00 PM 4122 The Ultimate Stabilizer Class 1:00 PM - 5:00 PM 4112 Vintage Windmill 8:00 AM - 12:00 PM 4123 Coverstitch Workshop 1:00 PM - 5:00 PM 4115 The Boro and Sashiko Pillow 9:00 AM - 9:30 AM FS Rulerwork Tips for Any Machine 1:00 PM - 5:00 PM 4117 Sew For You: Panties 9:00 AM - 10:00 AM WonderFil Specialty Threads 1:00 PM - 5:00 PM 4118 No Pins, No Basting, No Kidding! 9:00 AM - 10:00 AM Paradiso Designs 1:00 PM - 5:00 PM 4120 Viking Knitting: Trichinopoly on a Dowel -
EC71-475 Relining Coats and Jackets Jane Speece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska- Extension Lincoln Extension 1971 EC71-475 Relining Coats and Jackets Jane Speece Follow this and additional works at: http://digitalcommons.unl.edu/extensionhist Speece, Jane, "EC71-475 Relining Coats and Jackets" (1971). Historical Materials from University of Nebraska-Lincoln Extension. 4065. http://digitalcommons.unl.edu/extensionhist/4065 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. E. C. 71·475 I ~ I ~ 0-t I ~: I I I RELINING -+- __ _I . I I I I COATS and JACKETS I I I _I __ _ ~W:(ClEKW\ElD) \~ DGT 11 1971 COLLt.GE OF P.GRICUUURE UBRP.RY EXTENSION SERVI CE f \ UNI VERS ITY OF NEBRASKA COLLEGE OF AGR ICULTURE ' ' COOPERATI NG W ITH THE U .S. DEPARTMENT OF AGR ICULTURE • AND THE COLLEGE OF HOME ECONOMI CS. '•·····•" E. F. FROLI K, DEAN; .J. L. ADAMS, D I RECTOR 1elininR COATS and JACKETS By Jane Speece Extension Specialist (Clothing) establish The fabric of a coat or jacket usually is good long after straight the lining begins to wear. Relining the garment, which is not of grain difficult to do once the procedures are known, could put a favorite garment back into your wardrobe to give you many more years of wear. The first step is to rip out the old lining. -
About the Designer ...Margaret Pierce
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 3 – Issue 8 August 2011 From The Editor – About the designer . Margaret Pierce Jim and I just returned from a refreshing vacation to the Baltic’s Margaret has taught French Handsewing for 37 years. She and North Cape. Refreshing in many ways, not just the cool studied with Sarah Howard Stone in Montgomery, AL; with the temperatures – although I confess the temperatures ranged embroideresses on the island of Madeira; and at La Maison R. from the mid‐40s Fahrenheit at the North Cape to the mid‐60s Malbranche Embroidery School in Paris. She also received a BA in Home Economics Education at Queens University in in southern Norway. But the trip was refreshing also in seeing Charlotte, North Carolina. how the Scandinavian countries cling to their heritage with such zeal and commitment. Children still enjoy not only wearing the She taught for National and Regional SAGA and EGA Seminars native costumes of their local communities, but love sharing and Conventions; for Valentine Museum Assembly-Richmond, their local games, folklore and heritage. Girls continue to be VA; Callaway Gardens School of Needlework; in Ireland at the taught such arts as yarn spinning and fabric weaving as well as Au Grianan School for the Guild of Irish Lacemakers bread making and other ‘lost’ arts. We visited several working Convention; in Australia for the Australian Needlework School; museums which was very interesting. One mother and her 3 and local needlework guilds and shops throughout the US and small children were baking cinnamon rolls in the old fashioned Canada. -
Hemmer Foot (ESG-HF) Instructions
Baby Lock Sewing Accessories Hemmer Foot (ESG-HF) Instructions This foot is designed to curl under a 3mm double hem while stitching with either a straight stitch or a decorative Parisian hemstitch. Works best on lightweight fabrics. 4. Position the fabric (reverse side facing up) under the presser This presser foot can be used on a sewing machine with a foot. Lower the needle 3 mm from the edges of the fabric, zigzag stitch width up to 7 mm. lower the presser foot, then sew 2 or 3 stitches. 1. Remove presser foot and attach snap-on narrow hemmer foot. 5. Raise the needle and the presser foot, and then hold the ends of the upper thread and lower thread to prevent them from being pulled out of the fabric and pull the fabric out from the front of the presser foot. 2. Select the straight stitch (center needle position). 3. Connect the foot controller so that both hands are free to guide the fabric. 6. Holding both threads, pass them through the curled part HINTS: If too little fabric is wrapped around the curl and a of the presser foot and pull them toward the back of the threefold seam is not being sewn: pull the fabric held in your presser foot. Wrap the fabric around the curled part of the right hand to the left in order to increase the amount of fabric presser foot in the same way. Position the edge of the fabric wrapped in the presser foot curl. At the same time, carefully just behind the needle and lower the presser foot. -
Stitches and Seam Techniques
Stitches and Seam Techniques Seen on Dark Age / Medieval Garments in Various Museum Collections The following notes have been gathered while attempting to learn stitches and construction techniques in use during the Dark Ages / Medieval period. The following is in no way a complete report, but only an indication of some techniques observed on extant Dark Ages / Medieval garments. Hopefully, others who are researching “actual” garments of the period in question will also report on their findings, so that comparisons can be made and a better total understanding achieved. Jennifer Baker –New Varangian Guard – Hodegon Branch – 2009 Contents VIKING AND SAXON STITCHES 1. RUNNING STITCH 2. OVERSEWING 3. HERRINGBONE 4. BLANKET STITCH SEAMS 1. SEAMS 2. BUTTED SEAMS 3. STAND-UP SEAM 4. SEAMS SPREAD OPEN AFTER JOIN IS MADE 5. “LAPPED” FELL SEAM 6. FELL SEAM WORKED ON WRONG SIDE OF GARMENT FINISHES ON RAW EDGES OF SEAMS SEWING ON TABLET WOVEN BRAID HEMS OTHER STITCHES FOUND IN ARCHEOLOGICAL FINDS REFERENCES 1 Stitches and Seam Techniques VIKING AND SAXON STITCHES There are only four basic stitches to master: 1. RUNNING STITCH , 2. OVERSEWING, ALSO KNOWN AS OVERCAST STITCH OR WHIP STITCH 3. HERRINGBONE , ALSO KNOWN AS CATCH STITCH 4. AND BLANKET STITCH. ALSO KNOWN AS BUTTONHOLE STITCH Running stitch is probably the easiest to start with followed by oversewing. With these two stitches you can make clothing. The other two are for decorative edging. These directions are for a right handed person, if you are left handed remember to reverse all directions. 2 Stitches and Seam Techniques RUNNING STITCH A running stitch is done through one or more layers of fabric (but normally two or more), with the needle going down and up, down and up, in an essentially straight line. -
2000 Proceedings Cincinnati, OH
Cincinnati, OH USA 2000 Proceedings DOGWOOD IN GREEN AND GOLD Tammy Abbey Central Washington University, Ellensburg, WA 98926 The purpose in creating this piece is to design an elegant garment through the combination of two very different techniques, metalsmithing and sewing. This design was inspired by extensive study in both metalworking and sewing and by blooming dogwood. The garment can be described as a dark green, fully lined dress in a polyester crepe satin. It is designed with princess lines and a gold charmeuse godet in the back. The dress is strapless and supported by the metal "lace." The "lace" is formed with brass blossoms and leaves that wrap the shoulders and overlap the front and the back of the dress. Brass blossoms also accent the godet. Construction began with an original pattern which was hand drafted. A muslin test garment was sewn, fitted and used to adjust the pattern. The main body of the dress was sewn and an invisible zipper was installed. A godet was sewn into the back. A polyester lining was sewn and then added to the dress. After the body of the dress was completed, the metal work began. Blossoms and leaves were cut from sheet brass. Then each was individually chased (hand shaped with the use of hammers and tools.) The pieces were given a copper patina (coloring) and brass brushed to a matte golden color. A dress form was used to assemble a base web of brass chain onto which the blossoms were sewn into place with thread and wire. Two blossoms and chain were added in the back to accent the godet and to contain it. -
Stitch Overview Utility Stitches
Stitch overview Utility stitches Stitch Stitch number Name Description For seaming and topstitching. Select from 37 different needle 1.1.1 Straight stitch positions. Note: This stitch makes a stronger tie-off than stitch 2.1.1. Stretch triple straight 1.1.2 Reinforced seam. Topstitching. stitch 1.1.3 Straight stitch reverse Sew continuous reverse with strong tie-off. Single stitch used for basting. Touch foot control to sew one stitch. 1.1.4 Basting stitch Move fabric manually to desired position and touch foot control again to sew another stitch. 1.1.5 Zigzag stitch 5HLQIRUFHVHDPVFOHDQÀQLVKVWUHWFKVHZLQJODFHLQVHUWLRQ Zigzag stitch, right or 1.1.6 5HLQIRUFHVHDPVFOHDQÀQLVKVWUHWFKVHZLQJ left needle position 1.1.7 Z-zigzag stitch Applique, couching, eyelets. Stretch triple zigzag 1.1.8 Elastic stitch for decorative hems or topstitching. stitch Three-step zigzag 1.1.9 Sewing elastic, darning, patching and decorative sewing. stitch 1.1.10 Elastic stitch Sewing elastic, darning, patching. 1.1.11 Triple stretch stitch Sewing elastic, darning, patching and decorative sewing. Decorative stitch for stretch fabrics and hems. Also used with elastic 1.1.12 Honeycomb stitch thread in the bobbin. Joining fabrics and quilt batting, decorative stitch for quilting, 1.1.13 Bridging stitch hemstitching. Foundation elastic Joining stitch for undergarments, terry cloth, leather, bulky fabrics 1.1.14 stitch where overlapping the seams. 1.1.15 Crosshem stitch Elastic decorative hem for stretch fabrics. 1.1.16 Blindhem stitch Sewing blindhems on woven fabrics. 1.1.17 Elastic blindhem stitch Sewing blindhems on stretch fabrics. 1.1.18 Stretch tricot stitch Sewing seams on stretch fabrics. -
Application No. 126: the Super-Fast Car Tent
Application No. 126: The super-fast car tent www.supermagnete.de/eng/project126 Application No. 126: The super-fast car tent Author: Stefan Troitzsch, Stuttgart, Germany Sleep comfortably in the car thanks to the flexible tent When you sleep in the car (here: a Renault Kangoo), it can get a little stuffy, especially in warm weather. You want to open the hatch, but you would be sleeping out in the open. Awkward. The solution: A tent over the open hatch. That sounds great, but how do you attach a car tent? With strong magnets of course! Required materials • 26 block magnets Q-20-10-05-N (www.supermagnete.de/eng/ Q-20-10-05-N) • 9 m fabric at 3 euros each • 4 m continuous zipper • lots and lots of sewing thread (there are almost 100 m of seams to sew!) • sewing machine View from the side • pins • scissors The materials for this car tent only cost 50 Euros. Instructions for a magnetic car tent 1. Buy some fabric that is not too heavy. In my case the fabric weighs 275 g per running metre at a width of 1,40 m) 2. Measure the hatch and the height of the car, then plan the size of your tent 3. Sew some zippers onto the back 4. Sew a fly-screen onto the inside 5. Add hemstitch seams 6. Insert magnets 7. Secure the magnets by closing the seams at the appropriate spots. Details on attaching the magnets Add a protruding hemline to the hemstitch seam, making it easier to pull the fabric and the magnets away from the car. -
Hemming Skills 4-H Clothing
a^o^f Rtn^J: >a.oV5 suif cf:s^/ Hemming Skills 4-H Clothing. Skill Level 2 A hem finishes the bottom edge of a garment such as a shirt, blouse, pants, or skirt. It usually is the last construction step. There are many ways of hemming a garment. You'll need to think about the garment, the fabric, and the skills you have DATE.when you choose a way of hemming. After a garment is hemmed it should hang as smoothly as possible. The hem should be levelOF with the floor. It should not show through to the right side of the garment unless it is meant to be decorative. On the inside, a hem should be even in width and smooth—without lumps or tucks. You OUTmay need to make a test hem on a scrap of fabric to help you decide which way to hem your garment. BE Marking the hemline If you're making a new garment, it must be fitted and com- pletely finished before you mark the hemline fold. Hang the garment on a hanger for 1 whole day before you mark the hem. If you're MAYworking with an old garment, remove the old hem and press out the crease information:as much as possible. The best way to mark the hemline fold is to have someone else mark it for you while you're wearing the garment. Wear the same shoes as you will wear with the garment if you're marking the hemline of a skirt, dress, or pants. If the garment will be wom with a belt, wear the belt while the hem is being marked. -
Just Sew-It Twin Needles
BERNINA eBook Series JUST SEW IT! Exploring Twin Needles Written by Megann Freese EXPLORING TWIN NEEDLES In the wide array of techniques used in the sewing, quilting, and embroidery worlds, different needles are needed to provide the best results for every project. Twin needles, or double needles, are a type of needle that is often overlooked, but prove to be very useful in every category of sewing, not to mention that they are fun to use. Twin needles are two needles leading to two identical rows of parallel stitching accomplished using a single bobbin. Available in different types, sizes, and needle distances, there are few techniques that the twin needle cannot accomplish. This eBook discusses the anatomy of the twin needle, the different sizes and types, how to set up the sewing machine to operate with this type of needle, and different sewing techniques that are enhanced with the twin needle. ANATOMY How is the twin needle designed? The anatomy is simple: The two needles are connected to a single shank by a plastic bridge piece. The bridge piece acts as the shoulder for both needle shafts. Each needle has its own groove, eye, and point; however, both are the exact same size. The shank of a twin needle has a flat side, like that of a singular needle, which should be positioned to the back when inserted into the machine. Each needle has its own thread supply. Two spools of thread are needed for proper threading. NEEDLE ANATOMY LABELED Point Eye Shank Bridge Groove Two Needles PAGE 1 © 2020 BERNINA of America bernina.com EXPLORING TWIN NEEDLES HOW THE STITCHES ARE MADE In order to use a twin needle, or double needle, the sewing machine must be able to do a zigzag stitch. -
Dressmaking up to Date
PRICE, 25 CENTS or Is. PUBLISHED BY THE BUTTERICK PUBLISHING COMPANY, Limited AT THE BUTTERICK BUILDING, NEW YORK PARIS LONDON NEW YORK TORONTO Copyright, /QOj, by The Butter ick Publishing Co., Limited. Entered at Stationers’ Hall. A ll rights reserved. ■r o: ; < A Dressmaking, TUp to Date h.-K'ARV,^ rorS^BiS1 f'flsi $cp»es jits,wiYW( { . > i SfcP Hi ; « Ooiwngns umt J-^/ o2 &. I c/C61 / a 1X733! COPY f;s> . 3 FRONTISPIECE —THE SEWING CIRCLE HAND-SEWING STITCHES IMPORTANT POINTS AND AIDS IN DRESSMAKING THE CORRECT METHOD OF ALTERING PATTERNS SHIRT-BLOUSES DRAPED WAISTS SKIRTS NOVEL, ARTISTIC SEAMS WEDDING AND EVENING GOWNS THE TAILOR-MADE GOWN COATS AND JACKETS PRACTICAL AND ORNAMENTAL STITCHES BIAS BANDS AND FOLDS—TURNING CORNERS AN EMPIRE TEA-GOWN DESIRABLE GARMENTS FOR MATERNITY WEAR MAKING /ND FINISHING UNDERWEAR THE BATH-ROBE. CHILDREN’S CLOTHES BOYS’ SUITS XTlp to 5>ate inning (EirrU SDressmahtrtg, TUp to Date SIMPLE SEWING STITCE1ES AKING A KNOT.—Holding the threaded needle in the right hand, twist the end of the thread once and a half, around the forefinger of the left hand; press, roll downward on the ball of the thumb, twisting once or twice; slip off and draw down M with the middle finger of the left hand. BASTING.—There are two kinds of basting; even and uneven. In even basting the stitches; and spaces are the same length; in uneven basting, as its name implies, the stitches are so formed that they are not of equal length. EVEN BASTING STITCH.—Start with a knot in basting and always have it on the right side; it is more easily removed. -
KVQG Library Book List 2017, by Author.Xlsx
KVQG Library Book List 2017, by author Author Title Filed Under Donated By 62 Group Contemporary British Textile Group C Carol Shankel Adams, B & Allen, A Nuts & Berries A Alma Allen Adams, B & Allen, A Summer Weekend A Alma Allen Adams, B. and Allen, A Women of Grace and Charm A donated 11/2017 Aiken, J & Jean Ray Laury The Total Tote Bag Books A Marge Ragle Alexander Karla New Cuts for New Quilts A Purchased 2012 Alexandrakis, Jessica Get Started Quilting A purchased 2017 American Quilt Renaissance American Quilt Renaisssance A Carol Shankel American Quilters Society 2004 Quilt Show CD FP&T American Quilters Society AQS Show & Contest (video - 2 copies) FP&T Andersen, Charlotte Warr Faces and Places - Images in Applique A Eva Hudson Andersen, Charlotte Warr One Line at a Time A Charlotte Andersen Ayers, Mimi See Campbell Pat Baatz, Barbara Iron-on Transfers for Quilt Labels B Babylon, Donna Decorator Quilts in a Hurry B Bacon, Lenice Ingram American Patchwork Quilts B Brackman/O'dowd Baker, Sharon K Fabulous Flowers B Purchased 2012 Bakker, Maaike Cups and Saucers B Martingale Barney, P & Schock, C Magic Base Block B Patchwork Place Becker, Joyce Nature's Paterns B Ellen Heck Bellino, Vicki English Paper Piecing Fresh New B Purchased 2/2014 Benberry, Cuesta & Crabb, C Love of Quilts B Mary Bouche Benberry, Cuesta & Crabb, C Patchwork of Pieces, A B Berg, Johnson, Van Holt Little Quilts B Better Homes and Gardens 501 Quilt Blocks B Better Homes and Gardens America's Patchwork and Quilting B Better Homes and Gardens Creative American