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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Do We Really Suffer for Fashion
University of Huddersfield Repository Almond, Kevin You have to suffer for Fashion Original Citation Almond, Kevin (2009) You have to suffer for Fashion. In: Public Lecture University Centre Barnsley, July 2009, University Centre Barnsley. (Unpublished) This version is available at http://eprints.hud.ac.uk/id/eprint/9663/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ You have to suffer for Fashion Introduction: ‘You have to suffer fashion,’ has been a much used phrase throughout the history of fashion. Degrees of suffering and discomfort have varied and we have probably all endured agonies, in some way, when constructing our appearance, in order to face the world. This could range from a simple cut from shaving, to the discomfort and pain of folding tender flesh into a girdle! These are only two, of numerous possible examples. -
Installation Procedure Fibreguard™ Closure Be Sure to Read and Completely Understand This Procedure Before Applying Product
DECEMBER 2008 Installation Procedure FibreGuard™ Closure Be sure to read and completely understand this procedure before applying product. Be sure to select the proper OCC product before application. Cable Preparation and Installation Express Cable 1. Remove sheaths as per manufacturers’ instructions. (Figure 1) Drop Cable (Cut Cable) Drop Cable Figure 2 CABLE SEALING Express Cable Entry 3. Feed the uncut express buffer tubes and cable butts through the end plate express opening. Express Cable (Continuous Loop) (Figure 3) Figure 3 Express Cable Center Wedge Figure 1 4. Insert the center wedge grommet between the Drop Cable express cables narrow end first with the shape and keys aligned to the opening. Continue Closure Minimum inserting until flush with the end plate (Figure 4) Size Sheath Removal 650 1.93m (76”) Step 1 800 1.93m (76”) 500 1.93m (76”) Express Cable Step 2 Closure Minimum Size Sheath Removal 650 3.86m (152”) 800 3.86m (152”) 500 3.86m (152”) Figure 4 NOTE: Cut cable can utilize the express openings, Sheath Cleaning proceed as described in the following notes 2. Using the cleaning tissue provided, clean and de- except there is no need to cut cable grommets, grease all prepared cable sheaths. (Figure 2) they can be slid over the cable end. 10771801 Rev C 4126 1 Grommet Selection and Fitting Split Grommets 5. Measure the circumference of each express or 6. Express cable grommetswill require splitting. The drop cable entering the closure with the grommet splitting operation can be completed with a clean measure tape to determine which size grommets cut through the grommet material with scissors. -
Russell Athletic and Bike 2013 Team Sports Accessories Catalog
COLT McCOY professional quarterback F’11 TEAM Fact Sheet F’11 TEAM Fact Sheet F’11 TEAM Fact Sheetback view STOCK STOCK STOCK XTREME LITE™ OL/DL XTREME LITE™ MULTI-PURPOSE XTREME LITE™ RB/DB SHOULDER PAD SHOULDER PAD SHOULDER PAD BASH72 - Adult $ 173.00 BASH73 - Adult $ 173.00 BASH74 - Adult $ 173.00 SIZES: Adult : L-5XL SIZES: Adult : M-3XL SIZES: Adult : M-3XL COLOR CODE: BLK COLOR CODE: BLK COLOR CODE: BLK •Lightweight skill-position pad engineered to • Lightweight for multi-positioned pad engineered • Lightweight pad engineered to enable maximum enable maximum mobility to enable maximum mobility mobility •100% nylon mesh fabric covering foam padding •100% nylon mesh fabric covering foam padding •Large snubbed epaulets positioned forward for •Flat non- cantilever system added for shoulder •Flat non- cantilever system added for shoulder better protection for running backs and defensive BIKE SHOULDER PADS protection without compromising flexibility and protection without compromising flexibility and backs movement movement •100% nylon mesh fabric covering foam padding •¾” Removable clavicle channels includes new •¾” Removable clavicle channels includes new •Flat non- cantilever system added for shoulder centered donut padding centered donut padding protection without compromising flexibility and •1-1/2” vinyl belt strap for snug fit to chest. •1-1/2” vinyl belt strap for snug fit to chest. movement • Pre-drilled holes for shoulder pad extension to be •Pre-drilled holes for shoulder pad extension to be •¾” Removable clavicle channels -
Mending As Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions
Mending as Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions I want this experience to ft with what you have on hand and what you want to learn! I will link to sources of some supplies I like below, but there is no need to purchase anything unless you want to and think you will use it. You can also check the links to compare supplies to those you may already have. And of course you can get supplies anywhere you like. The most important thing you will need is some fabric scraps or worn-out textles to practce mending on (not your absolute favorite thing to start with). There are two broad categories of fabrics, based on how they are made; woven (like jeans, dress shirts, and sheets) and knited (like sweaters, socks, and T-shirts). We will talk a lot more about these in class. Each type lends itself to somewhat diferent tools and techniques. If you can, I encourage you to fnd a few scraps of each type to practce on, ideally in fabrics that are similar to the items you want to mend. These will also be a good source of material to cut patches from. I will be in touch before our class starts to fnd out about the projects you want to work on. For now, here are some general suggestons of materials and tools you may want to have on hand. In the meantme, feel free to contact me with any questons! [email protected] Threads You may want to use anything from sewing thread to wool yarn in your mending, depending on what you want to fx. -
1, 2, 3 Sew: Build Your Skills with 33 Simple Sewing Projects
Text copyright © 2011 by Ellen Luckett Baker. Photographs copyright © 2011 by Laura Malek. Illustrations copyright © 2011 by Ellen Luckett Baker. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher. ISBN 978-1-4521-0481-2 The Library of Congress has previously cataloged this title under ISBN 978-0-8118-7649-0 Designed by Vivien Sung Typesetting by Melinda Macfadden Photo styling by Ellen Luckett Baker Chronicle Books LLC 680 Second Street San Francisco, CA 94107 www.chroniclebooks.com Contents Introduction Getting Started Choosing Fabric 15 Essential Tools CHAPTER 1: DINING AND DISHES Fruit Tea Towels Hooked on Napkins Set the Table Runner CHAPTER 2: PILLOWS Skyline Pillow Concentric Squares Pillow Circles Floor Pillow CHAPTER 3: ORGANIZERS Pencil Holder Storage Cube Craft Caddy CHAPTER 4: QUILTED KITCHEN Ticking Stripe Hot Pad Plaid Coasters Rippled Place Mats CHAPTER 5: TOTES Market Tote Doodle Bag Lunch Sack CHAPTER 6: POUCHES Grid Glasses Case Polka Dot Pouch Lawn Cosmetic Bag CHAPTER 7: HANDBAGS Pintuck Clutch Tiered Bag Pleated Satchel CHAPTER 8: ACCESSORIES Eyelet Headband Tea Towel Apron Yo-yo Scarf CHAPTER 9: REVERSIBLE FOR KIDS Play Your Way Cape Change Your Mind Skirt Mix It Up Smock CHAPTER 10: FOR BABY Sampler Burp Cloths Initial Blanket Sunshine Bib CHAPTER 11: BLOCKHEAD ANIMALS Mouse Pincushion Blockhead Puppets Bunny Softie Basic Embroidery Stitches Patterns Sewing Glossary Resources Acknowledgments Index SPECIAL BONUS PROJECT Available online! Visit www.chroniclebooks.com/123Sew for the instructions INTRODUCTION I started sewing eight years ago. Before then I never considered myself a crafty person, though I always had an interest in art and design. -
Hand Needles & Accessories Guide
FREE Easy HAND NEEDLE SELECTION Threading Hand needles vary according to the shape of the EASY THREADING hand needles & eye, the length and point. The larger the needle General purpose needle with a slot in size, the shorter and finer the needle. Select the outer edge of eye for easy threading accessories guide type of needle for the type of project to be sewn, Embroidery then choose the size of needle for the weight of EMBROIDERY fabric and type of thread. Sharp needle with long eye for smocking, heirloom sewing, TYPES OF HAND NEEDLES Ball Point Glovers/ embroidery and crewel Leather BALL POINT GLOVERS/LEATHER Slightly rounded tip for sewing stretch Needle with triangular point for use and knit fabrics with leather, suede, vinyl and fur Beading Milliners BEADING MILLINERS Very fine, long needle with a small, round Long needle with small round eye eye for beadwork, sewing sequins, for gathering, pleating, basting and pearls, etc. Chenille Quilting millinery work Betweens CHENILLE QUILTING BETWEENS Large-eye needle with sharp point for Short needle with round eye for ribbon embroidery, candlewicking Cotton quilting and detailed handwork and crewel work Sharps Darners SHARPS COTTON DARNERS General purpose needle with sharp Long needle with sharp point and long eye point for sewing and applique for mending Tapestry Crewel TAPESTRY CREWEL Large-eyed needle with a blunt point Sharp needle with long eye for hand for cross stitch, needlepoint and for embroidery and crewel work Yarn stitching knitted items Darners DOLL Doll YARN DARNERS Long -
Frequently Asked Questions Lockstitch Sewing Machines
FREQUENTLY ASKED QUESTIONS LOCKSTITCH SEWING MACHINES Sewing machine operators can often help themselves when their machine does not operate properly. Here are some simple instructions, which if properly used, can save you time and mechanic’s service call. What do I check when the thread breaks? Poor thread quality (too old, or not strong enough). Check for defective needle/needles (bent or blunt). Make sure you are using the correct needle system, See owners manual. Check for the correct passing of the thread. Check thread tension, could be to tight or to loose. Check if thread has jumped out from between the tension discs. Check condition of take-up spring (check spring) Sewing area very dirty, remove needle plate and clean. Check bobbin and bobbin case for damage, replace if needed. Bobbin case may be very dirty; clean the inside of the bobbin case. Check for sharp parts or edges where the thread passes. Check for overheating needle/needles. Check hook timing. See owner’s manual. What do I check when the needles are breaking? Select correct needle size for the type of work being done, Make sure you are using the correct needle system, See owners manual. Make sure the needle is inserted correctly. Check pressure foot is inserted correctly, and lined up with needle hole. Check bobbin in bobbin case, bobbin could be spread too wide, replace with new bobbin. Check needle guard setting. See owner’s manual. Check hook timing. See owner’s manual. Is the machine the correct type for what you are trying to sew? What do I check for skipped stitches? Select correct needle size for the type of work being done. -
Grommets and Grommet Press Frequently Asked Questions
Grommets and Grommet Press Frequently Asked Questions 1. How can I make my grommet press easier to operate? Remove all dies from the press. You should be able to rotate the press handle freely, with minimal resistance. If you do feel resistance, you should lubricate the press moving head with any type of sewing machine oil. Use grease syringe (#AS65) to lubricate the inside of the moving head. If you still feel resistance when turning the press handle, loosen the 2 bolts on the side about one quarter turn each. 2. What is the best way to prolong the life of my grommet cutters and setters? For cutters, use a cutting block topped with our chipboard, #GLC/P. It is recommended for thin, strong fabrics such as silk, and with our large cutters (GL10/C or larger). This provides a cushioned but stable surface for the cutting edge. Fabric will cut cleaner and dies will stay sharper. For setters, keep a thin layer of sewing machine oil on the working surface of the top setting die at all times, including the cone shaped area protruding from the die face and the groove on the root of the cone shape. Use silicone spray (#AS15) on the working surfaces of the top die every 20 grommets to reduce the setting force. Always keep the cutting and setting dies lubricated with sewing machine oil after your job is completed to prevent rust. 3. Do Rowley Company cutting and setting dies fit presses sold by other companies? Unfortunately, our cutting and setting dies are designed to mate with our grommet presses only, and do not fit any other presses. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Fastener Identification Guide • 4.13 KM • Printed in the USA
HEAD STYLES Hex Cap Screw Bugle Hex cap screws feature a washer face on the Button Washer bearing surface, a chamfered point, and tighter body tolerances than hex bolts. Pan Binding Undercut Hex Bolt Similar to hex cap screw, hex bolts do not require a washer face or a pointed end and have a greater tolerance range in the body. Round Head Fillister Socket Head Cap Screw Socket heads feature an internal hexagonal drive DRIVES socket and close tolerances for precision assembly. Flat 82° Cross Recess Button Head Socket Cap Screw Type I FASTENER (Phillips) Button heads feature a dome shaped head, though Flat 100° this feature reduces the tensile capacity. Cross Recess Flat Head Socket Cap Screw Type IA Flat heads feature an 82° countersunk head for Flat Undercut (Pozidriv®) IDENTIFICATION flush connections. Like the button heads, this feature reduces the tensile capacity. Cross Recess Type II (Frearson) Low Head Socket Cap Screw Indented Hex Low heads are similar to standard socket heads, but with a shorter head for applications where clearance Cross Recess Square GUIDE is an issue. This head configuration also reduces the Combo strength capacity. Indented Hex Washer (Quadrex®) NUTS Carriage Bolt A round head bolt with a square neck under the Slotted head. These must be tightened with a nut. Serrated Hex Finished Hex Nuts: Hex Coupling Nuts: Washer Hexagonal shaped nuts with internal screw Designed to join two externally threaded Plow Bolt threads. Finished hex nuts are one of the most objects, usually threaded rod, together. Combination Similar to a carriage bolt, these have a flat head common nuts used. -
Cord Buckles Center-Release Spaenaur Home Spaenaur 2 All Rights Rights All Reserved
1-800-265-8772 [email protected] Spaenaur Home Full Spaenaur Catalog Contact Us Français Metric Center-Release Buckles / Cord Locks & Cord Ends Métrique Boucles à dégagement central / Autobloqueurs et embouts de cordon EXTRA STRONG CLIP BUCKLE (Clip and Hold) Suitable for webbings of Terylene, Nylon, etc. Special protection against accidental opening. Used on Life-Saving Jackets, heavy Rucksacks, etc. 86 mm 122-A01-1M. Suitable for 40 mm strap of 1.4 - 1.5 mm thickness. The surface of the strap should not be too smooth. Mounting without sewing or rivets. Insert the strap in the clip and holder to the desired length. The Clip Buckle remains in position whether the strap is in use or not, but is nevertheless adjustable. Adjust the position by pushing the outer part of the strap inwards in order to release the strap. The loose end is hidden by the outer 122-A01-1M part of the strap. SPAENAUR Strap Strap PKG No. Colour Width Thickness QTY. 122-A01-1M Black 40 mm 1.4 to 1.5 mm 10 M All CORD BUCKLE Buckles Holder and locking wheel have supplied separately. White Locking Used for bags and clothing. E.g. ruck- Wheel sacks, duffel bags, laundry bags, CATALOG 14 C CATALOG AT sleeping bag covers, anoraks, ALOG 1 swimming trunks, sou’westers. 4 SPAENAUR No. For Cord Size WHITE BLACK PKG QTY. 25 2 mm 122-652 122-655 3-4 mm 122-660 122-663 MOUNTING: After threading the cord through the holder, push in the locking wheel. Knot the ends of the cord.