Andromedan Log 62 Master
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17915 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 31 AOÛT 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI SÉRIES Le président Irak : Chirac ne veut pas de France ’ Télécom sous d’une guerre préventive la pression du DANS un discours prononcé à gouvernement Paris, jeudi 29 août, devant la . OBJETS CULTES conférence annuelle des ambassa- deurs, Jacques Chirac a pris ses dis- FAIT rarissime pour une entre- tances avec la position américaine prise de cette taille, France Télé- La tong sur l’Irak, Washington étant déter- com a annoncé, jeudi 29 août, sa miné à engager une action militaire décision de repousser au 12 septem- De l’Egypte ancienne pour renverser Saddam Hussein. bre la présentation de ses comptes aux créateurs p. 18 « On voit poindre la tentation de légiti- semestriels, initialement prévue mer l’usage unilatéral et préventif de le 4. Ce délai devrait permettre au la force, a déclaré le président de la groupe de définir sa stratégie face à VIEUX MÉTIERS République. Cette évolution est inquié- sa filiale allemande MobilCom, en tante. Elle est contraire à la vision de grande difficulté. Il peut soit acqué- Les couteliers la sécurité collective de la France, une rir la totalité du capital (contre vision qui repose sur la coopération 28,5 % actuellement), soit se retirer, Une profession en des Etats, le respect du droit et l’auto- ce qui reviendrait à provoquer la rité du Conseil de sécurité. » « Nous faillite de cette entreprise. Mais le perte d’emplois p. 11 rappellerons ces règles chaque fois que sort de la filiale allemande n’est pas nécessaire, et notamment à propos de le seul souci du président de France l’Irak, a poursuivi le chef de l’Etat. -
Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
Spike: the Devil You Know Free
FREE SPIKE: THE DEVIL YOU KNOW PDF Franco Urru,Chris Cross,Bill Williams | 104 pages | 04 Jan 2011 | Idea & Design Works | 9781600107641 | English | San Diego, United States Spike: The Devil You Know - Buffy the Vampire Slayer and Angel Wiki Goodreads helps you keep track of books you want to Spike: The Devil You Know. Want Spike: The Devil You Know Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Spike by Bill Williams. Chris Cross. While out and about drinking, naturally Spike gets in trouble over a girl of course and finds himself in the middle of a conspiracy that involves Hellmouths, blood factories, and demons. Just another day in Los Angeles, really. But when devil Eddie Hope gets involved, they might just kill each other before getting to the bad guys! Get A Copy. Paperbackpages. More Details Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Spikeplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. The mini series sees a new character Eddie Hope stumble into Buffyverse alumni, Spike! I enjoyed their conversations but the general story was sort of Then again, that is the Buffyverse way of handling things! Jan 30, Sesana rated it it was ok Shelves: comicsfantasy. Well, that was pointless. The story is dull enough that I doubt the writer was interested in it. -
TV LISTINGS Sophomore Who Is Very Confused
Colby Free Press Friday, October 21, 2005 Page 7 On-and-off romance hits slump DEAR ABBY: I am a college gloves are welcome donations. TV LISTINGS sophomore who is very confused. Abigail However, numerous state and My boyfriend, “Graham,” and I federal laws prohibit the transfer broke up about four months ago, but Van Buren of prescription or controlled we still talk. We became a couple • Dear drugs. So antibiotics, antihista- sponsored by the when we were freshmen in high mine creams, pain patches, pills school. Abby and inhalers must be disposed of I treated Graham like a king and in compliance with whatever laws COLBY FREE PRESS did everything I was supposed to acquaintance of his mother’s. (His and regulations are in place in do. But every year he would find mother is my sister.) I have met this each state, because they can vary. another stupid excuse to break up. woman only a couple of times. I thought he loved me, but now I’m I recently received an announce- DEAR ABBY: When I go out to not so sure. ment in the mail stating that her dinner with men, they usually pick SUNDAY OCTOBER 23 I recently met a guy who would daughter and son-in-law are mov- up the check. On occasion, I will do anything for me, “Logan.” Lo- ing into their second home. (The insist on reciprocating by buying 6AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 gan is the son of some family friends house is being blessed in a few their meal. -
Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
Sfx: a Gun Cocks. Wes Fires.)
Angel Between the Lines Season 1 Episode 7 - "Hide and Seek" by Ryan Bovay and Tabitha Grace Smith Cover Art by Kayla14 Cast: Wesley Justine Otto - A sleazy barfly who imagines himself Justine’s lover. Carl (Bartender) – Sympathetic to Justine, but still serves what is ordered. Julia – Justine’s twin sister. Having overcome the abuse their mother inflicted upon her by training as a Potential Slayer in London, Julia returns to L.A. to reconnect with Justine and help her do the same. Julia is intelligent, articulate, and acutely aware of the emotional obstacles she’s battled through. Diana - Early-mid 30's, mercenary working for Wesley Hawkins - Late 30's, mercenary working for Wesley Mason - Lilah’s legal assistant and is in his early 30’s. He’s sharp, an egotist and an expert self-preservationist, which is what has allowed him to survive at Wolfram and Hart thus far. Lilah Wolfram & Hart Commando #1: these three are generic commandos Wolfram & Hart Commando #2 Wolfram & Hart Commando #3 British Vampire: Articulate and depraved, late 20's in appearance. Relishes rare kills like a chef does rare ingredients. Eric the Vampire: Freshly turned, early 20's 007_001 Setting: Dark Alley (SFX: LA CITY SOUNDS, CARS, ETC) (SFX: HEELS ON THE GROUND, WALKING, STOPS SEVERAL SECONDS LATER AS JUSTINE STOPS) (TAKES A DRINK FROM A BOTTLE) (MUTTERING, DRUNK, DESPAIR) Do this for me Justine... you have to do this for me. JUSTINE: (DRINKS FROM BOTTLE) You have to kill me so you’re alone again... always alone. (CREEPY MAN WHO JUST SHOWS UP CREEPILY) Not always alone Justine. -
I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................ -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Slayage, Number 3: Clark and Miller
Daniel A. Clark & P. Andrew Miller Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority (1) Buffy the Vampire Slayer, like much of the fare on the WB network (the show's home for the first five seasons), is marketed to and most popular among younger viewers. Like Dawson's Creek, Charmed, Roswell, and Popular, it depicts a young attractive cast struggling with the issues that typically face young adult characters on television, if not young adults in real life. A recent promotional spot on the WB for these shows features the stars laughing, dancing, and partying. The spot ends with the phrase “The night is young” on the screen. Current promotional spots feature the same imagery with a hip-hop version of The Who's "My Generation" on the soundtrack. They are young and hip and appeal to a young audience that uses television as one of the cultural texts that informs their interpretive communities. There are a number of elements of BtVS that have potential significance for an audience, but the ones on which we choose to focus are the issues of authority and power in the show. Issues of power and authority provide the show with most of its plot lines as well as thematic context. (2) Authority is viewed primarily through the eyes of the show's teen protagonists and so takes on the guise of traditional figures from the spheres in which the characters travel: school authority embodied by administrators, teachers, professors, and coaches; social authority embodied by parents; and civic authority embodied by local and federal officials and police. -
Dragon Magazine #205
Issue #205 Vol. XVIII, No. 12 May 1994 SPECIAL ATTRACTIONS Publisher Secrets abound in the wilderness TSR, Inc. 11 Uncover hidden lore as we spend some time in the great outdoors. Associate Publisher Brian Thomsen The People David Howery Editor-in-Chief 12 Explore a fantasy America-complete with Native Kim Mohan Americans. Associate editor Getting Back to Nature Jon Pickens Dale A. Donovan 26 Improve the distinctive flavor of the druid with these Fiction editor re-aligned spell spheres. Barbara G. Young Arcane Lore Jon Pickens Editorial assistant 34 Add these new (& old) spells to the druids repertoire. Wolfgang H. Baur Art director Larry W. Smith FICTION Production staff Cap Renvoorts Luck Daniel Hood Tracey Isler 76 Making your own luck is a risky proposition. Subscriptions Janet L. Winters REVIEWS U.S. advertising Cindy Rick The Role of Books John C. Bunnell 44 Read this column before Nightfall. DRAGON® Magazine (ISSN 0279-6848) is published tion throughout the United Kingdom is by Comag monthly by TSR, Inc., PO. Box 756 (201 Sheridan Magazine Marketing, Tavistock Road, West Drayton, Springs Road), Lake Geneva WI 53147, United States Middlesex UB7 7QE, United Kingdom; telephone: of America. The postal address for all materials from 0895-444055. the United States of America and Canada except Subscriptions: Subscription rates via second-class subscription orders is: DRAGON® Magazine, PO. Box mail are as follows: $30 in U.S. funds for 12 issues 111, (201 Sheridan Springs Road), Lake Geneva WI sent to an address in the U.S.; $36 in U.S. funds for 12 53147, U.S.A.; telephone (414) 248-3625; fax (414) issues sent to an address in Canada; £21 for 12 issues 248-0389.