Yoshitomo Katagiri Mphil Thesis
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Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Lockhart'smemoirs of the Life of Sir Walter Scott, Bart
Studies in Scottish Literature Volume 38 | Issue 1 Article 16 2012 WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig DePaul University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mulderig, Gerald P. (2012) "WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART.," Studies in Scottish Literature: Vol. 38: Iss. 1, 119–138. Available at: https://scholarcommons.sc.edu/ssl/vol38/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART’S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig “[W]hat can the best character in any novel ever be, compared to a full- length of the reality of genius?” asked John Gibson Lockhart in his 1831 review of John Wilson Croker’s edition of Boswell’s Life of Johnson.1 Like many of his contemporaries in the early decades of the nineteenth century, Lockhart regarded Boswell’s dramatic recreation of domestic scenes as an intrusive and doubtfully appropriate advance in biographical method, but also like his contemporaries, he could not resist a biography that opened a window on what he described with Wordsworthian ardor as “that rare order of beings, the rarest, the most influential of all, whose mere genius entitles and enables them to act as great independent controlling powers upon the general tone of thought and feeling of their kind” (ibid.). -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Three Short Novels Their Easily Readable Scope and Their Vivid England, in Europe and the Mediterranean, Themes, Each of the Stories Has a Distinct Charm
Angela Esterhammer The Edinburgh Edition of the Works of The Edinburgh Edition of the Works of Edinburgh Edition of the Works of John Galt Edited by John Galt General Editor: Angela Esterhammer The three novels collected in this volume reveal the diversity of Galt’s creative abilities. Glenfell (1820) is his first publication in the style John Galt (1779–1839) was among the most of Scottish fiction for which he would become popular and prolific Scottish writers of the best known; Andrew of Padua, the Improvisatore nineteenth century. He wrote in a panoply of (1820) is a unique synthesis of his experiences forms and genres about a great variety of topics with theatre, educational writing, and travel; and settings, drawing on his experiences of The Omen (1825) is a haunting gothic tale. With Edinburgh Edition ofEdinburgh of Galt the Works John living, working, and travelling in Scotland and Three Short Novels their easily readable scope and their vivid England, in Europe and the Mediterranean, themes, each of the stories has a distinct charm. and in North America. While he is best known Three Short They cast light on significant phases of Galt’s for his humorous tales and serious sagas about career as a writer and show his versatility in Scottish life, his fiction spans many other genres experimenting with themes, genres, and styles. including historical novels, gothic tales, political satire, travel narratives, and short stories. Novels This volume reproduces Galt’s original editions, making these virtually unknown works available The Edinburgh Edition of the Works of John Galt is to modern readers while setting them into the first-ever scholarly edition of Galt’s fiction; the context in which they were first published it presents a wide range of Galt’s works, some and read. -
John Keats 1 John Keats
John Keats 1 John Keats John Keats Portrait of John Keats by William Hilton. National Portrait Gallery, London Born 31 October 1795 Moorgate, London, England Died 23 February 1821 (aged 25) Rome, Italy Occupation Poet Alma mater King's College London Literary movement Romanticism John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death.[1] Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.[2] The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. Biography Early life John Keats was born in Moorgate, London, on 31 October 1795, to Thomas and Frances Jennings Keats. There is no clear evidence of his exact birthplace.[3] Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st.[4] He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[5] Another son was lost in infancy. -
Amateur Against Professional: the Hc Anging Meaning of Popular Football in Scotland, 1870-1890 Alastair G
University of Windsor Scholarship at UWindsor Major Papers 2018 Amateur Against Professional: The hC anging Meaning of Popular Football in Scotland, 1870-1890 Alastair G. Staffen University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the Cultural History Commons, and the European History Commons Recommended Citation Staffen, Alastair G., "Amateur Against Professional: The hC anging Meaning of Popular Football in Scotland, 1870-1890" (2018). Major Papers. 44. https://scholar.uwindsor.ca/major-papers/44 This Major Research Paper is brought to you for free and open access by Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Amateur Against Professional: The Changing Meaning of Popular Football in Scotland, 1870-1890 by Alastair Staffen A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of History in Partial Fulfilment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada © 2018 Alastair Staffen Amateur Against Professional by Alastair Staffen APPROVED BY: ______________________________________________ A. Pole Department of History ______________________________________________ M. Wright, Advisor Department of History May 10, 2018 DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication. I certify that, to the best of my knowledge, my thesis does not infringe upon anyone’s copyright nor violate any proprietary rights and that any ideas, techniques, quotations, or any other material from the work of other people included in my thesis, published or otherwise, are fully acknowledged in accordance with the standard referencing practices. -
Twilight of the Godless: the Unlikely Friendship of Francis Jeffrey and Thomas Carlyle
Twilight of the Godless: The Unlikely Friendship of Francis Jeffrey and Thomas Carlyle WILLIAM CHRISTIE Edin r 13 Feb y 1830 My Dear Carlyle I am glad you think my regard for you a Mystery - as I am aware that must be its highest recommendation - I take it in an humbler sense - and am content to think it natural that one man of a kind heart should feel attracted towards another - and that a signal purity and loftiness of character, joined to great talents and something of a romantic history, should excite interest and respect. (NLS MS. 787, ff. 52-3) i I The Thomas Carlyle who knocked on Francis Jeffrey’s door at 92 George Street Edinburgh early in February of 1827 was not a young man. He was thirty two. And though Carlyle was of humble, country origins — he was the child of a rural stonemason turned small farmer — this was by no means his first time in the big city, having come here as a university student eighteen years before in 1809. Carlyle at thirty two, however, was as yet comparatively unknown, if not unpublished. His major publications — a translation of Goethe’s Wilhelm Meister’s Apprenticeship (1824) and a Life of Schiller (1825) — had not brought his name before the English speaking reading public, probably because German thought and German literature simply did not interest them enough. Thomas Carlyle was an ambitious man and never doubted his own ability, but he must at this time have doubted his chances of success, and he had just added a young wife, Jane Welsh Carlyle, to his responsibilities. -
ASSOCIATION for SCOTTISH LITERARY STUDIES Publications
ASSOCIATION FOR SCOTTISH LITERARY STUDIES Publications Gifford, D. ed., The Three Perils of Man. War, Women and Witchcraft, Association for Scottish Literary Studies, 1 (1972) Turnbull, A. ed., The Poems of John Davidson. Vol. I, Association for Scottish Literary Studies, 2 (1973) Turnbull, A. ed., The Poems of John Davidson. Vol. II, Association for Scottish Literary Studies, 3 (1973) Kinghorn, A.M.; Law, A. eds., Poems by Allan Ramsay and Robert Fergusson, Association for Scottish Literary Studies, 4 (1974) Gordon, I.A. ed., The Member: an Autobiography. By John Galt, Association for Scottish Literary Studies, 5 (1975) MacDonald, R.H. ed., Poems and Prose. By William Drummond of Hawthornden, Association for Scottish Literary Studies, 6 (1976) Ruddick, W. ed., Peter’s Letters to his Kinsfolk. By John Gibson Lockhart, Association for Scottish Literary Studies, 7 (1977) Gordon, I.A. ed., Selected Short Stories. By John Galt, Association for Scottish Literary Studies, 8 (1978) Daiches, D., ed., Selected Political Writings and Speeches.By Andrew Fletcher of Saltoun, Association for Scottish Literary Studies, 9 (1979) Hewitt, D. ed., Scott on Himself. A Selection of the autobiographical writings of Sir Walter Scott, Association for Scottish Literary Studies, 10 (1981) Reid, D. ed., The Party-Coloured Mind. Prose relating to the conflict of church and state in seventeenth century Scotland, Association for Scottish Literary Studies, 11 (1982) Mack, D.S. ed., Selected stories and sketches. By James Hogg, Association for Scottish Literary Studies, 12, Edinburgh (1982) Jack, R.D.S.; Lyall, R.J. eds., The Jewel. By Sir Thomas Urquhart of Cromarty, Association for Scottish Literary Studies, 13 (1983) Wilson, P.J. -
Redgauntlet, the Strategy of Oppositions, and the Logic of Compromise
Master’s Degree in European, American, and Postcolonial Languages and Literatures (ex D.M. 270/2004) Final Thesis Redgauntlet, The Strategy of Oppositions, and the Logic of Compromise Supervisor Ch. Prof. Enrica Villari Assistant supervisor Ch. Prof. Michela Vanon Alliata Graduand Giulia De Stefano Matricolation number 856036 Academic Year 2019 / 2020 To the memory of Pegah Naddafi, dear friend and colleague, to whom I will always be grateful. TABLE OF CONTENTS I. STRUCTURE: FACTS AND FICTION I.1 The Eclectic Structure of Redgauntlet……….…………………….………………. pp. 3-9 I.1.1 The Embedded Stories in Redgauntlet………………………………………… pp. 4-7 I.1.2 Interpolations: From First-Person to Third-Person Narrative…………………. pp. 7-9 I.2 Lawyers and Storytellers………………………………………………………….. pp. 9-23 I.2.1 Scott’s Autobiographical Echoes in Redgauntlet…………..…………………... pp. 10-14 I.2.2 Fiction as a Case: Alan Fairford, the Lawyer………..………………………… pp. 15-18 I.2.3 Fiction as a Romantic Adventure: Darsie’s Letters……...………..………….... pp. 18- 23 I.3 Facts and Fiction: The Metafictional Implications in Redgauntlet’s Structure… pp. 23-30 II. EVENTS: REALITY AND THE SUPERNATURAL II.1 Wandering Willie’s Tale: An Example of Balance between Supernatural and Historical…………………………………………………………………………………pp. 32-45 II.1.1 The Inspiration and Plot of the Tale……………………………………………. pp. 32-37 II.1.2 The Unsolvable Ambiguity of the Tale and Scott’s Technique………………....pp. 37-42 II.1.3 The Function of the Tale in Redgauntlet………………………………….……..pp. 42-45 II.2 The Future of the Redgauntlets: Fate or History?..................................................pp. 45-60 II.2.1 The Supernatural Explanation: The Family’s Curse……………….……………pp. -
BOBBY BROWN a Life in Football, from Goals to the Dugout
BOBBY BROWN A Life in Football, From Goals to the Dugout Jack Davidson Contents Foreword 9 1. Wembley 1967 11 2 Early Days and Queen’s Park 41 3. Jordanhill College and War; International Debut 59 4. Post War and Queen’s Park 85 5. First Year at Rangers 94 6. Rangers 1947–52 110 7. Final Years as a Player 126 8. St Johnstone Manager 142 9. Scotland Manager – Early Days and World Tour 161 10. The Quest for Mexico 1970 185 11. Final Years as Scotland Manager 214 12 Family Life and Business Career 235 13. Full Time 246 Chapter 1 Wembley 1967 S dream starts to new jobs go, even Carlsberg would have struggled to improve on Bobby Brown’s. Appointed A Scotland team manager only two months earlier, on 11 April 1967 he oversaw his team beating England, then reigning world champions, at Wembley, English football’s impressive and emblematic stadium. It was his first full international in charge and England’s first loss in 20 games. To defeat the world champions, Scotland’s most intense and enduring rivals, in these circumstances was an outstanding achievement, like winning the Grand National on your debut ride or running a four-minute mile in your first race. The date is enshrined in Scottish football history as one of its most memorable days. In fans’ folklore, it was the day when Scotland became ‘unofficial world champions’ by knocking England off their throne – and what could be sweeter for a Scottish fan? As Brown said, in his understated way at the time, ‘It was a fairly daunting task for your first game in charge. -
University of Glasgow Department of Economic and Social History
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] University Extension in Scotland c. 1886-1896 Douglas Sutherland Thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy (by research) University of Glasgow Department of Economic and Social History March 2007 ProQuest Number: 10390711 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390711 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. -
Research Resources in the University of Glasgow for Adam Smith and the Scottish Enlightenment
Research Resources in the University of Glasgow for Adam Smith and the Scottish Enlightenment April 2009 Research Resources in the University of Glasgow for Adam Smith and the Scottish Enlightenment This is a guide to the archives, manuscripts and printed books held by the University of Glasgow relating to major figures of the Scottish Enlightenment. It is presented as a handlist that details the most significant resource material arranged by person. The resources for Adam Smith are listed first, followed by other Enlightenment figures in alphabetical order. Details of any connections with the University of Glasgow are also given at the beginning of each entry. The aim of this list is to highlight the wealth of research material available at the University of Glasgow. However, it has been impossible to be totally comprehensive and the list is necessarily selective. Our holdings may be explored further from the Archives and Special Collections websites: Archives Services: http://www.gla.ac.uk/services/archives/ Special Collections: http://special.lib.gla.ac.uk/index.html Please refer to Special Collections manuscripts catalogue (http://special.lib.gla.ac.uk/manuscripts/search/) and main library catalogue (http://eleanor.lib.gla.ac.uk/search~S0/) for further details and comprehensive holdings. Nearly 100 items of relevance from our collections are described in a web exhibition: Scottish Thought & Letters in the Eighteenth Century: http://special.lib.gla.ac.uk/exhibns/scottish/index.html and over 60 images of Smith documents in a web exhibition: Smith in Glasgow http://www.gla.ac.uk/services/archives/exhibitions/smith NB. for the printed books, only pre-1850 printed editions are listed where the figure is the author (ie not those books where figure is the subject).