Stasi, Sex and Soundtracks: Thomas Brussig's Postalgie by Elizabeth Nijdam B.A., University of Victoria, 2005 a Thesis Submi
Stasi, Sex and Soundtracks: Thomas Brussig’s Postalgie by Elizabeth Nijdam B.A., University of Victoria, 2005 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Germanic and Slavic Studies © Elizabeth Nijdam, 2007 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Stasi, Sex and Soundtracks: Thomas Brussig’s Postalgie by Elizabeth Nijdam B.A., University of Victoria, 2005 Supervisory Committee Dr. Peter Gölz, Supervisor (Department of Germanic and Slavic Studies) Dr. Ulf Schuetze, Departmental Member (Department of Germanic and Slavic Studies) Dr. Tom Saunders, Outside Member (Department of History) Dr. Reinhart Illner, External Examiner (Department of Mathematics and Statistics) iii Supervisory Committee Dr. Peter Gölz, Supervisor (Department of Germanic and Slavic Studies) Dr. Ulf Schuetze, Departmental Member (Department of Germanic and Slavic Studies) Dr. Tom Saunders, Outside Member (Department of History) Dr. Reinhart Illner, External Examiner (Department of Mathematics and Statistics) ABSTRACT Since the fall of the Wall, a new era of East German literature has emerged. This genre of literature exists even though East Germany’s borders dissolved over a decade and half ago and is challenging the way we think about the former German Democratic Republic. East German author Thomas Brussig is pivotal in this new genre of literature. His novels Helden wie wir (1995), Am kürzeren Ende der Sonnenallee (1999) and Leander Haußmann’s cinematic adaptation, Sonnenallee (1999), confront the negative associations and stereotypes connected with East Germany to deconstruct how formal history has portrayed its past and its citizens.
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