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Head! Doesn’T Appear Often These Days, As Both Our Lives Have Become Increasingly Busy
Contents Porpoise Song LonCon III is just around the corner and we’re Come and Keep Your Comrade 3 spending the weekend in front of our laptops Warm:The Curious Story of trying to pull a semi-coherent issue together. “Back in the U.S.S.R.” Andy Hooper Head! doesn’t appear often these days, as both our lives have become increasingly busy. There Songs From The Top Of The 10 are jobs to hold down, PhD’s to study for, houses World and gardens to tend and somehow zines always Doug Bell get shunted down the list of priorities. Then there is con-running which seems to have infiltrated our Keeping It Weird 15 lives and is taking up what little fannish energy Christina Lake we have left after a day at work. I’m sure our star contributors Andy Hooper and Brad Foster must Talking Head 19 have wondered if their work would ever see the You Lot - edited by Christina light of day. Sorry guys! With a WorldCon almost on our doorstep, we felt it right to pub our ish. It provided a nice hard deadline. Which brings us Art Credits bang up to date. Once again we welcome the hugely talented Brad Foster back to the cover of I have forgotten the quiet pleasures of Head! with a splendid playful illustration. assembling a zine. You get the chance to re-read Steve Green provided the excellent loccol intelligent and well researched articles (Thank header. Spot illustrations this issue are you Mr Hooper) and place artwork where you from Brad (again, p.24) and Sue Mason think will be the most attractive. -
Humanities Festival Is Varied Program
FRIDAY, APRIL 30, 1976 T H E BENNETT BANNER Page Five Humanities Festival Is Varied Program Students learn to make clay pots under the direction of ceramist Karen Reed. photo by Virginia Tucker I Belinda DeFoor (L) and 'Twinkle' Richmond (R) try table Valena M. Williams, '43, (L) and Stella L. Britton, '73, (R) loom belonging to guest weaver Nancy Morton. share experiences with students. photo by Virginia Tucker photo by Cheryl E. Johnson Banner Staffer of 1940% Williams, Speaks Maggie Smoot (center) demonstrates card weaving to art teacher Alma Adams (L) and students. Alumnae Return To Participate in Humanities Salute photo by Virginia Tucker As a part of the W omen’s panel discussion in Black Hall on Mrs. Britton has worked in Studies Program and in conjunc “Leadership Opportunities for A.I.D.’s Office for Urban Develop tion with the Humanities Festival, Women in International Service.” ment and the Africa Bureau and two Bennett graduates appeared At 2 p.m., Mrs. Williams con is presently preparing analyses re at Bennett on April 21 in a semi ducted a media workshop. After lating to development policies, aid nar on the preparation of women the workshop, Mrs. Britton met in flows, and financial institutions at for leadership roles in interna formally with students. the Program and Policy Coordi tional service. Both women have had extensive nation Bureau. She received her experience in Africa, Under the M.A. degree in 1975 from the Mrs. Stella L. Britton, ’73, an Bennett co-op program Mrs. Brit School of Advanced International economist at the Program and ton served as an economist intern Studies, Johns Hopkins Univer Policy Coordination Bureau, with A.I.D. -
1 Azərbaycan Respublikasi Mədəniyyət Və Turizm Nazirliyi M.F.Axundov Adina Azərbaycan Milli Kitabxanasi Yeni K
AZƏRBAYCAN RESPUBLİKASI MƏDƏNİYYƏT VƏ TURİZM NAZİRLİYİ M.F.AXUNDOV ADINA AZƏRBAYCAN MİLLİ KİTABXANASI YENİ KİTABLAR Annotasiyalı biblioqrafik göstərici 2009 Buraxılış IV B A K I – 2010 1 AZƏRBAYCAN RESPUBLİKASI MƏDƏNİYYƏT VƏ TURİZM NAZİRLİYİ M.F.AXUNDOV ADINA AZƏRBAYCAN MİLLİ KİTABXANASI YENİ KİTABLAR 2009-cu ilin dördüncü rübündə M.F.Axundov adına Milli Kitabxanaya daxil olan yeni kitabların annotasiyalı biblioqrafik göstəricisi Buraxılış IV BAKI - 2010 2 Tərtibçilər: L.Talıbova N.Rzaquliyeva Baş redaktor: K.Tahirov Redaktor: T.Ağamirova Yeni kitablar: biblioqrafik göstərici /tərtib edənlər L.Talıbova [və b.]; baş red. K.Tahirov; red. T.Ağamirova; M.F.Axundov adına Azərbаycан Milli Kitabxanası.- B., 2009.- Buraxılış IV. - 356 s. © M.F.Axundov ad. Milli Kitabxana, 2009 3 Təbiət elmləri 1. Б1 Azərbaycan-bənzərsiz təbiət səltənəti [Mətn] /baş A99 red. H.Bağırov; foto H.Müller; dizayn L.Salamova.- Bakı: Çaşıoğlu, 2006.- 216 s. Kitabda Azərbaycanın canlı geologiyası, landşaftları, yarımsəhraları, heyvandarlıq və ətraf mühiti, parkları və qoruqları haqqında geniş məlumat verilmişdir. 2. Б Orucov, F.M. Təbiətşünaslığın əsasları [Mətn]: ali O-58 təhsilin bakalavr pilləsi üçün dərslik /Firudin Orucov; elmi red. R.Z.Sultanov; Azərb. Resp. TN, Təhsil problemləri institutu.- Bakı: BQU, 2005- 324 s. 3. 2-783389 Карпенков, С.Х. Концепции современного естествознания [Текст]: учебник для студентов вузов /Степан Карпенков; рец. М.В.Вальяно, В.А.Шахнов; предис. к одиннадцатому изд. С.Х.Карпенков.- М.: КноРус, 2009.- 672 с. 4. 2-783772 Куклев, Ю.И. Физическая экология [Текст]: учебное пособие для студ. техн. спец. /Юрий Куклев; рец. В.Т.Медведев.- М.: Высшая школа, 2008.- 392 с. В книге впервые обобщены, систематизированы и рассмотрены физические поля естественного и техногенного происхождения, являющиеся одним из главных абиотических факторов окружающей среды. -
INTO the MUSIC ROOMS Kirkland A. Fulk
Introduction INTO THE MUSIC ROOMS Kirkland A. Fulk I want to begin at the end, the end, that is, of the present volume. In his conclusion to the final chapter, Richard Langston remarks on Diedrich Diederichsen’s short music columns published in the Berlin newspaper Tagesspiegel between 2000 and 2004. Diederichsen, perhaps Germany’s most well-known music and cultural critic, titled these columns “Musikzim- mer” [the music room]. Here, as Diederichsen put it in his introduction to the 2005 republished collection of these sixty-two, roughly 600-word music columns, he endeavored to bring together as many disparate things as pos- sible under the designation “music.”1 In any one of these music rooms, readers encounter curious and unexpected combinations and constella- tions: the (West) German (post-)punk band Fehlfarben is discussed in con- junction with British mod group Small Faces, Bob Dylan, and Leonard Cohen; the Australian-American feminist music group and performance art ensemble Chicks on Speed is brought together with German hip-hop and reggae musician Jan Delay; and the German avant-garde trio BST (which notably includes the well-known German cultural theorist Klaus Theweleit on guitar) finds a place alongside the jazz collective Art Ensemble of Chicago as well as the pioneering Hamburg indie-rock band Blumfeld. I start this introduction to the subsequent essays on postwar German popular music at the end station of this volume, in Diederichsen’s music rooms, because in many ways they serve as an analogy for what this volume sets out to do, namely traffic in the intersections, entanglements, and flows between the national and transnational. -
Troubled Voices Martin Dowling a Troubles Archive Essay
Troubled Voices A Troubles Archive Essay Martin Dowling Cover Image: Joseph McWilliams - Twelfth March (1991) From the collection of the Arts Council of Northern Ireland About the Author Martin Dowling is a historian, sociologist, and fiddle player, and lecturer in Irish Traditional Music in the School of Music and Sonic Arts in Queen’s University of Belfast. Martin has performed internationally with his wife, flute player and singer Christine Dowling. He teaches fiddle regularly at Scoil Samhradh Willy Clancy and the South Sligo Summer School, as well as at festivals and workshops in Europe and America. From 1998 until 2004 he was Traditional Arts Officer at the Arts Council of Northern Ireland. He is the author of Tenant Right and Agrarian Society in Ulster, 1600-1870 (Irish Academic Press, 1999), and has held postdoctoral fellowships in Queen’s University of Belfast and University College Dublin. Recent publications include “Fiddling for Outcomes: Traditional Music, Social Capital, and Arts Policy in Northern Ireland,” International Journal of Cultural Policy, vol. 14, no 2 (May, 2008); “’Thought-Tormented Music’: Joyce and the Music of the Irish Revival,” James Joyce Quarterly, vol. 44, no. 1 (2008); and “Rambling in the Field of Modern Identity: Some Speculations on Irish Traditional Music,” Radharc: a Journal of Irish and Irish-American Studies, vols. 5-7 (2004-2006), pp. 109-136. He is currently working on a monograph history of Irish traditional music from the death of harpist-composer Turlough Carolan (1738) to the first performance of Riverdance (1994). Troubled Voices Street singers and pedlars of broadsheets had for two centuries been important figures in Irish political and social life. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Dennis J. Miller of Michigan State University
---11111-111111111--------~S=i educator ) Dennis J. Miller of Michigan State University Dennis with post-doctoral associate Navin Asthana in 2006. BY DAINA M. BRIEDIS WITH JANE L. DEPRIEST Dennis has been a faculty member in the Department of edicated and resolute. If taken without energy, in Chemical Engineering and Materials Science at MSU in East novation, and relationships, these attributes suggest Lansing, Michigan, since completing his doctorate in 1982. Droutine, even monotony, in life. But for Dennis Miller, He has had the same 'Job" for his entire academic career. professor of chemical engineering at Michigan State Uni During that time, Dennis has been successful in cultivating his versity (MSU), life is anything but monotonous. His love of passion for teaching and research, while maintaining a hefty discovery and creative spirit energize him to constantly seek measure of service in the academic and local communities. new opportunities both professionally and personally, and his He has balanced career, family, and faith-all while trying to dedication and resolve have led to a life that is full of diverse keep a healthy perspective on time and resource challenges. experiences and accomplishments. With these traits, Dennis His energy, enthusiasm, and selfless commitment in all as Miller is exemplary in how a typical kid from Toledo, Ohio, pects of life have earned him the affectionate title of "The can become a respected and accomplished teacher, researcher, "Energizer Bunny" among family and friends. His passion and community servant. © Copyright ChE Division of ASEE 2009 82 Chemical Engineering Education for "doing" -and doing things well-is contagious, and has benefited his students, colleagues, family, and the progress of his career. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
An Obstacle Confusion: the Wonderful World of Barney Mckenna Pdf
FREE AN OBSTACLE CONFUSION: THE WONDERFUL WORLD OF BARNEY MCKENNA PDF Jim McCann | 100 pages | 21 Jan 2016 | Liberties Press Ltd | 9781910742150 | English | Dublin, Ireland An Obstacle Confusion: The Wonderful World of Barney McKenna - Jim McCann - Google книги Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and An Obstacle Confusion: The Wonderful World of Barney McKenna again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Wendy Shea Illustrator. But he was also famous for another reason: he was capable of bringing any conversation to a sudden stop by uttering something so completely unexpected as to reduce everyone present An Obstacle Confusion: The Wonderful World of Barney McKenna bemused silence. These wonderful flights of fancy are must-reads for Dubliners fans, young and old. They stood outside, gazing at the breathtaking, sun-dappled panorama, an occasional medieval castle peeking through the mist-shrouded trees, and basked in the beauty of the idyllic scene. Barney eventually broke the reverential silence. Get A Copy. Kindle Editionpages. More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Obstacle Confusionplease sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. -
Irish President Will Preside Over Famine Events Commemorations Set for May 5 and 6
May 2012 Boston’s hometown VOL. 23 #5 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com Irish president will preside over Famine events Commemorations set for May 5 and 6 By the BiR StaFF Boston’s Irish community is prepar- ing to welcome Michael D. Higgins, the ninth and current President of Ireland, on his arrival in the city on Sat., May 5, for a whirlwind two-day visit that will coincide with Boston’s designation by the Irish government as the official site of the international commemoration of the Irish Famine. Higgins will preside over several famine-related events in Boston, and will deliver a lecture on the “Great Hunger” and its impact on Ireland and Boston at Faneuil Hall on th morning of his arrival. The Boston observance Donal and Rosa O’Connor with Sergio and his twin brother, Tadhg. Sergio has will precede by a week the official Irish been in a hospital every day since he was born in March of 2011. commemoration in Drogheda, Co. Louth, on May 13. Michael Higgins, 71, is a longtime Michael D. Higgins A SESSION FOR SERGIO Galway politician, a former head of the To speak on “The Great Hunger” Labour Party, a poet, a university profes- Irish musicians will gather to play for the sor, an author and a broadcaster. He was elected to the presidency last fall and took benefit of a Dublin boy, age one, who is facing office in November, succeeding two-term ‘Golden Door’ president Mary McAleese. -
Paradoxes Within Soviet Rock and Pop of the 1970S A
UNIVERSITY OF CALIFORNIA Los Angeles The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Alexandra Grabarchuk 2015 ABSTRACT OF THE DISSERTATION The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s by Alexandra Grabarchuk Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor David MacFadyen, Chair The “underground” Soviet rock scene of the 1980s has received considerable scholarly attention, particularly after the fall of the USSR when available channels of information opened up even more than in the glasnost years. Both Russian and American academics have tackled the political implications and historical innovations of perestroika-era groups such as Akvarium, Mashina Vremeni, and DDT. Similarly, the Beatles craze of the 1960s is also frequently mentioned in scholarly works as an enormous social phenomenon in the USSR – academics and critics alike wax poetic about the influence of the Fab Four on the drab daily lives of Soviet citizens. Yet what happened in between these two moments of Soviet musical life? Very little critical work has been done on Soviet popular music of the 1970s, its place in Soviet society, or its relationship to Western influences. That is the lacuna I address in this work. My dissertation examines state-approved popular music – so-called estrada or “music of the small stage” – produced in the USSR during the 1970s. Since detailed scholarly work has ii been done on the performers of this decade, I focus instead on the output and reception of several popular composers and musical groups of the time, exploring the relationship formed between songwriter, performer, audience, and state. -
The Rennaissance of Jewish Life in Berlin After the Fall of the Wall. Page 8
The Rennaissance of Jewish life in Berlin after the fall of the Wall. Page 8 A global local newspaper 2014 Happy BirtHday, Photographer Paul Glaser recalls the moment he took this picture on November 12, 1989 at Leipziger Strasse close to Potsdamer Platz: ”It was nothing short of a festival atmosphere! People from East and West turned the horrible Wall into a stage for their happiness. And the GDR police had to allow people to Freedom! approach the wall unhindered.“ Let’s drink a toast, let’s have a party, let’s light 25 torches of freedom! 25 years ago on November 9, the Wall that imprisoned Berlin died, and freedom was reborn. This is a birthday party in print. You’re invited! aif l Z/ s chmecken/ s egina egina r laser; small picture: laser; g eter p / PA Berlin bliss on November 10, 1989: A young girl cradles a white dove of peace in front of Brandenburg Gate. large picture: D 2 2014 Welcome to The Berlin Times ver 32 pages, we reminisce How much Stasi ideology still remains about the glorious night of in Berlin? Have we really done enough the fall of the Wall. We take to clear up and process the sinister legacy a look back and also shine a of their activities? And what lessons can Olight on nowadays Berlin. a functioning democracy learn from life tHe nigHt Firstly, we immerse ourselves once again under a dictatorship? Germany’s Fed- in that jubilant night and recall: How a eral Commissioner for the Stasi Records, badly prepared media conference made Roland Jahn, himself a prisoner of the history; how the most important players Stasi, speaks about GDR nostalgia, old in East and West experienced events that boy networks, yes-men and why the Stasi night; what was happening at the Central shouldn’t be compared with the NSA.