holland festival Worden,Shara Andrew Hoofdbegunstiger BO X (BaroqueOrchestration X) www.arktype.org www.boxcollective.be www.andrewondrejcak.com www.mybrightestdiamond.com websites moderator the after performance 19.6 Thu Pieter Theuns Ondrejcak, Worden,with Shara Andrew meet the artist pm 7.45 by Brendan Walsh introduction withDutchEnglish surtitles time running minutes,1 hour 20 no interval time running BellevueTheater venue pm 8.30 starting time Wed June 19 2014 Thu 18, dates info h olland festival partners

Brendan Walsh You Us WeAll direction theorbo,Pieter artistic Theuns, percussion Vanderleen,Mattijs drums, Jutta Troch, baroque harp organ Anthony harpsichord, Romaniuk, a continuo/rythm section – trombone) Woolf,Adam sackbut (baroque Jon trumpet cornett, Birdsong, Colson, flutes cornett, Lambert capella ofan alta winds – Christine Sticher, violone Pieter Vandeveire, bass viol treble Byrne, Liam bass viol, viol a consort of viols – BOX, by music performed Carlos Soto (Time) Landauer (Death) Bernhard Gerke (Love)Martin Helga Davis (Virtue) WordenShara (Hope) cast Andrew Ondrejcak design direction, text, WordenShara music credits cond. by cond. Pieter Theuns ndrejcak, Ondrejcak, Kampnagel, Hamburg, 16.8.2013 Hamburg, Kampnagel, world premiere many many many more. Hendrik-Jan, Lieve, Lieselot, and Duyster, Ilse, Johanna &Wilbert, Van Jan Devroede, Ayco Herck, Sofie Judith Berman, Tack, Laura from Huis Bernaerts, Bernaerts PeterHappaert, &Christophe Ellen Wezenbeek and Het Huis to thanks special overheid, Huis Happaert Vlaamse by support with Sommerfestival Hamburg deSingel, Internationales coproduction ArKtype BOXassociation vzwin Office with production Valerie Oliveiro manager company stage and Benjamin Gordon coach conductor and rehearsal Koen Keevel engineer sound Pedro Lozano choreography Lutz Deppe design light Zane Philstrom co-design costume TonizzoCécile director assistant

You Us We All Historically, various groups of musicians were on stage during the masque: a string ensemble, a group of lutes and often a wind You Us We All is a collaboration initiated by the Antwerp musicians’ ensemble as well. The line-up of BOX is loosely based on the musical collective, BOX. Together with New York writer, director and stage sounds of the masque. Here, too, we have three groups: a gamba con- designer Andrew Ondrejcak, and the likewise American pop singer sort (strings), an alta capella (loud wind instruments) and a continuo and composer Shara Worden, the group has come up with a show group with lute, harp and clavier. full of postmodern pastiche. You Us We All revives the 17th century English masque in a 21st century Baroque opera. Says Ondrejcak, Shara Worden not only wrote all of the music for You Us We All, but “Look at it as a reaction to the bare minimalist approach that holds sway also did all the arrangements. Purcell was floating through her mind in modern opera. In You Us We All, the anarchist in me comes out.” when she was thinking up the melodies for You Us We All, but the score is just as full of contemporary rhythms and American soul. In The masque, a grandly staged spectacle with dance, dialogue and this way, You Us We All ends up in a fascinating in-between space: music, won the hearts of aristocratic audiences in England during with no specific home but with a story that is about you and me, all the first half of the 17th century. The productionYou Us We All has of us. taken the masque as its starting point – not only in terms of content, but also in terms of form and musical colour. In the 16th century, Edited by Frederike Berntsen so-called ‘disguisings’, masked balls with a particular allegorical Source: Annemarie Peeters theme, had already been held at the court of Henry v111. Under Queen Elizabeth, they developed into the true masque. Here too, the dancers were disguised. But much more than had been the case with the disguisings, the masque ultimately grew into an actual produc- BIOGRAPHIES tion, with elaborate staging and a written script. Exuberant costumes The American composer, vocalist and multi-intrumentalist Shara Worden is and grandiose scenic machineries inspired by the French ‘ballets de best known as the lead singer of indie-rock band My Brightest Diamond. For cour’ or the Italian ‘intermedii’ were typical of the masque. Like the the last seven years, Worden has toured extensively with My Brightest Diamond. disguising, the masque also had an allegorical theme. The allegorical Worden has had a classical music education. In her performances she also intro- story often contained clearly articulated political or moral messages, duces other disciplines such as storytelling, custome design and puppetry. Her which naturally could only be understood by an audience that was last solo album All things will unwind (2012), which she performed at the Holland thoroughly familiar with the symbolic associations that were typi- Festival in 2012, showcases her exceptional qualities as a composer and vocalist. It’s an album of chamber pop music inspired by the city of Detroit. Worden has cally assigned to certain figures and storylines. In this manner, the performed at major venues such as the Sydney Opera House and Lincoln Center, performers of the masque, among whom were often members of the as well as on smaller stages such as House of Blues. She counts Bruce Dessner royal family or highly placed nobles, personified the divine virtues (The National), Justin Vernon (Bon Iver), David Byrne, Laurie Anderson and which were ascribed to the sovereign. Many people considered the The Decemberists among her friends and fans. They are just a few of the many allegorical content of the masque to be the essence of the entire event. who’ve fallen in love with Worden’s mystical voice and mythic storytelling. Worden studied opera at the University of North Texas and composition under Andrew Ondrejcak has already experimented with archetypal char- Padma Newsome and Kristy Kuster. As well as on her own material, she has worked with artists such as David Lang, The Decemberists, Sufjan Stevens, acters in earlier productions: ‘flat characters’, loaded with symbolic David Byrne, Bryce Dessner, Sarah Kikland Snider and Matthew Barney (on meaning, but without personal history. In You Us We All, he goes a River of Fundament; which also features at this festival). She has performed at step further. He lets the characters Love, Death, Hope and Virtue the Museum of Modern Art and Carnegie Hall in New York. This season she’s aimlessly wander around the stage as if they are in a decadent soap performing with the BBC Symphony Orchestra at the South Bank Centre and opera. The character Time is the true kingpin of this idle show. At the Barbican in London. first, he appears to be hardly more than an extra, sitting motionlessly on his chair with his back to the audience, but gradually it becomes Born and raised in Mississippi, The New York writer, director and set designer Andrew Ondrejcak studied architecture and painting at Savannah College of clear that he holds the key to the piece. Every once in a while, he Art and Design then playwriting at Brooklyn College. While making experimen- stands up and lashes out – ripping the masquerade to shreds, just tal theatre in New York, Ondrejcak was asked to conceptualize a fashion show; as was done in the real masque when the dancers took off their he quickly became one of New York’s most sought-after production designers disguises at the end. in the fashion industry, including Vogue (in the US, China, Germany and Italy), Bazaar, V, W and Numero. Since 2002, Ondrejcak has also been a lecturer at The historical masque always contained an ‘antimasque’ as well, a MoMA. His recent performances included Veneration # 2 (SCAD MUSEUM, burlesque intermezzo in which the noble values of the masque were 2013), Kings of Macedonia, with music by Shara Worden (Prelude Festival 2012) and Veneration #1: The Young Heir takes Possession of The Master’s Effects, curated turned upside down. The antimasque was peopled by comic or by Robert Wilson at the Guggenheim Museum in New York. Ondrejcak re- grotesque beings, characters from the commedia dell’arte, demons, performed the work of Marina Abramovič for her exhibition The Artist is Present witches, birds, apes…. In You Us We All, the comic antimasque at MoMA in New York and at The Garage in Moscow (2011). seems to have burst its banks: the comic and the serious, the sublime Currently, Ondrejcak is developing projects for the Baryshnikov Arts Center and and the earthly continually flow into one another. For instance, the the Lower Manhattan Cultural Council, as well as working on a new creation in character Death alternates metaphysical considerations over the collaboration with composer Bryce Dessner. relation between body and soul with the dry remark, “I fuck’ed Tina­ After having started on electric guitar, Pieter Theuns obtained a master’s yesterday”. The language that Ondrejcak has his exalted characters degree in classical guitar from the Lemmensinstituut in Leuven, Belgium. sing is also a comic mixture of old English and contemporary plati- Through the world of classical guitar he discovered the world of early music. tudes. In You Us We All, sung fan mail addressed to American pop At the Royal Brussels conservatory he went on to obtain a bachelor’s degree in stars goes like this: “Dear Beyoncé, Sometimes I feel aloneith and thy lute and historical performance practice. music, alone, comfortith. Do you ever think that you’re like e’erybody In 2010 he founded BOX (baroque orchestration x) and the baroque trio else - just another human fartin’ around this damn’ed earth? Cause I Bel Ayre. Having played numerous concerts in venues such as the festival can identify with that feeling. Yours.” Monteverdi-Vivaldi (Venice), Operadagen Rotterdam, Bozar (Brussels), New year Music Festival (Gstaad), Les Promenades musicales du Pays d’Auge (Normandy, France) and many others, Bel Ayre has been steadily building its in residence at Kampnagel, Hamburg. He performed in Robert Wilson’s international reputation. The Life and Death of Marina Abramovi´c, in which he had the role of the young Marina Abramovic´ next to Willem Dafoe and Antony Hegarty. In 2012 and The singer Helga Davis is based in New York. She is presently starring in the 2013 he was artist in residence at the Willem De Kooning Studio. Productions 25th anniversary production of Einstein on the Beach by Robert Wilson and Philip of his own include Girlmachine, Pig Pig Pig, Have Mercy on me and the project Glass. In December 2012, she performed at the Park Avenue Armory in Ann my heart’s in my hand, and my hand is pierced, and my hand’s in the bag, and the bag is Hamilton’s The Event of a Thread with music by David Lang. She starred in shut, and my heart is caught. This year he is collaborating with Davide Balula on Prestini’s Oceanic Verses at the Barbican as part of Nico Muhly’s Scream and an a performance at Palais de Tokyo. Soto is currently creating a new opera work Outrage festival and made two appearances at BAM’s Next Wave Festival in together with composer Marcos Balter, which will premier in Spring 2015. both Einstein on the Beach and Elsewhere, a new multimedia opera by cellist Maya Beiser and Robert Woodruff, with music by Missy Mazzoli, among others. BOX, which stands for Baroque Orchestration X, are an indie baroque Previously she was the co-star of The Temptation of St Anthony, also directed by collective who in their music examine the potential of using historical Robert Wilson with libretto and score by Bernice Johnson Reagon, as well as The instruments in a contemporary context. The ensemble demonstrated their Blue Planet by Peter Greenaway, directed by Saskia Boddeke. In 2013, Davis was special approach to the creation of ‘baroque orchestrations’ at TEDx Flanders a recipient of the BRIC Media Arts’ Fireworks grant and is in production on in 2010. Their debut project included comprehensive reworkings of two classic her new work, Cassandra, which will have its premiere this year. Robert Wilson indierock masterpieces: White Chalk by PJ Harvey and Radiohead’s Amnesiac. says of her, “Helga Davis is a beautiful, natural performer with an inner power In 2011, in collaboration with the popular Belgian band Dez Mona, BOX and strength that is truly unique. She combines voice and movement in a united created Sága, an opera of ballads which was received to international acclaim. whole that is spellbinding. Her genius inner stillness and quietness evoking a The members of BOX are all seasoned musicians who have played with some very deep emotion. She is radiant in every way.” of the leading European ensembles, including Fretwork, the English Baroque Soloists and The King’s Consort; they have performed with global stars such Countertenor Bernhard Landauer was born in Innsbruck and lives in Salz- as Beck, Damon Albarn, Björk, Valgeír Sigurdsson, Arno and dEUS. burg. His wide-ranging repertoire spans the Middle Ages to the contemporary, including works unusual for the countertenor voice such as the song cycles by ArKtype / Thomas O. Kriegsmann (producer) is a producer of acclaimed in- Franz Schubert and Richard Strauss. Landauer has sung world premieres of vari- ternational projects and tours whose work has been seen worldwide, including ous roles in works by Giorgio Battistelli, René Clemencic, Alfred Schnittke, Lin projects with Mikhail Baryshnikov, Yael Farber, Peter Brook, Jay Scheib, Julie Wang and Simon Wills. Stage productions by Philippe Arlaud, Nicolas Brieger, Taymor, Yaron Lifschitz, Dmitry Krymov and Victoria Thiérrée-Chaplin. Nick Broadhurst, Brigitte Fassbaender, Achim Freyer, Harry Kupfer and David Recent premieres include Big Dance Theater / Mikhail Baryshnikov’s Man In Pountney have taken him to the Staatsoper Berlin, Bregenz Festival, Essen’s A Case and the off-Broadway run of Nalaga’at Deaf-Blind Theater’s Not By Aalto Theater, Frankfurt Opera, Händel Festival Halle, Innsbruck Festival, Bread Alone. Additional projects include Theatre for a New Audience & Julie Opéra National in Nancy and the Schwetzingen Festival as well as Vienna’s Taymor; Rude Mechs (Austin); Big Dance Theater; Baryshnikov Productions; Staatsoper and Volksoper. Among his musical partners are the Amsterdam Lisa Peterson & Denis O’Hare / Homer’s Coat; Soho Rep.; Aurélia Thiérrée Baroque Orchestra under Ton Koopman, René Clemencic, Laurence & Victoria Thiérrée-Chaplin (France); Andrew Ondrejcak / Shara Worden; Cummings, Bertrand de Billy, Diego Fasolis, the Freiburger Barockorchester, En Garde Productions / Basetrack; Byron Au Yong & Aaron Jafferis (Seattle/ Thomas Hengelbrock, René Jacobs, The King’s Consort, Bernhard Kontarsky, New Haven); Young Vic / Kafka’s Monkey (London); Christeene / Paul Soile- the Orchestra of the Age of Enlightenment and Mstislav Rostropovitsj. From au (Austin); Jessica Blank & Erik Jensen; Circa (Brisbane); Compagnia T.P.O. 1998 until 2004, Bernhard Landauer taught at the Department of Early Music (Italy); Erth (Sydney); Sam Green / Yo La Tengo & yMusic; Arcane Collective of the Vienna Conservatoire. Since 2005, he works for the Austrian Master (Dublin); Joshua Light Show; and World/Inferno Friendship Society. Upcom- Classes. In addition to Shara Worden’s pop opera You Us We All, his current ing premieres include Sam Green’s The Measure of All Things with yMusic projects include a production of George Benjamin’s opera Written on Skin with and Jessica Blank & Erik Jensen’s How to Be A Rock Critic. the Landestheater Detmold and the Royal Opera of Stockholm and the world premiere of a sitcom series by Austrian composer Bernhard Gander for the Bregenz Festival and wien modern.

Bariton Martin Gerke was born in 1982 in Hildesheim, where he had his first singing lessons in the municipal boys’ choir. He studied with Thomas Quasthoff in Detmold and Berlin. While still studying, he participated in various operas produced by the Stadttheater Hildesheim, the Landestheater Detmold, Kammeroper Schloss Rheinsberg and Hebbel am Ufer in Berlin. Later, he sang in productions by the Neukölln Opera: Mitleid (2008) and the role of Golaud in Pelléas et Mélisande, directed by Miriam Salevic. In 2010, he made his debut in a leading role as Figaro in Mozart’s Le nozze di Figaro and sang the role of Don Giovanni in Mozart’s opera of the same name. He has also sung roles in numerous contemporary opera productions, including Wanderland by Genoel Rühle and Beate Baron in Saalbau Neukölln, Kopernikus by Claude Vivier at the Crescendo Festival in Berlin and Der Sonne entgegen by Lucia Ronchetti, directed by Michael von zur Mühlen in Berlin during Maerzmusik 2010. Director Willy Decker asked Martin Gerke to solo in his opera productions for the Ruhr Triennial from 2009 to 2011. He sang the role of Steuermann in Tristan und Isolde with Kirill Petrenko as conductor in 2011.

Born in 1980 in New York City, Carlos Soto withdrew from his studies in art history and literature at the Pratt Institute, Brooklyn, to embark on a long- term collaboration with Robert Wilson, with whom he has worked closely since 1997 as a performer, designer and assistant on numerous productions and installations throughout the US and Europe. Throughout the last decade and a half, Soto has collaborated with Richard Foreman, Dan Graham (Don’t trust Anyone Over 30, 2005), The Hotel Savant, Terence Koh, Maison Martin Margiela, Andrey Bartenev and Voluptuous Horror of Karen Black, among others, and presented work at the Guggenheim Museum, Istanbul Biennial, Kunstverein in Hamburg, Schauspielhaus Wien, Moscow Museum of Modern Art, Staatsoper Unter den Linden, Wiener Festwochen Walker Art Center, Palais de Tokyo and the Whitney Biennial. In 2008, Soto was artist HOLLAND FESTIVAL 2014 G.J. van den Bergh en C. van den Bergh- Thecla Renders, B. 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