The European Enlightenment HI 215/PO 393
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Delightful Visibility and Its Limits. Joseph Addison on “The
Delightful Visibility and its Limits. Joseph Addison on “The Pleasures of the Imagination” It is undoubtedly his close connection to Cartesianism1 which leads the French philosopher Nicolas Malebranche at the end of the 17th century to pay little attention to the relevance of the imagination for the realm of the visible. His programme of rationalism with its ambition to marginalize the human faculty of creating images by assigning it to a worthless sense perception renders it almost impossible to recognize the constitutive function of this faculty for visuality in general. A few decades later, however, things change with the emergence of empiricism and the publication of John Locke’s Essay concerning Human Understanding, especially with regard to the differentiation between primary and secondary qualities.2 According to this distinction, qualities like colours, sounds and tastes are not part of the material object itself but constructed in the process of perception. In contrast to primary qualities like extension and figure, which belong directly to the material object, secondary qualities like colours, sounds and tastes emerge from the imagination, proving it to be an important part of perception in general. Concerning these particular notions, it was Locke who gave Joseph Addison the cue for his Essay on the Pleasures of the Imagination.3 As unmistakably announced in the title of his essay, Addison undertakes nothing less than a counter-programme to Malebranche’s devaluation of the imagination, turning towards the delights affiliated with this faculty and at the same time attempting to establish a theoretical approach. Unlike other discourses on the imagination4, he does not attempt to defend or justify a ‚lesser’ human faculty. -
PAPER VI UNIT I Non-Fictional Prose—General
PAPER VI UNIT I Non-fictional Prose—General Introduction, Joseph Addison’s The Spectator Papers: The Uses of the Spectator, The Spectator’s Account of Himself, Of the Spectator 1.1. Introduction: Eighteenth Century English Prose The eighteenth century was a great period for English prose, though not for English poetry. Matthew Arnold called it an "age of prose and reason," implying thereby that no good poetry was written in this century, and that, prose dominated the literary realm. Much of the poetry of the age is prosaic, if not altogether prose-rhymed prose. Verse was used by many poets of the age for purposes which could be realized, or realized better, through prose. Our view is that the eighteenth century was not altogether barren of real poetry. Even then, it is better known for the galaxy of brilliant prose writers that it threw up. In this century there was a remarkable proliferation of practical interests which could best be expressed in a new kind of prose-pliant and of a work a day kind capable of rising to every occasion. This prose was simple and modern, having nothing of the baroque or Ciceronian colour of the prose of the seventeenth-century writers like Milton and Sir Thomas Browne. Practicality and reason ruled supreme in prose and determined its style. It is really strange that in this period the language of prose was becoming simpler and more easily comprehensible, but, on the other hand, the language of poetry was being conventionalized into that artificial "poetic diction" which at the end of the century was so severely condemned by Wordsworth as "gaudy and inane phraseology." 1.2. -
Masculinization of Tragedy in Joseph Addison's Cato and George Lillo's
Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Litera: Journal of Language, Literature and Culture Studies Litera 2018; 28(2): 233-252 DOI: 10.26650/LITERA2018-0006 Research Article Masculinization of Tragedy in Joseph Addison’s Cato and George Lillo’s The London Merchant Joseph Addison’un Cato ve George Lillo’nun Londralı Tüccar Eserlerinde Tragedyanın Maskülenleşmesi Sinan GÜL1 ABSTRACT During the 18th century, the development of gender and sexuality in the modern Western world was under tremendous impact of visual and literary culture. Considering this, by examining Addison’s Cato. A Tragedy. By Mr. Addison. Without the Love Scenes (1764) (Latin version) and Lillo’s The London Merchant (1731), this article analyzes the masculine features of the characters of 18th-century tragedies in England and investigates the reasons behind the dismissal and belittlement of love scenes and feminine qualities in those tragedies. In comedies, women and their qualities were openly ridiculed, while in tragedies, masculine values and patriarchal rules were overtly protected. Depicting societal norms and ideals, Cato and The London Merchant portray the evolving notions of masculinity. Despite increasing female influence in political and social culture, love, often associated with feminine qualities, was belittled in domestic and public domains. In doing so, playwrights either entirely ignored the idea of using female characters in their plays, thus creating contextual errors of portraying husbands without wives or sons without mothers, or depicted women as the sources of passion that could potentially destroy society, men in particular. Therefore, the concept of love was neglected, undervalued, or dismissed, with playwrights rather offering patriotic or capitalist virtues to substitute the idea of love so that their plays would be deemed as appropriate for public appreciation. -
Macaulay's Essays on Milton and Addison... Online
lzh5D (Read download) Macaulay's Essays On Milton And Addison... Online [lzh5D.ebook] Macaulay's Essays On Milton And Addison... Pdf Free From Ingramcontent DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook Ingramcontent 2012-04-01Original language:EnglishPDF # 1 9.69 x .58 x 7.44l, 1.10 #File Name: 1279308583278 pagesMacaulay s Essays on Milton and Addison | File size: 15.Mb From Ingramcontent : Macaulay's Essays On Milton And Addison... before purchasing it in order to gage whether or not it would be worth my time, and all praised Macaulay's Essays On Milton And Addison...: 2 of 2 people found the following review helpful. Literary prodigyBy Mary E. SibleyMacaulay's father was a philanthropist. He read from age three. He took pleasure in conversation. His first literary success was an essay on Milton, 1825. He was appointed a member of the Supreme Council of India.Joseph Addison resided at Magdalen College, Oxford for ten years. He was elected a fellow. His serious attention was concentrated on Latin Poetry. His classical knowledge was confined within narrow limits. Addison imitated Virgil with skill. He was probably introduced by Dryden to Congreve.In 1700 Addison was in France and subsequently in Genoa. Addison was not mean, he was not cowardly. He wrote with a delicate and humane sense of humor. He was in Parliament for nine years. His influence was the result of his literary talents. Addison did not speak in the chamber.Steele had known Addison from childhood. The best writing in THE TATLER was the handiwork of Addison. -
Maty's Biography of Abraham De Moivre, Translated
Statistical Science 2007, Vol. 22, No. 1, 109–136 DOI: 10.1214/088342306000000268 c Institute of Mathematical Statistics, 2007 Maty’s Biography of Abraham De Moivre, Translated, Annotated and Augmented David R. Bellhouse and Christian Genest Abstract. November 27, 2004, marked the 250th anniversary of the death of Abraham De Moivre, best known in statistical circles for his famous large-sample approximation to the binomial distribution, whose generalization is now referred to as the Central Limit Theorem. De Moivre was one of the great pioneers of classical probability the- ory. He also made seminal contributions in analytic geometry, complex analysis and the theory of annuities. The first biography of De Moivre, on which almost all subsequent ones have since relied, was written in French by Matthew Maty. It was published in 1755 in the Journal britannique. The authors provide here, for the first time, a complete translation into English of Maty’s biography of De Moivre. New mate- rial, much of it taken from modern sources, is given in footnotes, along with numerous annotations designed to provide additional clarity to Maty’s biography for contemporary readers. INTRODUCTION ´emigr´es that both of them are known to have fre- Matthew Maty (1718–1776) was born of Huguenot quented. In the weeks prior to De Moivre’s death, parentage in the city of Utrecht, in Holland. He stud- Maty began to interview him in order to write his ied medicine and philosophy at the University of biography. De Moivre died shortly after giving his Leiden before immigrating to England in 1740. Af- reminiscences up to the late 1680s and Maty com- ter a decade in London, he edited for six years the pleted the task using only his own knowledge of the Journal britannique, a French-language publication man and De Moivre’s published work. -
Cato: a Tragedy, in Five Acts
The Project Gutenberg eBook, Cato, by Joseph Addison, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Cato A Tragedy, in Five Acts Author: Joseph Addison Release Date: March 10, 2010 [eBook #31592] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK CATO*** E-text prepared by Delphine Lettau and the Project Gutenberg Online Distributed Proofreading Canada Team (http://www.pgdpcanada.net) C AT O ; A Tragedy, IN FIVE ACTS, BY JOSEPH ADDISON, ESQ. AS PERFORMED AT THE THEATRE ROYAL, COVENT GARDEN. PRINTED UNDER THE AUTHORITY OF THE MANAGERS FROM THE PROMPT BOOK. WITH REMARKS BY MRS. INCHBALD. PARIS, PRINTED FOR BAUDRY, ENGLISH, ITALIAN, SPANISH, PORTUGUESE AND GERMAN LIBRARY, RUE DU COQ-SAINT-HONORÉ. 1823. REMARKS. The author of this tragedy, to whose vigorous mind the English are indebted for their choicest moral works, came into the world with a frame so weak, that he was christened immediately on his birth, in consequence of the symptoms he gave of a speedy dissolution. The hand which reared him did a more than ordinary service to the age in which he lived, and to succeeding generations. Addison's pious writings, untainted by the rigour of superstition, have softened the harsh spirit of ancient religion, whilst they have confirmed all its principles. He was the son of the Reverend Launcelot Addison, Rector of Milston, in the county of Wilts, at which place he was born, on the 6th of May, 1672. -
Voltaire Voltaire's Enlightenment Philosophy
Voltaire François-Marie d'Arouet (1694–1778), better known by his pen name Voltaire, was a French writer and public activist who played a singular role in defining the eighteenth-century movement called the Enlightenment. At the center of his work was a new conception of philosophy and the philosopher that in several crucial respects influenced the modern concept of each. Yet in other ways Voltaire was not a philosopher at all in the modern sense of the term. He wrote as many plays, stories, and poems as patently philosophical tracts, and he in fact directed many of his critical writings against the philosophical pretensions of recognized philosophers such as Leibniz, Malebranche, and Descartes. He was, however, a vigorous defender of a conception of natural science that served in his mind as the antidote to vain and fruitless philosophical investigation. In clarifying this new distinction between science and philosophy, and especially in fighting vigorously for it in public campaigns directed against the perceived enemies of fanaticism and superstition, Voltaire pointed modern philosophy down several paths that it subsequently followed. To capture Voltaire's unconventional place in the history of philosophy, this article will be structured in a particular way. First, a full account of Voltaire's life is offered, not merely as background context for his philosophical work, but as an argument about the way that his particular career produced his particular contributions to European philosophy. Second, a survey of Voltaire's philosophical views is offered so as to attach the legacy of what Voltaire did with the intellectual viewpoints that his activities reinforced. -
Of Gods and Kings: Natural Philosophy and Politics in the Leibniz-Clarke Disputes Steven Shapin Isis, Vol. 72, No. 2. (Jun., 1981), Pp
Of Gods and Kings: Natural Philosophy and Politics in the Leibniz-Clarke Disputes Steven Shapin Isis, Vol. 72, No. 2. (Jun., 1981), pp. 187-215. Stable URL: http://links.jstor.org/sici?sici=0021-1753%28198106%2972%3A2%3C187%3AOGAKNP%3E2.0.CO%3B2-C Isis is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Mon Aug 20 10:29:37 2007 Of Gods and Kings: Natural Philosophy and Politics in the Leibniz-Clarke Disputes By Steven Shapin* FTER TWO AND A HALF CENTURIES the Newton-Leibniz disputes A continue to inflame the passions. -
Voltaire's Radicalism
Diametros 40 (2014): 5–21 doi: 10.13153/diam.40.2014.627 VOLTAIRE’S RADICALISM – Zbigniew Drozdowicz – Abstract. This article reminds the reader of the views of Voltaire, one of the most prominent and influential philosophers of the Age of Enlightenment. Voltaire’s radicalism manifested itself mainly in anticlericalism which was consistent, uncompromising and voiced without mincing words. A general aim of this article is to demonstrate to his contemporary imitators, who can be found in different countries including Poland, that they are in fact more or less accurate copies of him and they are not always aware of whom they imitate and what value this imitation has. Perhaps this article can make them, if not more restrained in their statements and practical actions, at least more self-critical and taking into account what is expressed in public discourse. Keywords: anticlericalism, deism, radicalism, Voltairianism. 1. Introductory remarks No significant cultural epoch has ever lacked radicals. Naturally, their radicalism would develop under different conditions and find diverse forms of expression.1 If the Enlightenment stands out in this respect, it is due to the actual abundance of radicals as well as the diversity that this group exhibited. This necessitates their localised appreciation within the context of those particular countries that proved to be most influential when it came to the formation of enlightened standards of thought, life and mutual co-existence. I have considered these problems at length in my monograph Philosophy of the Enlightenment (in Polish),2 and in the present context I want to remind us that France seems 1 Radicalism is typically associated with principled firmness and an uncompromising stance in thought and action. -
Denis Diderot's Anglophilia and Its Impact Upon His Salons William Judson Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2017 Denis Diderot's Anglophilia and its Impact upon his Salons William Judson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Judson, William, "Denis Diderot's Anglophilia and its Impact upon his Salons" (2017). LSU Master's Theses. 4399. https://digitalcommons.lsu.edu/gradschool_theses/4399 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. DENIS DIDEROT’S ANGLOPHILIA AND ITS IMPACT UPON HIS SALONS A Thesis Submitted to the Graduate Faculty of Louisiana State University and the School of Art in partial fulfillment of the requirements for the degree of Master of Arts in Art History in The School of Art by William E. Judson III B.A., Louisiana State University, 2013 May 2017 ACKNOWLEDGMENTS AND DEDICATION I wish to thank my committee – Doctors Elena FitzPatrick Sifford, Suzanne Marchand, and Darius Spieth – scholars all. My gratitude also goes out to the scholars cited herein whose commitment to their work has made my own possible. Professor Spieth, my advisor, has worked tirelessly to earn himself an enviable professional legacy, but I hope he is equally proud of another legacy: the knowledge he has imparted upon the thousands of students fortunate enough to have taken his classes at LSU, myself included. -
Berkeley Studies
Berkeley Studies No. 28 (2019) Editors Stephen H. Daniel, Senior Editor College Station, Texas, USA John R. Roberts, Coordinating Editor Tallahassee, Florida, USA Silvia Parigi, Bibliographical Editor Cassino, Italy Tom Stoneham, News Editor York, UK Contents Jessica Gordon-Roth Tracing Reid’s ‘Brave Officer’ Objection Back to Berkeley—And Beyond 3 Daniel E. Flage Rickless and Passive Obedience 23 News and Announcements 47 Recent Works on Berkeley (2017-2019) 48 Berkeley Studies 28 (2019) 2 © Berkeley Studies and Contributors 2019 Berkeley Studies is sponsored by Florida State University and the International Berkeley Society Berkeley Studies 28 (2019) 3 Tracing Reid’s ‘Brave Officer’ Objection Back to Berkeley—And Beyond Jessica Gordon-Roth Abstract: Berkeley’s two most obvious targets in Alciphron are Shaftesbury and Mandeville. However, as numerous commentators have pointed out, there is good reason to think Berkeley additionally targets Anthony Collins in this dialogue. In this paper, I bolster David Berman’s claim that “Collins looms large in the background” of Dialogue VII, and put some meat on the bones of Raymond Martin and John Barresi’s passing suggestion that there is a connection between the Clarke–Collins correspondence, Alciphron, and the objection that Berkeley raises regarding persons and their persistence conditions therein. Specifically, I argue that we have evidence that Berkeley’s objection to consciousness–based views of personal identity, as found in VII.8, is a response to a challenge that Collins raises to Clarke in “An Answer to Mr. Clarke’s Third Defense of his Letter to Mr. Dodwell.” This is significant not just because this objection is usually—and consistently—taken to be an objection to Locke, but also because Berkeley’s objection works against Collins’s theory of personal identity in a way that it doesn’t against Locke’s. -
Voltaire (Francois Marie Arouet)
Letters on England by Voltaire (Francois Marie Arouet) A Penn State Electronic Classics Series Publication Letters on England by Voltaire (Francois Marie Arouet) is a publication of the Pennsylvania State University. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Faculty Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Letters on England by Voltaire (Francois Marie Arouet), the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2002 The Pennsylvania State University The Pennsylvania State University is an equal opportunity university. Contents LETTER I.—ON THE QUAKERS .............................................................................................................................. 6 LETTER II.—ON THE QUAKERS .......................................................................................................................... 10 LETTER III.—ON THE QUAKERS ........................................................................................................................