An Overview of Medicine Science in Shahnameh (Letter of Kings)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Name ﻧﺎم و ﻧﺎم ﺧﺎﻧوادﮔﯽ ردﯾف Abasalt Ostadi اﺑﺎﺻﻟت اﺳﺗﺎدى 1 Abtin Davoodi اﺑ
رديف نام و نام خانوادگی Name 1 اباصلت استادی Abasalt Ostadi 2 ابتين داودی Abtin Davoodi 3 ابراھيم بھرامی Ebrahim Bahrami 4 ابراھيم جعفری Ebrahim Jafari 5 ابراھيم حامدی Ebrahim Hamedi 6 ابراھيم حقی صفت Ebrahim Haghisefat 7 ابراھيم رجبی Ebrahim Rajabi 8 ابراھيم رحيم زاده Ebrahim Rahimzadeh 9 ابراھيم رحيمی Ebrahim Rahimi 10 ا براھيم ر نجبر Ebrahim Ranjbar 11 ابراھيم زارع Ebrahim Zare 12 ابراھيم عليزاده Ebrahim Alizadeh 13 ابراھيم معصومی Ebrahim Masoumi 14 ابراھيم ھوشيار Ebrahim Hoshyar 15 ابراھيم وطن خواه Ebrahim Vatankhah 16 ابوالحسن طاھری Abolhassan Taheri 17 ابوالفضل اصغری Abalfazl Asghari 18 ابوالفضل آبکار Abolfazl Abkar 19 ابوالفضل بذرافشان Abolfazl Bazrafshan 20 ا بوالفضل جﻻل وند Abolf az l Ja lal vand 21 ابوالفضل خدابنده لو Abolfazl Khodabandehloo 22 ابوالفضل رشيدا Abolfazl Rashida 23 ابوالفضل زمانی نيا Abolfazl Zamani 24 ابوالفضل ساﻻريان نژاد Abolfazl Salariyannejad 25 ابوالفضللفل سالک Abolfazl Salek 26 ابوالفضل سيد ميرزائی Abolfazl Seyedmirzaei 27 ابوالفضل صادقی روان Abolfazl Sadeghiravan 28 ابوالفضل عرب Abolfazl Arab 29 ابوالفضل عسگرزاده Abolfazl Asgarzadeh 30 ابوالفضل علمدارنظام Abolfazl Alamdarnezam 31 ابوالفضل محمد عليخانی Abolfazl Mohammadalikhani 32 ابوالفضل ملکی فرد Abolfazl Malekifard 33 ابوالقاسم حسن عربی Abolghasem Hassanarabi 34 ابوالقاسم سﻻمت Abolghasem Salamat 35 ابوذر حسن پور Abouzar Hassanpour 36 ابوذر کساييان Abouzar Kasaeiyan 37 اتابک نظری Atabak Nazari 38 احد بابايی Ahad Babaei 39 احد خسروی Ahad Khosravi 40 احد س رداری نژاد Ahad Sardarinejad 41 احد کرکه آبادی Ahad Karkeabadi 42 احد ولی پورشکوھی Ahad Valipourshokouhi -
Compare and Analyzing Mythical Characters in Shahname and Garshasb Nāmeh
WALIA journal 31(S4): 121-125, 2015 Available online at www.Waliaj.com ISSN 1026-3861 © 2015 WALIA Compare and analyzing mythical characters in Shahname and Garshasb Nāmeh Mohammadtaghi Fazeli 1, Behrooze Varnasery 2, * 1Department of Archaeology, Shushtar Branch, Islamic Azad University, Shushtar, Iran 2Department of Persian literature Shoushtar Branch, Islamic Azad University, Shoushtar Iran Abstract: The content difference in both works are seen in rhetorical Science, the unity of epic tone ,trait, behavior and deeds of heroes and Kings ,patriotism in accordance with moralities and their different infer from epic and mythology . Their similarities can be seen in love for king, obeying king, theology, pray and the heroes vigorous and physical power. Comparing these two works we concluded that epic and mythology is more natural in the Epic of the king than Garshaseb Nameh. The reason that Ferdowsi illustrates epic and mythological characters more natural and tangible is that their history is important for him while Garshaseb Nameh looks on the surface and outer part of epic and mythology. Key words: The epic of the king;.Epic; Mythology; Kings; Heroes 1. Introduction Sassanid king Yazdgerd who died years after Iran was occupied by muslims. It divides these kings into *Ferdowsi has bond thought, wisdom and culture four dynasties Pishdadian, Kayanids, Parthian and of ancient Iranian to the pre-Islam literature. sassanid.The first dynasties especially the first one Garshaseb Nameh has undoubtedly the most shares have root in myth but the last one has its roots in in introducing mythical and epic characters. This history (Ilgadavidshen, 1999) ballad reflexes the ethical and behavioral, trait, for 4) Asadi Tusi: The Persian literature history some of the kings and Garshaseb the hero. -
Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL. -
Iran Chamber of Commerce,Industries and Mines Date : 2008/01/26 Page: 1
Iran Chamber Of Commerce,Industries And Mines Date : 2008/01/26 Page: 1 Activity type: Exports , State : Tehran Membership Id. No.: 11020060 Surname: LAHOUTI Name: MEHDI Head Office Address: .No. 4, Badamchi Alley, Before Galoubandak, W. 15th Khordad Ave, Tehran, Tehran PostCode: PoBox: 1191755161 Email Address: [email protected] Phone: 55623672 Mobile: Fax: Telex: Membership Id. No.: 11020741 Surname: DASHTI DARIAN Name: MORTEZA Head Office Address: .No. 114, After Sepid Morgh, Vavan Rd., Qom Old Rd, Tehran, Tehran PostCode: PoBox: Email Address: Phone: 0229-2545671 Mobile: Fax: 0229-2546246 Telex: Membership Id. No.: 11021019 Surname: JOURABCHI Name: MAHMOUD Head Office Address: No. 64-65, Saray-e-Park, Kababiha Alley, Bazar, Tehran, Tehran PostCode: PoBox: Email Address: Phone: 5639291 Mobile: Fax: 5611821 Telex: Membership Id. No.: 11021259 Surname: MEHRDADI GARGARI Name: EBRAHIM Head Office Address: 2nd Fl., No. 62 & 63, Rohani Now Sarai, Bazar, Tehran, Tehran PostCode: PoBox: 14611/15768 Email Address: [email protected] Phone: 55633085 Mobile: Fax: Telex: Membership Id. No.: 11022224 Surname: ZARAY Name: JAVAD Head Office Address: .2nd Fl., No. 20 , 21, Park Sarai., Kababiha Alley., Abbas Abad Bazar, Tehran, Tehran PostCode: PoBox: Email Address: Phone: 5602486 Mobile: Fax: Telex: Iran Chamber Of Commerce,Industries And Mines Center (Computer Unit) Iran Chamber Of Commerce,Industries And Mines Date : 2008/01/26 Page: 2 Activity type: Exports , State : Tehran Membership Id. No.: 11023291 Surname: SABBER Name: AHMAD Head Office Address: No. 56 , Beside Saray-e-Khorram, Abbasabad Bazaar, Tehran, Tehran PostCode: PoBox: Email Address: Phone: 5631373 Mobile: Fax: Telex: Membership Id. No.: 11023731 Surname: HOSSEINJANI Name: EBRAHIM Head Office Address: .No. -
Leopard and Its Mythological-Epic Motifs in Shahnameh and Four Other Epic Works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh)
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e891 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 RESEARCH ARTICLES Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Leopardo y sus motivos mitológicos-épicos en Shahnameh y otras cuatro obras épicas (Garshasbnameh, Kushnameh, Bahmannameh y Borzunameh) Nasrin Sharifizad PhD student in Persian Language and Literature (pure), Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0001-7171-7103 Mohammad Shah Badi’zadeh Assistant Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-1555-3877 Reza Ashrafzadeh Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-5392-9273 Received 02-08-20 Revised 04-10-20 Accepted 01-11-21 On line 01-18-21 *Correspondence Cite as: Email: [email protected] Sharifizad, N., Badizadeh, M., & Ashrafzadeh, R. (2021). Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh). Propósitos y Representaciones, 9 (SPE1), e891. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Summary In Shahnameh and other epic poems where the reflection of myths is the life of primitive and ancient Iranian communities, animals and other creatures are of great importance and go beyond their normal features and position. -
I. the Rogun Dam in Context
HUMAN RIGHTS “We Suffered When We Came Here” Rights Violations Linked to Resettlements for Tajikistan’s Rogun Dam WATCH “We Suffered When We Came Here” Rights Violations Linked to Resettlements for Tajikistan’s Rogun Dam Copyright © 2014 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-62313-1470 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org JUNE 2014 978-1-62313-1470 “We Suffered When We Came Here” Rights Violations Linked to Resettlements for Tajikistan’s Rogun Dam Summary and Key Recommendations .............................................................................. 1 Methodology ................................................................................................................ 17 I. The Rogun Dam in Context ........................................................................................ -
The Lion and Sun Art from Qajar Persia New Bond Street, London | 30 April 2019 Bonhams 1793 Limited Bonhams International Board Registered No
The Lion and Sun Art from Qajar Persia New Bond Street, London | 30 April 2019 Bonhams 1793 Limited Bonhams International Board Registered No. 4326560 Malcolm Barber Co-Chairman, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Montpelier Street, London SW7 1HH Matthew Girling CEO, Asaph Hyman, Caroline Oliphant, +44 (0) 20 7393 3900 Edward Wilkinson, Geoffrey Davies, James Knight, +44 (0) 20 7393 3905 fax Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Rupert Banner, Simon Cottle. The Lion and the Sun Art from Qajar Persia New Bond Street, London | Tuesday 30 April 2019, from 11:30 am VIEWING Please note: REGISTRATION ILLUSTRATIONS Thursday 25 April Telephone bidding is available only IMPORTANT NOTICE Front cover: 62 12pm to 4.30pm on lots where the lower end Please note that all customers, Back cover: 63 Friday 26 April estimate is at £1000 or above. irrespective of any previous Inside front cover: 119 Inside back cover: 60 9am to 4.30pm activity with Bonhams, are Sunday 28 April ENQUIRIES Oliver White required to complete the Bidder 11am to 3pm Registration Form in advance of Monday 29 April (Head of Department) IMPORTANT INFORMATION the sale. The form can be found 9am to 4.30pm +44 207 468 8303 In February 2014 the United at the back of every catalogue [email protected] States Government SALE NUMBER and on our website at www. announced the intention to 25434 Matthew Thomas bonhams.com and should be ban the import of any ivory +44 207 468 8270 returned by email or post to the into the USA. -
A K I N G S B O O K O F K I N G S the Houghton Shah-Nameh The
A KINGS BOOK OF KINGS The Houghton Shah-nameh The Metropolitan Museum of Art A,k A KING'S BOOK OF KINGS THE HOUGHTON SHAH-NAMEH SYNOPSES OF THE STORIES ILLUSTRATED IN THE EXHIBITION A KING'S BOOK OF KINGS May 4 - October 31, 1972 Compiled by Marie Lukens Swietochowski and Suzanne Boorsch The Metropolitan Museum of Art The Shah-nameh, Persia's Book of Kings, recounts the history of Iran's ancient empire from its legendary birth to its downfall in the middle of the seventh century at the hands of Arab armies. Around the year 975, at a time of renewed national consciousness, the poet Firdowsi of Tus began writing this great epic, a task lasting about thirty-five years. In time, it became the custom among various major and minor rulers of Iran to have their own Shah-nameh copied out and illus trated by the best artists their prestige could command. The Houghton Shah-nameh was commissioned for the second ruler of the Safavid Dynasty, Shah Tahmasp, early in a reign that began in 1524. It contains an unprecedented 258 miniature paintings, some as large as 11 x 14 inches, and represents a culmination of a long tradition in this art. Seventy-five miniatures from the manuscript were selected for this exhibition. The stories here are arranged in consecutive order as they appear in the Shah-nameh, with the folio number, recto or verso, indicated. The folio numbers are indicated above the miniatures in the exhibition, and the titles here correspond to those in the exhibition. -
Hero S War Crying (Declaiming) in Shahnameh
International Society of communication and Development among universities www.europeansp.org Hero’s War crying (declaiming) in Shahnameh Maryam Hashem University of payam noor Abstract Ranting Among The Heros In Shahnameh( epic of kings) Iran is one of the countries leading in epic storytelling. The Shahnameh is the most famous epic stories collection in Iran's literature. The current research intends to study the ranting, as one of the important features of epic. In other words, the epic speech is associated with ranting. Ranting is one of the features of the heroes, especially in the war fields. The feature has been observed in Iran and other nations. First, the meaning of ranting will be presented. Second, the other Iranian epic poets and how the wars were practiced in ancient Iran will be reviewed. Then, the eldest ranting in Persian literature will be reminded. Finally, a sample of the heros' ranting will be provided. Keywords: Ranting, Heroes, Shahnameh Introduction: The Shahnameh is one of the most beautiful epic compositions in the world. This ancient epic story collection involves the history of the ancient Iran. It presents stories on wars and combats of the Iranian heroes and braves with other Aniranian heros and braves. When one reads the Shahnameh, he or she will be introduced with the Iranian customs and behaviors at the war fields. In ancient times, the combatants were offerring special behaviors in the war fields. The individual heros and braves were firstly telling their rivals about their races by using ranting. The Downloaded from mls.europeansp.org at 1:17 +0330 on Tuesday September 28th 2021 heros were adoring their races with presenting their heroic and courage in previous wars. -
Comics Studies in the Twenty-First Century
Dialogues between Media The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft Collected Papers of the 21st Congress of the ICLA Edited by Achim Hölter Volume 5 Dialogues between Media Edited by Paul Ferstl ISBN 978-3-11-064153-0 e-ISBN (PDF) 978-3-11-064205-6 e-ISBN (EPUB) 978-3-11-064188-2 DOI https://doi.org/10.1515/9783110642056 This work is licensed under the Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International Licence. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020943602 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2021 Paul Ferstl, published by Walter de Gruyter GmbH, Berlin/Boston The book is published open access at www.degruyter.com Cover: Andreas Homann, www.andreashomann.de Typesetting: Dörlemann Satz, Lemförde Printing and binding: CPI books GmbH, Leck www.degruyter.com Table of Contents Paul Ferstl Introduction: Dialogues between Media 1 1 Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-first Century Stefan Buchenberger, Kai Mikkonen The ICLA Research Committee on Comics Studies and Graphic Narrative: Introduction 13 Angelo Piepoli, Lisa DeTora, Umberto Rossi Unsettled Narratives: Graphic Novel and Comics -
Considering Light and Dark Concepts in Shahnameh
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 Considering Light and Dark Concepts in Shahnameh Fazel Abbas Zadeh1, Mahnaz Akbari1 1.Department of Persian Language and Literature, Parsabad Moghan Branch, Islamic Azad University, Parsabad Moghan, Iran Abstract The contrast of good and evil is the main themes of Shahnameh. Bipolar belief in God's existence and evil, is rooted in mythological Iranian. Believing in the existence of two poles of the holy angels and demons rooted in mythological Iranian. And this belief is also reflected throughout the Shahnameh. In Shahnameh, where the forces of good, like Rostam, Fereydoun and Iraj who are the symbol of wisdom and goodness, are existence. The forces of darkness, like Zahhak and Tour as well, which symbolizes evil and folly are working to contend with them. Demons are a symbol of anti-values and heroes are symbol of values. These two forces are constantly struggling. An evil force is powerful enough to force for good, so sometimes overcome with it, but eventually will dominate force for good over evil. Effects of Ahura and Ahriman as well as introducing beauty in the ugliness of the kings and heroes, women and God's people, God and freedom-loving people against evil, cruel, bullying is too demanding; in fact, the deployment of truth against falsehood and evil and evil is good and right in the face. The mix of prose and poetry in simplicity and directness in this plan together and has a certain beauty to it. Dark and light concepts in the pain and suffering of God's people- friendly, free-loving, brave and justice-seeking and reveals the story of ugliness, lies and deceit, betrayal, evil and injustice, and power and fame-seeking kings and princes Turan. -
The Golden Star
ZARATHUSHTRA - THE GOLDEN STAR (FOURTH EDITION) by Pareen Lalkaka Illustrated P. B. Kavadi Published by THE W.Z.O. TRUST FUNDS MUMBAI 2010 1 Mrs. Parveen Lalkaka, Avasia House, Darabshaw Road, Mumbai 26. Printed in India 1st Edition - 1965 - 1000 copies 2nd Edition - 1992 - 2500 copies 3rd Edition - 1995 - 3000 copies 4th Edition - 2010 - 1000 copies Published by The W.Z.O. Trust, Mumbai and Printed at Union Press 13, Homji Street, Fort, Mumbai 400 001. 2 Preface to the first Edition Here is a book named Zarathushtra -The Golden Star” written by Mrs. Pareen Lalkaka. The book deals with the life of the Prophet, stories of the Amesha Spentas and the Kusti Prayers. It is meant for children and is consequently written in extremely simple style so that children can easily read it, understand it, and enjoy it. To please children the book is illustrated with coloured pictures. Ancient Iran was clothed with luscious vegetation. The farmers who cultivated the fields had flocks of sheep, cows, horses, dogs and camels. In the absence of money, these were exchanged for the purchase of the necessities of life. When strong people living on the frontiers poured down and attacked the innocent and carried away their cattle and eatables, they prayed to God for help. Ahura Mazda asked the Fravashis to go to the world to help mankind. They willingly agreed. Amongst those that came to Iran was the child Zarathushtra who was destined to rise as a prophet. A t the time of his birth Zarathushtra laughed, whereas all other children cried.