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Putri Sulistyowati Sasongko 28/05/15 Modern Approach of Conserving
Modern Approach of Conserving Historic Buildings ‘Castelvecchio & Palazo Chiericati’ By Putri Sulistyowati Sasongko Kingston University London The Journey to Observe and Study the Buildings from the Trip to Italy, 23 – 27 March 2015. The study trip itinerary had provided the list of from the study trip, focusing on the observation historic buildings that are mostly designed by of conservation works on both Castelvecchio Andrea Palladio, an internationally well-known (Verona) and Palazzo Chiericati (Vicenza). Italian architect from the 16th Century. With the Even though Castelvecchio was not designed influence of Greek and Roman style by Palladio, the castle was chosen along with architecture, he also produced many of Palazzo Chiericati to be part of the case study, renaissance style buildings. Palladio is focusing on their similar approaches of the considered as one of the most influential conservation works for the building. architects in the history of European architecture. Many of his works were found in all over Italy. However, the three points of areas of study are in Vicenza, Verona, and Venice. With its historic buildings that were born earlier than United Kingdom, the Italian style architecture influenced the United Kingdom and showed the resemblance in many of the Figure 1. Castelvecchio, Restored by Carlo Scarpa in 1958 – buildings as well. Therefore, it shows that 1974 (by writer) nothing is really ‘pure’ in architecture styles, design and art- they are the group and compilations of everything that were affecting the object. This trip was considered as an architectural trail for where the students were trying to find and history and character of Italian architecture. -
A Formal Language for Palladian Palazzo Façades Represented by A
Buthayna H. Eilouti Research Department of Architectural A Formal Language for Palladian Palazzo Engineering Jordan University of Science Façades Represented by a String and Technology Recognition Device POB 3030 Irbid 22110, JORDAN Abstract. This article represents an effort to reveal a new [email protected] interpretation of the expression ‘the architectural language of Palladian designs’ that is closer to real linguistic paradigms than Keywords: architectural it usually means. Palladian designs exhibit a highly ordered and language, string recognition, well articulated formal language comprised of a finite set of visual study, design vocabulary elements in plan, elevation and volumetric treatment, computation, Palladian together with an implicit set of mathematical rules for the language, finite state automata, arrangement of these rudimentary elements. The scope of this FSA application, façade article is limited to the morphology of the façades of the first morphology nine buildings shown in the second book of Palladio’s treatise, specifically the palazzo designs that he presents in chapter three. The morphology is described in terms of a symbolic encoding system that is represented textually and graphically as a finite state automaton, the concept of which is borrowed from theories of formal languages and computation. The system helps to emphasize commonalities in façade languages and to propose a prototype for generating Palladian palazzo façade designs. The automaton-based encoding system may be developed to function as a base for a computerized façade encoder and decoder. Regular language processing and recognition Studies of formal languages, and their structural and computational representations in linguistics, computer science and related fields as well as their applications, are well- established (e.g., [Chomsky 1964]; [Aho and Ullman 1972]; [Salomaa 1973]; [Harrison 1978]; [Hopcroft and Ullman 1979]; [Linz 1997]; [Revesz 1983]). -
Branko Mitrović Andrea Palladio's Villa Cornaro in Piombino Dese
Branko Mitroviü Andrea Palladio’s Villa Cornaro in Piombino Dese As for many of Palladio’s buildings, modern surveys of the Villa Cornaro in Piombino Dese do not exist, are incomplete, omit information about important aspects such as the use of the classical orders, or have been published without dimensions indicated in the plans. The analysis presented here is based on a June 2003 survey of the villa made by Steve Wassell, Tim Ross, Melanie Burke, and author Branko Mitroviü. In his treatise, Palladio listed his preferred room types: circular, square or rectangular with length-to-width ratios 2/1, 3/2, 4/3, 5/3 or 2/1. Half a century ago, this kind of speculative search for the comprehensive interpretation of Palladio’s proportional system received great impetus from Rudolf Wittkower’s Architectural Principles in the Age of Humanism. It is, however, important to differentiate between the derivation of certain proportional rules and their explanation. Wittkower asserted that the use of ornamentation—and especially the orders—did not matter in Palladio’s design process. Refuting this theory, Mitroviü argues that Palladio, in the early 1550, formulated a very different approach to the use of the orders, combining the principle of preferred room proportions and the use of a columnar system to determine the placement of walls. The proportions of the main sala and porticos are derived on the basis of the proportional rules for the order used; the proportions of the side rooms on the basis of preferred ratios. Ultimately, the result is that the mathematics of the orders became decisive for Palladio’s design principles and the use of proportions from the early 1550s. -
Palladio, a Model for the Architecture of Classical Europe
Architectural Styles Palladio, a model for the architecture of classical Europe Jean POTEL ABSTRACT Beginning in the sixteenth century, European architecture—in the same manner as painting, sculpture, and more broadly all forms of artistic expression—fell into tune with an Italian art that had already been renewing itself for nearly a century on ancient models. While the Rome of Julius II (pontiff from 1503 to 1513) and his successors drew the attention of the majority of nations, such as the Holy Roman Empire and Spain, others such as England, the United Provinces, and more discreetly France were enthusiastic about the work of the Vicentine Andrea Palladio (1508-1580). While the productions of this contemporary of the painter Veronese were mostly limited to the secondary artistic centers of the continental territories of the Republic of Venice (modern-day Veneto), they were behind an architectural movement unique to the Old World, one that took its creator’s name and thereby attesting to the incredible success of his manner: Palladianism. Jacob van Campen (1595-1657), home of count Jean-Maurice de Nassau-Siegen, known as Mauritshuis, The Hague (the Netherlands), 1633-1644. Source : Wikimedia Commons. The Origins of Palladianism Born in Padua and long active in Vicenza, two cities dominated by Venice, Pietro della Gondola (1508-1580) had an exceptional career. A mason by formation, he befriended the humanists Giorgio Trissino (1478-1550), who renamed him Palladio, and Daniele Barbaro (1514-70), whom he assisted in the latter’s commented translation of Vitruvius’s treatise on Latin architecture (1556), two encounters that were behind the extraordinary esthetic and conceptual revolution of his art. -
Pieghevole Palazzo Chiericati
IL MUSEO DI VICENZA DI MUSEO IL Il palazzo, progettato nel 1550 per Girolamo Chiericati, Foto di Luca Girardini Luca di Foto è uno dei massimi capolavori di Andrea Palladio. Impreziosito da affreschi e stucchi, e arricchito da una delle più prestigiose raccolte civiche europee, per l’eccezionale importanza culturale Palazzo Chiericati è Patrimonio mondiale dell’Umanità UNESCO. Museo civico di Palazzo Chiericati Piazza Matteotti 37/39 Palazzo Chiericati 36100 Vicenza Il Comune di Vicenza acquistò il palazzo nel Uffici 1839 dalla famiglia Chiericati per accogliervi le Levà degli Angeli, 11 civiche collezioni d’arte. Restaurato, ampliato 36100 Vicenza e riadattato alla nuova funzione, il museo fu Info inaugurato il 18 agosto del 1855. Il complesso 0444 222811 museale è attualmente composto da tre edifici: [email protected] il corpo palladiano e gli ampliamenti realizzati www.museicivicivicenza.it nell’Ottocento e nel Novecento. Orari Il museo ospita oggi una collezione composta Invernale 9-17 di dipinti, sculture e arti applicate, che va dal Estivo 10-18 Duecento fino ai primi anni 2000. Nei depositi, Chiuso tutti i lunedì, 25 dicembre e 1 gennaio visitabili su richiesta, sono inoltre disponibili le collezioni di grafica e numismatica. Biglietti Singolo: intero €7, ridotto €5, scuole €2 Il restauro dell’intero complesso è ancora in corso: Biglietto unico per visita di 8 sedi museali: intero €15, al momento sono aperti al pubblico il percorso ridotto €12, scuole €5 espositivo dal Duecento al Seicento e il Lascito Giuseppe Roi. Per altre tipologie di biglietti, riduzioni e gratuità contattare il call center 0444 964380 (dal lunedì al venerdì 9.00-18.00 - sabato 9.00-14.00) o consultare il sito www.museicivicivicenza.it Piano interrato Prenotazioni: [email protected] - www.ticketlandia.com Aperto nel 2012 grazie a un attento restauro, è ora Biglietteria e infopoint: IAT Piazza Matteotti 12, Vicenza destinato a ospitare mostre temporanee. -
Palladiano Nerario Immaginata L’Iti Ascoprire Accompagnare Vogliamo Piccola Vi Con Questa Guida Genio Dell’Architettura
le nostre guide e i siti www.discoverpalladio.org e www.vicenzae.org. e www.discoverpalladio.org siti i e guide nostre le www.palladio2008.info – www.cisapalladio.org – www.palladio2008.info www.vicenzae.org – www.vicenzabooking.com – www.vicenzae.org cenza, invitandovi a scoprire quindi l’itinerario delle ville attraverso attraverso ville delle l’itinerario quindi scoprire a invitandovi cenza, icenza V Camera di Commercio di Camera e.mail: [email protected] e.mail: - Vi di storico centro del immaginata nell’armonia palladiano nerario - l’iti scoprire a accompagnare vogliamo vi guida piccola questa Con ville della provincia, tutti attribuite al genio dell’architettura. dell’architettura. genio al attribuite tutti provincia, della ville del Patrimonio Mondiale 23 monumenti del suo centro storico e 16 16 e storico centro suo del monumenti 23 Mondiale Patrimonio del mente riconosciuta come la città del Palladio iscrivendo nella Lista Lista nella iscrivendo Palladio del città la come riconosciuta mente - universal è l’Unesco, decretato ha come Vicenza, certa: è cosa Una mitologico, comunque sovrannaturale. comunque mitologico, ad affidargli il nome di Palladio, fosse un angelo o un personaggio personaggio un o angelo un fosse Palladio, di nome il affidargli ad Ideazione e testi a cura di Vicenza è sicuramente ragione Gian Giorgio Trissino, il suo grande mentore, mentore, grande suo il Trissino, Giorgio Gian ragione sicuramente DI VICENZA DI PROVINCIA il luogo della morte e perfino il luogo della sua sepoltura. Ha avuto avuto Ha sepoltura. sua della luogo il perfino e morte della luogo il la residenza coniugale di Vicenza, i lineamenti del volto, le cause e e cause le volto, del lineamenti i Vicenza, di coniugale residenza la i natali. -
Palladio's Religious Architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Palladio's religious architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Fresina, Katherine, "Palladio's religious architecture in Venice" (2012). LSU Master's Theses. 3335. https://digitalcommons.lsu.edu/gradschool_theses/3335 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PALLADIO’S RELIGIOUS ARCHITECTURE IN VENICE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The School of Art by Katherine Fresina B.ID. Louisiana State University, 2009 May 2012 Table of Contents ABSTRACT……………………………………………………………………………………………………………..iii CHAPTER 1 INTRODUCTION…………………………………………………………………………………………1 2 VENETIAN ARCHITECTURE………………………………………………………………………..5 3 PALLADIO’S LIFE……………………………………………………………………………………...18 4 SAN FRANCESCO DELLA VIGNA………………………………………………………………...30 5 SAN GIORGIO MAGGIORE…………………………………………………………………………..40 6 IL REDENTORE …………………………………………………………………………………………52 BIBLIOGRAPHY……………………………………………………………….………………………………..…….67 -
4184 F Palladio.Pdf
O 1508-1580 Andrea Palladio 1508-1580 ANDREA PALLADIO 1508-1580 ANDREA PALLADIO 1508-1580 First published in 2010 by The Embassy of Italy. Designed by: David Hayes. Typeface: Optima. Photographer: Pino Guidolotti. Photographer Lucan House: Dave Cullen. © The Embassy of Italy 2011. All rights reserved. No part of this book may be copied, reproduced, stored in a retrieval system, broadcast or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior permission of the copyright owners and the publishers. Lucan House, Co. Dublin Palladianism and Ireland NDREA PALLADIO GAVE HIS NAME to a style of architecture, Palladianism, whose most obvious Afeatures – simple lines, satisfying symmetry and mathematical proportions – were derived from the architecture of antiquity and particularly that of Rome. From the seventeenth century onwards Palladianism spread across Europe, with later examples to be found as far afield as America, India and Australia. Irish Palladianism has long been recognised as a distinctive version of the style. Editions of Palladio’s Quattro Libri dell’Architettura were second in popularity only to editions of Vitruvius amongst the Irish architects and dilettanti of the eighteenth century but, fittingly, it was another Italian, Alessandro Galilei, who may be said to have introduced the style to Ireland at Castletown, Co. Kildare (under construction from 1722). Thus began a rich tradition of Palladianism in Irish country house architecture, with notable examples at Bellamont Forest, Co. Cavan (c.1730), Russborough, Co. Wicklow (1742), and Lucan House, Co. Dublin (1773), now the Residence of the Ambassador of Italy. Ireland can also boast, in the facade of the Provost’s House, Trinity College Dublin, the only surviving example of a building erected to a design by Palladio outside his native Italy. -
WORLD HERITAGE LIST Vicenza No 712
WORLD HERITAGE LIST Vicenza No 712 Identification Nomination Vicenza Location Veneto Region, Province of Vicenza State Party Ital y Date November 1993 Justification by State Party The incontestable value of the Palladian lesson in the history of world architecture is universally acknowledged. The diffusion of Palladianism in many countries of western Europe and the Americas is proof of this. The concentration of the works of Andrea Palladio in the city of Vicenza reveals the stamp that a single artist was able to impress upon the historical urban fabric and its surroundings, to the point that it bas received global recognition. Over and above the intrinsic value of each of Palladio's individual buildings, however, is the entire corpus of his work, which constitutes a powerful emergent nucleus in the urban fabric which elevates the value of the city as a whole, since there is a remarkable unity deriving from the relationships of the formai dialogue between the Palladian buildings and their built environment. The influence of Palladio bas over the succeeding centuries constituted a fundamental point of reference for public and private architecture which bas profoundly marked the urban fabric. The message of Palladio bas been carried from Vicenza around the world to become a paradigm for excellence. History and Description His tory Vicenza is situated in the Veneto region of northem ltaly on the low bills between the mountains of Berici and Lessini, on a natural communication route. The city of Vicetia was founded in the 2nd or 1st century BC by the Veneti and was granted Roman citizenship with the status of municipium in 49 BC. -
ENG Vicenza Handicraft and Palladio Tour 1
VICENZA CITY: HANDICRAFT AND PALLADIO TOUR A day tour visiting the land of Palladio, the World Heritage cities and the artistic treasures Arrival in the morning at 9.00 a.m. in Piazzale della Vittoria (Vicenza) Visit to the Monte Berico sanctuary with a stop on the large square, to enjoy the view of the town, surrounded by the mountain range of the Pasubio and the Grappa. Walk down to the Villa Valmarana “ai Nani”, that gets its nickname “ai nani” (dwarfs) from the sculptured dwarfs with eighteenth-century clothing, lined up on the perimeter wall. Visit to the the interiors to discover frescoes painted by the Tiepolos and the portrait of Andrea Palladio. Walk to Villa La RotondaRotonda, the most famous villa of Palladio. The villa was copied all around the world; the White House in Washington D. C. is also inspired to the design of La Rotonda. Stop for a glimpse from outside. Lunch in a traditional restaurant, meeting the flavours of local recipes. In the afternoon, guided walking tour in the historical city centre of Vicenza with a visit of the TeatroTeatro OlimpicoOlimpico, one of the artistic wonders of Vicenza and the façade of PalazzoPalazzo Chiericati that hosts a collection composed by paintings, sculptures and applied arts realized from the 1200s to the beginning of the 2000s. Walking through the suggestive streets you can admire the palaces that the Unesco included in the Heritage List such as Palazzo Barbaran Da Porto and Palazzo Thiene and in the main square the Palladian BasilicaBasilica, symbol and iconic building of Vicenza. -
Palladiana Basilica
info and www.vicenzae.org. and info www.palladio2008.info – www.cisapalladio.org – www.palladio2008.info with the help of our guide books and the websites www.palladio2008. websites the and books guide our of help the with www.vicenzae.org – www.vicenzabooking.com – www.vicenzae.org e.mail: [email protected] e.mail: town centre of Vicenza and invite you to discover the “route of the villas” villas” the of “route the discover to you invite and Vicenza of centre town discovery of the Palladian route into imagined harmony in the historic historic the in harmony imagined into route Palladian the of discovery With this little guide book we would like to accompany you on the the on you accompany to like would we book guide little this With Heritage List, which are all ascribed to the architecture genius. architecture the to ascribed all are which List, Heritage of its historic town centre and 16 villas of its province onto the World World the onto province its of villas 16 and centre town historic its of recognised as the town of Palladio and has inscribed 23 monuments monuments 23 inscribed has and Palladio of town the as recognised One thing is certain: Vicenza, as UNESCO declared, has been universally universally been has declared, UNESCO as Vicenza, certain: is thing One angel or a mythological, or supernatural character. supernatural or mythological, a or angel was certainly right to give him the name Palladio, as though he was an an was he though as Palladio, name the him give to right certainly was and even the place he was buried. -
CPSA Tours Jefferson County
Palladiana JOURNAL OF CENTER FOR PALLADIAN STUDIES IN AMERICA FALL 2017 CPSA Tours Jefferson County West Virginia Calder Loth CPSA members and guests enjoyed a two-day tour June 10–11 Delegates but spent most of his life tending Cedar Lawn and his of historic houses and estates in Jefferson County, WVA. The family of 13 children. Constructed of white-painted brick, the exceptionally scenic county is at the northern end of the house consists of a three-bay hipped-roof main section with a low Shenandoah Valley. The tour was ably led by local historian and service wing. Its symmetrical compact character is reminiscent of preservationist John C. Allen, Jr., author of Uncommon Palladio’s smaller villa designs such as the Villa Saraceno or Villa Vernacular: The Early Houses of Jefferson County, West Virginia, Emo. Cedar Lawn’s floorplan employs the regionally popular 1735–1835. The tour included several transverse hall, or stair hall stretching places established by members of the width of the façade with dining the Washington family, relatives of George Washington, who were room and parlor behind. The estate is attracted to the fertile land of the currently a meticulously maintained region. Mr. Allen also led the group horse farm. on a walking tour of historic Claymont Court. This imposing, Shepherdstown and treated the if not sprawling, ochre-colored stuccoed participants to a reception at his mansion was preceded by a similar home, Vandalia. house built in 1820 by Bushrod Corbin Presented below (in alphabetical order) Washington, grandnephew of George is a brief history and description of Washington.