DOCSLIB.ORG

Palladiana Basilica

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Palladiana Basilica info and www.vicenzae.org. and info www.palladio2008.info – www.cisapalladio.org – www.palladio2008.info with the help of our guide books and the websites www.palladio2008. websites the and books guide our of help the with www.vicenzae.org – www.vicenzabooking.com – www.vicenzae.org e.mail: [email protected] e.mail: town centre of Vicenza and invite you to discover the “route of the villas” villas” the of “route the discover to you invite and Vicenza of centre town discovery of the Palladian route into imagined harmony in the historic historic the in harmony imagined into route Palladian the of discovery With this little guide book we would like to accompany you on the the on you accompany to like would we book guide little this With Heritage List, which are all ascribed to the architecture genius. architecture the to ascribed all are which List, Heritage of its historic town centre and 16 villas of its province onto the World World the onto province its of villas 16 and centre town historic its of recognised as the town of Palladio and has inscribed 23 monuments monuments 23 inscribed has and Palladio of town the as recognised One thing is certain: Vicenza, as UNESCO declared, has been universally universally been has declared, UNESCO as Vicenza, certain: is thing One angel or a mythological, or supernatural character. supernatural or mythological, a or angel was certainly right to give him the name Palladio, as though he was an an was he though as Palladio, name the him give to right certainly was and even the place he was buried. Gian Giorgio Trissino, his big mentor, mentor, big his Trissino, Giorgio Gian buried. was he place the even and DI VICENZA DI PROVINCIA in Vicenza, his features, the cause of his death and the place he died, died, he place the and death his of cause the features, his Vicenza, in other aspects of his life are uncertain: his birthplace, the family home home family the birthplace, his uncertain: are life his of aspects other and only in mid-twentieth century his birth town was discovered. Many Many discovered. was town birth his century mid-twentieth in only and Palladio show the text “architetto vicentino”, architect from Vicenza, Vicenza, from architect vicentino”, “architetto text the show Palladio palaces of St. Peterborough and Puskin. Almost al portraits ascribed to to ascribed portraits al Almost Puskin. and Peterborough St. of palaces Queen’s House in Britain, from the University of Virginia to numerous numerous to Virginia of University the from Britain, in House Queen’s spread all over the world: from the White House in Washington to the the to Washington in House White the from world: the over all spread and not only his time, thanks to the style called “Palladianism”, which which “Palladianism”, called style the to thanks time, his only not and took his education and became one of the greatest architects of his time, time, his of architects greatest the of one became and education his took , Guido Piovene) Guido , Italia in Viaggio (da (limping Martha). At the age of 16 he went to live in Vicenza, where he he where Vicenza, in live to went he 16 of age the At Martha). (limping un’invenzione scenografi ca…” scenografi un’invenzione He was born in Padua to Pietro della Gondola and Marta called “la zotta” zotta” “la called Marta and Gondola della Pietro to Padua in born was He vederlo a Vicenza. Una piccola Roma, Roma, piccola Una Vicenza. a vederlo è una conoscenza imperfetta. Bisogna Bisogna imperfetta. conoscenza una è 1508-1580 Chiericati e gli altri attraverso gli studi studi gli attraverso altri gli e Chiericati Andrea Palladio, architect Palladio, Andrea Rotonda, il teatro Olimpico, il palazzo palazzo il Olimpico, teatro il Rotonda, Basilica, la Loggia del Capitanio, la la Capitanio, del Loggia la Basilica, … Perciò conoscere Palladio, La La Palladio, conoscere Perciò … “ 10.00-14.00/14.30-18.30 Tel. +39 0444 544122 0444 +39 Tel. World heritage World Piazza dei Signori, 8 Signori, dei Piazza • Andrea Palladio’s works at Vicenza at works Palladio’s Andrea 09.00-13.00/14.00-18.00 Tel. +39 0444 320854 0444 +39 Tel. Start of route) of Start Into imagined harmony imagined Into (next to the Olympic Theatre. Theatre. Olympic the to (next Routes Piazza Matteotti, 12 Matteotti, Piazza • Via R. Pa in the historic town centre of Vicenza of si centre town historic the in Palladian Vi V a ia G. ces offi Information le a i Ro c V u ia L d Pa o . Mu lf S S. LUCIA o i g a tt o liar f on ol f g t o r i r r ino o c o B S Vi B a o . P g a r jello S o à B .tr Via Ce C ccarini Piazza PARCO QUERINI Piazza Araceli Marconi no C li . t r go à o F V a ia S V i Andrea Palladio’s works in the i F .F a V ra L r olta e P a i a a V t i g o n or t i lo c c o um e u n Sa e R r r e e sc L le r a i . historic town centre of Vicenza r V G p o To S a i i mb A. l e l a e i t v e a d r Vi o n à N o C r Po . tr nt IV à rà Pedestrian area t a S. Co Vi Palazzo da Schio M C a C.trà r della Misericordia c o Teatro Olimpico / Olympic Theatre Piazza XX Settembre C. Ponte Co o tr degli Angeli rso Palazzo Chiericati / Palazzo Chiericati à Pad ov ov a Nu P P. u st Casa Cogollo / Casa Cogollo rà e t rla . C. C C tr Cappella Valmarana o S. PIETRO à ntrà Cors Palazzo da Monte Migliorini / P C o Pa o . do rta tr S. va à Casa Cogollo S. Piet C Palazzo Iseppo da Porto Teatro Olimpico Palazzo da Monte Migliorini roc S e .C ro oron Piazza Cappella Valmarana / Valmarana Chapel Matteotti C. C a C. o trà trà Busato r so C. A Palazzo Iseppo da Porto / Contrà Domini n Palazzo Da Monte Migliorini t o C ni Palazzo Chiericati o . t Fo rà Palazzo Iseppo da Porto ga C o S. LLADIO zz Palazzo . a t ro e Gaet r l à o Barbaran da Porto S M Palazzo Barbaran da Porto / n a . r n F ure o o a C. u C s CORSO PA t Palazzo Barbaran da Porto trà C. in S. t o S. Rocco Piazza e rà Casa Garzadori Bortolan Ro C.trà S. ial Palazzo Thiene M S. Lorenzo R a Palazzo Thiene / Palazzo Thiene Ambrogio à C. n Piazza r tr in c t à Biade C c C. de V o on l o o so A. M i z C on C. n a i tr t le n Basilica Palladiana / Palladian Basilica Caserma C.trà Cordenon Palazzo Valmarana te à F de G rà A. e rà Cantarane ogaz a azz t r i Braga Rosa zz r olle de G P. S. o zar ia no C. P g iu L o C i ll r S trà Piancoli e io . Loggia del Capitaniato / Loggia del Capitaniato tr C. lo Chiesa S. Maria Nuova S à B Palazzo Thiene Ca va zza a M. No a rbe S. trà vo Pi E r C. Basilica Palladiana Bonin Longare s c lle Palazzo Pojana / Palazzo Pojana C. u h n Palazzo Pojana r de St e trà o Vi t r. t Filippin O a o Loggia del Capitaniato e Po d nt e el Palazzo Valmarana Braga Rosa / M LADI Po L l rt a o St Piazza del à i tt Michel r e S. a No t PA f P . ico a Palazzo Valmarana Braga Rosa Mutilato . rt ig o a Bonollo C P A n C. d Via G. C à i tr te V o va O . t t r C r Lampe à IA va RS trà S à Cupola e Porta della Cattedrale / . No P . P O L C C. r P S E o ao . C.trà Mure t i Mi Dome and Portal of the Cathedral C l MARGHE . o t ch Piazza ra C.trà Mure Rocchetta o P e Loggia Valmarana VI Castell l S Palazzo Porto Breganze / a e Piazza s ini S Duomo . le i C GIARDINI SAL A Palazzo Porto Breganze a t . RI o z t ra p Piazza z us Palazzo Capra Cupola e Porta o T i Ca Via Cattane a s Gualdi A G Piazzale t Pi della Cattedrale rp o C Palazzo Capra / Palazzo Capra l . De Gasperi ag i t r e n à elic on S . F . Palazzo Thiene Bonin Longare / o S C ors h C Palazzo Porto Breganze rton ia Palazzo Thiene Bonin Longare Piazzetta Po o ra z z u a V L i S. Giuseppe z i a Loggia Valmarana / Loggia Valmarana i r l e o o Fur C Palazzo Civena Trissino . te G t n r o E P à V a S i r . e I T V o AL t m e as n o E i o VI C R .trà AL S. C O at Outside the pedestrian area E VIAL erin M E a DA MI A LMA L ZIA Casa Garzadori Bortolan / AN O CAMPO MARZO Casa Garzadori Bortolan TO MEN Pon RGI te S.
Load more

Recommended publications
  • Putri Sulistyowati Sasongko 28/05/15 Modern Approach of Conserving
    Modern Approach of Conserving Historic Buildings ‘Castelvecchio & Palazo Chiericati’ By Putri Sulistyowati Sasongko Kingston University London The Journey to Observe and Study the Buildings from the Trip to Italy, 23 – 27 March 2015. The study trip itinerary had provided the list of from the study trip, focusing on the observation historic buildings that are mostly designed by of conservation works on both Castelvecchio Andrea Palladio, an internationally well-known (Verona) and Palazzo Chiericati (Vicenza). Italian architect from the 16th Century. With the Even though Castelvecchio was not designed influence of Greek and Roman style by Palladio, the castle was chosen along with architecture, he also produced many of Palazzo Chiericati to be part of the case study, renaissance style buildings. Palladio is focusing on their similar approaches of the considered as one of the most influential conservation works for the building. architects in the history of European architecture. Many of his works were found in all over Italy. However, the three points of areas of study are in Vicenza, Verona, and Venice. With its historic buildings that were born earlier than United Kingdom, the Italian style architecture influenced the United Kingdom and showed the resemblance in many of the Figure 1. Castelvecchio, Restored by Carlo Scarpa in 1958 – buildings as well. Therefore, it shows that 1974 (by writer) nothing is really ‘pure’ in architecture styles, design and art- they are the group and compilations of everything that were affecting the object. This trip was considered as an architectural trail for where the students were trying to find and history and character of Italian architecture.
    [Show full text]
  • Ancient Battles Guido Beltramini
    Ancient Battles Guido Beltramini In 1575 Palladio published an illustrated Italian edition of Julius Caesar’s Commentaries. Five years later, his death halted the publication of Polybius’ Histories, which included forty-three engravings showing armies deployed at various battles: from Cannae to Zamas, Mantinea and Cynoscephalae. At the height of his career, Palladio invested time, energy and money into two publishing ventures far removed from architecture. In fact the two publications were part of a world of military matters which had attracted Palladio’s interest since his youth, when it formed an integral part of his education undertaken by Giangiorgio Trissino. As John Hale has shown, sixteenth-century Venice was one of the most active centres in Europe for military publications dealing with matters such as fortifications, tactics, artillery, fencing and even medicine. The distinguishing element in the Venetian production of such books was the widespread belief in the importance of the example of the Classical Greek and Roman writers, shared by men of letters and professional soldiers. This was combined with particular care shown towards the reader. The books were supplemented with tables of contents, indices, marginal notes and even accompanied by the publication of compendia illustrating the texts, such as the series entitled Gioie (‘Gems’) which Gabriele Giolito published from 1557 to 1570 (Hale 1980, pp. 257-268). Fig 1: Valerio Chiericati, manuscript of Della Many of the leading players in this milieu were linked to Trissino, albeit Milizia. Venice, Museo Correr, MS 883 in different ways: cultivated soldiers like Giovan Jacopo Leonardi, the Vicentine Valerio Chiericati (fig.
    [Show full text]
  • A Formal Language for Palladian Palazzo Façades Represented by A
    Buthayna H. Eilouti Research Department of Architectural A Formal Language for Palladian Palazzo Engineering Jordan University of Science Façades Represented by a String and Technology Recognition Device POB 3030 Irbid 22110, JORDAN Abstract. This article represents an effort to reveal a new [email protected] interpretation of the expression ‘the architectural language of Palladian designs’ that is closer to real linguistic paradigms than Keywords: architectural it usually means. Palladian designs exhibit a highly ordered and language, string recognition, well articulated formal language comprised of a finite set of visual study, design vocabulary elements in plan, elevation and volumetric treatment, computation, Palladian together with an implicit set of mathematical rules for the language, finite state automata, arrangement of these rudimentary elements. The scope of this FSA application, façade article is limited to the morphology of the façades of the first morphology nine buildings shown in the second book of Palladio’s treatise, specifically the palazzo designs that he presents in chapter three. The morphology is described in terms of a symbolic encoding system that is represented textually and graphically as a finite state automaton, the concept of which is borrowed from theories of formal languages and computation. The system helps to emphasize commonalities in façade languages and to propose a prototype for generating Palladian palazzo façade designs. The automaton-based encoding system may be developed to function as a base for a computerized façade encoder and decoder. Regular language processing and recognition Studies of formal languages, and their structural and computational representations in linguistics, computer science and related fields as well as their applications, are well- established (e.g., [Chomsky 1964]; [Aho and Ullman 1972]; [Salomaa 1973]; [Harrison 1978]; [Hopcroft and Ullman 1979]; [Linz 1997]; [Revesz 1983]).
    [Show full text]
  • 1. World Heritage Property Data
    Periodic Report - Second Cycle Section II-City of Vicenza and the Palladian Villas of the Veneto 1. World Heritage Property Data Villa Forni Cerato, 45.653 / 11.561 2.23 0 2.23 1996 Montecchio Precalcino , 1.1 - Name of World Heritage Property Province of Vicenza , Veneto City of Vicenza and the Palladian Villas of the Veneto Region , Italy Comment Villa Godi 45.746 / 11.529 4.66 0 4.66 1996 Committee Decision 20COM VIIC: The name of the property Malinverni, Lonedo di Lugo was changed to “The City of Vicenza and the Palladian Villas Vicentino , of the Veneto” . (Note: "The") Province of Vicenza , Veneto Region , Italy 1.2 - World Heritage Property Details Villa Pisani Ferri, 45.359 / 11.369 1.6 0 1.6 1996 State(s) Party(ies) Bagnolo di Lonigo , Province Italy of Vicenza , Veneto Region , Type of Property Italy cultural Villa Pojana, 45.282 / 11.501 6.14 0 6.14 1996 Identification Number Poiana Maggiore , 712bis Province of Vicenza , Veneto Year of inscription on the World Heritage List Region , Italy 1994, 1996 Villa Saraceno, 45.311 / 11.587 0.59 0 0.59 1996 Agugliaro , Province of 1.3 - Geographic Information Table Vicenza , Veneto Name Coordinates Property Buffer Total Inscription Region , Italy (latitude/longitude) (ha) zone (ha) year Villa Thiene, 45.573 / 11.63 0.38 0 0.38 1996 (ha) Quinto Vicentino , 0 / 0 ? ? ? Province of Vicenza , Veneto 0 / 0 ? ? ? Region , Italy City of Vicenza 45.549 / 11.549 218 0 218 1994 Villa Trissino, 45.428 / 11.414 3.78 0 3.78 1996 (including 23 Sarego , Province buildings of Vicenza , constructed
    [Show full text]
  • Palladio's Influence in America
    Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures.
    [Show full text]
  • Lex Hermans, Dynastic Pride in the Farnese Theatre at Parma (Summary)
    Lex Hermans Dynastic Pride in the Farnese Theatre at Parma From 1615 onwards Duke Ranuccio I of Parma and Piacenza (1569–1622) sought to arrange a marriage between his son Odoardo (born 1612) and a Medici princess. When in 1617 it was announced that Cosimo II of Tuscany would travel to Milan, Ranuccio saw this as an opportunity to entertain the grand duke on his progress. He had built a huge theatre in his palace at Parma, with capacity to seat some 1,500 guests, which was arranged according to ideas about courtly theatres that were developed over the sixteenth century. It is an impressive architectonic construction, richly decorated with meaningful paintings and statues, and designed for broadcasting its patron’s status and magnificence to foreign guests and local notables. In this essay, the structure and the decoration of the Teatro Farnese are considered as a ‘distributed portrait’; the theatre was a visual portfolio of Ranuccio’s various qualities. The statues of personified virtues, evenly divided between followers of the goddess of war and of the Muses, the deities to which the duke dedicated the theatre, testified to his balanced rule and fair way of acting, to his magnanimity, and to his pursuit of the arts. The form of the theatre itself also shows this double connection: it can be used as an arena for indoor jousting and military ‘ballets’, and it contains a stage where to perform musical and theatrical shows. The architectural shell, with its palace-like stage set and its two tiers of Serlian arches would remind visitors of the renaissance tradition that identified theatres as the original places of government assemblies.
    [Show full text]
  • Villa Pisani Bonetti Bagnolo Di Lonigo
    5 9 4 8 VILLA PISANI BONETTI VILLA PISANI BONETTI BAGNOLO DI LONIGO (Vicenza) BAGNOLO DI LONIGO (Vicenza) 10 3 7 Architect Andrea Palladio Architect Andrea Palladio (16 th Century) (16 th Century) 11 2 6 AVAILABILITY OF THE VILLA 12 12 The Villa can be visited throughout the year by booking 1 in advance. For information contact the secretary’s office in Villa Pisani, BRIEF HISTORICAL OUTLINE CAPTIONS 1 Via Risaie, I-36045 Bagnolo di Lonigo, Vicenza. Telephone +39.0444.831104, Fax +39.0444.835517 illa Pisani Bonetti was planned by Andrea Palladio in 1) Entrance 17) Map Room Email: [email protected] V1541, the date of his return from his first journey to Rome, and was built between 1544 and 1545. It is perhaps 2) Atrium 18) Music Room the most representative example of his early period and it 3) Cross-shaped Room 19) North Tower marked the beginning of his marvellous collaboration with the Serene Republic of Venice. Palladio was so proud of this 4) Loggia 10) Dining Room work and so conscious of the power of his patrons, the Pisani 5) Principle Façade 11) Large Kitchen family, that he used it to open the section devoted to “Case HOW TO REACH US di Villa”, Villa Homes, in his famous treatise “I Quattro 6) Magistrate’s Drawing-room 12) Cellars Libri dell’Architettura”, The Four Books of Architecture, published in Venice in 1570. The Bagnolo Villa was inspired AUTOSTRADA A4 by the ancient buildings of Rome, in particular the baths; it MI VERONA VICENZA VE reflected their monumentality and, by doing so, was highly Uscire al casello di MONTEBELLO adapted to represent the installation of the new “fiefdoms” and the power of Venice on the mainland.
    [Show full text]
  • Verona Featuring Venice and the Italian Lakes
    SMALL GROUP Ma xi mum of LAND 24 Travele rs JO URNEY Verona featuring Venice and the Italian Lakes Inspiring Moments > Embrace the romantic ambience of Verona, where Romeo and Juliet fell in love, brimming with pretty piazzas, quiet parks and a Roman arena. > Wander through the warren of narrow INCLUDED FEATURES streets and bridges that cross the canals of Venice. Accommodations (with baggage handling) Itinerary > Dine on classic cuisine and sip the – 7 nights in Verona, Italy, at the Day 1 Depart gateway city Veneto’s renowned wines as you first-class Hotel Indigo Verona – Day 2 Arrive in Verona and transfer enjoy a homemade meal. Grand Hotel des Arts. to hotel. > Cruise Lake Garda and experience the Extensive Meal Program Day 3 Verona chic Italian lakes lifestyle. – 7 breakfasts, 3 lunches and 3 dinners, Day 4 Lake Garda | Valpolicella Winery > Admire Palladio’s architectural including Welcome and Farewell Dinners; Day 5 Venice genius in Vicenza . tea or coffee with all meals, plus wine Day 6 Verona > Experience three UNESCO World with dinner. Day 7 Bassano del Grappa | Vicenza Heritage sites. – Opportunities to sample authentic cuisine and local flavors Day 8 Padua | Verona Day 9 Transfer to airport and depart Scenic Lago di Garda Your One-of-a-Kind Journey for gateway city – Discovery excursions highlight the local culture, heritage and history. Flights and transfers included for AHI FlexAir participants. – Expert-led Enrichment programs Note: Itinerary may change due to local conditions. enhance your insight into the region. Activity Level: We have rated all of our excursions with activity levels to help you assess this program’s physical – AHI Sustainability Promise: expectations.
    [Show full text]
  • Teatro Olimpico by Andrea Palladio
    Aalborg Universitet Teatro Olimpico by Andrea Palladio an iconic stage scenario; and the diffused lightning system by Mariano Fortuny - enhancing the aura of mystery in the Wagnerian universe Fisker, Anna Marie Published in: eaw2017 SYNCHRESIS – Audio Vision Tales conference Creative Commons License Unspecified Publication date: 2017 Document Version Early version, also known as pre-print Link to publication from Aalborg University Citation for published version (APA): Fisker, A. M. (2017). Teatro Olimpico by Andrea Palladio: an iconic stage scenario; and the diffused lightning system by Mariano Fortuny - enhancing the aura of mystery in the Wagnerian universe . In eaw2017 SYNCHRESIS – Audio Vision Tales conference (pp. 15). eaw2017 SYNCHRESIS . General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Teatro Olimpico by Andrea Palladio - an iconic stage scenario; and the diffused lightning system by Mariano Fortuny - enhancing the aura of mystery in the Wagnerian universe Abstract My paper deals with the origins of stage design experienced through architecture – pointing out that the term scenography includes all of the elements that contribute to establishing an atmosphere and mood for a theatrical presentation: lighting, sound, set and costume design.
    [Show full text]
  • INTRODUCTION Hospital
    INTRODUCTION Hospital Pratical Tips INTRODUCTION CONTENTS WELCOME A brief introduction to USAG Italy 01 | and Family and MWR. VICENZA FACILITIES Information about on-post 02-21 | facilities and services in Vicenza. VICENZA POST MAPS General maps of posts in Vicenza FACILITY INFORMATION 22-23 | with MWR facilities highlighted. A snapshot of everything Family 04 | and MWR offers in USAG Italy. ALL THINGS TRAVEL Information on licenses, traveling, 24-25 | passports and more. FURRY FRIENDS A glimpse of useful information 27 | and tidbits for pet owners. ITALIAN INFO USEFUL INFORMATION Helpful Italian words and phrases Find out helpful information about 28-29 | and local information/traditions. 24 | the community and more! CITIES, MAPS & MORE Get inspired to travel outside the 30-57 | gate with these guides and maps. DARBY FACILITIES Information about on-post 58-63 | facilities and services in Darby. DARBY ON-POST MAP CITY GUIDES A general map of Darby with See a snapshot of cities and places 59 | MWR facilities highlighted. 30 | in and around USAG Italy. Cover Image: Verona, Italy “Go To Guide” designed by: Family and MWR Marketing (Richard Gerke, Beatrice Giometto, Alyssa Olson) Advertising Disclaimer: No federal, DoD or Army endorsement is implied. Interested in advertising with us? Contact Family and MWR Marketing at 0444-61-7992 or at 338-726-4361. INTRODUCTION WELCOME! A WORD FROM USAG ITALY FAMILY AND MWR Welcome to U.S. Army Garrison Italy! USAG Italy is a community of service members, civilians, family members, and Italian military and civilian employees. These Army locations cover a broad region south of the Alps that include: Caserma Ederle, Caserma Del Din and satellite locations around Vicenza, as well as Camp Darby, located in Livorno on Italy’s western coast.
    [Show full text]
  • Shakespeare's
    Shakespeare’s Italy Exploring the Bard’s Favorite Italian Towns with Provost Katherine Rowe June 11-19, 2017 Teatro Olimpico / Bradley Grifn Meeting at the Golden Gate by Giotto in Scrovegni Chapel Dear Smith alumnae and friends, You are cordially invited to join Provost Katherine Rowe on a trip to Shakespeare’s Italy, a custom-designed tour created exclusively for Smith College. Our itinerary reads like a compilation of Shakespeare’s greatest hits, spanning Northern Italy’s most attractive historic cities. In Padova, visit the Palazzo Bo, a renaissance anatomy theater that sparked Shakespeare’s interest in poetry of the body, then take in Giotto’s gorgeous Scrovegni Chapel frescoes. Glide through timeless Venice, touring both famous and hidden palaces and churches, going behind-the-scenes at La Fenice Theater, and exploring the Jewish ghetto, setting of The Merchant of Venice. In the beautiful city of Verona, learn about the real historical backdrop to Romeo and Juliet while meandering the old town’s quaint squares, winding streets, and riverfront promenades. Immerse yourself in the great ducal city of Mantova, home to Marchesa Isabella d’Este, an arts patron and political leader who rivaled Elizabeth I. Your home for the week is the delightful Travel with Provost northern Italian city of Vicenza, located just an hour from Venice, and Katherine Rowe famous as the home of Renaissance Please join me in architect Andrea Palladio. His beautiful exploring one of the 16th-century palaces grace the city’s most passionate streets and piazzas, giving Vicenza a and vexed literary stately charm quite diferent from the relationships in more heavily visited tourist cities nearby.
    [Show full text]
  • WEEKEND ANDREA PALLADIO O OLIMPICO O V E C R G O L a G O Vicenza 30 Novembre, 1 E 2 Dicembre 2007 PALAZZO E T
    C o n t r PALAZZO à S SCHIO a n M arc o ' d e TEATRO r a l l e t C n a n WEEKEND ANDREA PALLADIO o OLIMPICO o v e C r g o L a G o Vicenza 30 novembre, 1 e 2 dicembre 2007 PALAZZO e t h e e DA PORTO i ona h r CAPPELLA c o c C VALMARANA e V a ne t e i o n h T a r ove S o n n e ' a ta a e C r a n za t G ' PALAZZO n Piazza z PALAZZO BARBARAN a i r o t t n ra C a THIENE DA PORTO o r C a M o at t P og t CASA e n ' o tti F a COGOLLO r PALAZZO t Palladio o n VALMARANA o s Corso C 'Ca C a' a O or PALAZZO r r a C t CHIERICATI o t r i o n LOGGIA DEL d e o CAPITANIO i ori S C e rv PALAZZO BONIN i Sign i LONGARE io Piazza de lad i BASILICA PALLADIANA l Pal o c so n a Cor e i d i b P Pia l r a ' b a E r r i a n t zza Castello a z G a z o P i C t ra' n l o o C C ao o P n S. o t a ' o m r r D u a n t a ' o z z C i a S P .
    [Show full text]