Scopri Vicenza, Perla Del Rinascimento
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HIAVALUTAZIONE DI IMPATTO SUL PATRIMONIO (Heritage Impact Assessment
VALUTAZIONE DI IMPATTO SUL PATRIMONIO (Heritage Impact Assessment - HIA) SITO PATRIMONIO MONDIALE “LA CITTÀ DI VICENZA E LE VILLE DEL PALLADIO HIA NEL VENETO” INDICE _____________________________________________________________________________________________________ 1. INTRODUZIONE _____________________________________________________________________________________________________ 2. APPROCCIO METODOLOGICO DELL’HERITAGE IMPACT ASSESSMENT 2.1. ECCEZIONALE VALORE UNIVERSALE DEL PATRIMONIO MONDIALE 2.2. METODOLOGIA HERITAGE IMPACT ASSESSMENT 2.3. FONTI DEI DATI _____________________________________________________________________________________________________ 3. VICENZA, STORIA E SVILUPPO 3.1. ANDREA PALLADIO E IL PAESAGGIO STORICO URBANO DI VICENZA 3.2. LE VILLE DEL PALLADIO E IL PAESAGGIO RURALE _____________________________________________________________________________________________________ 4. LA PROPRIETA DEL PATRIMONIO MONDIALE 4.1. LA PROPRIETÀ 4.2. ECCEZIONALE VALORE UNIVERSALE 4.3. TUTELA E GESTIONE 4.4.1. Leggi di tutela 4.4.2. Pianifi cazione territoriale e urbanisti ca 4.4.2.1. Nazionale 4.4.2.2. Regionale 4.4.2.3. Locale 4.4.3. Conservazione del patrimonio culturale e paesaggisti co 4.4.4. Tutela ambientale 4.4.5. Piano di Gesti one del Sito _____________________________________________________________________________________________________ 5. PROGETTI DI TRASFORMAZIONE 5.1. INTRODUZIONE 5.2. PROGETTI DI TRASFORMAZIONE 5.2.1. Insediamento militare Usa Setaf ‘Del Din’ e parco della pace 5.2.2. Insediamento di desti nazioni miste nell’area dell’ex Cotonifi cio Cotorossi 5.2.3. Progett o della linea ferroviaria AC di collegamento Milano-Venezia 5.2.4. Tangenziali di Vicenza 5.2.5. Progett o di riqualifi cazione dell’ex complesso ‘San Biagio’ 5.2.6. Previsione urbanisiti che del PI in prossimità di Villa Trissino Cricoli 5.3. PREVISIONI DI TRASFORMAZIONI _____________________________________________________________________________________________________ 6. VALUTAZIONE DELL’IMPATTO SULL’ ECCEZIONALE VALORE UNIVERSALE 6.1. -
Putri Sulistyowati Sasongko 28/05/15 Modern Approach of Conserving
Modern Approach of Conserving Historic Buildings ‘Castelvecchio & Palazo Chiericati’ By Putri Sulistyowati Sasongko Kingston University London The Journey to Observe and Study the Buildings from the Trip to Italy, 23 – 27 March 2015. The study trip itinerary had provided the list of from the study trip, focusing on the observation historic buildings that are mostly designed by of conservation works on both Castelvecchio Andrea Palladio, an internationally well-known (Verona) and Palazzo Chiericati (Vicenza). Italian architect from the 16th Century. With the Even though Castelvecchio was not designed influence of Greek and Roman style by Palladio, the castle was chosen along with architecture, he also produced many of Palazzo Chiericati to be part of the case study, renaissance style buildings. Palladio is focusing on their similar approaches of the considered as one of the most influential conservation works for the building. architects in the history of European architecture. Many of his works were found in all over Italy. However, the three points of areas of study are in Vicenza, Verona, and Venice. With its historic buildings that were born earlier than United Kingdom, the Italian style architecture influenced the United Kingdom and showed the resemblance in many of the Figure 1. Castelvecchio, Restored by Carlo Scarpa in 1958 – buildings as well. Therefore, it shows that 1974 (by writer) nothing is really ‘pure’ in architecture styles, design and art- they are the group and compilations of everything that were affecting the object. This trip was considered as an architectural trail for where the students were trying to find and history and character of Italian architecture. -
Ancient Battles Guido Beltramini
Ancient Battles Guido Beltramini In 1575 Palladio published an illustrated Italian edition of Julius Caesar’s Commentaries. Five years later, his death halted the publication of Polybius’ Histories, which included forty-three engravings showing armies deployed at various battles: from Cannae to Zamas, Mantinea and Cynoscephalae. At the height of his career, Palladio invested time, energy and money into two publishing ventures far removed from architecture. In fact the two publications were part of a world of military matters which had attracted Palladio’s interest since his youth, when it formed an integral part of his education undertaken by Giangiorgio Trissino. As John Hale has shown, sixteenth-century Venice was one of the most active centres in Europe for military publications dealing with matters such as fortifications, tactics, artillery, fencing and even medicine. The distinguishing element in the Venetian production of such books was the widespread belief in the importance of the example of the Classical Greek and Roman writers, shared by men of letters and professional soldiers. This was combined with particular care shown towards the reader. The books were supplemented with tables of contents, indices, marginal notes and even accompanied by the publication of compendia illustrating the texts, such as the series entitled Gioie (‘Gems’) which Gabriele Giolito published from 1557 to 1570 (Hale 1980, pp. 257-268). Fig 1: Valerio Chiericati, manuscript of Della Many of the leading players in this milieu were linked to Trissino, albeit Milizia. Venice, Museo Correr, MS 883 in different ways: cultivated soldiers like Giovan Jacopo Leonardi, the Vicentine Valerio Chiericati (fig. -
Dal Centro Di Vicenza Al Lago Di Fimon
Passeggiandoinbicicletta.it In bicicletta dal Centro di Vicenza al Lago di Fimon Da vedere: VICENZA Il toponimo della bellissima Vicenza ha delle origini un po’ incerte: sembra e che il primo nome dato dai veneti alla città sia stato Berga, nome totalmente variato dai romani che la chiamarono Vicetia o Vincentia o Vicentia (forse dal nome della tribù che venne a colonizzarne il territorio). Vicenza è senza dubbio una fra le più antiche città del Veneto anche se la sua storia precedente la dominazione romana è poco nota; è possibile attribuire la sua fondazione agli Euganei molto prima che Roma conquistasse il Veneto (177-178 a.C.). Dopo gli Euganei vi furono i Paleoveneti e poi ancora i Galli che dominarono il territorio fino al 157 a.C., anno in cui subentrarono i Romani. Durante l'impero romano la città divenne ricca e prosperosa; alle bellezze naturali del luogo in cui sorgeva si aggiunsero bellezze artistiche: sono arrivati sino a noi i resti del teatro Berga, degli acquedotti ,della via Postumia, a dimostrazione della ricchezza della Vicenza romana (che fu anche sede temporanea dell'imperatore Teodosio). Dopo la caduta dell’impero e la successiva calata in Italia dei Barbari anche questa città conobbe la guerra e la distruzione e ritornò a fiorire solo con la venuta degli Ostrogoti e di Teodorico il Grande (493-526). Pace e tranquillità purtroppo non durarono a lungo: i Bizantini, infatti, conquistarono l’ Italia e solo dopo pochi anni i Longobardi conquistarono Vicenza, per essere poi soppiantati dai Franchi. Nel periodo vescovile (precedentemente all'era dei Comuni) Vicenza si risollevò perché i suoi vescovi lavorarono per tener lontane le varie famiglie feudali che la attorniavano: i signori di Marostica, di San Bonifacio, di Bassano ma dovette cedere di fronte ai signori più potenti: gli Ezzelini prima, i Carraresi, gli Scaligeri e i Visconti poi, sino a quando, nel 1404, la città si diede spontaneamente alla Repubblica di Venezia. -
A Formal Language for Palladian Palazzo Façades Represented by A
Buthayna H. Eilouti Research Department of Architectural A Formal Language for Palladian Palazzo Engineering Jordan University of Science Façades Represented by a String and Technology Recognition Device POB 3030 Irbid 22110, JORDAN Abstract. This article represents an effort to reveal a new [email protected] interpretation of the expression ‘the architectural language of Palladian designs’ that is closer to real linguistic paradigms than Keywords: architectural it usually means. Palladian designs exhibit a highly ordered and language, string recognition, well articulated formal language comprised of a finite set of visual study, design vocabulary elements in plan, elevation and volumetric treatment, computation, Palladian together with an implicit set of mathematical rules for the language, finite state automata, arrangement of these rudimentary elements. The scope of this FSA application, façade article is limited to the morphology of the façades of the first morphology nine buildings shown in the second book of Palladio’s treatise, specifically the palazzo designs that he presents in chapter three. The morphology is described in terms of a symbolic encoding system that is represented textually and graphically as a finite state automaton, the concept of which is borrowed from theories of formal languages and computation. The system helps to emphasize commonalities in façade languages and to propose a prototype for generating Palladian palazzo façade designs. The automaton-based encoding system may be developed to function as a base for a computerized façade encoder and decoder. Regular language processing and recognition Studies of formal languages, and their structural and computational representations in linguistics, computer science and related fields as well as their applications, are well- established (e.g., [Chomsky 1964]; [Aho and Ullman 1972]; [Salomaa 1973]; [Harrison 1978]; [Hopcroft and Ullman 1979]; [Linz 1997]; [Revesz 1983]). -
INTRODUCTION Hospital
INTRODUCTION Hospital Pratical Tips INTRODUCTION CONTENTS WELCOME A brief introduction to USAG Italy 01 | and Family and MWR. VICENZA FACILITIES Information about on-post 02-21 | facilities and services in Vicenza. VICENZA POST MAPS General maps of posts in Vicenza FACILITY INFORMATION 22-23 | with MWR facilities highlighted. A snapshot of everything Family 04 | and MWR offers in USAG Italy. ALL THINGS TRAVEL Information on licenses, traveling, 24-25 | passports and more. FURRY FRIENDS A glimpse of useful information 27 | and tidbits for pet owners. ITALIAN INFO USEFUL INFORMATION Helpful Italian words and phrases Find out helpful information about 28-29 | and local information/traditions. 24 | the community and more! CITIES, MAPS & MORE Get inspired to travel outside the 30-57 | gate with these guides and maps. DARBY FACILITIES Information about on-post 58-63 | facilities and services in Darby. DARBY ON-POST MAP CITY GUIDES A general map of Darby with See a snapshot of cities and places 59 | MWR facilities highlighted. 30 | in and around USAG Italy. Cover Image: Verona, Italy “Go To Guide” designed by: Family and MWR Marketing (Richard Gerke, Beatrice Giometto, Alyssa Olson) Advertising Disclaimer: No federal, DoD or Army endorsement is implied. Interested in advertising with us? Contact Family and MWR Marketing at 0444-61-7992 or at 338-726-4361. INTRODUCTION WELCOME! A WORD FROM USAG ITALY FAMILY AND MWR Welcome to U.S. Army Garrison Italy! USAG Italy is a community of service members, civilians, family members, and Italian military and civilian employees. These Army locations cover a broad region south of the Alps that include: Caserma Ederle, Caserma Del Din and satellite locations around Vicenza, as well as Camp Darby, located in Livorno on Italy’s western coast. -
Shakespeare's
Shakespeare’s Italy Exploring the Bard’s Favorite Italian Towns with Provost Katherine Rowe June 11-19, 2017 Teatro Olimpico / Bradley Grifn Meeting at the Golden Gate by Giotto in Scrovegni Chapel Dear Smith alumnae and friends, You are cordially invited to join Provost Katherine Rowe on a trip to Shakespeare’s Italy, a custom-designed tour created exclusively for Smith College. Our itinerary reads like a compilation of Shakespeare’s greatest hits, spanning Northern Italy’s most attractive historic cities. In Padova, visit the Palazzo Bo, a renaissance anatomy theater that sparked Shakespeare’s interest in poetry of the body, then take in Giotto’s gorgeous Scrovegni Chapel frescoes. Glide through timeless Venice, touring both famous and hidden palaces and churches, going behind-the-scenes at La Fenice Theater, and exploring the Jewish ghetto, setting of The Merchant of Venice. In the beautiful city of Verona, learn about the real historical backdrop to Romeo and Juliet while meandering the old town’s quaint squares, winding streets, and riverfront promenades. Immerse yourself in the great ducal city of Mantova, home to Marchesa Isabella d’Este, an arts patron and political leader who rivaled Elizabeth I. Your home for the week is the delightful Travel with Provost northern Italian city of Vicenza, located just an hour from Venice, and Katherine Rowe famous as the home of Renaissance Please join me in architect Andrea Palladio. His beautiful exploring one of the 16th-century palaces grace the city’s most passionate streets and piazzas, giving Vicenza a and vexed literary stately charm quite diferent from the relationships in more heavily visited tourist cities nearby. -
WEEKEND ANDREA PALLADIO O OLIMPICO O V E C R G O L a G O Vicenza 30 Novembre, 1 E 2 Dicembre 2007 PALAZZO E T
C o n t r PALAZZO à S SCHIO a n M arc o ' d e TEATRO r a l l e t C n a n WEEKEND ANDREA PALLADIO o OLIMPICO o v e C r g o L a G o Vicenza 30 novembre, 1 e 2 dicembre 2007 PALAZZO e t h e e DA PORTO i ona h r CAPPELLA c o c C VALMARANA e V a ne t e i o n h T a r ove S o n n e ' a ta a e C r a n za t G ' PALAZZO n Piazza z PALAZZO BARBARAN a i r o t t n ra C a THIENE DA PORTO o r C a M o at t P og t CASA e n ' o tti F a COGOLLO r PALAZZO t Palladio o n VALMARANA o s Corso C 'Ca C a' a O or PALAZZO r r a C t CHIERICATI o t r i o n LOGGIA DEL d e o CAPITANIO i ori S C e rv PALAZZO BONIN i Sign i LONGARE io Piazza de lad i BASILICA PALLADIANA l Pal o c so n a Cor e i d i b P Pia l r a ' b a E r r i a n t zza Castello a z G a z o P i C t ra' n l o o C C ao o P n S. o t a ' o m r r D u a n t a ' o z z C i a S P . -
Branko Mitrović Andrea Palladio's Villa Cornaro in Piombino Dese
Branko Mitroviü Andrea Palladio’s Villa Cornaro in Piombino Dese As for many of Palladio’s buildings, modern surveys of the Villa Cornaro in Piombino Dese do not exist, are incomplete, omit information about important aspects such as the use of the classical orders, or have been published without dimensions indicated in the plans. The analysis presented here is based on a June 2003 survey of the villa made by Steve Wassell, Tim Ross, Melanie Burke, and author Branko Mitroviü. In his treatise, Palladio listed his preferred room types: circular, square or rectangular with length-to-width ratios 2/1, 3/2, 4/3, 5/3 or 2/1. Half a century ago, this kind of speculative search for the comprehensive interpretation of Palladio’s proportional system received great impetus from Rudolf Wittkower’s Architectural Principles in the Age of Humanism. It is, however, important to differentiate between the derivation of certain proportional rules and their explanation. Wittkower asserted that the use of ornamentation—and especially the orders—did not matter in Palladio’s design process. Refuting this theory, Mitroviü argues that Palladio, in the early 1550, formulated a very different approach to the use of the orders, combining the principle of preferred room proportions and the use of a columnar system to determine the placement of walls. The proportions of the main sala and porticos are derived on the basis of the proportional rules for the order used; the proportions of the side rooms on the basis of preferred ratios. Ultimately, the result is that the mathematics of the orders became decisive for Palladio’s design principles and the use of proportions from the early 1550s. -
Palladio, a Model for the Architecture of Classical Europe
Architectural Styles Palladio, a model for the architecture of classical Europe Jean POTEL ABSTRACT Beginning in the sixteenth century, European architecture—in the same manner as painting, sculpture, and more broadly all forms of artistic expression—fell into tune with an Italian art that had already been renewing itself for nearly a century on ancient models. While the Rome of Julius II (pontiff from 1503 to 1513) and his successors drew the attention of the majority of nations, such as the Holy Roman Empire and Spain, others such as England, the United Provinces, and more discreetly France were enthusiastic about the work of the Vicentine Andrea Palladio (1508-1580). While the productions of this contemporary of the painter Veronese were mostly limited to the secondary artistic centers of the continental territories of the Republic of Venice (modern-day Veneto), they were behind an architectural movement unique to the Old World, one that took its creator’s name and thereby attesting to the incredible success of his manner: Palladianism. Jacob van Campen (1595-1657), home of count Jean-Maurice de Nassau-Siegen, known as Mauritshuis, The Hague (the Netherlands), 1633-1644. Source : Wikimedia Commons. The Origins of Palladianism Born in Padua and long active in Vicenza, two cities dominated by Venice, Pietro della Gondola (1508-1580) had an exceptional career. A mason by formation, he befriended the humanists Giorgio Trissino (1478-1550), who renamed him Palladio, and Daniele Barbaro (1514-70), whom he assisted in the latter’s commented translation of Vitruvius’s treatise on Latin architecture (1556), two encounters that were behind the extraordinary esthetic and conceptual revolution of his art. -
Pieghevole Palazzo Chiericati
IL MUSEO DI VICENZA DI MUSEO IL Il palazzo, progettato nel 1550 per Girolamo Chiericati, Foto di Luca Girardini Luca di Foto è uno dei massimi capolavori di Andrea Palladio. Impreziosito da affreschi e stucchi, e arricchito da una delle più prestigiose raccolte civiche europee, per l’eccezionale importanza culturale Palazzo Chiericati è Patrimonio mondiale dell’Umanità UNESCO. Museo civico di Palazzo Chiericati Piazza Matteotti 37/39 Palazzo Chiericati 36100 Vicenza Il Comune di Vicenza acquistò il palazzo nel Uffici 1839 dalla famiglia Chiericati per accogliervi le Levà degli Angeli, 11 civiche collezioni d’arte. Restaurato, ampliato 36100 Vicenza e riadattato alla nuova funzione, il museo fu Info inaugurato il 18 agosto del 1855. Il complesso 0444 222811 museale è attualmente composto da tre edifici: [email protected] il corpo palladiano e gli ampliamenti realizzati www.museicivicivicenza.it nell’Ottocento e nel Novecento. Orari Il museo ospita oggi una collezione composta Invernale 9-17 di dipinti, sculture e arti applicate, che va dal Estivo 10-18 Duecento fino ai primi anni 2000. Nei depositi, Chiuso tutti i lunedì, 25 dicembre e 1 gennaio visitabili su richiesta, sono inoltre disponibili le collezioni di grafica e numismatica. Biglietti Singolo: intero €7, ridotto €5, scuole €2 Il restauro dell’intero complesso è ancora in corso: Biglietto unico per visita di 8 sedi museali: intero €15, al momento sono aperti al pubblico il percorso ridotto €12, scuole €5 espositivo dal Duecento al Seicento e il Lascito Giuseppe Roi. Per altre tipologie di biglietti, riduzioni e gratuità contattare il call center 0444 964380 (dal lunedì al venerdì 9.00-18.00 - sabato 9.00-14.00) o consultare il sito www.museicivicivicenza.it Piano interrato Prenotazioni: [email protected] - www.ticketlandia.com Aperto nel 2012 grazie a un attento restauro, è ora Biglietteria e infopoint: IAT Piazza Matteotti 12, Vicenza destinato a ospitare mostre temporanee. -
Italy's Capital of Gold
.. THE NEW YORK TIMES INTERNATIONAL EDITION SATURDAY-SUNDAY, SEPTEMBER 22-23, 2018 | 11 PHOTOGRAPHS BY CLARA VANNUCCI FOR THE NEW YORK TIMES Italy’s capital of gold Many residents create jewelry. So did their ancestors. VICENZA, ITALY to a centuries-old weekly market, a le- gion of aperitivo bars where evening crowds gather in this wine-loving town, BY LAURA RYSMAN and the storefronts of 10 independent jewelry businesses. Vicenza is quaintly medieval at its cen- There were 15 such shops on this piaz- ter, a dense jumble of old butter-toned za already in the 1300s; Soprana, the dwellings along narrow byways that oc- house that today has been at its piazza casionally give way to some of the Ren- location the longest, was founded in 1770 aissance’s most elegant architecture, by the family of jewelers that had made but these structures mask an industrial the famed precious crown for a statue of might that has made this small city Ita- the Virgin Mary in the Church of St. ly’s most productive capital of jewelry. Mary of Monte Berico nearby. “We were born to do this kind of The piazza is dominated by the thing,” said Roberto Coin, whose name- slightly leaning (but still functioning) sake company is one of Vicenza’s most 14th-century Bissara clock tower; by successful brands worldwide. “We were two towering columns, topped by stat- born to create beauty, we were born to ues of Christ the Redeemer and the create new ideas. It’s in our DNA. It’s winged lion that symbolizes Venice, the what we know how to do.” Nearly 10 per- lagoon city about 50 miles east that cent of the 100,000-plus population is ruled Vicenza in the 15th century; and employed in the jewelry sector, and by the 16th-century Basilica Palladiana, teenagers can replace high school with with its stately double row of white mar- jewelry studies at the Scuola d’Arte e ble arches by Andrea Palladio, the most Mestieri.